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Årsrapport 2017 Annual Report 2017

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NFTVF 2017 NORDISK FILM & TV FOND ÅRSRAPPORT 2017 ANNUAL REPORT 2017 1 NFTVF 2017 NFTVF 2017 FONDET ØKTE SITT FOKUS PÅ TV- DRAMA BETYDELIG I 2017, VED Å ETABLERE EN PRIS FOR BESTE MANUSFORFATTER INNEN NORDISK TV-DRAMA, OG VED Å BESTILLE EN STUDIE OM DISTRIBUSJON OG SEERNES TV-SERIEVANER I DE NORDISKE LAND. THE FUND INCREASED ITS FOCUS ON TV DRAMA SIGNIFICANTLY IN 2017 BY ESTABLISHING A PRIZE FOR BEST SCREENWRITING IN NORDIC TV DRAMA AND COMMISSIONING A STUDY ON THE DISTRIBUTION AND VIEWING OF TELEVISION SERIES IN THE NORDIC COUNTRIES. 2 3 NFTVF 2017 NFTVF 2017 INNHOLD CONTENTS 06 08 OM NORDISK FILM HVA ER DEFINISJONEN PÅ & TV FOND SUKSESS? ABOUT NORDISK WHAT DEFINES SUCCESS? FILM & TV FOND 10 18 22 42 50 53 FIKSJON DOKUMENTAR BARN OG UNGE – EN NORDIC GENRE BOOST NORDISKE TALENTER 2017 NORDISK RÅDS FILMPRIS FICTION DOCUMENTARY PRIORITET NORDIC GENRE BOOST NORDIC TALENTS 2017 THE NORDIC COUNCIL FILM CHILDREN AND YOUTH – A PRIZE PRIORITY 24 28 32 60 68 76 DISTRIBUSJONSSTØTTE NORDISKE KINOTALL NORDISK TV-DRAMAFOKUS ÅRET 2017 RESULTAT, BALANSE OG STØTTEDE PROSJEKTER DISTRIBUTION SUPPORT NORDIC CINEMA FIGURES NORDIC TV DRAMA IN FOCUS THE YEAR 2017 NOTEOPPLYSNINGER PROJECTS FUNDED PROFIT AND LOSS, BALANCE AND NOTE INFO 4 5 NFTVF 2017 NFTVF 2017 OM NORDISK FILM & TV FOND ABOUT NORDISK FILM & TV FOND Nordisk Film & TV Fond har i 2017 basert sin Throughout 2017, Nordisk Film & TV Fond has drift på retningslinjene som ble vedtatt i 1995, operated in accordance with the guidelines estab- og revidert i 2000, 2005, 2010 og 2015. Utover lished in 1995, revised in 2000, 2005, 2010 and dette har styret pekt ut følgende retning for 2015. In addition, the Board has issued the follow- Fondets drift: ing directions for the operations of the Fund: GENERELT GENERAL Fondet skal være en organisasjon som på selv- The Fund shall be an organization which on an in- stendig grunnlag stimulerer den nordiske film- dependent basis stimulates the Nordic film and TV og TV-industrien til å utvikle kvalitetsprodukter industry to develop quality film and TV products for film og TV til et bredt, nordisk marked. for a broad Nordic market. In these domains, the Fondet skal på disse områdene gå i spissen for Fund shall spearhead initiatives, which may re- tiltak som kan få en bred, positiv støtte fra det ceive broad, positive support from the Nordic film nordiske film- og TV-miljøet. and TV community. PRODUKSJONSSTØTTE PRODUCTION SUPPORT Fondet skal stille høye krav til de prosjekter The Fund shall demand a high standard of the OUR OFFICE ©NFTVF, BIRGIT SOLHAUG som mottar støtte, både med hensyn til manus- projects which receive support, both regarding kript, kunstnerisk uttrykk, produksjonsforutset- screenplays, artistic expression, production condi- ninger, distribusjonsmuligheter og publikum- tions, distribution options and box office potential. spotensial. Fondet skal fatte sine beslutninger The Fund shall make its decisions independently, på et selvstendig grunnlag, basert på det based on the qualities of the individual project in enkelte prosjekts kvaliteter i et nordisk per- a Nordic perspective, independently of national, spektiv, uavhengig av nasjonale, økonomiske financial and thematic quotas. The Fund shall give og tematiske kvoteringer. Fondet skal prioritere priority to projects for children and youth. prosjekter for barn og unge. RELATIONS TO AGREEMENT PARTNERS FORHOLD TIL AVTALEPARTER The Board has continued to attach importance Styret har fortsatt lagt vekt på at Fondet skal to the Fund working in close contact and con- arbeide i nær kontakt med og i forståelse med cordance with the national film institutes and de nasjonale filminstitutter og TV-selskaper, TV companies. At the same time, the Fund shall samtidig som Fondet skal representere helhe- represent the totality of the Nordic film and TV ten i det nordiske film- og TV-miljøet. community. 6 7 NFTVF 2017 NFTF 2017 HVA ER DEFINISJONEN PÅ SUKSESS? WHAT DEFINES SUCCESS? VI VIL FORTSATT STYRKE DET FELLESNORDISKE PERSPEKTIVET SOM NØKKEL TIL BEDRE UTADRETTET VIRKSOMHET. PETRI KEMPPINEN, CEO, NFTVF PHOTO BIRGIT SOLHAUG Det siste året har jeg hatt en rekke diskusjoner rundt defini- relle tiltak lå på rekordhøye 95,1 millioner kroner i fjor. Vi vil During last year I have had numerous discussions on defining Also research gives insight. It was rewarding to get proof from sjonen på suksess for en film eller et TV-drama. Det er viktig fortsatt styrke det fellesnordiske perspektivet som nøkkel til the success of a film or a TV drama. It is important to under- our commissioned study on TV Drama Series (Distribution And å forstå det totale bildet, siden vårt aktivitetsområde er fler- bedre utadrettet virksomhet. Dokumentarer beviser stadig stand the broad picture, as our area of operation is transnational, Viewing Of Television