Summer/Autumn 2019 438 Days • About Endlessness • Alone In

Total Page:16

File Type:pdf, Size:1020Kb

Summer/Autumn 2019 438 Days • About Endlessness • Alone In Summer/Autumn 2019 438 Days • About Endlessness • Alone in Space • And Then We Danced • Aniara • A Piece of My Heart Bamse and the Thunderbell • Bitter Love • Britt-Marie Was Here • Charismatic Megafauna • The Comeback • Everybody Loves Madeline The Feminister • Goliath • Halvdan: Almost a Viking • The Heart is a Drum • I’ll Be Home for Christmas • Ninosca, the Return to San Fernando JerryMaya’s Detective Agency – The First Mystery • Josefin & Florin • Jozi Gold • Koko-Di Koko-Da • King of Atlantis • The Longest Day • Lucky One • Mating My Life as a Comedian • The Perfect Patient • Pity the Lovers • PUSH • Reconstructing Utøya • Ridge • Scheme Birds • Sune vs. Sune • Swoon Tiny Tim – King for a Day • Transnistra • The Unpromised Land • The Writer – 10 Chapters with Joyce Carol Oates • X&Y + 15 shorts Welcome to the world of Swedish films. Swedish films in 2019 display an impressively wide In Production, listing lots of exciting new titles such as variety of genres, themes and outlooks on the world. Lisa Aschan’s Call Mum!, Ninja Thyberg’s Jessica and From Levan Akin’s Quinzaine des Réalisateurs Göran Hugo Olsson’s La Société du Spectacle, selected love drama And Then We Danced to Rojda co-directed with Roxy Farhat, to name but a few. We Sekersöz’ My Life as a Comedian. From the musical can guarantee that Sundance screened Koko-Di A Piece of my Heart by debuting director Edward af Koko-Da and Berlin dito kids film Sune vs. Sune was Sillén to Jesper Ganslandt’s political thriller 438 Days. just the beginning of a great year for Swedish films! The success of Swedish short films continues as well, Oh, and don’t miss Mikael Håfström’s journalistic one of them being Elin Övergaard’s Who Talks in the thriller The Perfect Patient, Patrik Eklund’s absurd Cannes Short Film Competition. Other highlights comedy The Comeback or … Well, just read the include Stig Björkman’s documentary The Writer – 10 catalogue and see the films! Chapters with Joyce Carol Oates and long-awaited About Endlessness by Swedish master Roy Andersson. In order to give you more info on what’s coming in Please go to filminstitutet.se for updated 2020, we have a new section in the catalogue called information on Swedish features, docs and shorts. Swedish Film Institute International Department P.O Box 27 126 ISSN 1654-0050 SE- 102 52 Stockholm, Sweden Phone +46 8 665 11 00 Art Director: Markus Edin Fax +46 8 661 18 20 Print: Lenanders Grafiska, Kalmar filminstitutet.se Cover photo: And Then We Danced, twitter.com/swedishfilm © French Film Quarter/Anka Gujabidze instagram.com/swedishfilm Contacts Head of International Festivals, docs & shorts Head of Communications Department Sara Rüster & Public Relations Steffen Andersen-Møller Phone: +46 76 117 26 78 Rebecka Ioannidis Lindberg Phone: +46 76 051 36 97 [email protected] Phone: +46 76 501 20 73 [email protected] [email protected] Festivals, features Festivals, docs & shorts Press Officer Petter Mattsson Josefina Mothander Jan Göransson Phone: +46 70 607 11 34 Phone: +46 70 972 93 52 Phone: +46 70 603 03 62 [email protected] [email protected] [email protected] Festivals, features Festivals, docs & shorts Theo Tsappos Maria Razakamboly Phone: +46 76 779 11 33 Phone: +46 70 303 12 75 [email protected] [email protected] Administrator Festivals, shorts & docs Ömer Bulduk Jing Haase Phone: +46 76 501 20 71 Phone: +46 70 420 32 74 [email protected] [email protected] Contents p. 6 Features and Documentaries p. 46 In Production p. 56 Shorts p. 60 Classics p. 62 Industry Contacts in Sweden FEATURES AND DOCS 