86Th Annual Academy Awards Oscar Nominations Fact Sheet
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CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian October 2020 - July 2021 PIECES OF HER Made Up Stories / Netflix Production Coordinator Drama Series produced in Sydney, Australia Executive Producers: Charlotte Stoudt, Minkie Shot on Location in Sydney, Australia Spiro, Janice Williams, Bruna Papandrea, Steve Hutensky, Casey Haver, Lesli Linka Glatter Line Producer: Louisa Kors Unit Production Manager: Angelique Badenoch January 2020 - May 2020 FIRST WARS Blackfella Films / SBS Production Manager Documentary Series produced in Sydney, Australia Producer: Darren Dale To be shot on Location all over Australia (Pre-Production only) Series Producer: Jacob Hickey Director: Rachel Perkins November 2019 - December 2019 PETER RABBIT 2 ADDITIONAL PHOTOGRAPHY Sony Pictures Production Manager Feature Film produced in Sydney, Australia Producers: Zareh Nalbandian & Will Gluck Shot on Location in Sydney, Australia Executive Producers: Jodi Hildebrand, Jonathan Hludzinski & Doug Belgrad Executive Producer / Line Producer: Tatts Bishop May 2019 - November 2019 HALIFAX: RETRIBUTION Beyond / Channel 9 Production Coordinator Drama TV Series produced in Melbourne, Australia Executive Producers: Roger Simpson, Shot in a converted warehouse (to a studio) in Melbourne and Mikael Borglund & Rebecca Gibney on Location around Victoria, Australia Producer / Line Producer: Louisa Kors Production Manager: Ben Grogan November 2018 - April 2019 PETER RABBIT 2 Sony -
Obaidi at WHO Committee for Eastern Mediterranean
Amir returns to Obaidi at WHO S Korea cap Kuwait from Committee a miserable positive UN for Eastern week for summit 9 Mediterranean8 Kuwait47 Min 24º Max 39º FREE www.kuwaittimes.net NO: 16662- Friday, October 9, 2015 Bye to Blatter Page 47 In this June 1, 2011 file photo Swiss FIFA President Joseph Blatter, right, and French UEFA President Michel Platini walk together at the 61st FIFA Congress in Zurich, Switzerland. Yesterday FIFA provisionally banned President Sepp Blatter and UEFA President Michel Platini for 90 days. — AP Local FRIDAY, OCTOBER 9, 2015 Local Spotlight Equality is key Life is incompatible here I felt compelled to mention the man’s possible nationality....if he had been Kuwaiti or even an Arab, the circumstances would have been a lot different. Unfortunately, the By Muna Al-Fuzai concept of equality and respecting individuals equally in Kuwait and many other parts in the Arab world remains not fully comprehended. [email protected] By Ahmad Jabr One of the reasons why a search remains stuck in lower tiers in interna- lot of people leave their countries in search of bet- warrant is required - by law - before tional human rights, freedom and traf- ter work, more income, greater stability for their he place: A bystreet near a pri- searching a person is to insure that his ficking in persons reports. It is not a Afamilies and perhaps a chance for fame as well, vate clinic in Jabriya. The time: rights are not violated. Here the law contradiction. when life becomes impossible because of wars and polit- Approximately 10 minutes protects individuals’ rights, but as can ical crises. -
January 2012 at BFI Southbank
