DOCSLIB.ORG

Årsrapport 2017 Annual Report 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Årsrapport 2017 Annual Report 2017 NFTVF 2017 NORDISK FILM & TV FOND ÅRSRAPPORT 2017 ANNUAL REPORT 2017 1 NFTVF 2017 NFTVF 2017 FONDET ØKTE SITT FOKUS PÅ TV- DRAMA BETYDELIG I 2017, VED Å ETABLERE EN PRIS FOR BESTE MANUSFORFATTER INNEN NORDISK TV-DRAMA, OG VED Å BESTILLE EN STUDIE OM DISTRIBUSJON OG SEERNES TV-SERIEVANER I DE NORDISKE LAND. THE FUND INCREASED ITS FOCUS ON TV DRAMA SIGNIFICANTLY IN 2017 BY ESTABLISHING A PRIZE FOR BEST SCREENWRITING IN NORDIC TV DRAMA AND COMMISSIONING A STUDY ON THE DISTRIBUTION AND VIEWING OF TELEVISION SERIES IN THE NORDIC COUNTRIES. 2 3 NFTVF 2017 NFTVF 2017 INNHOLD CONTENTS 06 08 OM NORDISK FILM HVA ER DEFINISJONEN PÅ & TV FOND SUKSESS? ABOUT NORDISK WHAT DEFINES SUCCESS? FILM & TV FOND 10 18 22 42 50 53 FIKSJON DOKUMENTAR BARN OG UNGE – EN NORDIC GENRE BOOST NORDISKE TALENTER 2017 NORDISK RÅDS FILMPRIS FICTION DOCUMENTARY PRIORITET NORDIC GENRE BOOST NORDIC TALENTS 2017 THE NORDIC COUNCIL FILM CHILDREN AND YOUTH – A PRIZE PRIORITY 24 28 32 60 68 76 DISTRIBUSJONSSTØTTE NORDISKE KINOTALL NORDISK TV-DRAMAFOKUS ÅRET 2017 RESULTAT, BALANSE OG STØTTEDE PROSJEKTER DISTRIBUTION SUPPORT NORDIC CINEMA FIGURES NORDIC TV DRAMA IN FOCUS THE YEAR 2017 NOTEOPPLYSNINGER PROJECTS FUNDED PROFIT AND LOSS, BALANCE AND NOTE INFO 4 5 NFTVF 2017 NFTVF 2017 OM NORDISK FILM & TV FOND ABOUT NORDISK FILM & TV FOND Nordisk Film & TV Fond har i 2017 basert sin Throughout 2017, Nordisk Film & TV Fond has drift på retningslinjene som ble vedtatt i 1995, operated in accordance with the guidelines estab- og revidert i 2000, 2005, 2010 og 2015. Utover lished in 1995, revised in 2000, 2005, 2010 and dette har styret pekt ut følgende retning for 2015. In addition, the Board has issued the follow- Fondets drift: ing directions for the operations of the Fund: GENERELT GENERAL Fondet skal være en organisasjon som på selv- The Fund shall be an organization which on an in- stendig grunnlag stimulerer den nordiske film- dependent basis stimulates the Nordic film and TV og TV-industrien til å utvikle kvalitetsprodukter industry to develop quality film and TV products for film og TV til et bredt, nordisk marked. for a broad Nordic market. In these domains, the Fondet skal på disse områdene gå i spissen for Fund shall spearhead initiatives, which may re- tiltak som kan få en bred, positiv støtte fra det ceive broad, positive support from the Nordic film nordiske film- og TV-miljøet. and TV community. PRODUKSJONSSTØTTE PRODUCTION SUPPORT Fondet skal stille høye krav til de prosjekter The Fund shall demand a high standard of the OUR OFFICE ©NFTVF, BIRGIT SOLHAUG som mottar støtte, både med hensyn til manus- projects which receive support, both regarding kript, kunstnerisk uttrykk, produksjonsforutset- screenplays, artistic expression, production condi- ninger, distribusjonsmuligheter og publikum- tions, distribution options and box office potential. spotensial. Fondet skal fatte sine beslutninger The Fund shall make its decisions independently, på et selvstendig grunnlag, basert på det based on the qualities of the individual project in enkelte prosjekts kvaliteter i et nordisk per- a Nordic perspective, independently of national, spektiv, uavhengig av nasjonale, økonomiske financial and thematic quotas. The Fund shall give og tematiske kvoteringer. Fondet skal prioritere priority to projects for children and youth. prosjekter for barn og unge. RELATIONS TO AGREEMENT PARTNERS FORHOLD TIL AVTALEPARTER The Board has continued to attach importance Styret har fortsatt lagt vekt på at Fondet skal to the Fund working in close contact and con- arbeide i nær kontakt med og i forståelse med cordance with the national film institutes and de nasjonale filminstitutter og TV-selskaper, TV companies. At the same time, the Fund shall samtidig som Fondet skal representere helhe- represent the totality of the Nordic film and TV ten i det nordiske film- og TV-miljøet. community. 