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Exile, Diplomacy and Texts: Exchanges Between Iberia and the British Isles, 1500–1767
Exile, Diplomacy and Texts Intersections Interdisciplinary Studies in Early Modern Culture General Editor Karl A.E. Enenkel (Chair of Medieval and Neo-Latin Literature Westfälische Wilhelms-Universität Münster e-mail: kenen_01@uni_muenster.de) Editorial Board W. van Anrooij (University of Leiden) W. de Boer (Miami University) Chr. Göttler (University of Bern) J.L. de Jong (University of Groningen) W.S. Melion (Emory University) R. Seidel (Goethe University Frankfurt am Main) P.J. Smith (University of Leiden) J. Thompson (Queen’s University Belfast) A. Traninger (Freie Universität Berlin) C. Zittel (Ca’ Foscari University of Venice / University of Stuttgart) C. Zwierlein (Freie Universität Berlin) volume 74 – 2021 The titles published in this series are listed at brill.com/inte Exile, Diplomacy and Texts Exchanges between Iberia and the British Isles, 1500–1767 Edited by Ana Sáez-Hidalgo Berta Cano-Echevarría LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. This volume has been benefited from financial support of the research project “Exilio, diplomacia y transmisión textual: Redes de intercambio entre la Península Ibérica y las Islas Británicas en la Edad Moderna,” from the Agencia Estatal de Investigación, the Spanish Research Agency (Ministerio de Economía y Competitividad). -
The BG News February 16, 1990
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-16-1990 The BG News February 16, 1990 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 16, 1990" (1990). BG News (Student Newspaper). 5043. https://scholarworks.bgsu.edu/bg-news/5043 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. FEATURED PHOTOS ICERS HOST FLAMES BG News photographers BG looks to clinch Q show off their best Friday Mag third-place CCHA finish Sports p.9 The Nation *s Best College Newspaper Weather Friday Vol.72 Issue 84 February 16,1990 Bowling Green, Ohio High48c The BG News Low 30° BRIEFLY Hall arson Plant's layoffs delayed arrest made Automotive sales slump, but Chrysler pushes back plan CAMPUS TOLEDO (AP) - Indefinite uled to shut down for a week. by Michelle Matheson layoffs of 724 workers at Chrysler "I know a lot of The two plants, which manufac- staff writer ture Cherokees and Grand Wa- Map grant received: The Corp.'s Jeep plants have been people think the goneers, employ 5,300 people. pushed back two weeks, and some Chrysler has said the layoffs are University's map-making class will A resident of Founders Quadrangle was ar- workers said Thursday they hope plant is eventually soon be charting a new course thanks the layoffs can be avoided all due to slumping automotive sales. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
CHIFFRES ET NOMBRES GDES PTES LGS 11 Réalisateurs
CHIFFRES ET NOMBRES GDES PTES LGS 11 réalisateurs September 11 u 2 3 ABADI Sou Cherchez la femme 2 2 ABBASS Hiam Héritage (Inheritance) 2 3 ABEL Dominique Rumba 2 ABEL Dominique Fée (La) 1 ABOUET Marguerite Aya de Yopougon 1 2 ABRAHAMSON Lenny Garage 1 ABRAHAMSON Lenny Room 3 3 ABRAMS Jeffrey-Jacob Star Trek: into darkness 3D 3 2 ABRAMS Jeffrey-Jacob Super 8 3 ABU-ASSAD Hany Montagne entre nous (La) (The 3 Mountain Between Us) A DONNER ABU-ASSAD Hany Omar 2 2 ABU-ASSAD Hany Paradise now 2 2 ACEVEDO César Terre et l'ombre (La) (La Tierra y la 2 Sombra) ACHACHE Mona Hérisson (Le) 3 1 ACKERMAN Chantal Nuit et jour 3 2 ADABACHYAN Aleksandr Mado, poste restante 1 3 ADE Maren Toni Erdmann 3 2 ADLON Percy Zuckerbaby 1 3 AFFLECK Ben Argo 2 3 AFFLECK Ben Town (The) 3 3 