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Årsrapport 2018 Annual Report 2018 Nftvf 2018 ÅRSRAPPORT 2018 ANNUAL REPORT 2018 NFTVF 2018 ÅRSRAPPORT 2018 ANNUAL REPORT 2018 1 NFTVF 2018 NFTVF 2018 INNHOLD CONTENTS 04 06 08 24 30 34 OM NORDISK FILM & TV FOND I ENDRINGENES TEGN FIKSJON - FILM OG TV NORDISK FILM & TV FONDS PRIS NORDISKE TALENTER NORDISK RÅDS FILMPRIS ABOUT NORDISK FILM & TV FOND IN THE MIDDLE OF CHANGES FICTION – FILM AND TV NORDISK FILM & TV FOND PRIZE NORDIC TALENTS THE NORDIC COUNCIL FILM PRIZE 12 16 21 42 48 60 DOKUMENTAR BARN OG UNGE – DISTRIBUSJON ÅRET 2018 RESULTAT, BALANSE OG STØTTEDE PROSJEKTER DOCUMENTARY EN PRIORITET DISTRIBUTION THE YEAR 2018 NOTEOPPLYSNINGER PROJECTS FUNDED CHILDREN AND YOUTH – PROFIT AND LOSS, BALANCE AND A PRIORITY NOTE INFO 2 3 NFTVF 2018 NFTVF 2018 OM NORDISK FILM & TV FOND ABOUT NORDISK FILM & TV FOND Driften av Nordisk Film & TV Fond er basert MÅLSETTINGER OG INDIKATORER The operation of Nordisk Film & TV Fond is based GOALS AND INDICATORS på en avtale mellom 18 partnere: Nordisk on an agreement between 18 partners: the Nordic ministerråd, 5 nordiske filminstitutter og 12 Fondets langsiktige mål er å støtte og utfordre Council of Ministers, 5 Nordic Film Institutes, and 12 The long-term goals of the Fund are to support and nordiske TV-stasjoner. De står for det aller meste talentene til å skape varierte lokale filmer og Nordic TV stations. They provide a great majority (in challenge the talents in creating diverse, local films (i 2018: 98 %) av vårt årlige budsjett på NOK 108 TV-dramaer som fremmer nordisk særpreg og 2018: 98%) of our annual budget of NOK 108 million, and TV-dramas that sustain the Nordic brand and millioner, basert på en femårig avtale for årene opprettholder sin relevans for et nordisk og based on a five-year agreement for 2015-2019. The keep their relevance for Nordic and international 2015-2019. Avtalen vil bli fornyet i 2019. internasjonalt publikum. agreement will be renewed in 2019. audiences. VISJON OG STRATEGI Internt holder vi Fondets politikk oppdatert og VISION AND STRATEGY Internally, we keep the Fund´s policies up to date and relevant for våre interessenter og vårt publikum. relevant to our stakeholders and audiences. Nordisk Film & TV Fonds visjon er å heve The Vision of Nordisk Film & TV Fond is to increase kvaliteten og øke publikumsoppslutningen for Vi evaluerer vår suksess på årlig basis ved å the quality and audience of Nordic Film and TV We evaluate our success yearly by looking at results nordiske filmer og TV-dramaer. Dette gjør vi sammenligne resultater med våre forventninger Drama. We do this by financially supporting and against our expectations for the projects supported, ved å promotere og gi økonomisk støtte til film- til prosjektene som har fått støtte, gjennom promoting film and TV drama productions made through indicators such as admissions, sales, ratings, og TV-dramaproduksjoner laget av selskaper i indikatorer som publikumsantall, salg, by companies in the Nordic region. We also support festival results, impact and debate. Norden. Vi støtter også distribusjon av filmer, og seeroppslutning, festivalresultater, innvirkning og distribution of films and development of the industry. bransjeutvikling. debatt. We want to strengthen the Nordic content and We collect statistical information on applications, creative talent, to broaden the audience access, to use questionnaires and surveys from event organisers, Vi ønsker å styrke nordisk innhold og kreative Vi samler inn statistisk informasjon om søknader, increase political awareness of Nordic film and TV, and feedback from applicants and meetings with the talenter, forbedre publikumstilgangen, øke den benytter oss av spørreskjemaer og undersøkelser and to support the Nordic brand in a global market. Fund´s partners to reflect upon trends and changes. politiske bevisstheten om Nordisk film og TV, fra arrangører, tilbakemeldinger fra søkere, og og å støtte det nordiske særpreget i et globalt møter med Fondets partnere, for å reflektere We provide top-up funding for projects of high marked. over trender og endringer. quality, audience reach, and distribution potential outside their home country. We also fund networking Vi gir toppfinansiering til prosjekter av høy events and initiatives. kvalitet og med publikumspotensial og distribusjonspotensial utenfor hjemlandet. In evaluation of projects applying for production Vi støtter også arrangementer og tiltak for funding, guaranteed distribution commitments, nettverksbygging. marketing and distribution plans and estimates as specified in our Guidelines and Funding Policy play a I vurderingen av prosjekter som søker om significant role. produksjonsstøtte, vil det legges stor vekt på bindende distribusjonsavtaler, markedsførings- og distribusjonsplaner og estimater slik de er spesifisert i våre retningslinjer og finansieringspolitikk. 