PRESS RELEASE November 2011 11/77 January 2012 at BFI Southbank Dickens on Screen, Woody Allen & the first London Comedy Film Festival Major Seasons: x Dickens on Screen Charles Dickens (1812-1870) is undoubtedly the greatest-ever English novelist, and as a key contribution to the worldwide celebrations of his 200th birthday – co-ordinated by Film London and The Charles Dickens Museum in partnership with the BFI – BFI Southbank will launch this comprehensive three-month survey of his works adapted for film and television x Wise Cracks: The Comedies of Woody Allen Woody Allen has also made his fair share of serious films, but since this month sees BFI Southbank celebrate the highlights of his peerless career as a writer-director of comedy films; with the inclusion of both Zelig (1983) and the Oscar-winning Hannah and Her Sisters (1986) on Extended Run 30 December - 19 January x Extended Run: L’Atalante (Dir, Jean Vigo, 1934) 20 January – 29 February Funny, heart-rending, erotic, suspenseful, exhilaratingly inventive... Jean Vigo’s only full- length feature satisfies on so many levels, it’s no surprise it’s widely regarded as one of the greatest films ever made Featured Events Highlights from our events calendar include: x LoCo presents: The London Comedy Film Festival 26 – 29 January LoCo joins forces with BFI Southbank to present the first London Comedy Film Festival, with features previews, classics, masterclasses and special guests in celebration of the genre x Plus previews of some of the best titles from the BFI London Film Festival: -
Marcelo Zarvos
MARCELO ZARVOS AWARDS/NOMINATIONS CINEMA BRAZIL GRAND PRIZE FLORES RARAS NOMINATION (2014) Best Original Music ONLINE FILM & TELEVISION PHIL SPECTOR ASSOCIATION AWARD NOMINATION (2013) Best Music in a Non-Series BLACK REEL AWARDS BROOKLYN’S FINEST NOMINATION (2011) Best Original Score EMMY AWARD NOMINATION YOU DON’T KNOW JACK (2010) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) EMMY AWARD NOMINATION TAKING CHANCE (2009) Music Composition For A Miniseries, Movie or Special (Dramatic Underscore) BRAZILIA FESTIVAL OF UMA HISTÓRIA DE FUTEBOL BRAZILIAN CINEMA AWARD (1998) 35mm Shorts- Best Music FEATURE FILMS CELL Michael Benaroya, Shara Kay, Richard Saperstein, Brian Benaroya Pictures Witten, prods. Tod Williams, dir. THE HUMBLING Barry Levinson, Al Pacino, Jason Sosnoff, prods. Nu Image/Millennium Films Barry Levinson, dir. ADULT BEGINNERS Paul Bernon, Karrie Cox, Marcus Cox, Jared Goldman, Burn Later Productions Nick Kroll, Sam Slater, prods. Ross Katz, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 MARCELO ZARVOS LITTLE ACCIDENTS Jason Michael Berman, Anne Carey, Thomas B. Fore, Archer Gray Productions Summer Shelton, prods. Sara Colangelo, dir. ENOUGH SAID Stefanie Azpiazu, Anthony Bregman, prods. Fox Searchlight Nicole Holofcener, dir. REACHING FOR THE MOON Paulo Barreto, prod. The Art of Losing, LLC Bruno Barreto, dir. THE FACE OF LOVE Bonnie Curtis, Julie Lynn, prods. Cutting Edge Ari Posen, dir. THE WORDS Cassian Elwes, Laura Rister, exec. prod. Cutting Edge Brian Klugman, Lee Sternthal, dirs. FRIENDS WITH KIDS Joshua Astrachan, Riza Aziz, Lucy Barzun Donnelly, Lionsgate Jon Hamm, Jake Kasdan, Joey McFarland, Jennifer Westfeldt, prods. Jennifer Westfeldt, dir. WON’T BACK DOWN Mark Johnson, prod. -
WOMEN's OPPRESSIONS AS REFLECTED in JORDAN BELFORT's the WOLF of WALL STREET a THESIS in Partial Fulfillment of the Requirem
WOMEN’S OPPRESSIONS AS REFLECTED IN JORDAN BELFORT’S THE WOLF OF WALL STREET A THESIS In Partial Fulfillment of the Requirements for S-1 Degree Majoring Literature in English Department Faculty of Humanities Diponegoro University Submitted by: BayuSatryaYudha 13020111130072 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2016 PRONOUNCEMENT I states truthfully that this project is compiled by me without taking the results from other research in any university, in S-1, S-2, and S-3 degree and diploma. In addition, I ascertain that I do not take the material from other publications or someone’s work