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Rolf Lassgård
Rolf Lassgård ABOUT Birth 1955 Language Swedish, English Education The Academic School of Drama Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2021 Jägarna (TV Series) season II. Dir: Jens Johnson. Harmonica Films 2021 Exit (TV Series) season II Dir: Oystein Karlsen. NRK 2020 Utredningen (TV Mini-Series) Dir: Tobias Lindholm. Miso Film 2020 Min pappa Marianne (Feature) Dir: Mårten Klingberg. Avanti Film 2019 Exit (TV Series) Dir: Oystein Karlsen. NRK 2019 The Spy (Feature) Dir: Jens Jonsson. 4 1/2 2018 Jägarna (TV Series) Dir: Jens Johnson. Harmonica Films 2018 Den döende detektiven (TV Mini-Series) Dir. Kristian Petri. SVT 2017 Downsizing (Feature) Dir: Alexander Payne. Paramount Pictures 2015 En man som heter Ove (Feature) Dir: Hannes Holm. SF 2015 Der Fall Barschel (TV Movie) Dir: Kilian Riedhof. Kasbah-Film Tanger 2015 Miraklet i Viskan (Feature) Dir: John O Olsson. Giraff Film 2014 Den fjärde mannen (TV Mini-Series) Dir. Kristian Petri. SVT 2015 Dag (TV Series) Season III. Dir: Øystein Karlsen. Viafilm 2013 En pilgrims död (TV Mini-Series) Dir. Kristian Petri. SVT 2013 Den fördömde (TV Series) Season II. Dir: Jörgen Bergmark. Tre Vänner 2013 Uferlos! (TV Movie) Dir: Rainer Kaufmann. UFA Fernsehproduktion GmbH 2013 Dag (TV Series) Season II. Dir: Øystein Karlsen. Viafilm 2013 Fröken Frimans krig (TV Series) Dir: Harald Hamrell. SVT 2011 Dag (TV Series) Season I. Dir: Øystein Karlsen. Viafilm 2011 Jägarna 2 (Feature) Dir: Kjell Sundvall. Harmonica Films 2010 Den fördömde (TV Series) Season I. Dir: Daniel Espinosa. Tre Vänner 2010 Bella Block (TV Series) Dir: Rainer Kaufmann. UFA Fernsehproduktion GmbH 2010 Kennedys Hirn (TV Movie) Dir: Urs Egger. -
Presse Der Kommissar Und Das Meer
Der Kommissar und das Meer Krimireihe "Laila": 15. Dezember 2011 "Eiserne Hochzeit": 22. Dezember 2011 jeweils donnerstags, 20.15 Uhr Inhalt 2 Stab und Besetzung 3 Die Inhalte der einzelnen Filme 5 Anders verknüpft eine weiche, romantische Seite mit der notwendigen Konsequenz eines Kommissars Interview mit Walter Sittler 6 Es ist sehr interessant, die Rolle Emma in neuen Situationen zu entwickeln Interview mit Frida Hallgren 7 Ein wirklich schwedischer Krimi Interview mit Anno Saul 10 Biografien 25 Bildhinweis, Impressum z.presse 7. Dezember 2011 Der Kommissar und das Meer Krimireihe Buch Henriette Piper, Anno Saul (nach Motiven der Romane der schwedischen Bestseller- autorin Mari Jungstedt) Regie Anno Saul Kamera Jana Marsik Musik Fabian Römer Produktion Network Movie Film- und Fernsehprodukti- on GmbH & Co. KG, Hamburg Produzentin Jutta Lieck-Klenke Producerin Ilona Schultz Herstellungsleitung Roger Daute Produktionsleitung Christian Krohn Redaktion Klaus Bassiner, Wolfgang Feindt Länge 2 x 90 Minuten Die durchgehenden Rollen und ihre Darsteller: Robert Anders Walter Sittler (Kriminalhauptkommissar) Karin Jakobson Sólveig Arnarsdóttir (Kripo-Beamtin in Roberts Team) Thomas Wittberg Andy Gätjen (Kripo-Beamter in Roberts Team) Ewa Inger Nilsson (Polizeiärztin) Ida Anders Charlotte Lüder (Tochter von Robert) Niklas Anders Leonard Proxauf (Sohn von Robert) Emma Winarve Frida Hallgren (Lehrerin) und andere 2 z.presse 7. Dezember 2011 Donnerstag, 15. Dezember 2011, 20.15 Uhr Der Kommissar und das Meer Laila Kommissar Anders (Walter Sittler) und sein Team eilen zu einem nie- dergebrannten Ferienhaus, das sich im Besitz der Pfarrersfamilie Lind- vall befindet. Dort entdecken sie die Leiche der 19-jährigen Laila (Ndey Njie). Das Mädchen stammte ursprünglich aus Ruanda und wurde mit fünf Jahren von der Pfarrersfamilie aus dem Kriegsgebiet gerettet und kurze Zeit danach adoptiert. -