438 Days (438 DAGAR) DIRECTED BY JESPER GANSLANDT On the eve of June 28th 2011, Swedish journalists Martin Schibbye and Johan Persson put everything at FEATURES stake by illegally crossing the border from Somalia into Ethiopia. After months of research, planning and failed attempts, they were finally on their way to report on how the ruthless hunt for oil effected the population of the isolated and conflict-ridden Ogaden region. Five days later they lay wounded in the desert sand, shot and captured by the Ethiopian army. There, as their initial reportage died, another story began. FEATURES ©MISO FILM ©MISO Screenwriter Peter Birro Jesper Ganslandt Principal cast Gustaf Skarsgård, Matias Varela Jesper Ganslandt, born 1978 in Falkenberg, Sweden. He shot his feature Produced by Miso Film/Sandra Harms, Karl Fredrik Ulfung, with support from debut Falkenberg Farewell in 2003 with family and friends acting as the Swedish Film Institute/Calle Marthin, Jenny Gilbertsson themselves. Falkenberg Farewell, The Ape (2009) and Blondie (2012) all Duration approx. 120 min premiered at Venice International Film Festival and Toronto Film Festival. In his National Release August 31, 2019 filmJimmie he stars together with his son Hunter. Jimmie, and Ganslandt’s Sales SF Studios first English-speaking feature Beast of Burden, starring Daniel Radcliffe, premiered in 2018. 6 • SWEDISH FILM About Endlessness (OM DET OÄNDLIGA) DIRECTED BY ROY ANDERSSON FEATURES AND DOCS Cologne lies in ruins, a father ties his daughter’s shoelaces in the pouring rain, a midwife drinks champagne. With his new project, About Endlessness, Roy Andersson continues his cinematic oevre with a reflection on human life in all its beauty and cruelty, its splendour and banality, its endeavours and mishaps. Once more, we gain admission into Andersson’s FEATURES singular world, one in which we are granted a fleeting reflection of our human existence. ©ROY ANDERSSON FILMPRODUKTION AB FILMPRODUKTION ANDERSSON ©ROY Screenwriter Roy Andersson Roy Andersson FEATURES Principal cast Jan-Eje Ferling, Martin Serner, Tatiana Delaunay, Bengt Bergius Born in Gothenburg in 1943. Feature-length film debut with A Swedish Love Produced by Roy Andersson Filmproduktion/Pernilla Sandström, Johan Story (1970), followed by Giliap (1975). After this, numerous award-winning Carlsson, with support from the Swedish Film Institute/Jenny Gilbertsson advertising films, the anthology Successful Freezing of Mr. Moro (1995), and Duration 80 min the exhibition Sweden and the Holocaust. In 2014 the last part of The Living National release Fall 2019 Trilogy, A Pigeon Sat on a Branch Reflecting on Existence(2014), was Sales Coproduction Office awarded The Golden Lion for Best Film at the 71st Venice International Film Festival. FEATURES SWEDISH FILM • 7 FEATURES AND DOCS Alone in Space (ENSAMMA I RYMDEN) DIRECTED BY TED KJELLSSON FEATURE DEBUT In a not too distant future, the giant spacecraft Svea travels with only two passengers – 12-year-old Gladys and her little brother Keaton. The children have fled from a broken Earth and are heading towards the planet Vial, but never seem to arrive. They spend their days exploring the giant ship and the only one they can talk to is the Japanese A.I. Otosan. But everything changes when something unknown crashes into Svea – suddenly they are not alone in space anymore... Alone in Space is an epic, warm and entertaining space adventure for the whole family. ©NICE DRAMA ©NICE Screenwriters Ted Kjellsson, Henrik Ståhl Ted Kjellsson Principal cast Ella Rae Rappaport, Dante Fleischanderl Ted Kjellsson has directed the tv-series The Junkyard Kids (2013) for SVT as Produced by Nice Drama/Anna Knochenhauer, Sonja Hermele, with