6 7 NFTVF 2017 NFTF 2017 HVA ER DEFINISJONEN PÅ SUKSESS? WHAT DEFINES SUCCESS? VI VIL FORTSATT STYRKE DET FELLESNORDISKE PERSPEKTIVET SOM NØKKEL TIL BEDRE UTADRETTET VIRKSOMHET. PETRI KEMPPINEN, CEO, NFTVF PHOTO BIRGIT SOLHAUG Det siste året har jeg hatt en rekke diskusjoner rundt defini- relle tiltak lå på rekordhøye 95,1 millioner kroner i fjor. Vi vil During last year I have had numerous discussions on defining Also research gives insight. It was rewarding to get proof from sjonen på suksess for en film eller et TV-drama. Det er viktig fortsatt styrke det fellesnordiske perspektivet som nøkkel til the success of a film or a TV drama. It is important to under- our commissioned study on TV Drama Series (Distribution And å forstå det totale bildet, siden vårt aktivitetsområde er fler- bedre utadrettet virksomhet. Dokumentarer beviser stadig stand the broad picture, as our area of operation is transnational, Viewing Of Television Series In The Nordic Countries - Re- nasjonalt, og dekker alle de fem nordiske landene og mer til. vekk sin store betydning, og innen filmdistribusjon ser vi at covering all the five Nordic countries and beyond. port) that they actually do travel well cross borders and get good antall utgitte nordiske filmer øker. Over 100 000 kinobesøk audiences. The most widespread ones like The Bridge (Bron) For bare å ta ett av alle de positive eksemplene: Det har vært utenfor hjemlandet er et akseptabelt resultat. To take only one example among the many positive ones, it have more than 3.5 million viewers in the Nordics. How has svært gledelig å følge suksessen til Ruben Östlunds The has been very satisfying to follow the success of Ruben Öst- all this been achieved? Clearly, the report claims, positioning, Square, fra filmen vant den prestisjefylte Gullpalmen i Cannes Vi gikk inn i 2018 med en ny stil. Som friske, fordomsfrie, lund´s The Square, from the prestigious Palme d´Or in Cannes programming and marketing have a great impact on the best til den mottok seks priser under European Film Awards, og moderne brobyggere – slik er det jeg ser oss, og det er dette to six European Film Awards, whilst hearing of its excellent results. samtidig høre om dens fantastiske publikumssuksess på vår nye logo og vårt organisasjonsomdømme gjenspeiler. box-office results in global cinemas, and shouts of new and kinoer verden over, og bifall fra nye og yngre publikums- Jeg vil gjerne takke alle våre partnere for deres uttrykte tillit younger audiences finding this art-house film interesting. Our total support for production, distribution and film cultural grupper som synes denne kunstfilmen er interessant. til og verdifulle innsikt i vår virksomhet, og jeg gleder meg til initiatives reached a record high of NOK 95.1 million last year. vårt neste «familiemøte» kommende høst. Around TV Drama we picked our brain long on what is behind We keep boosting the pan-Nordic perspective as a key to better Når det gjelder TV-drama, grublet vi lenge på hva som quality. Clearly – not forgetting the other creatives – the role outreach. Documentaries are constantly proving their impact, utgjør grunnlaget for kvalitet. Det er helt opplagt – uten at vi Petri Kemppinen of the writer(s) is at core. Thus we decided to establish a totally and in