B Erg M an Ve Ckan

Total Page:16

File Type:pdf, Size:1020Kb

B Erg M an Ve Ckan Ingmar Bergman 100 Bergmanveckan 25 juni — 1 juli 2018 2 Ledare Bergmanveckan 2018 Bergmanveckan 2018 Invigning 3 Emma Gray Munthe Välkommen till Fårö! Konstnärlig ledare för Bergmanveckan Opening Welcome to Fårö! Artistic Director of the Bergman Week r e t t o d s n r ö j B a n e l a d g a M 2018 Week Bergman © © Erik Mollberg Hansen Ingmar Bergman må fylla 100, men han är inget museifö- Ingmar Bergman might be turning 100, but he is far from remål. Som central i filmhistorien fortsätter han att påver- being a museum object. As a central figure in film history, he Unga Astrid – ka, och hyllas med rätta i världens största jubileum för en continues to influence and is rightly hailed in the world’s larg- Sverigepremiär! enskild filmskapare. Men efter vad som hänt i film- och est jubilee of a single filmmaker. But after everything that has teatervärlden de senaste månaderna, och den uppgörel- happened in the last months within the world of film and the- Becoming Astrid –National premiere! se med genikulten som det inneburit: kan man med gott atre, and the questioning of the cult of the (male) genius that Måndag | Monday, 25/6, 16.00 samvete fira med buller och bång? Jag vet uppriktigt sagt has followed – is it possible to throw yourself headlong into the Sudersandsbion inte än. Jag är ny på jobbet. Men en sak är jag övertygad celebrations without feeling a tiny bit guilty? I honestly don’t om: att om vårt mål är att få fler att skaffa sig en egen upp- know yet. I’m new at work. But I do know one thing. If our goal Pernille Fischer Christensen fattning om Bergman och hans filmer – då måste vi göra is to make more people form a Bergman opinion of their own, we Sverige/Tyskland/Danmark | Sweden/Germany/Denmark Svenskt & danskt tal, med engelsk text | upp med både överdriven vördnad och trött slentrianav- have to deal with both overblown reverence and routine dismiss- Invigning i Fårö kyrka Swedish & Danish, with English subtitles färdande. Och, inte minst: få fler att våga skratta åt annat al. And, not least: make more people feel that it’s ok to laugh at 2h 3min + ca 30min samtal (på engelska) | discussion (in English) än de rena komedierna. Scenen i Skammen där Max von more than the comedies. The scene in Shame where Max von Opening ceremony 150 kr Sydow ska skjuta kycklingar som Liv Ullmann försöker Sydow is trying to shoot some chickens that Liv Ullmann is try- film + samtal När Astrid Lindgren var ung hände något hålla så långt ifrån sig som möjligt är till exempel bland ing to hold as far away from her body as possible is one of the Måndag | Monday, 25/6, 14.00 som kom att forma hela hennes liv. Det här är berättel- Fårö kyrka | Fårö Church det nattsvart roligaste som överhuvudtaget spelats in i funniest things ever done in Swedish film. And yet, that last sen om när en ung Astrid bestämde sig för att bryta mot svensk film. Samtidigt är slutscenerna i flyktingbåten en scene on the refugee boat is a dystopian nightmare, shocking in samhällets normer och följa sitt hjärta. En fri tolkning av Ca 1h dystopisk mardröm, chockerande i sin aktualitet. how it resonates with current events. 200 kr händelser i Astrid Lindgrens tidiga liv. Efter filmen hålls ett samtal med regissören Pernille Fischer Christensen och Den blandningen är det få som lyckas med, men en an- Few directors can pull a mix like that off, but this year’s hon- Bergmanveckans invigning äger som vanligt rum i Fårö skådespelerskan Alba August. nan som svänger sig obehindrat mellan mörker, skratt och orary guest, Yorgos Lanthimos, certainly manages to veer from kyrka, med tal och musik – i år med fint besök av flera av chock är årets hedersgäst, Yorgos Lanthimos. dark to comedy and shock. Bergmangårdarnas stipendiater. Nina Persson och Eric film + q&a When Swedish author Astrid Lindgren