DOCSLIB.ORG

Årsrapport 2018 Annual Report 2018 Nftvf 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

ÅRSRAPPORT 2018 ANNUAL REPORT 2018 NFTVF 2018 ÅRSRAPPORT 2018 ANNUAL REPORT 2018 1 NFTVF 2018 NFTVF 2018 INNHOLD CONTENTS 04 06 08 24 30 34 OM NORDISK FILM & TV FOND I ENDRINGENES TEGN FIKSJON - FILM OG TV NORDISK FILM & TV FONDS PRIS NORDISKE TALENTER NORDISK RÅDS FILMPRIS ABOUT NORDISK FILM & TV FOND IN THE MIDDLE OF CHANGES FICTION – FILM AND TV NORDISK FILM & TV FOND PRIZE NORDIC TALENTS THE NORDIC COUNCIL FILM PRIZE 12 16 21 42 48 60 DOKUMENTAR BARN OG UNGE – DISTRIBUSJON ÅRET 2018 RESULTAT, BALANSE OG STØTTEDE PROSJEKTER DOCUMENTARY EN PRIORITET DISTRIBUTION THE YEAR 2018 NOTEOPPLYSNINGER PROJECTS FUNDED CHILDREN AND YOUTH – PROFIT AND LOSS, BALANCE AND A PRIORITY NOTE INFO 2 3 NFTVF 2018 NFTVF 2018 OM NORDISK FILM & TV FOND ABOUT NORDISK FILM & TV FOND Driften av Nordisk Film & TV Fond er basert MÅLSETTINGER OG INDIKATORER The operation of Nordisk Film & TV Fond is based GOALS AND INDICATORS på en avtale mellom 18 partnere: Nordisk on an agreement between 18 partners: the Nordic ministerråd, 5 nordiske filminstitutter og 12 Fondets langsiktige mål er å støtte og utfordre Council of Ministers, 5 Nordic Film Institutes, and 12 The long-term goals of the Fund are to support and nordiske TV-stasjoner. De står for det aller meste talentene til å skape varierte lokale filmer og Nordic TV stations. They provide a great majority (in challenge the talents in creating diverse, local films (i 2018: 98 %) av vårt årlige budsjett på NOK 108 TV-dramaer som fremmer nordisk særpreg og 2018: 98%) of our annual budget of NOK 108 million, and TV-dramas that sustain the Nordic brand and millioner, basert på en femårig avtale for årene opprettholder sin relevans for et nordisk og based on a five-year agreement for 2015-2019. The keep their relevance for Nordic and international 2015-2019. Avtalen vil bli fornyet i 2019. internasjonalt publikum. agreement will be renewed in 2019. audiences. VISJON OG STRATEGI Internt holder vi Fondets politikk oppdatert og VISION AND STRATEGY Internally, we keep the Fund´s policies up to date and relevant for våre interessenter og vårt publikum. relevant to our stakeholders and audiences. Nordisk Film & TV Fonds visjon er å heve The Vision of Nordisk Film & TV Fond is to increase kvaliteten og øke publikumsoppslutningen for Vi evaluerer vår suksess på årlig basis ved å the quality and audience of Nordic Film and TV We evaluate our success yearly by looking at results nordiske filmer og TV-dramaer. Dette gjør vi sammenligne resultater med våre forventninger Drama. We do this by financially supporting and against our expectations for the projects supported, ved å promotere og gi økonomisk støtte til film- til prosjektene som har fått støtte, gjennom promoting film and TV drama productions made through indicators such as admissions, sales, ratings, og TV-dramaproduksjoner laget av selskaper i indikatorer som publikumsantall, salg, by companies in the Nordic region. We also support festival results, impact and debate. Norden. Vi støtter også distribusjon av filmer, og seeroppslutning, festivalresultater, innvirkning og distribution of films and development of the industry. bransjeutvikling. debatt. We want to strengthen the Nordic content and We collect statistical information on applications, creative talent, to broaden the audience access, to use questionnaires and surveys from event organisers, Vi ønsker å styrke nordisk innhold og kreative Vi samler inn statistisk informasjon om søknader, increase political awareness of Nordic film and TV, and feedback from applicants and meetings with the talenter, forbedre publikumstilgangen, øke den benytter oss av spørreskjemaer og undersøkelser and to support the Nordic brand in a global market. Fund´s partners to reflect upon trends and changes. politiske bevisstheten om Nordisk film og TV, fra arrangører, tilbakemeldinger fra søkere, og og å støtte det nordiske særpreget i et globalt møter med Fondets partnere, for å reflektere We provide top-up funding for projects of high marked. over trender og endringer. quality, audience reach, and distribution potential outside their home country. We also fund networking Vi gir toppfinansiering til prosjekter av høy events and initiatives. kvalitet og med publikumspotensial og distribusjonspotensial utenfor hjemlandet. In evaluation of projects applying for production Vi støtter også arrangementer og tiltak for funding, guaranteed distribution commitments, nettverksbygging. marketing and distribution plans and estimates as specified in our Guidelines and Funding Policy play a I vurderingen av prosjekter som søker om significant role. produksjonsstøtte, vil det legges stor vekt på bindende distribusjonsavtaler, markedsførings- og distribusjonsplaner og estimater slik de er spesifisert i våre retningslinjer og finansieringspolitikk. 