film distribution we see the number of Nordic films re- skal glemme andre kreative krefter – at manus- Direktør new prize, to highlight the skilled writing of Nordic TV Drama leased growing. Getting more than 100,000 cinema admissions forfatternes rolle er helt sentral. Derfor bestemte vi oss for å series. The first ever Nordisk Film & TV Fond Prize – cash of outside the home country is an acceptable result. innføre en helt ny pris, for å fremheve de glimrende manu- SEK 200,000 - was awarded Mette M. Bølstad and Stephen sene bak nordiske TV-dramaserier. Den aller første Nordisk Uhlander for the Norwegian TV series Nobel (produced by New year 2018 we started out with new looks. Fresh, Film & TV Fond-prisen – på 200 000 svenske kroner – gikk Monster for NRK). The jury stated: “A thrilling, strong, unpre- open-minded, modern, building bridges – that is how I see us, til Mette M. Bølstad og Stephen Uhlander for den norske dictable drama with a sense of fresh realism.” and that is what our new logo and corporate image reflects. TV-serien Nobel (produsert av Monster for NRK). Juryen I want to thank all our partners for their expressed trust and uttalte: «Et spennende, sterkt, uforutsigbart drama med et valuable insight in our operations, and I am very much looking preg av frisk realisme.» forward to our next “family meeting” this autumn. Forskning gir også innsikt. Det var svært givende å få W E K E E P Petri Kemppinen bekreftet, gjennom vår bestilte studie om TV-dramaserier CEO (Distribution And Viewing Of Television Series In The Nordic BOOSTING THE Countries - Report), at seriene faktisk lett krysser grenser PAN-NORDIC og får et stort publikum. De mest populære seriene, som PERSPECTIVE Bron (The Bridge), har mer enn 3,5 millioner seere i Norden. Hvordan har man oppnådd alt dette? Rapporten hevder at AS A KEY posisjonering, programmering og markedsføring helt klart T O B E T T E R har stor innvirkning på de beste resultatene. Vår totale støtte til produksjon, distribusjon og filmkultu- OUTREACH. 8 9 NFTVF 2017 NFTVF 2017 SpillefilmenSolsidanfilmen (Solsidan – The The feature filmSolsidan – The Movie (Solsidan- Movie) var den desidert mest vellykte nordiske filmen) was definitely the most successful Nordic filmen i 2017, med tanke på antall solgte kino- film in 2017, when it comes to box office figures. billetter. Over 1 050 000 mennesker har løst More than 1,050,000 people have purchased tick- billett i Sverige, 100 000 i Norge og 130 000 i ets in Sweden, 100,000 in Norway, and 130,000 Finland. Premiere i Island er også planlagt.
Load more

Recommended publications
  • Becoming Astrid
    Music Box Films Presents BECOMING ASTRID 123 MINUTES | SCANDINAVIA | 2018 | NOT RATED | IN SWEDISH AND DANISH WITH ENGLISH SUBTITLES PRESS NOTES Publicity Contacts New York: Los Angeles: Regional/Marketing: Sophie Gluck & Associates Marina Bailey Film Publicity Music Box Films Sophie Gluck Marina Bailey Kathleen Sachs [email protected] [email protected] [email protected] 212-595-2432 323-962-7511 312-508-5362 Aimee Morris Dina Makhlouf [email protected] [email protected] 212-595-2432 Music Box Films Contacts Theatrical Bookings: Marketing/Social Media: Kyle Westphal Becky Schultz [email protected] [email protected] 312-508-5359 312-508-5360 BECOMING ASTRID | PRESS NOTES LOGLINE The poignant true story of a character-defining period in the life of Pippi Longstocking author Astrid Lindgren, BECOMING ASTRID follows a teenaged Astrid as she struggles with being a young, unwed mother. SYNOPSIS Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. SUMMARY Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen).