Ett Medialt Museum
Ett medialt museum Ett vensk television ställdes från början 1956 i allmän- hetens tjänst med rötterna i en folkbildningstradi- tion. Men en viktig faktor var också att producenter- Sna bakom programmen var enskilda individer, ofta med akademisk utbildning och kulturhistoriskt engagemang. Ett Resultatet av detta var en omfattande mängd program med en självständig och varierad estetik, utan tydlig av- medialt sikt att företräda ett klassiskt bildningsideal. Avhandling- en lyfter fram detta idag bortglömda material med stor museum tematisk spännvidd som visades mellan 1956 och 1969. Lärandets estetik i svensk Programmen förvaltar genom sitt innehåll ett kulturarv i television 1956–1969 form av muntlig och visuell tradition, hantverkskunskap, berättelse och lek. Med utgångspunkt i André Malraux’ Petra Werner idé om ett imaginärt museum har författaren konstruerat tankemodellen Ett medialt museum, verksamt både i sin Petra Werner Petra egen samtid och för en eftervärld, och samtidigt en modell över lärandeprocessers estetiska implikationer. Petra Werner har en bakgrund som filmvetare, musiker och musikterapeut och är verksam som bildkonstnär. Ett medialt museum är hennes doktorsavhandling i estetik. Brutus Östlings Bokförlag Symposion Symposion Symposion ett medialt museum Brutus Östlings Bokförlag Symposion Ågerup 202 243 92 Höör [email protected] Petra Werner Ett medialt museum Lärandets estetik i svensk television 1956–1969 Brutus Östlings Bokförlag Symposion Höör 2016 Denna avhandling är skriven vid avdelningen för estetik, Institutionen för kultur och lärande, med finansiering från Lärarutbildningen, på Södertörns högskola, och ingår i Södertörn Doctoral Dissertations 123, ISSN 1652–7399. Publicering av denna avhandling har möjliggjorts genom bidrag från Holger och Thyra Lauritzens stiftelse för främjande av filmhistorisk verksamhet, Stiftelsen Längmanska kulturfonden och Stockholms Arbetareinstitutsförening. -
Masteroppgave FIF3009 Høst 2011 Nikolaisen
Forord Jeg ønsker å takke alle som har hjulpet meg med denne oppgaven. Først og fremst vil jeg takke min veileder Tore Helseth. Videre vil jeg rekke en stor takk til Nils Klevjer Aas som har bidratt med faglige vurderinger og alltid bistått med hjelp når jeg har trengt det. Den samme takken går til Jan Erik Holst som også har vært hjelpsom og bidratt med veiledning, i tillegg til å stille opp til intervju, hvor han med glede delte alle sine erfaainger. Jeg vil også rette en stor takk til produsent Finn Gjerdrum fra Paradox som også stilte opp til intervju i forbindelse med denne oppgaven. RAM fortjener også en takk, som gjennom å tildele meg masteroppgave-stipend ga meg mer tid og ro til å konsentrere meg om oppgaven. Truls skal også ha en stor takk for å ha designet oppgavens forside. Sist men ikke minst vil jeg takke Høgskolen i Lillehammer for fem fine år, med et godt og åpent lærermiljø og godt studentmiljø. Mine gode venner fra studiemiljøet fortjener også en takk for godt samhold og som sterke bidragsytere for min faglige motivasjon. Magnus Alexander Nikolaisen 1 Å lykkes i utlandet – suksessfaktorer på den internasjonale filmarena Innledende del 1. Innledning …………………………………………………………………. 5 1.1 Problemfelt ………………………………………………………………. 6 1.2 Fremgangsmåte og metode ……………………………………...……… 7 1.2.1 Kvalitative intervjuer……………………………………..………. 7 1.2.2 Teori, statistikk og rapporter……………………………………… 8 1.2.3 Avgrensning og utvalg……………………………………………. 9 1.3 Oppgavens sammensetning og struktur ………………………………... 11 2. Den internasjonale filmarena ………………………………..………… 13 2.1 Historikk – filmmarkedets utvikling …………………………………… 13 2.1.1 Europeisk proteksjonisme…………………………………………. 14 2.1.2 Filmfestivaler……………………………………………………… 16 2.2 Filmkulturelt dikotomi …………………………………………………. -