except for the references mentioned in the bibliography. Semarang, September 2015 BayuSatryaYudha ii MOTTO AND DEDICATION Do not impose on others what you yourself do not desire. (Confucius) This paper is dedicated to those who need it and for my beloved SafiraAnindyaputeri iii APPROVAL iv VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On September 2016 v ACKNOWLEDGEMENTS Praise be to God the Almighty who has given mercy, blessing, strength, and guidance so this thesis entitled “Women’s Oppression as Reflected in Jordan Belfort’s The Wolf of Wall Street” comes into completion. On this occasion, I would like to thank all those people who have helped me in completing this thesis. The sincere, deepest gratitude and appreciation are extended to Dr. RatnaAsmarani, M.Ed., M.Hum., as the writer’s thesis advisor, who has given her continuous guidance, helpful corrections, advices, suggestions and patience that the writer needs to complete this thesis. The writer’s gratitude also goes to following persons: 1. -
X ANDREW GREENE, Plaintiff
Case 2:14-cv-01044-JS-SIL Document 25 Filed 09/30/15 Page 1 of 24 PageID #: <pageID> UNITED STATES DISTRICT COURT EASTERN DISTRICT OF NEW YORK -------------------------------------X ANDREW GREENE, Plaintiff, -against- PARAMOUNT PICTURES CORPORATION, a Delaware corporation; RED GRANITE MEMORANDUM & ORDER PICTURES, INC., a California 14-CV-1044(JS)(SIL) corporation; APPIAN WAY, LLC, a California limited liability company; SIKELLA PRODUCTIONS, INC., a Delaware corporation; and JOHN AND JANE DOES 1 THROUGH 10, Defendants. -------------------------------------X APPEARANCES For Plaintiff: Aaron M. Goldsmith, Esq. 225 Broadway, Suite 715 New York, NY 10007 For Paramount and Red Granite: Louis P. Petrich, Esq. Vincent Cox, Esq. Leopold, Petrich & Smith P.C. 2049 Century Park East, Suite 3110 Los Angeles, CA 90067 Katherine Mary Bolger, Esq. Levine Sullivan Koch & Schulz, LLP 321 West 44th Street, Suite 1000 New York, NY 10036 Rachel Fan Stern Strom, Esq. Hogan Lovells US LLP 875 Third Avenue New York, NY 10022 For Appian Way and Sikella: Katherine Mary Bolger, Esq. Levine Sullivan Koch & Schulz, LLP 321 West 44th Street, Suite 1000 New York, NY 10036 Case 2:14-cv-01044-JS-SIL Document 25 Filed 09/30/15 Page 2 of 24 PageID #: <pageID> SEYBERT, District Judge: Plaintiff Andrew Greene (“Plaintiff”) brings this diversity action against defendants Paramount Pictures Corporation, Red Granite Pictures, Inc., Appian Way, LLC, and Sikella Productions, Inc. (collectively, “Defendants”), alleging that Defendants, the producers and distributors of the motion picture The Wolf of Wall Street, violated his right of privacy and defamed him under New York law through the portrayal of a character in the movie. -
P20-21 Layout 1
Established 1961 21 Lifestyle Cannes Thursday, May 23, 2019 (From left) US actor Leonardo DiCaprio, US film director Quentin Tarantino and his wife Israeli singer Daniella Pick, British film producer David Heyman, US pro- US actor Brad Pitt (left) arrives with US actor Leonardo DiCaprio for the screening of the film ducer Shannon McIntosh, Australian actress Margot Robbie, US actor Brad Pitt and the chairman of Sony Pictures Motion Picture Group Thomas Rothman pose “Once Upon a Time... in Hollywood” at the 72nd edition of the Cannes Film Festival in Cannes, as they arrive for the screening of the film “Once Upon a Time... in Hollywood” at the 72nd edition of the Cannes Film Festival in Cannes, southern France. southern France. — AFP photos he stars were aligned for Brad Pitt and Leonardo TDiCaprio to put their dashing good looks to use on big-budget films, but both Hollywood