    [Show full text]
  • Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
    Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new.
    [Show full text]
  • Gender Equality Report?
    Production: Swedish Film Institute Editors: Sara Karlsson and Jenny Wikstrand Production Manager: Ida Kjellgren Illustrations, cover and insert: Siri Carlén Translation: Matt Bibby Innehåll A comment from the CEO ................................................................................................................... 4 Anna Serner ............................................................................................................................................. 4 Foreword ................................................................................................................................................ 5 Why a Gender Equality Report? ......................................................................................................... 7 The emergence of gender equality in Sweden ................................................................................ 9 Rebellion the best cure for obdurate structures? ........................................................................... 11 Women’s demands and government equality measures ......................................................... 12 Obdurate structures and lower priority ........................................................................................ 13 Radical interpretations and unruly women ................................................................................. 14 A modified commission ...................................................................................................................... 16 Our view of the
    [Show full text]
  • Swedish Film #2 2020
    #2 • 2020 FEATURES • DOCS • SHORTS • FILMS IN PRODUCTION ON THE COVER: PLEASURE BY NINJA THYBERG 1 Contacts Head of International Festivals, shorts & docs Administrator Department Jing Haase Signe-Annie Lindstedt Steffen Andersen-Møller Phone: +46 70 420 32 74 Phone: +46 70 766 12 41 Phone: +46 76 051 36 97 [email protected] [email protected] [email protected] Festivals, features Festivals, docs & shorts International co-productions Petter Mattsson Sara Rüster Lina Norberg Johansson Phone: +46 70 607 11 34 Phone: +46 76 117 26 78 Phone: +46 70 251 91 72 [email protected] [email protected] [email protected] Festivals, docs & shorts Festivals, features Press Officer Josefina Mothander Theo Tsappos Jan Göransson Phone: +46 70 972 93 52 Phone: +46 76 779 11 33 Phone: +46 70 603 03 62 [email protected] [email protected] [email protected] Swedish Film Institute International Department P.O Box 27 126 Art Director: Markus Edin SE- 102 52 Stockholm, Sweden Cover photo: Pleasure Phone +46 8 665 11 00 filminstitutet.se ©Plattform Produktion Fax +46 8 661 18 20 instagram.com/swedishfilm Welcome to the world of Swedish films Contents FEATURES AND DOCS FILMS IN PRODUCTION SHORTS 5 Always Amber 29 Merry Christmas, Yiwu 45 The Ape Star 58 Anyway 6 The Beautiful Game 30 The Most Beautiful Boy 46 Clara Sola 59 DON’T, KISS .mov 7 Bellum in the World 47 Eva & Adam – To Be or Not to Be 60 A Film 8 Bert’s Diary 31 My Father Marianne – Together 61 Grab Them 9 Bitter Love 32 Nelly Rapp Monster Agent 48 Excess Will Save Us
    [Show full text]
  • Summer/Autumn 2019 438 Days • About Endlessness • Alone In
    Summer/Autumn 2019 438 Days • About Endlessness • Alone in Space • And Then We Danced • Aniara • A Piece of My Heart Bamse and the Thunderbell • Bitter Love • Britt-Marie Was Here • Charismatic Megafauna • The Comeback • Everybody Loves Madeline The Feminister • Goliath • Halvdan: Almost a Viking • The Heart is a Drum • I’ll Be Home for Christmas • Ninosca, the Return to San Fernando JerryMaya’s Detective Agency – The First Mystery • Josefin & Florin • Jozi Gold • Koko-Di Koko-Da • King of Atlantis • The Longest Day • Lucky One • Mating My Life as a Comedian • The Perfect Patient • Pity the Lovers • PUSH • Reconstructing Utøya • Ridge • Scheme Birds • Sune vs. Sune • Swoon Tiny Tim – King for a Day • Transnistra • The Unpromised Land • The Writer – 10 Chapters with Joyce Carol Oates • X&Y + 15 shorts Welcome to the world of Swedish films. Swedish films in 2019 display an impressively wide In Production, listing lots of exciting new titles such as variety of genres, themes and outlooks on the world. Lisa Aschan’s Call Mum!, Ninja Thyberg’s Jessica and From Levan Akin’s Quinzaine des Réalisateurs Göran Hugo Olsson’s La Société du Spectacle, selected love drama And Then We Danced to Rojda co-directed with Roxy Farhat, to name but a few. We Sekersöz’ My Life as a Comedian. From the musical can guarantee that Sundance screened Koko-Di A Piece of my Heart by debuting director Edward af Koko-Da and Berlin dito kids film Sune vs. Sune was Sillén to Jesper Ganslandt’s political thriller 438 Days. just the beginning of a great year for Swedish films! The success of Swedish short films continues as well, Oh, and don’t miss Mikael Håfström’s journalistic one of them being Elin Övergaard’s Who Talks in the thriller The Perfect Patient, Patrik Eklund’s absurd Cannes Short Film Competition.