support well as the documentary Alla bara försvinner (2004) and the short films from the Swedish Film Institute/Magdalena Jangard Tompta Gudh (2002) and Captain Sweden (2014). Ted also has an extensive Duration 83 min background directing commercials and as a production designer. Alone in National Release September 21, 2018 Space is Ted’s first feature film. Sales TrustNordisk 8 • SWEDISH FILM And Then We Danced Cannes (AND THEN WE DANCED) DIRECTED BY LEVAN AKIN FEATURES AND DOCS A struggling young dancer faces the challenge of his life when he finds himself falling in love with an ambitious rival, threatening to destroy everything he’s fought for. © ANKA GUJABIDZE/FRENCH FILM QUARTER FILM GUJABIDZE/FRENCH ANKA © Screenwriter Levan Akin Levan Akin Produced by French Quarter Film/Mathilde Dedye, with support from the Leva Akin is a Swedish born filmmaker whose work often plays on class and Swedish Film Institute/Juan Pablo Libossart, Madeleine Ekman gender. He most recently directed The Circle (2015, world premiere at the Duration 105 min Berlin International Film Festival) based on the bestselling book with the same National release Fall 2019 title. He has also directed the feature film Certain People (2012) which had its Sales Totem Films international premiere at Tribeca Film Festival to rave reviews. He also directed several TV- series for SVT Drama most notably Real Humans (2012). Currently Levan Akin is writing and directing a new TV-series for SVT titled Dough, set to premiere in the spring of 2021. SWEDISH FILM • 9 FEATURES AND DOCS Aniara (ANIARA) DIRECTED BY PELLA KÅGERMAN, HUGO LILJA FEATURE DEBUT An adaptation of Nobel Prize winning author Harry Martinson’s Aniara. Aniara is one of the many space- ships used for transporting Earth’s population to their new home-planet Mars. But just as Aniara leaves the ruined Earth, she collides with space junk and is knocked off her course. Aniara’s passengers slowly realize that they’ll never be able to return; they will continue onwards forever, through an empty and cold universe. ©RUTGER SJÖGRIM ©RUTGER Screenwriters Pella Kågerman, Hugo Lilja Pella Kågerman and Hugo Lilja Principal cast Emelie Jonsson, Bianca Cruzeiro, Anneli Martini, Arvin Kananian Pella Kågerman (born in 1982, educated at the Royal Institute of Art, Produced by Meta Film Stockholm/Annika Rogell, with support from the Stockholm) and Hugo Lilja (born in 1979, educated at the Stockholm Swedish Film Institute/Baker Karim, Calle Marthin Academy of Dramatic Arts) have collaborated since 2009.
Recommended publications
  • 10.9 De Jesus Precarious Girlhood Dissertation Draft
    ! ! "#$%&#'()*!+'#,-((./!"#(0,$1&2'3'45!6$%(47'5)#$.!8#(9$*!(7!:$1'4'4$!;$<$,(91$42! '4!"(*2=>??@!6$%$**'(4&#A!B'4$1&! ! ! ;$*'#C$!.$!D$*)*! ! ! ! ! E!8-$*'*! F4!2-$!! G$,!H(99$4-$'1!I%-((,!(7!B'4$1&! ! ! ! ! "#$*$42$.!'4!"&#2'&,!:),7',,1$42!(7!2-$!6$J)'#$1$42*! :(#!2-$!;$5#$$!(7! ;(%2(#!(7!"-',(*(9-A!K:',1!&4.!G(<'45!F1&5$!I2).'$*L! &2!B(4%(#.'&!M4'<$#*'2A! G(42#$&,N!O)$0$%N!B&4&.&! ! ! ! ! ! P%2(0$#!>?Q@! ! R!;$*'#C$!.$!D$*)*N!>?Q@ ! ! CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Desirée de Jesus Entitled: Precarious Girlhood: Problematizing Reconfigured Tropes of Feminine Development in Post-2009 Recessionary Cinema and submitted in partial fulfillment of the requirements for the degree of Film and Moving Image Studies complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Lorrie Blair External Examiner Dr. Carrie Rentschler External to Program Dr. Gada Mahrouse Examiner Dr. Rosanna Maule Examiner Dr. Catherine Russell Thesis Supervisor Dr. Masha Salazkina Approved by Dr. Masha Salazkina Chair of Department or Graduate Program Director December 4, 2019 Dr. Rebecca Duclos Dean Faculty of Fine Arts ! ! "#$%&"'%! ()*+,)-./0!1-)23..45!().62*7,8-9-:;!&*+.:<-;/)*4!%).=*0!.<!>*7-:-:*!?*@*2.=7*:8!-:! (.08ABCCD!&*+*00-.:,)E!'-:*7,! ! ?*0-)F*!4*!G*0/0! '.:+.)4-,!H:-@*)0-8EI!BCJD! ! !"##"$%&'()*+(,--.(/#"01#(2+3+44%"&5()*+6+($14(1(4%'&%7%31&)(3*1&'+(%&()*+(3%&+81)%3(9+:%3)%"&(