4 5 NFTVF 2018 NFTVF 2018 I ENDRINGENES TEGN IN THE MIDDLE OF CHANGES PETRI KEMPPINEN ©NORDISK FILM & TV FOND BIRGIT SOLHAUG 2018 var et nytt spennende år for den nordiske Likestillingsspørsmål innen Med vårt nye tiltak Nordic 2018 was another exciting year in the Nordic film and film- og TV-bransjen. Vi står, om ikke midt i film- og TV-produksjon er Distribution Boost forsøker vi å se TV industry. We are, if not in the heart of the storm, stormen, så i hvert fall midt oppe i endringer, noe fortsatt en relevant og berettiget enda nærmere på dette problemet. at least in the middle of changes. This was reflected in som gjenspeilte seg i vårt «familiemøte» mellom problemstilling på mange nivåer. Vi regner med at et fokus på our biannual “family meeting” between our partners. våre partnere som avholdes annen hvert år. Ifølge våre statistikker ble det prosjekter i utviklingsfasen og gitt støtte til en viss overvekt av hovedpersonene bak dem vil lønne Global and regional SVOD players have become Regarding directors, the picture is Globale og regionale SVOD-aktører er blitt mer prosjekter produsert av kvinner enn seg i lengden. To andre områder more active in acquiring and commissioning drama still very biased: 61% are male and aktive når det gjelder å kjøpe inn og bestille av menn. Når det gjelder regissører, i søkelyset er dokumentarer series, public broadcasters fought back with the 29% female, while 10% of the projects dramaserier, allmennkringkastere slo tilbake med er bildet fremdeles svært skjevt: 61 og filmer for barn og ungdom. N12 initiative, private TV-stations increased their (mostly TV series) had men and women N12-tiltaket, private TV-kanaler økte samarbeidet % er menn og 29 % er kvinner, mens Dokumentarfilmens publikum, og collaboration, and consolidation is taking place. sharing this role. seg imellom, og det foregår en konsolidering. i 10 % av prosjektene (vanligvis TV- utfordringer ved filmproduksjon serier) deler menn og kvinner denne for de yngste, er emner vi vil se Whatever the size of the screen, stories have no In 2018, Nordisk Film & TV Fond was Uansett skjermstørrelse har ikke gode historier rollen. nærmere på i 2019. problem delivering. Just to name one example among – due to recoupment – able to spend noen problemer med å levere. For bare å nevne the several exciting new series – Rides Upon the Storm more resources than ever on funding. ett eksempel blant de mange spennende nye I 2018 var Nordisk Film & TV Fond - På tampen av det travle fjoråret (Herrens veje) by Adam Price, the winner of our prize Total support amounted to NOK development phase and their key seriene – Herrens veier (Herrens veje) av Adam på grunn av tilbakebetaling – i stand hadde vi mange gode samtaler med for best screenwriting, received immensely praising 104.65 million, an increase of almost creators, will be beneficial in the long Price, vinneren av vår pris for Beste manus, fikk til å bruke større ressurser enn noen våre finansieringspartnere for å reactions everywhere it was shown. 10% compared to the previous year. The run. Two other areas in our spotlight enormt positive reaksjoner overalt der den ble gang på finansiering. Den totale forberede oss på 2019, og vi fornyet main trend is the increased demand are documentaries and content for vist. summen beløp seg til NOK 104,65 Fondets femårige avtale. En mer Nordic films brought home several recognitions from to finance TV drama series, where children and youth. Viewership of millioner, en økning på nesten åpen struktur i Fondets avtale og renowned festivals. Prizes are always a reflection of we have received many more projects documentaries and challenges of Nordiske filmer tok med seg flere påskjønnelser 10% , sammenlignet med året før. den nye finansieringsmodellen ble an era, but to me for instance Ali Abbasi´s Border with diversified topics and excellent producing for the youngest are topics tilbake fra kjente festivaler. Filmpriser gjenspeiler Hovedtendensen er økt etterspørsel møtt med bred aksept. Jeg opplever (Gräns), Un Certain Regard winner at Cannes, distribution. we will take a closer look at in 2019. alltid sin egen tid, men for meg representerer etter finansiering for dramaserier på dette som en stor tillitserklæring, and Woman at War (Kona fer ì strìð) by Benedikt for eksempel Ali Abbasis Grensen (Gräns), som TV, der vi har mottatt mange flere og et ypperlig grunnlag for 2020 og Erlingsson, rewarded with the Nordic Council Film Feature films seem to have some Rounding up the busy year were the vant Un Certain Regard i Cannes, og Kvinne prosjekter med varierte temaer og årene deretter! Prize, represent something refreshingly new, both in identity issues. By this, I mean that many good talks with our funding på krigsstien (Kona fer ì strìð) av Benedikt fremragende distribusjon. their themes and ways of filmmaking. some of them remain very national. partners, in preparation for 2019, and Erlingsson, hedret med Nordisk råds filmpris, noe Petri Kemppinen Especially the so-called ”medium the renewal of the Fund´s five-year forfriskende nytt, både i valg av tema og innen Spillefilmer synes å ha visse Direktør It was equally mind-blowing to see the new sized” films are suffering in their agreement.
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