golden boys have instead taken on more idiosyncratic career paths- especially in working with Quentin Tarantino. And now for the first time, the actors are starring side by side in Tarantino’s “Once Upon a Time... in Hollywood”, which the American director screened on Tuesday to rapturous reviews at the Cannes film festival. Both men have already starred in past Tarantino films-the 55-year-old Pitt in “Inglourious Basterds” and DiCaprio, 44, in “Django Unchained”. The consummate urbanite DiCaprio was born and raised in Los Angeles, the son of New Yorkers. As a pre- teen, he began pushing to do what he loved: act. Pitt on the other hand grew up in rural Missouri in a family of devout Baptists. -
Oscars 2020 Ballot
OSCARS BALLOT OSCAR NOMINATIONS 2020 BY CATEGORY - 92ND AWARDS О JOKER - LAWRENCE SHER О PARASITE - YANG JINMO ROBERT DE NIRO, JANE ROSENTHAL AND О JOKER - ALAN ROBERT MURRAY EMMA TILLINGER KOSKOFF, PRODUCERS О THE LIGHTHOUSE - JARIN BLASCHKE BEST INTERNATIONAL FEATURE FILM OF THE О 1917 - OLIVER TARNEY AND RACHAEL TATE YEAR: О JOJO RABBIT - CARTHEW NEAL AND О 1917 - ROGER DEAKINS TAIKA WAITITI, PRODUCERS О ONCE UPON A TIME...IN HOLLYWOOD - О CORPUS CHRISTI - POLAND, DIRECTED WYLIE STATEMAN PERFORMANCE BY AN ACTOR IN A LEADING О ONCE UPON A TIME...IN HOLLYWOOD - BY JAN KOMASA О JOKER - TODD PHILLIPS, BRADLEY ROLE: ROBERT RICHARDSON COOPER AND EMMA TILLINGER KOSKOFF, О STAR WARS: THE RISE OF SKYWALKER - О HONEYLAND - NORTH MACEDONIA, PRODUCERS MATTHEW WOOD AND DAVID ACORD О ANTONIO BANDERA IN PAIN AND GLORY ACHIEVEMENT IN COSTUME DESIGN: DIRECTED BY LJUBO STEFANOV AND TAMARA KOTEVKSA О LITTLE WOMEN - AMY PASCAL, ACHIEVEMENT IN SOUND MIXING: О LEONARDO DICAPRIO IN ONCE UPON A О THE IRISHMAN - SANDY POWELL AND PRODUCER TIME...IN HOLLYWOOD CHRISTOPHER PETERSON О LES MISÉRABLES - FRANCE, DIRECTED BY О AD ASTRA - GARY RYDSTROM, TOM LADJ LY О MARRIAGE STORY - NOAH BAUMBACH JOHNSON AND MARK ULANO О ADAM DRIVER IN MARRIAGE STORY О JOJO RABBIT - MAYES C. RUBEO AND DAVID HEYMAN, PRODUCERS О PAIN AND GLORY - SPAIN, DIRECTED BY О FORD V FERRARI - PAUL MASSEY, DAVID О JOAQUIN PHOENIX IN JOKER О JOKER - MARK BRIDGES PEDRO ALMODÓVAR О 1917 - SAM MENDES, PIPPA HARRIS, GIAMMARCO AND STEVEN A. MORROW JAYNE-ANN TENGGREN AND CALLUM О JONATHAN PRYCE IN THE -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Solomon Northup and 12 Years a Slave
Solomon Northup and 12 Years a Slave How to analyze slave narratives. Who Was Solomon Northup? 1808: Born in Minerva, NewYork Son of former slave, Mintus Northup; Northup's mother is unknown. 1829: Married Anne Hampton, a free black woman. They had three children. Solomon was a farmer, a rafter on the Lake Champlain Canal, and a popular local fiddler. What Happened to Solomon Northup? Met two circus performers who said they needed a fiddler for engagements inWashington, D.C. Traveled south with the two men. Didn't tell his wife where he was going (she was out of town); he expected to be back by the time his family returned. Poisoned by the two men during an evening of social drinking inWashington, D.C. Became ill; he was taken to his room where the two men robbed him and took his free papers; he vaguely remembered the transfer from the hotel but passed out. What Happened…? • Awoke in chains in a "slave pen" in Washington, D.C., owned by infamous slave dealer, James Birch. (Note: A slave pen were where (Note:a slave pen was where slaves were warehoused before being transported to market) • Transported by sea with other slaves to the New Orleans slave market. • Sold first toWilliam Prince Ford, a cotton plantation owner. • Ford treated Northup with respect due to Northup's many skills, business acumen and initiative. • After six months Ford, needing money, sold Northup to Edwin Epps. Life on the Plantation Edwin Epps was Northup’s master for eight of his 12 years a slave. -