4 5 NFTVF 2018 NFTVF 2018 I ENDRINGENES TEGN IN THE MIDDLE OF CHANGES PETRI KEMPPINEN ©NORDISK FILM & TV FOND BIRGIT SOLHAUG 2018 var et nytt spennende år for den nordiske Likestillingsspørsmål innen Med vårt nye tiltak Nordic 2018 was another exciting year in the Nordic film and film- og TV-bransjen. Vi står, om ikke midt i film- og TV-produksjon er Distribution Boost forsøker vi å se TV industry. We are, if not in the heart of the storm, stormen, så i hvert fall midt oppe i endringer, noe fortsatt en relevant og berettiget enda nærmere på dette problemet. at least in the middle of changes. This was reflected in som gjenspeilte seg i vårt «familiemøte» mellom problemstilling på mange nivåer. Vi regner med at et fokus på our biannual “family meeting” between our partners. våre partnere som avholdes annen hvert år. Ifølge våre statistikker ble det prosjekter i utviklingsfasen og gitt støtte til en viss overvekt av hovedpersonene bak dem vil lønne Global and regional SVOD players have become Regarding directors, the picture is Globale og regionale SVOD-aktører er blitt mer prosjekter produsert av kvinner enn seg i lengden. To andre områder more active in acquiring and commissioning drama still very biased: 61% are male and aktive når det gjelder å kjøpe inn og bestille av menn. Når det gjelder regissører, i søkelyset er dokumentarer series, public broadcasters fought back with the 29% female, while 10% of the projects dramaserier, allmennkringkastere slo tilbake med er bildet fremdeles svært skjevt: 61 og filmer for barn og ungdom. N12 initiative, private TV-stations increased their (mostly TV series) had men and women N12-tiltaket, private TV-kanaler økte samarbeidet % er menn og 29 % er kvinner, mens Dokumentarfilmens publikum, og collaboration, and consolidation is taking place. sharing this role. seg imellom, og det foregår en konsolidering. i 10 % av prosjektene (vanligvis TV- utfordringer ved filmproduksjon serier) deler menn og kvinner denne for de yngste, er emner vi vil se Whatever the size of the screen, stories have no In 2018, Nordisk Film & TV Fond was Uansett skjermstørrelse har ikke gode historier rollen. nærmere på i 2019. problem delivering. Just to name one example among – due to recoupment – able to spend noen problemer med å levere. For bare å nevne the several exciting new series – Rides Upon the Storm more resources than ever on funding. ett eksempel blant de mange spennende nye I 2018 var Nordisk Film & TV Fond - På tampen av det travle fjoråret (Herrens veje) by Adam Price, the winner of our prize Total support amounted to NOK development phase and their key seriene – Herrens veier (Herrens veje) av Adam på grunn av tilbakebetaling – i stand hadde vi mange gode samtaler med for best screenwriting, received immensely praising 104.65 million, an increase of almost creators, will be beneficial in the long Price, vinneren av vår pris for Beste manus, fikk til å bruke større ressurser enn noen våre finansieringspartnere for å reactions everywhere it was shown. 10% compared to the previous year. The run. Two other areas in our spotlight enormt positive reaksjoner overalt der den ble gang på finansiering. Den totale forberede oss på 2019, og vi fornyet main trend is the increased demand are documentaries and content for vist. summen beløp seg til NOK 104,65 Fondets femårige avtale. En mer Nordic films brought home several recognitions from to finance TV drama series, where children and youth. Viewership of millioner, en økning på nesten åpen struktur i Fondets avtale og renowned festivals. Prizes are always a reflection of we have received many more projects documentaries and challenges of Nordiske filmer tok med seg flere påskjønnelser 10% , sammenlignet med året før. den nye finansieringsmodellen ble an era, but to me for instance Ali Abbasi´s Border with diversified topics and excellent producing for the youngest are topics tilbake fra kjente festivaler. Filmpriser gjenspeiler Hovedtendensen er økt etterspørsel møtt med bred aksept. Jeg opplever (Gräns), Un Certain Regard winner at Cannes, distribution. we will take a closer look at in 2019. alltid sin egen tid, men for meg representerer etter finansiering for dramaserier på dette som en stor tillitserklæring, and Woman at War (Kona fer ì strìð) by Benedikt for eksempel Ali Abbasis Grensen (Gräns), som TV, der vi har mottatt mange flere og et ypperlig grunnlag for 2020 og Erlingsson, rewarded with the Nordic Council Film Feature films seem to have some Rounding up the busy year were the vant Un Certain Regard i Cannes, og Kvinne prosjekter med varierte temaer og årene deretter! Prize, represent something refreshingly new, both in identity issues. By this, I mean that many good talks with our funding på krigsstien (Kona fer ì strìð) av Benedikt fremragende distribusjon. their themes and ways of filmmaking. some of them remain very national. partners, in preparation for 2019, and Erlingsson, hedret med Nordisk råds filmpris, noe Petri Kemppinen Especially the so-called ”medium the renewal of the Fund´s five-year forfriskende nytt, både i valg av tema og innen Spillefilmer synes å ha visse Direktør It was equally mind-blowing to see the new sized” films are suffering in their agreement.
Recommended publications
  • Krigen Mot Ryssarna I Vin­ Också En Utmarkelse Av Den Fin­ Det Er Imidlertid Tre Artikler Om Program.» Kultur