AGHION Gabriel Absolument fabuleux 2 moy AGHION Gabriel Pédale dure 1 2 AGOU Christophe Sans adieu 1 1 AGOU Christophe Sans adieu 1 1 AGÜERO Pablo Eva ne dort pas (Eva no duerme) 2 AIELLO Shu Paese de Calabria (Un) 2 AJA Alexandre Mirrors 2 AJA Alexandre Piranha – 3D 3 3 AKERMAN Chantal Captive 3 3 AKERMAN Chantal Divan à New York (Un) 2 2 AKHAVAN Desiree Come as you are (The Miseducation of 2 2 Cameron Post) AKIN Fatih In the fade 2 1 AKIN Fatih Soul kitchen (Soul kitchen) 1 AKIN Fatih Cut (The) (La Blessure) 2 AKIN Fatih New York, I love you 2 2 AKIN Fatih Polluting paradise 1 3 AKOLKAR Dheeraj Liv et Ingmar (Liv & Ingmar) 2 2 ALBERDI Maite Ecole de la vie (L') (The Grown-Ups) 1 ALBERTINI Dario Figlio Manuel (Il) 1 1 ALCALA José Coup d'éclat 2 1 ALDRICH Robert En quatrième vitesse -
CHIFFRES ET NOMBRES GDES PTES LGS 01:45 1 ENGLAND Yan
CHIFFRES ET NOMBRES GDES PTES LGS 01:45 1 ENGLAND Yan 10.000 3 3 EMMERICH Roland 100% cachemire 3 3 LEMERCIER Valérie 101 nuits 1 2 VARDA Agnès 10 canoës, 150 lances et 3 épouses 2 DE-HEER Rolf 10 Cloverfield lane 2 1 TRACHTENBERG Dan 10e chambre - Instants d'audiences 1 DEPARDON Raymond 11.6 (The French Job) 2 GODEAU Philippe 11 commandements (Les) 2 DE-MADRID Les-Reals 12 ans d'âge 2 2 PROUST Frédéric 12 jours 3 2 DEPARDON Raymond 12 years a slave (homme) 3 McQUEEN(II) Steve 12 years a slave (paysage) 2 2 McQUEEN(II) Steve 13 hours 1 2 BAY Michael 15 ans et demi 2 2 DESAGNAT François 15H17 pour Paris 1 1 EASTWOOD Clint 15 minutes 3 HERZFELD John 16 ans ou presque 1 2 SÉGUÉLA Tristan 17, rue bleue 3 2 CHENOUGA Chad 17 fois Cécile Cassard 3 2 HONORÉ Christophe 18 ans après 3 SERREAU Coline 19 (Nineteen) 1 WATANABE Kazushi 2046 1 WONG Kar-Wai 20 ans d'écart 1 MOREAU David 21 grammes (21 Grams) 1 IÑÁRRITU Alejandro- Gonzales 21 Nuits avec Pattie 2 3 LARRIEU Frères 22 janvier tout doit disparaître (Le) 2 MUYL Philippe 24 city (Er shi si cheng ji) 1 2 JIA Zhang-Ke 24 hour party people 2 WINTERBOTTOM Michael 24 mesures 2 1 LESPERT Jalil 27 robes (27 Dresses) 1 FLETCHER Anne 28 semaines plus tard (28 Weeks Later) 1 1 FRESNADILLO Juan-Carlos 2 automnes 3 hivers 2 2 BETBEDER Sébastien 2 days in New York 2 3 DELPY Julie 2 days in Paris 1 DELPY Julie 2e sous-sol 3 4 KHALFOUN Franck 2 filles d'aujourd'hui (Career Girls) 3 1moy LEIGH Mike 3, chronique d'une famille singulière 1 2 STOLL-WARD Pablo 300 : La naissance d'un empire (300: 3 1 MURRO Noam -
88Th Annual Academy Awards® Oscar® Nominations Fact
88TH ANNUAL ACADEMY AWARDS® OSCAR® NOMINATIONS FACT SHEET Best Motion Picture of the Year: The Big Short (Paramount Pictures) [Produced by Brad Pitt, Dede Gardner and Jeremy Kleiner.] - This is the sixth nomination and the third in this category for Brad Pitt, who won for 12 Years a Slave (2013). His other Best Picture nomination was for Moneyball (2011). He received Acting nominations for his supporting role in 12 Monkeys (1995) and his leading roles in The Curious Case of Benjamin Button (2008) and Moneyball. This is the fourth nomination for Dede Gardner, who won for 12 Years a Slave (2013). Her other Best Picture nominations were for The Tree of Life (2011) and Selma (2014). This is the third nomination for Jeremy Kleiner, who won for 12 Years a Slave (2013) and was nominated last year for Selma. Bridge of Spies (Walt Disney and 20th Century Fox) [Produced by Steven Spielberg, Marc Platt and Kristie Macosko Krieger.] - This is the ninth nomination in this category for Steven Spielberg, who won the award in 1993 for Schindler's List. His other Best Picture nominations were for E.T. The Extra-Terrestrial (1982), The Color Purple (1985), Saving Private Ryan (1998), Munich (2005), Letters from Iwo Jima (2006), War Horse (2011) and Lincoln (2012). He has seven Directing nominations, for Close Encounters of the Third Kind (1977), Raiders of the Lost Ark (1981), E.T. The Extra-Terrestrial, Schindler's List, Saving Private Ryan, Munich and Lincoln. He won Oscars for Schindler's List and Saving Private Ryan. He also received the Irving G. -