    [Show full text]
  • Sverrir Gudnason
    Sverrir Gudnason ABOUT Birth 1978 Language Swedish, Icelandic, English Eyes Blue Hair Cendré FILM AND TV PRODUCTIONS 2020 The book of vision (Feature) Dir: Carlo Hintermann. 2020 Falling (Feature) Dir: Viggo Mortensen. 2020 Älska mig (TV Series) season II Dir: Josephine Bornebusch. Warner 2020 Charter (Feature) Dir: Amanda Kernell. Nordisk Film 2019 Älska mig (TV Series) Dir: Josephine Bornebusch. Warner 2018 The Girl in the Spider's Web (Feature) Dir: Fede Alvarez. Sony Pictures Entertainment 2018 Phoenix (Feature) Dir: Camilla Strøm Henriksen. Hummelfilm AS 2018 The Book of Vision (Feature) Dir: Carlo Hintermann. Luminous Arts Productions 2017 Borg (Feature) Dir: Janus Metz. SF 2016 The Serious Game (Feature) Dir: Pernilla August. B Reel 2016 Gentlemen & Gangsters (TV Mini-Series) Dir: Mikael Marciman. B Reel 2015 Cirkeln (Feature) Dir: Levan Akin. RMV Film 2015 Badhotellet (TV Series) Dir: Fabian Wullenweber. DR 2014 The Swedish Empire (Short) Dir: Pella Kagerman 2014 Min så kallade pappa (Feature) Dir: Ulf Malmros. Bob Film 2014 Gentlemen (Feature) Dir: Mikael Marciman. B Reel 2013 Monica Z (Feature) Dir: Per Fly. Stella Nova 2013 Små citroner gula (Feature) Dir: Teresa Fabik. SF 2012 Balladen om Marie Krøyer (Feature) Dir: Bille August. SF 2012 Call Girl (Feature) Dir: Mikael Marciman. Garage Film 2012 Mörkt vatten (Feature) Dir: Rafael Edholm. SF 2011 Hur många lingon finns det i världen? (Feature) Dir: Lena Koppel. Sonet Film 2011 Elegia (Short) Dir: Alexandra-Therese Keining 2010 Drottningoffret (TV Mini-Series) Dir: Kathrine Windfeld. SVT 2010 Wallander - Indrivaren (TV Series) Dir: Kathrine Windfeld. Yellowbird 2010 Ett tyst barn (Short) Dir: Jesper Klevenås 2010 Wallander - Arvet (TV Series) Dir: Mikael Marcimain.