    Krigen Mot Ryssarna I Vin­ Också En Utmarkelse Av Den Fin­ Det Er Imidlertid Tre Artikler Om Program.» Kultur

    Stiftelsen norsk Okkupasjonshistorie, 2014 UAVHENGIG AVIS Nr.6 - 1992 - 41. årgang Finsk godgjøreIse KULTUR ER BASISVARE, til utenlandske IKHESTORMARKEDPRODUKT Jeg har skummet dagens A v Frederik Skaubo med overskrift: Rambo eller krigsdeltagere Morgenblad og bl.a. merket Rimbaud? hvor han angriper Efter 50 år får de svenska sol­ ersattning på knappt 1.500 kro­ meg datoen, 8. mai, som jo så selv om avskaffelse av familien det syn at staten (myndighe­ dater som frivilligt hjiilpte Fin­ nor får alla frivillige utlanningar absolutt gir grunn til ettertanke. var oppført på kommunistenes tene) også har noe ansvar for land i krigen mot ryssarna i vin­ också en utmarkelse av den fin­ Det er imidlertid tre artikler om program.» kultur. Han er såvisst ikke opp­ ter och fortsattningskriget 1939- ska staten. Ersattningen ar mera et annet viktig emne, jeg her fes­ Et fenomen idag er f.eks. at tatt av kultur som identitets­ 45 ekonomisk ersattning. en symbolisk gest av Finland tet meg ved. Hver for seg avkla­ mens Høyre med pondus pro­ fremmende, tradisjonsbevaren­ Det var i samband med det som i år firar sitt 75-års jubi­ rende, tildels avslørende i for­ klamerer en politikk bygget på de, kvalitetsskapende og estetisk årliga firandet av veterandagen i leum. bindelse med vårt kultursyn. De «det kristne verdigrunnlag ... og etisk oppdragende. Nesten Finland som regeringen fattade Framfor allt fOr de ester som er dessuten aktuelle også når vil forholdet for de flestes ved­ mer anarkistisk enn liberal går beslut om att hedra de 5.000 frivilligt deltog i striderna på denne avis kommer ut.
  • Mynter Og Sedler