The Other in Contemporary Swedish Cinema
Division of Art History and Visual Studies Department of Arts and Cultural Sciences Lund University Sweden The Other in Contemporary Swedish Cinema Portrayals of Non-White Swedes in Swedish Cinema 2000-2010 A Master’s Thesis for the Degree Master of Arts (Two Years) in Visual Culture Elina Svantesson Spring 2012 Supervisor: Ingrid Stigsdotter 1 LUND UNIVERSITY ABSTRACT DIVISION OF ART HISTORY AND VISUAL STUDIES / FILM STUDIES MASTER OF ARTS IN VISUAL CULTURE The other in contemporary Swedish cinema Portrayals of non-white Swedes in Swedish cinema 2000-2010 Elina Svantesson The evident place that film has in society makes it a powerful medium that journeys across borders of nationalities, sexualities, and ethnicities. Film represents, and since representation is of importance when acquiring knowledge and a continuous changing medium, it must be scrutinised continuously. In this thesis, contemporary Swedish mainstream cinema (2000-2010) has been examined for its representations of immigrants, Arabs and non-white Swedes. Concepts of culture, identity and whiteness are used to make sense of these representations and politics is shown to have a strong impact on the medium. Making use of the notion of “whiteness”, the thesis suggests that non-white Swedes are considered different to white Swedes. The Arab, for example, is given many negative traits previously seen in anti-Semitic, pre-WWII images of the Jew. Furthermore, many films were proven to exclude non-white Swedes from a depicted society, geographical and social. This exclusion of “the other” can be considered a representation in itself, a reflection of a divided Swedish society. Non-white Swedes are a large group of people, and it is argued that instead of portraying a static, shallow image of non-white Swedes, the Swedish film industry and society, could benefit from anticipating a new cinematic society and by including this group. -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
Winter, 2009; Fridays at 7 Pm; 177 Lawrence Hall FREE and Open to the Public
Swedish Film Series Winter, 2009; Fridays at 7 pm; 177 Lawrence Hall FREE and open to the public Probably no other nation of comparable population can match the artistic success of Sweden in the film industry. Yet few Americans—aside from a small group of Ingmar Bergman fans—could name even one Swedish film. This series aims to change that. Come sample a rich variety of wonderful films made between 1951 and 2006. All nine films are in Swedish with subtitles in English. Each film is preceded by a short presentation about a particular aspect of Swedish culture (e.g., food, geography, language) as well as a brief intro- duction to the film itself. At the conclusion of the film, audience members who wish to stay for another 10-15 minutes are invited to participate in a short, not-overly-academic discussion of the film. Lawrence Hall is located in the central part of the University of Oregon cam- pus, about 100 yards north of the intersection of 13th and University. Please use the building’s south entrance just below the AAA Library, and proceed straight ahead to 177. 9 January when Elisabeth parks her car in As It Is in Heaven (Så som i Himmelen) 2004 a loading zone and is ticketed by Directed by Kay Pollak Gudrun. Despite this shaky start, A successful international conductor suddenly interrupts his a friendship grows between the career and returns alone to his childhood village in Norrland, two. Elisabeth, a gynecologist, is in Sweden’s far north. It doesn’t take long before he is asked to sexy and confident. -