Series In The Nordic Countries - Re- nasjonalt, og dekker alle de fem nordiske landene og mer til. vekk sin store betydning, og innen filmdistribusjon ser vi at covering all the five Nordic countries and beyond. port) that they actually do travel well cross borders and get good antall utgitte nordiske filmer øker. Over 100 000 kinobesøk audiences. The most widespread ones like The Bridge (Bron) For bare å ta ett av alle de positive eksemplene: Det har vært utenfor hjemlandet er et akseptabelt resultat. To take only one example among the many positive ones, it have more than 3.5 million viewers in the Nordics. How has svært gledelig å følge suksessen til Ruben Östlunds The has been very satisfying to follow the success of Ruben Öst- all this been achieved? Clearly, the report claims, positioning, Square, fra filmen vant den prestisjefylte Gullpalmen i Cannes Vi gikk inn i 2018 med en ny stil. Som friske, fordomsfrie, lund´s The Square, from the prestigious Palme d´Or in Cannes programming and marketing have a great impact on the best til den mottok seks priser under European Film Awards, og moderne brobyggere – slik er det jeg ser oss, og det er dette to six European Film Awards, whilst hearing of its excellent results. samtidig høre om dens fantastiske publikumssuksess på vår nye logo og vårt organisasjonsomdømme gjenspeiler. box-office results in global cinemas, and shouts of new and kinoer verden over, og bifall fra nye og yngre publikums- Jeg vil gjerne takke alle våre partnere for deres uttrykte tillit younger audiences finding this art-house film interesting. Our total support for production, distribution and film cultural grupper som synes denne kunstfilmen er interessant. til og verdifulle innsikt i vår virksomhet, og jeg gleder meg til initiatives reached a record high of NOK 95.1 million last year. vårt neste «familiemøte» kommende høst. Around TV Drama we picked our brain long on what is behind We keep boosting the pan-Nordic perspective as a key to better Når det gjelder TV-drama, grublet vi lenge på hva som quality. Clearly – not forgetting the other creatives – the role outreach. Documentaries are constantly proving their impact, utgjør grunnlaget for kvalitet. Det er helt opplagt – uten at vi Petri Kemppinen of the writer(s) is at core. Thus we decided to establish a totally and in film distribution we see the number of Nordic films re- skal glemme andre kreative krefter – at manus- Direktør new prize, to highlight the skilled writing of Nordic TV Drama leased growing. Getting more than 100,000 cinema admissions forfatternes rolle er helt sentral. Derfor bestemte vi oss for å series. The first ever Nordisk Film & TV Fond Prize – cash of outside the home country is an acceptable result. innføre en helt ny pris, for å fremheve de glimrende manu- SEK 200,000 - was awarded Mette M. Bølstad and Stephen sene bak nordiske TV-dramaserier. Den aller første Nordisk Uhlander for the Norwegian TV series Nobel (produced by New year 2018 we started out with new looks. Fresh, Film & TV Fond-prisen – på 200 000 svenske kroner – gikk Monster for NRK). The jury stated: “A thrilling, strong, unpre- open-minded, modern, building bridges – that is how I see us, til Mette M. Bølstad og Stephen Uhlander for den norske dictable drama with a sense of fresh realism.” and that is what our new logo and corporate image reflects. TV-serien Nobel (produsert av Monster for NRK). Juryen I want to thank all our partners for their expressed trust and uttalte: «Et spennende, sterkt, uforutsigbart drama med et valuable insight in our operations, and I am very much looking preg av frisk realisme.» forward to our next “family meeting” this autumn. Forskning gir også innsikt. Det var svært givende å få W E K E E P Petri Kemppinen bekreftet, gjennom vår bestilte studie om TV-dramaserier CEO (Distribution And Viewing Of Television Series In The Nordic BOOSTING THE Countries - Report), at seriene faktisk lett krysser grenser PAN-NORDIC og får et stort publikum. De mest populære seriene, som PERSPECTIVE Bron (The Bridge), har mer enn 3,5 millioner seere i Norden. Hvordan har man oppnådd alt dette? Rapporten hevder at AS A KEY posisjonering, programmering og markedsføring helt klart T O B E T T E R har stor innvirkning på de beste resultatene. Vår totale støtte til produksjon, distribusjon og filmkultu- OUTREACH. 8 9 NFTVF 2017 NFTVF 2017 SpillefilmenSolsidanfilmen (Solsidan – The The feature filmSolsidan – The Movie (Solsidan- Movie) var den desidert mest vellykte nordiske filmen) was definitely the most successful Nordic filmen i 2017, med tanke på antall solgte kino- film in 2017, when it comes to box office figures. billetter. Over 1 050 000 mennesker har løst More than 1,050,000 people have purchased tick- billett i Sverige, 100 000 i Norge og 130 000 i ets in Sweden, 100,000 in Norway, and 130,000 Finland. Premiere i Island er også planlagt.
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  • Becoming Astrid