    [Show full text]
  • Efarn Research Highlights 2018
    EFARN RESEARCH HIGHLIGHTS 2018 A SELECTION OF RESEARCH BY EUROPEAN FILM AGENCIES EFARN → Director of publication Susanne Nikoltchev, Executive Director, European Audiovisual Observatory → Editorial supervision Gilles Fontaine, Head of Department for Market Information, European Audiovisual Observatory EFARN Martin Kanzler, Analyst, European Audiovisual Observatory RESEARCH HIGHLIGHTS → Editor Patrizia Simone, Analyst, European Audiovisual Observatory 2018 A SELECTION OF RESEARCH → Editorial assistant BY EUROPEAN FILM AGENCIES Susan Norman-Fleck → Layout Big Family → Press and public relations Alison Hindhaugh, [email protected] → Publisher European Audiovisual Observatory 76 Allée de la Robertsau, 67000 Strasbourg, France www.obs.coe.int If you wish to reproduce tables or graphs contained in this publication please contact the European Audiovisual Observatory for prior approval. Opinions expressed in this publication are personal and do not necessarily represent the view of the European Audiovisual Observatory, its members or of the Council of Europe. © European Audiovisual Observatory, 2018 TABLE OF CONTENTS TABLE OF CONTENTS 1 GENERAL FACTS AND FIGURES 4 ON-DEMAND SERVICES ••• AUSTRIAN FILM INSTITUTE ••• CNC Austrian film industry report 2017 .............................................................................................. 10 The evolution of practices regarding catch-up TV in France................................................ 54 ••• NEVAFILM RESEARCH ••• BRITISH FILM INSTITUTE (BFI) Russian cinema market 2017:
    [Show full text]
  • Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
    Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new.
    [Show full text]
  • George Morlan Plumbing Supply
    Selling Soul’d Out YOUR ONLINE LOCAL Onward, upward Organizers make festival more Winterhawks enter next musically eclectic DAILY NEWS series happy with game — See LIFE, B1 www.portlandtribune.com — See SPORTS, B8 Portlandthursday, april 4, 2013 • twice chosen the nation’s best nondaily paperTribune • www.portlandtribune.com • published thursday PCC lands SUN(n)Y East side squeaky wheel catch for top post gets city’s funding grease Candidate Jeremy Brown rises to the top of president search By JENNIFER ANDERSON The Tribune Portland Community Col- lege began negotiations this week with one of the three candidates vying to replace President Preston Pulliams, who will retire in June. The candidate, Jeremy Brown, hasn’t been waiting by the phone. Two weeks ago, he accept- ed an offer to serve as acting president of SUNY (State University of BROWN New York) Canton, a two- and four-year college in North- ern New York for about 6,000 students studying technology, health, management and public service. “We were aware of this,” says Deanna Palm, co-chair- Jose Estrada smooths pavement for a new woman of the PCC board and sidewalk in front of storefronts being president of the search commit- remodeled on Southeast 92nd Avenue in tee. “Obviously, (SUNY) wasn’t Lents. East Portland is getting a healthy sum his first choice, and he made us of city urban renewal funds, including the aware of that during the entire current project to make the commercial interview process.” heart of Lents more walkable. Brown was named as acting president of SUNY when its president left to take a job in Washington state.