21St CENTURY TERROR [email protected]
21st CENTURY TERROR [email protected] www.mondomoviehouse.wordpress.com Week 7: Death Becomes Her The Vampire • Nosferatu (1922) – a dark shadow cast by the 1st World War • Dracula (1931) – the vampire as ultimate capitalist – the shadow of the 1929 crash • Dracula (1958) – the shaking off of post war sexual repression – the vampire as sex symbol Daughters of Darkness (1971) Harry Kumel • No fangs • No Garlic • No Castles • No stakes The Mid-80s Vampire Resurgence • Fright Night (1985) • Vamp (1986) • The Lost Boys (1987) The Vampire’s Kiss (1988) • Even though large studio offerings such as The Lost Boys and Fright Night easily eclipsed more independent features like The Vamp and The Vampire’s Kiss –the most successful vampire films barely counted as ‘blockbusters’ Near Dark (1987) Kathryn Bigelow • None of the ‘gothic’ tropes of other more clichéd vampire films Let the Right One in (2008) Tomas Alfredson • Directed by Tomas Alfredson • Produced by Carl Molinder and John Nordling • Screenplay by John Ajvide Lindqvist • Based on his novel, Let the Right One in • Cinematography by Hoyte van Hoytema • Edited by Tomas Alfredson and Daniel Jonsäter • The washed out colours provide a more blank background on which to overlay the horror • Blood spatters over ‘virgin’ white snow provide a juxtaposition reflecting the other polarizing elements within the narrative • Innocence/loss of innocence • Adult/childhood • Life/death • The paedophile element of the storyline which is explicit within the original novel is played down in the film -
Eric Ericson
Eric Ericson ABOUT Birth 1974 Language Swedish, English Education The Swedish Academic School of Drama Eyes Brown Hair Brown FILM AND TV PRODUCTIONS 2019 En del av mitt hjärta (Feature) Dir: Edward af Sillén. UNLTD 2019 Ring Mamma! (Feature) Dir: Lisa Aschan. Garage Film 2019 Vår tid är nu (TV series) Dir: Anna Zachrisson. Jarowskij 2018 Hidden (TV series) Dir: Daniel diGrado. Yellowbird 2017 Monky (Feature) Dir: Maria Blom. Unlimited Stories 2017 Jordskott (TV Series) Dir: Henrik Björn. Palladium Fiktion 2017 Alex (TV Series) Dir. Alain Darborg. SF 2016 Flykten till framtiden (Feature) Dir: Ulf Malmros. Bob Film 2016 Upp i det blå (Feature) Dir: Petter Lennstrand 2016 Det mest förbjudna (TV Mini-Series) Dir: Tova Magnusson. Göta Film 2016 Så ock på jorden (Feature) Dir: Kay Pollak 2015 Hedda Gabler (Video short) Dir: Emil Graffman 2013 Avdelning Q - Kvinnan i rummet (Feature) Dir: Mikkel Nørgaard. Zentropa Films 2013 Känn ingen sorg (Feature) Dir: Björn Stein, Måns Mårlind. Acne Film 2013 Molanders (TV Series) Created by Ulf Kvensler. SVT 2013 Små citroner gula (Feature) Dir: Teresa Fabik. SF 2012 Johan Falk: De 107 patrioterna (Movie made for television) Dir: Anders Nilsson. STRIX 2011 Irene Huss - Jagat vittne (TV Series) Dir: Alexander Moberg. Illusion Film 2011 Irene Huss - I skydd av skuggorna (TV Series) Dir: Alexander Moberg. Illusion Film 2011 Irene Huss - Tystnadens cirkel (TV Series) Dir: Emiliano Goessens. Illusion Film 2011 Irene Huss - En man med litet ansikte (TV Series) Dir: Emiliano Goessens. Illusion Film 2011 Irene Huss - Det lömska nätet (TV Series) Dir: Richard Holm. Illusion Film 2011 Irene Huss - Den som vakar i mörkret (TV Series) Dir: Richard Holm. -