Printing, Hebrew Book Culture and Sefer Ḥasidim
Printing, Hebrew Book Culture and Sefer Ḥasidim Joseph A. Skloot Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Joseph A. Skloot All rights reserved ABSTRACT Printing, Hebrew Book Culture and Sefer Ḥasidim Joseph A. Skloot This dissertation is a contribution to the fields of the history of the Hebrew book and ear- ly modern Jewish cultural history. It is a study of Sefer Ḥasidim, a text that originated in the me- dieval Rhineland, in its first two printed editions (of 1538 and 1581, respectively). By analyzing these editions closely, and by comparing them to their manuscript antecedents, it is possible to determine how the work of printing changed Sefer Ḥasidim and how printing shaped readers’ understanding of the text. These investigations advance the argument that the printing of Hebrew books was a creative act, not merely a process of reproduction and dissemination. Like all cre- ative productions, moreover, these editions can be read as witnesses to the particular social and cultural contexts from which they emerged—in this case, a period of upheaval in Jewish life and European society. Moreover, the varied cast of characters who produced these editions—printers, editors, proofreaders, press workers, among others—were influenced by commercial, intellectual and religious interests unique to the sixteenth century and to Italy. These interests left their mark on the texts of Sefer Ḥasidim that emerged from their presses (in the form of censorship and emendations), as well as their associated paratexts (e.g. -
Games Are Not Coffee Mugs: Games and the Right of Publicity, 29 Santa Clara High Tech
Santa Clara High Technology Law Journal Volume 29 | Issue 1 Article 1 12-13-2012 Games Are Not Coffee uM gs: Games and the Right of Publicity William K. Ford Raizel Liebler Follow this and additional works at: http://digitalcommons.law.scu.edu/chtlj Recommended Citation William K. Ford and Raizel Liebler, Games Are Not Coffee Mugs: Games and the Right of Publicity, 29 Santa Clara High Tech. L.J. 1 (2012). Available at: http://digitalcommons.law.scu.edu/chtlj/vol29/iss1/1 This Article is brought to you for free and open access by the Journals at Santa Clara Law Digital Commons. It has been accepted for inclusion in Santa Clara High Technology Law Journal by an authorized administrator of Santa Clara Law Digital Commons. For more information, please contact [email protected]. FORD LIEBLER 11/26/2012 3:56 PM ARTICLES GAMES ARE NOT COFFEE MUGS: GAMES AND THE RIGHT OF PUBLICITY* William K. Ford† and Raizel Liebler†† * Earlier versions of this paper were presented at the 2011 Works-in-Progress Intellectual Property Colloquium, Boston University (Feb. 11, 2011); 2011 Intellectual Property Scholars Roundtable, Drake University Law School (Apr. 1, 2011); and The Game Behind the Video Game, Rutgers School of Communication and Information (Apr. 9, 2011). We thank Stephanie Acosta, Keidra Chaney, Jessica de Perio Wittman, Shannon Ford, Jon Garon, Greg Lastowka, Tyler Ochoa, David L. Schwartz, and Corey Yung for comments on earlier versions of this paper. We thank Young-Joo Ashley Ahn, Lyndsay Ignasiak, and Kimberly Regan for research assistance. A special thanks to Nathan Ford and Adin Simon for innumerable hours playing “childish” games with the authors in preparation for this paper. -