    [Show full text]
  • LE QUATTRO VOLTE a Film by Michelangelo Frammartino
    LE QUATTRO VOLTE a film by Michelangelo Frammartino Europa Cinemas Award Cannes 2010 Italy/Germany/Switzerland 2010 / 88 mins /certificate : tbc Release date: Spring 2011 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E‐Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 www.newwavefilms.co.uk SYNOPSIS In the backcountry of southern Italy’s mountainous region of Calabria, an old shepherd leads his flock to pasture along paths in the hills which have fallen into disuse. Every morning, the church housekeeper trades a handful of the church’s dust for some of the shepherd’s fresh milk. Every evening, the elderly shepherd dissolves the «magic» powder in water and drinks this mixture to remedy his aches and pains. One day, he doesn’t show up for their trade. The next day, he dies in his bed as his goats keep vigil over his passing. A kid takes its first steps, but he is slower than the rest of the flock and falls behind. He falls into a ditch in the middle of the forest. Unable to climb out, he bleats for help, but neither the new shepherd, nor his dog, hear him. The flock leaves the kid in their wake, leaving him to his fate. When he finally emerges from the ditch, he finds that he is alone. He wanders aimlessly until, as night begins to fall, he stumbles onto a majestic fir tree in which he seeks shelter.
    [Show full text]
  • 6 Month Paid Internship with Possible Further Employment German
    6 Month Paid Internship with possible further employment Coproduction Office is looking forward to welcome a German-speaking Production and Business Affairs Intern By: Coproduction Office Business sector: Film industry, High End Gastronomy Field of expertise: Film production, Cinema and Restaurants Company Location: Berlin Paid Internship: Yes, amount depending on profile, career progression possible Duration: 6 months, full time Start date: according to availability COMPANY PROFILE Based in Paris and Berlin, Coproduction Office is an international distributor and producer of bold, award- winning films. We are looking for a globally-minded colleague, who has organizational skills, is result-oriented and has an interest in art-house cinema, to assist our founder and complete our team of 12 people, working in a dynamic and international environment. Coproduction Office's CEO and founder Philippe Bober has worked with prominent ground-breaking directors* from early on in their careers and has produced thirty-two films to date (including SUZHOU RIVER by Lou Ye). The majority of these films were selected for the main competitions in Cannes, Venice and Berlin, where they have received many major prizes, most notably the Venice Golden Lion in 2014 for Roy Andersson’s A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE, and the Palme d’Or in 2017 for THE SQUARE by Ruben Östlund. Coproduction Office's international sales division distributes a catalogue composed of films produced by Philippe Bober as well as acquired titles and restored classics, including Roberto Rossellini’s key films. The catalogue is unique for its artistic strength, with films that have an individual and distinctive cinematic language, and often daring content.
    [Show full text]
  • Half a Century with the Swedish Film Institute
    Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other.
    [Show full text]
  • 02 Main Catalogue Front
    THE MASTERS 大師級 Sweden/Germany/Norway 瑞典/德國/挪威 2019 | Swedish | DCP | Colour | 76min Director Roy Andersson Producer Pernilla Sandström, Johan Carlsson Scriptwriter Roy Andersson Cinematographer Gergely Pálos Editor Johan Carlsson, Kalle Boman, Roy Andersson Production Designer Anders Hellström, Frida E. Elmström, Nicklas Nilsson Sound Robert Hefter Cast Martin Serner, Jessica Louthander, Tatiana Delaunay, Anders Hellström Production Roy Andersson Filmproduktion World Sales Coproduction Office ©Roy Andersson Film Production • Studio 24 ©KG Productions About Endlessness Om det oändliga 明明無盡 Some of the themes in About Endlessness are presented in your [導演訪問] other films: optimism represented by youth, but also war and 《明明無盡》裏有一些主題,常見於你的其他電影:青 despair, and the absence of God. Here you show a priest who 年代表希望,不過亦有戰爭與絕望,以及上帝的缺席。 doesn’t believe in God. Would you say there is always a balance 片中神父並不相信神。你認為希望與絕望之間是否總 between hope and despair? 能平衡? The main theme of my work is the vulnerability of human beings. 我的作品主題是人類的脆弱,我認為展現脆弱是希望 And I think it is a hopeful act to create something showing 之舉。因為當人注意到脆弱的存在,你會學懂尊重及 vulnerability. Because if you are aware of the vulnerability of 珍惜。 existence, you can become respectful and careful of what you have. 我想強調存在之美、生存之美。然而,要呈現美需要 I wanted to emphasise the beauty of existence, of being alive. But of 有對比,展示存在的敗壞及殘酷。 course, to get that, you need to have a contrast. You need to show the bad side, the cruel side of existence. 回望藝術史,不少畫作也很悲慘。即使畫作描繪殘酷 與悲傷,但畫家可透過畫作傳達力量,創造希望。 Looking at art history, for example, a lot of paintings are very tragic. But even if they depict cruel and sad scenes, by painting them the 影片雖有歷史場景,卻有永恆無盡的感覺,片名亦如是。 artists have in some way transferred the energy and created hope.