was young, Beyond framför tillsammans material från sina artisterier, something happened that would shape her life. This is the story Men tillbaka till jubilaren. Oavsett hur man ser på geni- But back to Bergman. No matter what your views are on the kompositören João MacDowell improviserar på piano och about how she decided to break the norms and follow her heart. kulten runt honom eller på Bergman som person: hans cult around him or him as a person: his oeuvre can take to be associerar fritt utifrån Bergmans värld. Agneta Söderdahl Inspired by real events. After the film there will be a Q&A with konstnärskap tål en syning – och under Bergmanveckan scrutinized, and at this year’s Bergman Week we look at it from – ordförande i Fårö hembygdsförening, och den präst som the director Pernille Fischer Christensen and actress Alba August. vrider och vänder vi på det i sju dagar. all sorts of angles. begravde Bergman – berättar om regissörens möte med Fårö. Bahar Pars inviger Bergmanveckan 2018, och sätter Varmt välkommen till Fårö! Welcome to Fårö! vårt firande av hundraårsjubileet i rullning! Invigningsmingel Opening mingle The opening ceremony will be held as usual in Fårö Church, Måndag | Monday, 25/6, 19.00–22.00 Omslagsbild | Cover image: where Nina Persson, Eric Beyond and João MacDowell – all Bergmancenter ”Det finns lika många vägar in i Bergman som det finns stenar på Fårö” artists at the artist residency at the Bergman Estate on Fårö – ”There are as many ways into Bergman as there are stones on Fårö.” will perform. Agneta Söderdahl, the priest who buried Bergman, waldersten. 200 kr speaks about his bond with Fårö, and actress Bahar Pars inau- Konstnärlig ledare | Artistic director Maskinister | Projectionists Tack till | Thank you gurates the Bergman Week 2018. Varmt välkomna till Bergmancenter för att fira att Berg- Emma Gray Munthe Magnus Almqvist Ett varmt tack till våra samarbetspartners på s. 35, In Swedish. manveckan 2018 satt igång. I biljetten ingår Smultronstäl- Projektledare | Project manager Rebecka Holmström och till Jan Göransson, Lova Hagerfors och Kajsa lets sommarbuffé, dryck finns till försäljning och dj Filip Hedström/Svenska Filminstitutet, Anna Carlsson, Clarice Goulart Tekniker | Technician Magnus Eriksson, Fårö Hembygdsförening, Adamo står för låtvalen! Verksamhetschef Bergmancenter | Caio Marques Ulrika Josephsson/Bergmanfestivalen, Monica n e t Kahlström, Kerstin Kalström, Nordisk Film, Norra a Operations Manager Bergman Center Praktikant | Intern m Welcome to the Bergman Center to celebrate the official start of a r D Gotlands pastorat, Stefan Nylén/Studio S, David Cristina Jardim Ribeiro Molly Uddén © Bergman Week 2018. Smultronstället’s summer buffet is includ- s Ruthström, Ulf Slotte, Slow Train/Kutens bensin, r a Formgivning | Design Tryck | Print P ed in the ticket, drinks are for sale and DJ Filip Adamo spins Pontus de Wolfe, Jannike Åhlund och alla våra r a h Elin Mejergren iVisby Tryckeri a the tunes. volontärer B 4 Bergmansafari Bergmanveckan 2018 Bergmanveckan 2018 Bergmans bio 5 At three o’clock every day, six days a week, Bergmans bio Bergman saw a film in his private cinema cinema Bergman’s Bergman’s cinema at Dämba. Often more than that. During the Bergman Week you have the exclusive Klockan tre på eftermiddagen, sex dagar opportunity to watch the films below in that i veckan, såg Bergman en film i sin privata very same cinema. bio vid Dämba. Ofta fler än så. På de ex- Bergman safari Bergman klusiva Dämba-visningarna under Berg- Pris för samtliga visningar på Dämba: 350 kr manveckan har du en unik chans att se Price for all screenings at Dämba: 350 kr Bergman Week 2018 Week Bergman filmerna här nedanför i samma bio. © Kuba Rose Svensk Filmindustri ab Bergman Week 2018 Week Bergman © NonStop Entertainment Cirkus Ingmar Bergmans filmer © Persona Skammen Såsom i en spegel Cirkus Persona