    [Show full text]
  • Sami, Une Jeunesse En Laponie Réalisation : Amanda Kernell Distribution : Bodega Films Production : Lars G
    PRIX JEAN RENOIR sami, DES LYCÉENS une jeunesse en laponie 2018-2019 d’Amanda Kernell AGIR Ce dossier pédagogique est édité par Réseau Canopé dans le cadre du prix Jean Renoir des lycéens 2018-2019, attribué par un jury de lycéens à un film choisi parmi sept films présélectionnés par un comité de pilotage national, composé de représentants de la Dgesco (Direction générale de l’enseignement scolaire), de l’inspection générale de l’Éducation nationale, du CNC (Centre national du cinéma et de l’image animée) et de la Fédération nationale des cinémas français. Le prix Jean Renoir des lycéens est organisé par le ministère de l’Éducation nationale, en partenariat avec le CNC, la Fédération nationale des cinémas français et avec le soutien des Ceméa, de Réseau Canopé, des Cahiers du cinéma, de Positif et de Phosphore. PRIX JEAN RENOIR eduscol.education.fr/pjrl LESDES LYCÉENS LYCÉENS ÉLISENT LEUR FILM DE L’ANNÉE Sami, une jeunesse en Laponie Réalisation : Amanda Kernell Distribution : Bodega Films Production : Lars G. Lindstrom Avec : Lene Cecilia Sparrok, Mia Erika Sparrok, Maj Doris Rimpi, Julius Fleischanderi… Genre : fiction Nationalité : Suède, Danemark, Norvège Durée : 1 h 50 Sortie : le 14 novembre 2018 Directeur de publication Jean-Marie Panazol Directeur artistique Samuel Baluret Chef de projet Éric Rostand Auteur du dossier Philippe Leclercq Chargé de suivi éditorial François Fièvre Iconographe Adeline Riou Mise en pages Catherine Challot Conception graphique DES SIGNES studio Muchir et Desclouds Photographies de couverture et intérieur © Bodegafilms ISSN : 2425-9861 © Réseau Canopé, 2018 (établissement public à caractère administratif) Téléport 1 – Bât. @ 4 1, avenue du Futuroscope CS 80158 86961 Futuroscope Cedex PRIX JEAN RENOIR DES LYCÉENS 2018-2019 Entrée en matière POUR COMMENCER Pour beaucoup, le cinéma suédois s’est longtemps limité à deux grands noms : Ingmar Bergman (1918- 2007), la figure tutélaire, et Roy Andersson (né en 1943), le styliste froid qui opéra un singulier retour après 25 ans de silence avec Chansons du deuxième étage en 2000.
    [Show full text]
  • The Master of Discomfort Hits Cannes with the Square Ravens Borg/Mcenroe
    Issue 2 • 2017 Ravens Jens Assur’s feature debut is set deep in rural Sweden ALSO IN CANNES Borg/McEnroe Push It by Julia Thelin and Sverrir Gudnason faces Shia LaBeouf The Burden by in Janus Metz’s feature about Niki Lindroth the greatest tennis match ever played von Bahr RuThe masterb of discomforten hits Cannes r withu The lesSquare A magazine from the Swedish Film Institute • sfi.se DiscoverDiscover thethe talentstalents ofof ScandinaviaScandinavia ExploreExplore ourour selectionselection ofof 400400 filmsfilms fromfrom 8080 countries.countries. WatchWatch thethe NordicNordic filmsfilms competingcompeting forfor thethe world’sworld’s largestlargest cashcash prize.prize. VisitVisit thethe leadingleading marketplacemarketplace forfor NordicNordic filmfilm andand TVTV drama.drama. 4141stst GöteborgGöteborg FilmFilm FestivalFestival JanuaryJanuary 2626 -- FebruaryFebruary 5,5, 20182018 TVTV DramaDrama Vision,Vision, JanuaryJanuary 3131 -- FebruaryFebruary 1,1, 20182018 NordicNordic FilmFilm Market,Market, FebruaryFebruary 11 -- 4,4, 20182018 Nostradamus,Nostradamus, FebruaryFebruary 1,1, 20182018 LeadLead SponsorSponsor andand PresentingPresenting PartnerPartner DragonDragon AwardAward BestBest NordicNordic FilmFilm 2 3 Welcome Film i Väst congratulates Head of International Pia Lundberg its Co-Productions in Cannes! Phone: +46 70 692 79 80 [email protected] IN COMPETITION: THE SQUARE Ruben Östlund Festivals, features Ruben returns Petter Mattsson Phone +46 70 607 11 34 That a small nation like Sweden has a film Beauty and the Dogs is a Swedish co- [email protected] competing for a Palme d’Or in Cannes is production with Tunisia and France and quite a feat in itself. But to have two films will screen in Un Certain Regard. Kaoth- doing just that, like Sweden has this year, er is one of many female directors getting Festivals, documentaries is just unbelievably fantastic.