    Mynter Og Sedler

    2792 2819 2503 2740 2991 Jubileumsauksjon 200 Mynter og sedler Fredag 13. oktober klokken 16.00 Auksjonen avholdes i Østensjøveien 29, 0661 Oslo www.skanfil.no Kjære kunde! Dear customer! Skanfils JUBILEUMSAUKSJON 200 blir den største Storauksjonen vi Skanfil’s 200th ANNIVERSARY AUCTION, is the largest public har hatt noen gang, med et samlet utrop på nær 11,3 millioner auction ever, with a total estimate of almost 11.3 million kroner. kroner. Auksjonen pågår over tre dager, med diverse samlegjenstander The auction takes place over three days. Various collectibles on torsdag 12. oktober, numismatikk fredag 13. oktober og filateli / Thursday October 12th. Coins and banknotes on Friday October postkort lørdag 14. oktober. Vi lager tre separate kataloger for å 13tt. Philately (incl. postcards) on Saturday October 14th. markere jubileet ytterligere. Takk til alle bidragsytere - mange Three separate jubilee catalogues will be printed for this event. innleverere har gravd ekstra godt i gjemmene til denne begivenheten, We thank numerous vendors for their contribution with lots of noe som har gitt en lang rekke spesielle og fine objekter. good material for this auction. Denne katalogen er over Mynter og sedler og med et omfattende This is the catalog for Coins and banknotes. It is Skanfil’s utbud på alle avdelinger, samt utrop alene på 4.4 millioner. Flotte avdelinger med tallrike årgangsmynter inkl. noen speciedalere, biggest numismatic auction so far with a total estimate of 4.4 en del gullmynter tronet av 20 kr 1883 (!), mange Londonmynter, og million kroner. Fine sections with classic Norwegian coins incl. mange myntsett. Den utenlandske myntavdelingen omfatter bl.a.
  • Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More

    Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More

    Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new.
  • Lasting Legacies

    Lasting Legacies

    Tre Lag Stevne Clarion Hotel South Saint Paul, MN August 3-6, 2016 .#56+0).')#%+'5 6*'(7674'1(1742#56 Spotlights on Norwegian-Americans who have contributed to architecture, engineering, institutions, art, science or education in the Americas A gathering of descendants and friends of the Trøndelag, Gudbrandsdal and northern Hedmark regions of Norway Program Schedule Velkommen til Stevne 2016! Welcome to the Tre Lag Stevne in South Saint Paul, Minnesota. We were last in the Twin Cities area in 2009 in this same location. In a metropolitan area of this size it is not as easy to see the results of the Norwegian immigration as in smaller towns and rural communities. But the evidence is there if you look for it. This year’s speakers will tell the story of the Norwegians who contributed to the richness of American culture through literature, art, architecture, politics, medicine and science. You may recognize a few of their names, but many are unsung heroes who quietly added strands to the fabric of America and the world. We hope to astonish you with the diversity of their talents. Our tour will take us to the first Norwegian church in America, which was moved from Muskego, Wisconsin to the grounds of Luther Seminary,. We’ll stop at Mindekirken, established in 1922 with the mission of retaining Norwegian heritage. It continues that mission today. We will also visit Norway House, the newest organization to promote Norwegian connectedness. Enjoy the program, make new friends, reconnect with old friends, and continue to learn about our shared heritage.
  • Exile, Diplomacy and Texts: Exchanges Between Iberia and the British Isles, 1500–1767

    Exile, Diplomacy and Texts: Exchanges Between Iberia and the British Isles, 1500–1767

    Exile, Diplomacy and Texts Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel (Chair of Medieval and Neo-Latin Literature Westfälische Wilhelms-Universität Münster e-mail: kenen_01@uni_muenster.de) Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) Chr. Göttler (University of Bern) J.L. de Jong (University of Groningen) W.S. Melion (Emory University) R. Seidel (Goethe University Frankfurt am Main) P.J. Smith (University of Leiden) J. Thompson (Queen’s University Belfast) A. Traninger (Freie Universität Berlin) C. Zittel (Ca’ Foscari University of Venice / University of Stuttgart) C. Zwierlein (Freie Universität Berlin) volume 74 – 2021 The titles published in this series are listed at brill.com/inte Exile, Diplomacy and Texts Exchanges between Iberia and the British Isles, 1500–1767 Edited by Ana Sáez-Hidalgo Berta Cano-Echevarría LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. This volume has been benefited from financial support of the research project “Exilio, diplomacia y transmisión textual: Redes de intercambio entre la Península Ibérica y las Islas Británicas en la Edad Moderna,” from the Agencia Estatal de Investigación, the Spanish Research Agency (Ministerio de Economía y Competitividad).
  • Masteroppgave FIF3009 Høst 2011 Nikolaisen