Shame Through a Glass Darkly The Circus Ingmar Bergman Ingmar Bergman Ingmar Bergman Charlie Chaplin Sverige | Sweden, 1966 Sverige | Sweden, 1968 Sverige | Sweden, 1961 usa, 1928 1h 25min 1h 43min 1h 31min 1h 12min Svenskt tal, engelsk text | Svenskt tal, engelsk text | Svenskt tal, engelsk text | Utan tal, engelska mellantexter | © Petter Assar Monsen Swedish, with English subtitles Swedish, with English subtitles Swedish, with English subtitles Silent, with English title cards Bergmansafari Skådespelerskan Elisabet Vogler I Bergmans enda framtids- Den första filmen av sju som Varje år på sin födelsedag bjöd Bergman safari har efter en föreställning valt att skildring försöker ett konst- Bergman spelade in på Fårö. Ingmar Bergman in vänner och gå in i tystnaden, och tillsam- närspar förgäves undkomma Harriet Andersson i en kom- familj till en visning av en Char- mans med en sköterska bosätter ett annalkande krig. Bergman plex och krävande roll, Gun- lie Chaplin-film, och den han hon sig i en isolerad stuga på hade länge kritiserats för att nar Björnstrand i rollen som höll allra högst var Cirkus. Här en ö. Filmens djärva formspråk i en omvälvande tid stå vänd fadern som använder dotterns blir vagabonden anställd som var banbrytande – och gjorde från samhället, men Skammen psykos som romanstoff. Filmen clown på cirkus av en slump, är Tisdag | Tuesday, 26/6, 17.30 Persona till en av Bergmans blev en av hans mest uttalat belönades med en Oscar i bara rolig när han inte försöker Torsdag | Thursday, 28/6, 15.30 mest ikoniska filmer. politiska filmer. kategorin bästa icke-engelsk- – och hittar kärleken. Lördag | Saturday, 30/6, 17.30 språkiga film. Actress Elisabet Vogler has sud- In Bergman’s bleak dystopia a Every year on his birthday, Berg- denly chosen to become silent, and couple desperately try to run from Harriet Andersson in a deman- man invited friends and family Startpunkt: Bergmancenter Våra guider tar er med på en Bergmansa- Our guides take you along on a Bergman together with a nurse she isolates invasive war.
Recommended publications
  • ENG 4136: Basic Video Production; Fall 2018 Professor: Trevor Mowchun
    1 ENG 4136: Basic Video Production; Fall 2018 Professor: Trevor Mowchun Class: ROL 115—Monday, period 4 (10:40am-11:30am); Wednesday, periods 4-5 (10:40am-12:35pm) Screening: ROL 115—Tuesday, periods 9-11 (4:05pm-7:05pm) Office hours (TUR 4356): Monday 12:15pm-1:45pm, and Thursday 2:30pm-4:00pm, or by appointment. Email: [email protected] Should you prefer to contact me via email please allow 24 hours for a response. Office phone number: 352-294-2855 Media Assistant: Zackary Erickson (TUR 4303) Availability: August 27-September 9 (Monday and Wednesday 9:35am-10:25am, Tuesday and Thursday 12:50pm-2:45pm); September 10-end of semester (Tuesday and Thursday 12:50pm- 3:50pm). Zac will also be available the first Thursday of the class, August 23, between 12:50pm- 3:50pm. Email: [email protected] Basic Video Production: Process and Expression This course is a meditation on the creative process and an exploration of the unique and inexhaustible ways that the cinematic medium activates such processes and leads the imagination into free uncharted territory. We will begin with a survey of various creative principles, methods, tools and general philosophies of “making” as expressed by artists, teachers, critics and theorists from diverse backgrounds, with particular attention paid to the insights of independent and experimental filmmakers. The goal of this “study phase” is to open a window into the inner workings of the creative process, analyze films from the perspective of their own making, and ultimately enrich, stimulate and guide creativity throughout the entire filmmaking process from concept to screen.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
    Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new.