    [Show full text]
  • Lidingö Filmstudio Visade Filmer Fr O M Vårterminen 2011 T O M
    Lidingö Filmstudio Visade filmer fr o m vårterminen 2011 t o m höstterminen 2019 A A royal affair - Nikolaj Arcel, Danmark/Sverige/Tjeckien, 2012 vt 2013 Agnes stränder --Agnes Varda, Frankrike, 2008 vt 2011 Amorosa - Maj Zetterling, Sverige, 1986 Ht 2012 Amour - Mikael Haneke, Frankrike/Österrike/Tyskland, 2012 vt 2013 Att återvända - Pedro Almodovar, Spanien, 2006 vt 2008 AnticHrist - Lars von Trier, Danmark/Tyskland/Frankrike/Italien/Sverige/Polen, 2009 Ht 2009 Aos (kortfilm) - Yoji Kuri, Bosnien Hercegovina/Japan, 1964 Argo - Ben Affleck, USA, 2012 / våren 2014 vt 2014 Armadillo - Janus Metz Pedersen, Danmark, 2010 vt 2011 Att vara ocH att Ha - en lovsång till livet - NicHolas PHilibert, Frankrike, 2002 Ht 2010 AugustiluncH i Rom - Gianni di Gregorio, Italien, 2008 Ht 2009 B Babel - Alejandro Gonzales Inarritu, Frankrike/USA/Mexiko, 2006 Ht 2007 Bakom stängda dörrar - Francois Ozon, Frankrike, 2012 Ht 2013 Ballad om en soldat - Grigoriy CHukHray, Sovjet, 1959 vt 2011 Ballet mecanique (kortfilm) - Fernand Leger, Dudley MurpHy, Frankrike, 1924 vt 2009 Barnet - Bröderna Dardenne, Frankrike/Belgien, 2005 vt 2008 Barbara - CHristian Petzold, Tyskland, 2012 Ht 2012 Belleville Baby - Mia Engberg, Sverige, 2013 Ht 2014 Bergman - ett år, ett liv - Jane Magnusson, Sverige, 2018 Ht 2018 Berättelsen om Pi - Ang Lee, USA, 2012 Ht 2013 Birdman - Alejandro González Inárritu, USA, 2013 / Hösten 2015 Ht 2015 Biutiful - Alejandro Gonzalez Inarritu, Spanien/Mexiko, 2010 vt 2011 BlacKkKlansman - Spike Lee, USA, 2018 vt 2019 Bland män ocH får (Hrutúr)
    [Show full text]
  • Swedish Film Magazine #2 2015
    Issue 2 • Summer–Autumn 2015 Glam slam The 80’s are back with a vengeance in David Sandberg’s retro fest Kung Fury Outside the walls A young criminal tries to return to normal life in Magnus von Horn’s The Here After Ingrid Bergman Stig Björkman paints a personal portrait of Sweden’s iconic movie star A magazine from the Swedish Film Institute • sfi.se 1 Your Scandinavian Partner filmvast.se in Co-Productions Film Väst Congratulates Un Certain Regard: ONE FLOOR BELOW by Radu Muntean Quinzaine des Réalisateurs: THE HERE AFTER by Magnus von Horn Semaine de la Critique: BOYS by Isabella Carbonell 2 Swedish Film Cannes 2015indd 1 2015-04-24 13:38 Welcome Director, International Department Pia Lundberg Phone: +46 70 692 79 80 A glorious [email protected] year at Cannes Festivals, features Gunnar Almér Phone: +46 70 640 46 56 2015 is a big year for Swedish film at the Fes- Sanna Lenken’s My Skinny Sister, which [email protected] tival de Cannes. will screen in Cannes Ecrans Juniors. The Ingrid Bergman would have turned 100 Swedish company Chimney is also a co- years old this year. It’s important for Sweden producer of One Floor Below, directed by Festivals, documentaries to celebrate one of our greatest international Radu Muntean and selected for Un Certain Sara Rüster actors. She not only turned the eyes of the Regard. Phone: +46 76 117 26 78 world on Sweden, but also blazed a trail for This refreshing mix of new and experi- [email protected] other Swedes wanting to seek their fortune in enced filmmakers demonstrates the value of Hollywood.