    Masteroppgave FIF3009 Høst 2011 Nikolaisen

    Forord Jeg ønsker å takke alle som har hjulpet meg med denne oppgaven. Først og fremst vil jeg takke min veileder Tore Helseth. Videre vil jeg rekke en stor takk til Nils Klevjer Aas som har bidratt med faglige vurderinger og alltid bistått med hjelp når jeg har trengt det. Den samme takken går til Jan Erik Holst som også har vært hjelpsom og bidratt med veiledning, i tillegg til å stille opp til intervju, hvor han med glede delte alle sine erfaainger. Jeg vil også rette en stor takk til produsent Finn Gjerdrum fra Paradox som også stilte opp til intervju i forbindelse med denne oppgaven. RAM fortjener også en takk, som gjennom å tildele meg masteroppgave-stipend ga meg mer tid og ro til å konsentrere meg om oppgaven. Truls skal også ha en stor takk for å ha designet oppgavens forside. Sist men ikke minst vil jeg takke Høgskolen i Lillehammer for fem fine år, med et godt og åpent lærermiljø og godt studentmiljø. Mine gode venner fra studiemiljøet fortjener også en takk for godt samhold og som sterke bidragsytere for min faglige motivasjon. Magnus Alexander Nikolaisen 1 Å lykkes i utlandet – suksessfaktorer på den internasjonale filmarena Innledende del 1. Innledning …………………………………………………………………. 5 1.1 Problemfelt ………………………………………………………………. 6 1.2 Fremgangsmåte og metode ……………………………………...……… 7 1.2.1 Kvalitative intervjuer……………………………………..………. 7 1.2.2 Teori, statistikk og rapporter……………………………………… 8 1.2.3 Avgrensning og utvalg……………………………………………. 9 1.3 Oppgavens sammensetning og struktur ………………………………... 11 2. Den internasjonale filmarena ………………………………..………… 13 2.1 Historikk – filmmarkedets utvikling …………………………………… 13 2.1.1 Europeisk proteksjonisme…………………………………………. 14 2.1.2 Filmfestivaler……………………………………………………… 16 2.2 Filmkulturelt dikotomi ………………………………………………….
  • Marie Göranzon

    Marie Göranzon

    Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall.
  • The BG News February 16, 1990

    The BG News February 16, 1990

    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-16-1990 The BG News February 16, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 16, 1990" (1990). BG News (Student Newspaper). 5043. https://scholarworks.bgsu.edu/bg-news/5043 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. FEATURED PHOTOS ICERS HOST FLAMES BG News photographers BG looks to clinch Q show off their best Friday Mag third-place CCHA finish Sports p.9 The Nation *s Best College Newspaper Weather Friday Vol.72 Issue 84 February 16,1990 Bowling Green, Ohio High48c The BG News Low 30° BRIEFLY Hall arson Plant's layoffs delayed arrest made Automotive sales slump, but Chrysler pushes back plan CAMPUS TOLEDO (AP) - Indefinite uled to shut down for a week. by Michelle Matheson layoffs of 724 workers at Chrysler "I know a lot of The two plants, which manufac- staff writer ture Cherokees and Grand Wa- Map grant received: The Corp.'s Jeep plants have been people think the goneers, employ 5,300 people. pushed back two weeks, and some Chrysler has said the layoffs are University's map-making class will A resident of Founders Quadrangle was ar- workers said Thursday they hope plant is eventually soon be charting a new course thanks the layoffs can be avoided all due to slumping automotive sales.
  • Toronto /Busan 2019

    Toronto /Busan 2019

    TORONTO /BUSAN 2019 RESIN THE OTHER LAMB HOPE THE OTHER LAMB 4-5 COMING SOON 20-21 HOPE 6-7 SCREENING SCHEDULE 22 LINE-UP RESIN 8-9 CONTACTS 23 THE PERFECT PATIENT 10-11 DANIEL 12-13 VALHALLA 14-15 ANOTHER ROUND 16-17 CHARTER 18-19 INDEX SPECIAL PRESENTATIONS THE OTHER LAMB - Directed by Małgorzata Szumowska Selected for the Special Presentations section at this year’s festival, THE OTHER LAMB is the first English language feature from highly acclaimed director, Małgorzata Szumowska. What’s more, the film will be screening later this year in Competition at both San Sebastian International Film Festival and London Film Festival. A prolific filmmaker, Małgorzata Szumowska won The Silver Bear at the 2015 Berlinale for her Polish language film BODY, and the Grand Jury Prize for MUG at the 2018 Berlinale. THE OTHER LAMB stars Raffey Cassidy (VOX LUX, 2018), Michiel Huisman (THE HAUNTING OF HILL HOUSE, 2018), and Denise Gough (COLETTE, 2018). Featured on the 2017 “Black List and Blood List”, THE OTHER LAMB is written by the award-winning Australian screenwriter Catherine S. McMullen. The film’s producers include Academy Award® nominee David Lancaster and Stephanie Wilcox of Rumble Films, producers of amongst others DRIVE (2011), WHIPLASH (2014), NIGHTCRAWLER (2014) and EYE IN THE SKY (2016). THE OTHER LAMB is a haunting and nightmarish tale that tells the story of Selah (RAFFEY CASSIDY), a young girl born into an alternative religion known as the Flock. The members of the Flock – all women and female children– live in a rural compound, and are led by one man, known only as Shepherd (MICHIEL HUISMAN).
  • Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization

    Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization

    INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America.
  • Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21

    Cartoon Business Erlands) (Neth Echt Utr 16, 20 Ch Ar 3 M -2 21

    Cartoon Business erlands) (Neth echt Utr 16, 20 ch ar 3 M -2 21 Conference > New Emerging Business Models in Animation www.cartoon-media.eu pitching event for animated transmedia projects www.cartoon-media.eu Pub-MAS-15-Digit-programme-3.indd 1 16/02/16 13:51 Partners CARTOON BUSINESS IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 NFF: THE GO-TO FESTIVAL FOR DUTCH CINEMA INSPIRATION CO-PRODUCTION MARKET FOR 20 EUROPEAN FEATURE LENGTH PROJECTS CALL FOR ENTRIES 15 MARCH – 15 JUNE FILMFESTIVAL.NL/PROFESSIONALS Willemien van Aalst Gerben Schermer Festival Director - NFF Festival Director - HAFF Dear participants, elcome! We are delighted to meet you in the city that both the Netherlands Film Festival (NFF) and Holland Animation Film Festival (HAFF) operate from. We are proud to host the Cartoon W Business seminar in tandem with our solid partners. Annually in late September, the Netherlands Film Festival (NFF) is a vibrant event for connecting both filmmakers and audiences. The NFF, with the concurrent Holland Film Meeting, is the authoritative festival for Dutch cinema, fostering the interests of the Dutch film and film culture by drawing wide attention to it and by deepening and broadening knowledge about the discipline. We are very happy to see our great city brighten up with scores of animation enthusiasts and professionals in March at HAFF and now at Cartoon Business as well. HAFF is one of the leading international animation festivals and official partner of Cartoon d’Or. It is important to have these events celebrate the art and build on sustaining it.
  • Film Reviews Interviews Video Interviews

    Film Reviews Interviews Video Interviews

    berlinale 2019 EFM Coverage as of Feb 20, 2019 300 Photos published on facebook 34 videos published on youtube FILM REVIEWS AMAZING GRACE, A Long Delayed Aretha Franklin Film surfaces at Berlin '69 What she said: The Art of Pauline Kael review Leakage | Nasht by Suzan Iravanian (Forum): Berlinale Review The Golden Glove by Fatih Akin: Berlinale Review Sampled reviews of Jessica Forever A City Hunts for a Murderer, and a Forum film hunts for meaning Berlinale by Alex: Mid Point Festival Reviews MK2 is very proud from the reviews on the Varda doc The Ground beneath my Feet in review Sondre Fristad's First Feature The Writer at the Berlinale System Crasher in review: Amazing ! Forget about all other contenders Derek Jarman's THE GARDEN, starring Tilda Swinton, returns to Berlinale 28 years after its premiere DIE KINDER DER TOTEN - World Premiere and Q&A with Kelly Copper and Pavol Liska INTERVIEWS Xaver Böhm on O Beautiful Night: Interview at Berlinale 2019 Interview with Brazilian Director Marcus Ligocki at Berlinale Marie Kreuzer: The Ground beneath my feet The Writer: Interview with Sondre Fristad in Berlin Interview with Producer, Director Writer Stu Levy @ 2019 Berlinale Interview with Director Gustavo Steinberg for 'Tito and the Birds' (2018) Alexandr Gorchilin on his First Feature Acid VIDEO INTERVIEWS VIDEO: Dieter Kosslick recalls some nice moments on the red carpet VIDEO: Anthony Bregman describes IFP's programs suppporting independent film making VIDEO: IFP Anthony Bregman opening remarks on his producing experiences at Friday's