    [Show full text]
  • Deepa Mehta (See More on Page 53)
    table of contents TABLE OF CONTENTS Introduction Experimental Cinema: Welcome to the Festival 3 Celluloid 166 The Film Society 14 Pixels 167 Meet the Programmers 44 Beyond the Frame 167 Membership 19 Annual Fund 21 Letters 23 Short Films Ticket and Box Offce Info 26 Childish Shorts 165 Sponsors 29 Shorts Programs 168 Community Partners 32 Music Videos 175 Consulate and Community Support 32 Shorts Before Features 177 MSPFilm Education Credits About 34 Staff 179 Youth Events 35 Advisory Groups and Volunteers 180 Youth Juries 36 Acknowledgements 181 Panel Discussions 38 Film Society Members 182 Off-Screen Indexes Galas, Parties & Events 40 Schedule Grid 5 Ticket Stub Deals 43 Title Index 186 Origin Index 188 Special Programs Voices Index 190 Spotlight on the World: inFLUX 47 Shorts Index 193 Women and Film 49 Venue Maps 194 LGBTQ Currents 51 Tribute 53 Emerging Filmmaker Competition 55 Documentary Competition 57 Minnesota Made Competition 61 Shorts Competition 59 facebook.com/mspflmsociety Film Programs Special Presentations 63 @mspflmsociety Asian Frontiers 72 #MSPIFF Cine Latino 80 Images of Africa 88 Midnight Sun 92 youtube.com/mspflmfestival Documentaries 98 World Cinema 126 New American Visions 152 Dark Out 156 Childish Films 160 2 welcome FILM SOCIETY EXECUTIVE DIRECTOR’S WELCOME Dear Festival-goers… This year, the Minneapolis St. Paul International Film Festival celebrates its 35th anniversary, making it one of the longest-running festivals in the country. On this occasion, we are particularly proud to be able to say that because of your growing interest and support, our Festival, one of this community’s most anticipated annual events and outstanding treasures, continues to gain momentum, develop, expand and thrive… Over 35 years, while retaining a unique flavor and core mission to bring you the best in international independent cinema, our Festival has evolved from a Eurocentric to a global perspective, presenting an ever-broadening spectrum of new and notable film that would not otherwise be seen in the region.
    [Show full text]
  • Full List of Book Discussion Kits – September 2016
    Full List of Book Discussion Kits – September 2016 1776 by David McCullough -(Large Print) Esteemed historian David McCullough details the 12 months of 1776 and shows how outnumbered and supposedly inferior men managed to fight off the world's greatest army. Abraham: A Journey to the Heart of Three Faiths by Bruce Feiler - In this timely and uplifting journey, the bestselling author of Walking the Bible searches for the man at the heart of the world's three monotheistic religions -- and today's deadliest conflicts. Abundance: a novel of Marie Antoinette by Sena Jeter Naslund - Marie Antoinette lived a brief--but astounding--life. She rebelled against the formality and rigid protocol of the court; an outsider who became the target of a revolution that ultimately decided her fate. After This by Alice McDermott - This novel of a middle-class American family, in the middle decades of the twentieth century, captures the social, political, and spiritual upheavals of their changing world. Ahab's Wife, or the Star-Gazer by Sena Jeter Naslund - Inspired by a brief passage in Melville's Moby-Dick, this tale of 19th century America explores the strong-willed woman who loved Captain Ahab. Aindreas the Messenger: Louisville, Ky, 1855 by Gerald McDaniel - Aindreas is a young Irish-Catholic boy living in gaudy, grubby Louisville in 1855, a city where being Irish, Catholic, German or black usually means trouble. The Alchemist by Paulo Coelho - A fable about undauntingly following one's dreams, listening to one's heart, and reading life's omens features dialogue between a boy and an unnamed being.