    [Show full text]
  • Becoming Astrid
    Music Box Films Presents BECOMING ASTRID 123 MINUTES | SWEDEN AND DENMARK | 2018 | NOT RATED | IN SWEDISH AND DANISH W/ ENGLISH SUBTITLES PRESS NOTES Publicity Contacts New York: Los Angeles: Regional/Marketing: Sophie Gluck & Associates Marina Bailey Film Publicity Music Box Films Sophie Gluck Marina Bailey Kathleen Sachs [email protected] [email protected] [email protected] 212-595-2432 323-962-7511 312-508-5362 Aimee Morris Dina Makhlouf [email protected] [email protected] 212-595-2432 Music Box Films Contacts Theatrical Bookings: Marketing/Social Media: Kyle Westphal Becky Schultz [email protected] [email protected] 312-508-5359 312-508-5360 BECOMING ASTRID | PRESS NOTES LOGLINE The poignant true story of a character-defining period in the life of Pippi Longstocking author Astrid Lindgren, BECOMING ASTRID follows a teenaged Astrid as she struggles with being a young, unwed mother. SYNOPSIS Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. SUMMARY Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen).
    [Show full text]
  • Swedish Films
    Spring 2020 438 Days • A Piece of My Heart • About Endlessness • The Average Color of the Universe • The Birdcatcher’s Son • Breaking Surface • Call Mom! Catwalk – From Glada Hudik to New York Charter • The Comeback • I’ll Be Home for Christmas • Inland • JerryMaya’s Detective Agency – The Secret of the Train Robber The Longest Day • My Father Mary Anne • My Life as a Comedian • Pelle No-Tail • The Perfect Patient • Psychosis in Stockholm • Run Uje Run • Sune – Best Man + 18 shorts Welcome to the world of Swedish films. hen we’re on the brink of a new year we always Detective Agency – The Secret of the Train Robber by Moa wonder whether what’s coming can live up to Gammel who also stars in Joachim Hedén’s suspense film what’s been. Can 2020 live up to the standard Breaking Surface. Another film to look forward to is Greta of 2019 when we had Johannes Nyholm’s by Nathan Grossman, about activist Greta Thunberg. WKoko-di Koko-da, PUSH by Fredrik Gertten, Roy Andersson’s Among the new short films to look out for in 2020 we’d like About Endlessness, And Then We Danced by Levan Akin and to, among many others, mention Dawid Ullgren’s Land of the fantastic shorts like Niki Lindroth von Bahr’s Something to Free. Please note that this time we refer you to the IDFA Remember and Who Talks by Elin Övergaard, just to name a issue of Swedish Film for info on documentaries. few? Well, things are looking good. With Amanda ’Sami Blood’ Kernell’s new film Charter in competition at Sundance, he Swedish Film Institute will also organise several the Berlinale screening Always Amber by Hannah events during the year, highlighting gender equality Reinikainen and Lia Hietala in Panorama, Jon Holmberg’s under the heading 5050 by 2020 at Berlin, Sune - Best Man in Generation Kplus and four films by Niki Cannes, Toronto and IDFA.
    [Show full text]