False Authenticity in the Films of Woody Allen
False Authenticity in the Films of Woody Allen by Nicholas Vick November, 2012 Director of Thesis: Amanda Klein Major Department: English Woody Allen is an auteur who is deeply concerned with the visual presentation of his cityscapes. However, each city that Allen films is presented in such a glamorous light that the depiction of the cities is falsely authentic. That is, Allen's cityscapes are actually unrealistic recreations based on his nostalgia or stilted view of the city's culture. Allen's treatment of each city is similar to each other in that he strives to create a cinematic postcard for the viewer. However, differing themes and characteristics emerge to define Allen's optimistic visual approach. Allen's hometown of Manhattan is a place where artists, intellectuals, and writers can thrive. Paris denotes a sense of nostalgia and questions the power behind it. Allen's London is primarily concerned with class and the social imperative. Finally, Barcelona is a haven for physicality, bravado, and sex but also uncertainty for American travelers. Despite being in these picturesque and dynamic locations, happiness is rarely achieved for Allen's characters. So, regardless of Allen's dreamy and romanticized visual treatment of cityscapes and culture, Allen is a director who operates in a continuous state of contradiction because of the emotional unrest his characters suffer. False Authenticity in the Films of Woody Allen A Thesis Presented To the Faculty of the Department of English East Carolina University In Partial Fulfillment of the Requirements for the Degree MA English by Nicholas Vick November, 2012 © Nicholas Vick, 2012 False Authenticity in the Films of Woody Allen by Nicholas Vick APPROVED BY: DIRECTOR OF DISSERTATION/THESIS: _______________________________________________________ Dr. -
View the 2021 Project Dossier
www.durbanfilmmart.com Project Dossier Contents Message from the Chair 3 Combat de Nègre et de Chiens (Black Battle with Dogs) 50 introduction and Come Sunrise, We Shall Rule 52 welcome 4 Conversations with my Mother 54 Drummies 56 Partners and Sponsors 6 Forget Me Not 58 MENTORS 8 Frontier Mistress 60 Hamlet from the Slums 62 DFM Mentors 8 Professional Mourners 64 Talents Durban Mentors 10 Requiem of Ravel’s Boléro 66 Jumpstart Mentors 13 Sakan Lelmoghtrebat (A House For Expats) 68 OFFICAL DFM PROJECTS The Day and Night of Brahma 70 Documentaries 14 The Killing of A Beast 72 Defying Ashes 15 The Mailman, The Mantis, and The Moon 74 Doxandem, les chasseurs de rêves Pretty Hustle 76 (Dream Chasers) 17 Dusty & Stones 19 DFM Access 78 Eat Bitter 21 DFM Access Mentors 79 Ethel 23 PARTNER PROJECTS IN My Plastic Hair 25 FINANCE FORUM 80 Nzonzing 27 Hot Docs-Blue Ice Docs Part of the Pack 29 Fund Fellows 81 The Possessed Painter: In the Footsteps The Mother of All Lies 82 of Abbès Saladi 31 The Wall of Death 84 The Woman Who Poked The Leopard 33 What’s Eating My Mind 86 Time of Pandemics 35 Unfinished Journey 37 Talents Durban 88 Untitled: Miss Africa South 39 Feature Fiction: Bosryer (Bushrider) 89 Wataalat Loughatou él Kalami (Such a Silent Cry) 41 Rosa Baila! (Dance Rosa) 90 Windward 43 Kinafo 91 L’Aurore Boréale (The Northern Lights) 92 Fiction 45 The Path of Ruganzu Part 2 93 2065 46 Yvette 94 Akashinga 48 DURBAN FILMMART 1 PROJECT DOSSIER 2021 CONTENTS Short Fiction: Bedrock 129 Crisis 95 God’s Work 131 Mob Passion 96 Soweto on Fire 133