MARGA PETTERSSON Skådespelare Och Dramatiker
MARGA PETTERSSON Skådespelare och dramatiker Lill-Jans Plan 1 B Född 1952 114 25 Stockholm Längd 160 cm Tel&Fax: +46(0)8-411 48 64 Ögon Blå Mobil: +46(0)708-80 98 62 Hår Silvergrå E-post: [email protected] Skor 37 Hemsida: www.teatermagnolia.se/mh/index.html Kläder Medium Utbildning: Dans: Lilian-Karina Vasarheili, Clifford Fears och Danshögskolan Teater: Statens Scenskola i Stockholm 1976-1979 Sång: Torsten Föllinger, Rolf Ekelund, Pia Olby Dans: ”My Sweden”, koreograf: Clifford Fears, Parkteatern, 1968 ”Can Can”, regi: Hans Bergström, Intiman, 1969 ”Show”, regi: Ingmar Bergman, Dramaten 1971 ”Danskompaniet”, koreograf: Donya Feuer 1971-1973 ex. Den naiva i ”Gud lever och har hälsan”, regi: D. Feuer, Dramaten, 1971 ”2172…A Kind Of Cabaret”, regi: Jan Bergquist, Klarakaféet 1972 ”Glaset i Örat”, Hasse & Tage, 1973-1974 ”Peer Gynt 1”, regi: Fred Hjelm, Stadsteatern 1974-75 ”Optimismen”, regi: Kaspar Rostrup, Klarateatern, 1975 Teater: Elev i ”Dr Semmelweis”, regi: Kåre Santesson, Stadsteatern 1978 Elle i ”En natt i februari”, S. Göthe, regi: L. Nilsson, Unga Riks 1979 Harpos mor i ”Alice”, regi: Erik Appelgren, Pistolteatern (fler roller) 1980 Tompa i ”Ön”, regi: Erik Appelgren, Pistolteatern 1980 Alice i ”Billy Lier”, regi: B. Samuelsson&Magnus Bergqvist, Skottes Musikteater 1986 Jenny i ”Hemmet”, regi: Hans Polster, Västerbottensteatern 1987 Brita i ”Hinken”, R. Janson&S. Ljunggren, regi: Rutger Nilsson, V-bottensteatern 1988 Rosetta i ”Ingenting går upp mot mammas gräs”, D. Fo, regi: R. Brezina, Teater Småfolket 1989 Mrs Kendal i ”Elefantmannen”, regi: Jurij Lederman/Björn Melander, Teater Studio Lederman 1997 Modern i ”Leka med elden” & Domaren i ”Bandet”, regi: Anders Johannisson (inhopp), Strindbergsfestivalen 1998 Frihetsgestalt i ”Sista Paret Ut”, koreograf: A. -
2015-06-30 Birgitta Svensson 1977 100 Digital
Title Completed Director Year Run time Digitization level "Mackan" 2015-06-30 Birgitta Svensson 1977 100 Digital restoration Abba - the Movie 2016-11-21 Lasse Hallström 1977 96 Full digital restoration Agaton Sax och Byköpings gästabud 2015-03-31 Stig Lasseby 1976 78 Digital restoration Agnes Cecilia - en sällsam historia 2016-10-28 Anders Grönros 1991 133 Digital restoration Amorosa 2015-06-30 Mai Zetterling 1986 117 Digital restoration Ansikten i skugga 2016-06-29 Peter Weiss 1956 14 Digital copy Asta Nilssons sällskap 2016-12-02 Marie-Louise och Gösta Ekman 2005 81 Digital adaptation Ateljéinteriör 2016-06-03 Peter Weiss 1956 10 Digital restoration Att döda ett barn 2015-06-30 Gösta Werner 1953 10 Digital restoration Au cabaret 2016-12-31 Alice Guy 1899 < 5 Digitization Au pays des Moïs: exploration et chasse 2014-12-31 Le Duc de Montpensier 1908 25 Digital restoration Avenue de l'Opéra 2016-12-31 Alice Guy 1900 < 5 Digitization Balettprimadonnan 2016-10-19 Mauritz Stiller 1916 54 Digital restoration Bang! 2015-12-31 Jan Troell 1977 100 Digital restoration Bara en mor 2015-03-31 Alf Sjöberg 1949 101 Digital restoration Barnen från Frostmofjället 2013-10-03 Rolf Husberg 1945 102 Digital restoration Barnförbjudet 2013-10-31 Marie-Louise Ekman 1979 81 Digital restoration Barnvagnen 2016-04-22 Bo Widerberg 1963 95 Digital adaptation Bengbulan 2015-12-31 Suzanne Osten 1996 82 Digital restoration Berg-Ejvind och hans hustru 2015-12-31 Victor Sjöström 1918 110 Digital restoration Besöka sin son 2016-04-15 Roy Andersson 1967 9 Digital restoration