Blackkklansman
AANGEBODEN DOOR UW FILMTHEATER, FDN & NVBF DOGMAN DE WOEDE VAN KRUIMELDIEVEN 3 FACES FILM IS GEVAARLIJKER DAN JE DENKT LAURIE ANDERSON OVER CHALKROOM ‘IK DROOM VAAK DAT IK NIET KAN VLIEGEN’ TEGENCULTUUR NIKS TV. DE REVOLUTIE STAAT ONLINE 3 DAYS IN QUIBERON DE NEERGANG VAN ROMY SCHNEIDER #412 AUG/SEPTEMBER 2018 AUG/SEPTEMBER BLACKKKLANSMAN SPIKE LEE PAKT ALT-RIGHT AAN Special guest: Bruce Labruce winnaar 7 German Film awards vanaf 30 augustus in de filmtheaters vanaf 27 september in de filmtheaters DE FILMKRANT #412 AUGUSTUS/SEPTEMBER 2018 3 REDACTIONEEL Afgelopen maand dacht ik aan twee Mamma’s. Mamma Roma, de klassieke film van Pier Paolo Pasolini uit 1962 en Mamma Mia, om precies te zijn Mamma Mia 2, waarin zangeres Cher, stijf van de botox, een in middels breed uitgemeten verrassingsoptreden maakt. En ik vroeg me af of er een verband was tussen het moment waarop sterren op grote schaal hun eigen beeltenis begonnen te boetse ren met behulp van plastische chirurgie en bo tox, en het moment waarop film z’n interesse in het beeldhouwen met tijd en licht verloor. Van Mamma Roma naar Mamma Mia is mis schien een grote stap. En de stap van schoon heid dóór de camera naar een schoonheidside aal vóór de camera misschien nog wel groter. Maar het laat me niet los. Wat zegt het over schoonheid? Wat zegt het over onze opvattin gen over echtheid en realisme? Het lijkt erop dat we de camera steeds meer zijn gaan geloven, maar steeds minder vertrou wen. Neem bijvoorbeeld dit screenshot uit de laatste scène van Mamma Roma. -
DANISH FEATURE DOCUMENTARY Film CATALOGUE Cannes 2017 DANISH FEATURE DOCUMENTARY FILM CATALOGUE / CANNES 2017
DANISH FEATURE DOCUMENTARY film CATALOGUE cannes 2017 DANISH FEATURE DOCUMENTARY FILM CATALOGUE / CANNES 2017 Issued by Danish Film Institute Gothersgade 55 DK-1123 Copenhagen K Tel. +45 3374 3400 The Danish Film Institute (DFI) is the national agency supporting and encouraging Danish film and cinema culture. See more at dfi.dk/english and dfi.dk/facts. dfi.dk/english danishfilminstitute danishfilm detdanskefilminstitut danishfilm Catalogue Feature Films The film is centered in and around a hotel where Director Jens Dahl the police is negotiating the terms of a witness Producer Caroline Schlüter protection deal with Mikael, the prime suspect Bingestam, Jacob Jarek of a big money deposit robbery and an expert on Production Profile Pictures explosives. In order to agree to the deal Mikael Appearance Nikolaj Coster-Waldau, demands three things from the police: that his Birgitte Hjort Sørensen, Lærke Winther, former girlfriend is brought to him, that the police Jacob Ulrik Lohmann bring him the contents of a box he has in storage, and that he is served butter chicken from his Genre Drama favourite restaurant. The police, under heavy time Status Completed pressure to get him to witness the following day, Running time 88 min. agree. Danish release 18.05.2017 Feature Debut Feature debut by Jens Dahl, with Game of Thrones International sales actors Nikolaj Coster-Waldau and Birgitte Hjort TrustNordisk Sørensen. An experienced writer, Dahl co-wrote t +45 3686 8788 3 Things Nicolas Winding Refn’s acclaimed debut film [email protected] Pusher, and further writing credits include Carlos trustnordisk.com / 3 ting Augusto de Oliveira’s Rosa Morena (2011) and several TV dramas such as The Summers (2008) and Lulu & Leon (2009). -
DANISH Feature Documentary CATALOGUE Fall 2016 Catalogue Feature Films