    [Show full text]
  • Marie Göranzon
    Marie Göranzon ABOUT Birth 1942 Language Swedish, English Eyes Blue Hair Blonde FILM AND TV PRODUCTIONS 2020 Se upp för Jönssonligan (Feature) Dir: Tomas Alfredson. FLX 2020 Bröllop, begravning & dop (TV series) Dir: Colin Nutley. Sweetwater 2020 Orca (Feature) Dir: Josephine Bornebusch. Warner Bros. 2017 2060 (TV Movie) Dir: Henrik Hellström. SVT 2013 Allt faller (TV Series) Dir: Henrik Schyffert. TV4 2012 Blondie (Feature) Dir: Jesper Ganslandt. Fasad 2007 Beck - I Guds namn (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Det tysta skriket (TV Series) Dir: Harald Hamrell. Filmlance 2007 Beck - Den japanska shungamålningen (TV Series) Dir: Kjell Sundvall. Filmlance 2007 Beck - Den svaga länken (TV Series) Dir: Harald Hamrell. Filmlance 2007 Hoppet (Feature) Dir: Petter Næss. Sonet Film 2006 Beck - Advokaten (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Gamen (TV Series) Dir: Kjell Sundvall. Filmlance 2006 Beck - Flickan i jordkällaren (TV Series) Dir: Harald Hamrell. Filmlance 2005 Mun mot mun (Feature) Dir: Björn Runge. Sonet Film 2005 Den bästa av mödrar (Feature) Dir: Klaus Härö. Matila Röhr Productions 2004 Stenjäveln (Short) Dir: Jens Jonsson 2004 Dag och natt (Feature) Dir: Simon Staho. Zentropa 2003 Spaden (Short) Dir: Jens Jonsson 2003 Skenbart: En film om tåg (Feature) Dir: Peter Dalle. S/S Fladen 2002 Alla älskar Alice (Feature) Dir: Richard Hobert. Sonet Film 2002 Beck - Skarpt läge (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Pojken i glaskulan (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Annonsmannen (TV Series) Dir: Daniel Lind Lagerlöf. Filmlance 2002 Beck - Okänd avsändare (TV Series) Dir: Harald Hamrell. Filmlance 2002 Beck - Enslingen (TV Series) Dir: Kjell Sundvall.
    [Show full text]
  • Half a Century with the Swedish Film Institute
    Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other.
    [Show full text]
  • 89Th Annual Academy Awards® Oscar® Nominations Fact
    ® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
    [Show full text]
  • Ingmar Bergman Woche Im Abc Kino 12.07
    INGMAR BERGMAN WOCHE IM ABC KINO 12.07. – 18.07.2018 PERSONA – 100 Jahre Ingmar Bergman Do.,12.7.17:15/21:15 ABC SE 1966 – 85 Min – Mit Bibi Andersson, Liv Ullmann Liv Ullmanns Debüt bei Bergman. Sie spielt eine Bühnenschauspielerin, die beschließt, nicht mehr zu sprechen. „PERSONA entspringt einer persönlichen Erfahrung, einer Art von Wahrheitskrise. Ich dachte stets, die einzige Form von Wahrheit ist einfach Schweigen.“ (Ingmar Bergman) DAS SCHWEIGEN – 100 Jahre Ingmar Bergman Fr.,13.7.:17:15/21:15 ABC SE 1963 – 91 Min – Mit Ingrid Thulin, Gunnel Lindblom, Birger Malmstem Unzensiert und mit dem Prädikat „besonders wertvoll“ kam Bergmans freizügiges Drama über die sexuelle Liebe zweier Schwestern 1964 in die Kinos der Bundesrepublik. Der Skandal folgte prompt, aber auch ein unglaublicher Kassenerfolg. WILDE ERDBEEREN – 100 Jahre Ingmar Bergman Sa.,14.7.:17:15/21:15 ABC SE 1957 – 91 Min – Mit Bibi Andersson, Victor Sjöström, Ingrid Thulin Der Professor Isak Borg lebt nach dem Tod seiner Frau allein mit einer mürrischen alten Haushälterin. Nun hat seine Schwiegertochter bei ihm Zuflucht gesucht nach einem Streit mit ihrem Ehemann. In der Nacht träumt Professor Borg, wie er sich in einer geisterhaften Stadt verirrt und seinem eigenen Leichnam begegnet. Doch dann erinnert er sich an seine erste große Liebe: die wilden Erdbeeren HERBSTSONATE – 100 Jahre Ingmar Bergman So.,15.7.:17:15 ABC SE 1978 – 90 Min – Mit Ingrid Bergman, Liv Ullmann, Lena Nyman Jahrelang hat die gefeierte Star-Pianistin Charlotte Andergast (Ingrid Bergman) ihre Kinder für ihre Karriere vernachlässigt. Nun will sie sich mit ihrer ältesten Tochter Eva (Liv Ullmann) versöhnen und stattet ihr und ihrem Ehemann einen Besuch ab, voller Hoffnung, dass sich so etwas wie ein normal-familiäres Verhältnis wiederaufbauen lässt.
    [Show full text]
  • 02 Main Catalogue Front
    THE MASTERS 大師級 Sweden/Germany/Norway 瑞典/德國/挪威 2019 | Swedish | DCP | Colour | 76min Director Roy Andersson Producer Pernilla Sandström, Johan Carlsson Scriptwriter Roy Andersson Cinematographer Gergely Pálos Editor Johan Carlsson, Kalle Boman, Roy Andersson Production Designer Anders Hellström, Frida E. Elmström, Nicklas Nilsson Sound Robert Hefter Cast Martin Serner, Jessica Louthander, Tatiana Delaunay, Anders Hellström Production Roy Andersson Filmproduktion World Sales Coproduction Office ©Roy Andersson Film Production • Studio 24 ©KG Productions About Endlessness Om det oändliga 明明無盡 Some of the themes in About Endlessness are presented in your [導演訪問] other films: optimism represented by youth, but also war and 《明明無盡》裏有一些主題,常見於你的其他電影:青 despair, and the absence of God. Here you show a priest who 年代表希望,不過亦有戰爭與絕望,以及上帝的缺席。 doesn’t believe in God. Would you say there is always a balance 片中神父並不相信神。你認為希望與絕望之間是否總 between hope and despair? 能平衡? The main theme of my work is the vulnerability of human beings. 我的作品主題是人類的脆弱,我認為展現脆弱是希望 And I think it is a hopeful act to create something showing 之舉。因為當人注意到脆弱的存在,你會學懂尊重及 vulnerability. Because if you are aware of the vulnerability of 珍惜。 existence, you can become respectful and careful of what you have. 我想強調存在之美、生存之美。然而,要呈現美需要 I wanted to emphasise the beauty of existence, of being alive. But of 有對比,展示存在的敗壞及殘酷。 course, to get that, you need to have a contrast. You need to show the bad side, the cruel side of existence. 回望藝術史,不少畫作也很悲慘。即使畫作描繪殘酷 與悲傷,但畫家可透過畫作傳達力量,創造希望。 Looking at art history, for example, a lot of paintings are very tragic. But even if they depict cruel and sad scenes, by painting them the 影片雖有歷史場景,卻有永恆無盡的感覺,片名亦如是。 artists have in some way transferred the energy and created hope.
    [Show full text]
  • NORDIC COOL 2013 Feb. 19–Mar. 17
    NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis).
    [Show full text]
  • The Life and Films of the Last Great European Director
    Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress
    [Show full text]