    Becoming Astrid

    Music Box Films Presents BECOMING ASTRID 123 MINUTES | SWEDEN AND DENMARK | 2018 | NOT RATED | IN SWEDISH AND DANISH W/ ENGLISH SUBTITLES PRESS NOTES Publicity Contacts New York: Los Angeles: Regional/Marketing: Sophie Gluck & Associates Marina Bailey Film Publicity Music Box Films Sophie Gluck Marina Bailey Kathleen Sachs [email protected] [email protected] [email protected] 212-595-2432 323-962-7511 312-508-5362 Aimee Morris Dina Makhlouf [email protected] [email protected] 212-595-2432 Music Box Films Contacts Theatrical Bookings: Marketing/Social Media: Kyle Westphal Becky Schultz [email protected] [email protected] 312-508-5359 312-508-5360 BECOMING ASTRID | PRESS NOTES LOGLINE The poignant true story of a character-defining period in the life of Pippi Longstocking author Astrid Lindgren, BECOMING ASTRID follows a teenaged Astrid as she struggles with being a young, unwed mother. SYNOPSIS Teenaged Astrid Lindgren, future author of Pippi Longstocking, leads a carefree life in rural Sweden. Eager to break free from her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor. After Astrid becomes pregnant, she leaves home to give birth to a son, whom she reluctantly leaves with a foster mother. When the foster mother falls ill, Astrid uses her imagination and flair for storytelling to reconnect with her child. SUMMARY Teenaged Astrid Lindren (Alba August), who later went on to write the Pippi Longstocking series, leads a carefree life with her family in the forests and fields of rural Sweden. Restless and eager to break free from the confines of her conservative upbringing, she accepts an internship at a local newspaper where she attracts the attention of its married editor, Blomberg (Henrik Rafaelsen).

  • Swedish Films

    Spring 2020 438 Days • A Piece of My Heart • About Endlessness • The Average Color of the Universe • The Birdcatcher’s Son • Breaking Surface • Call Mom! Catwalk – From Glada Hudik to New York Charter • The Comeback • I’ll Be Home for Christmas • Inland • JerryMaya’s Detective Agency – The Secret of the Train Robber The Longest Day • My Father Mary Anne • My Life as a Comedian • Pelle No-Tail • The Perfect Patient • Psychosis in Stockholm • Run Uje Run • Sune – Best Man + 18 shorts Welcome to the world of Swedish films. hen we’re on the brink of a new year we always Detective Agency – The Secret of the Train Robber by Moa wonder whether what’s coming can live up to Gammel who also stars in Joachim Hedén’s suspense film what’s been. Can 2020 live up to the standard Breaking Surface. Another film to look forward to is Greta of 2019 when we had Johannes Nyholm’s by Nathan Grossman, about activist Greta Thunberg. WKoko-di Koko-da, PUSH by Fredrik Gertten, Roy Andersson’s Among the new short films to look out for in 2020 we’d like About Endlessness, And Then We Danced by Levan Akin and to, among many others, mention Dawid Ullgren’s Land of the fantastic shorts like Niki Lindroth von Bahr’s Something to Free. Please note that this time we refer you to the IDFA Remember and Who Talks by Elin Övergaard, just to name a issue of Swedish Film for info on documentaries. few? Well, things are looking good. With Amanda ’Sami Blood’ Kernell’s new film Charter in competition at Sundance, he Swedish Film Institute will also organise several the Berlinale screening Always Amber by Hannah events during the year, highlighting gender equality Reinikainen and Lia Hietala in Panorama, Jon Holmberg’s under the heading 5050 by 2020 at Berlin, Sune - Best Man in Generation Kplus and four films by Niki Cannes, Toronto and IDFA.