DANISH Feature DOCUMeNTARY CATALOGUE Fall 2016 Catalogue Feature Films The film is inspired by a true story set in 1964, Genre / Drama New York, where several neighbours witness the brutal murder and rape of Kitty Genovese and do Status / Completed not intervene. The film peeks into the lives of three Danish Release / 17.11.2016 disparate families, the lonely neighbour and the Running Time / 82 min. doorman. We connect with the neighbours and Director / Puk Grasten understand their decisions not to act by following Appearances / Samira Wiley, their day-to-day struggles. Inside their apartments Michael Potts, Adrian Martinez, the neighbours are dealing with their personal Maria Dizzia lives and conflicts the same way as they deal with Producer / Asger Hussain, witnessing a murder; if we don’t see, hear or talk Yaron Schwartzman about it, then it didn’t happen. Production Company / Regner Feature Debut Grasten Filmproduktion 37 is Puk Grasten’s feature film debut, based on International Sales / LevelK her 2015 NYU Tisch graduation film of the same / t +45 4844 3072 name. World premiere at Göteborg Film Festival / [email protected] 37 and winner of the Best Director award at Moscow / www.levelk.dk / 37 Film Festival. The film centres in and around a hotel where Genre / Drama the police is negotiating the terms of a witness protection deal with Mikael, the prime suspect Status / Post-production of a big money deposit robbery and an expert on Danish Release / 18.05.2017 explosives. In order to agree on the deal Mikael Running Time / 90 min. demands three things from the police: that his Director / Jens Dahl former girlfriend is brought to him, that the police Appearances / Nikolaj Coster- bring the contents of a box he has stored, and that Waldau, Birgitte Hjort Sørensen, he is served butter chicken from his favourite Lærke Winther, Jacob Ulrik Lohmann restaurant. -
Årsrapport 2018 Annual Report 2018 Nftvf 2018
ÅRSRAPPORT 2018 ANNUAL REPORT 2018 NFTVF 2018 ÅRSRAPPORT 2018 ANNUAL REPORT 2018 1 NFTVF 2018 NFTVF 2018 INNHOLD CONTENTS 04 06 08 24 30 34 OM NORDISK FILM & TV FOND I ENDRINGENES TEGN FIKSJON - FILM OG TV NORDISK FILM & TV FONDS PRIS NORDISKE TALENTER NORDISK RÅDS FILMPRIS ABOUT NORDISK FILM & TV FOND IN THE MIDDLE OF CHANGES FICTION – FILM AND TV NORDISK FILM & TV FOND PRIZE NORDIC TALENTS THE NORDIC COUNCIL FILM PRIZE 12 16 21 42 48 60 DOKUMENTAR BARN OG UNGE – DISTRIBUSJON ÅRET 2018 RESULTAT, BALANSE OG STØTTEDE PROSJEKTER DOCUMENTARY EN PRIORITET DISTRIBUTION THE YEAR 2018 NOTEOPPLYSNINGER PROJECTS FUNDED CHILDREN AND YOUTH – PROFIT AND LOSS, BALANCE AND A PRIORITY NOTE INFO 2 3 NFTVF 2018 NFTVF 2018 OM NORDISK FILM & TV FOND ABOUT NORDISK FILM & TV FOND Driften av Nordisk Film & TV Fond er basert MÅLSETTINGER OG INDIKATORER The operation of Nordisk Film & TV Fond is based GOALS AND INDICATORS på en avtale mellom 18 partnere: Nordisk on an agreement between 18 partners: the Nordic ministerråd, 5 nordiske filminstitutter og 12 Fondets langsiktige mål er å støtte og utfordre Council of Ministers, 5 Nordic Film Institutes, and 12 The long-term goals of the Fund are to support and nordiske TV-stasjoner. De står for det aller meste talentene til å skape varierte lokale filmer og Nordic TV stations. They provide a great majority (in challenge the talents in creating diverse, local films (i 2018: 98 %) av vårt årlige budsjett på NOK 108 TV-dramaer som fremmer nordisk særpreg og 2018: 98%) of our annual budget of NOK 108 million, and TV-dramas that sustain the Nordic brand and millioner, basert på en femårig avtale for årene opprettholder sin relevans for et nordisk og based on a five-year agreement for 2015-2019.