    [Show full text]
  • 2020 Sundance Film Festival: 118 Feature Films Announced
    FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody ​ ​ ​ ​ Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro ​ ​ ​ ​ ​ López; Ema, courtesy of Sundance Institute. ​ ​ Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature ​ films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park ​ ​ City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources ​ support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
    [Show full text]
  • Moma EXHIBITION AUTOMATIC UPDATE EXPLORES the EVOLUTION OF
    ROY ANDERSSON RETROSPECTIVE AT MOMA PRESENTS THE DIRECTOR’S SHORT FILMS, TELEVISION COMMERCIALS, AND THEATRICAL FEATURES Exhibition Includes World Premiere of Tomorrow’s Another Day—A Documentary Shot During the Production of Andersson’s Most Recent Film, You, the Living Filmmaker in Focus: Roy Andersson September 10–18, 2009 The Roy and Niuta Titus Theaters NEW YORK, August 7, 2009—The Museum of Modern Art presents Filmmaker in Focus: Roy Andersson, a retrospective of the full oeuvre of Roy Andersson (Swedish, b. 1943), covering four decades of work, from his school projects and short films to his television commercials and major feature films. This exhibition is part of the Filmmaker in Focus series at MoMA, which highlights the achievements of a director with an aesthetically and critically established career in filmmaking. The exhibition will be on view from September 10 through 18, 2009, in The Roy and Niuta Titus Theaters, and is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art. Andersson, who rarely travels, will introduce the first six screenings in the series, providing a unique opportunity to hear the director talk about his films outside of Sweden. Andersson’s earliest films, rarely shown school projects from the 1960s, are related thematically and stylistically to the films of the then-influential Czech New Wave. His first feature, which he presented as his thesis at the Swedish Film Institute, is A Swedish Love Story (1970). With the gorgeous Swedish summer as a backdrop, the film portrays the pure love that arises between the daughter of a refrigerator salesman and the son of a car mechanic, offering a glimpse into the lives and homes of the people of the Swedish Social Democracy during its heyday.
    [Show full text]
  • FRI FRAKT!* Uppge Erbjudandekod Fram- 20B136A Knäppt Vid Din Bh! Beställning! A
    FRI FRAKT!* Uppge erbjudandekod Fram- 20B136A knäppt vid din bh! beställning! A. * Max 1 gång/kund när du handlar för 300,-. Gäller t.om 2020.12.12. Kan ej kombineras med 299,- andra erbjudanden eller rabatter. 0,- Värde 399,- 3-PACK B. Från Max 1/order - så långt lagret räcker! 199,- C. Från 179,- Bra och prisvärda underkläder på www.ashild.se A. Framknäppt bh. Formsydd framnknäppt bh som sitter Plånbok och fantastiskt skönt och bekvämt. Brett ryggparti med korslagda sjal. band för bättre support. Fin spets fram. 90% polyamid, 20-0002 0,- 10% elastan. Tvätt 40°. 26-0474 vit B, C, D, E-kupa 75 - 115 cm 299,- B. Stretchtrosa. Spetsinfällning. Välsittande med mjuk resår i midja och benslut. 95% bomull, 5% elastan. Tvätt 60°. 26-0620 vit Stl. 38/40, 42/44 199,-/3-pack Stl. 46/48, 50/52 209,-/3-pack Stl. 54/56, 58/60 219,-/3-pack C Bh-topp. Skålad som en lättare bh. Mjuk micro-fiber utan sömmar ger utmärkt passform. Mycket behaglig. Snabbtorkande. 97% polyamid, 3% elastan. Fintvätt 40°. 26-0124 svart 26-0126 skin 26-0695 vit Stl. 38/40, 42/44 179,- Stl. 46/48, 50/52 189,- Stl. 54/56, 58/60 199,- Uppge kod 20B136A när du beställer! 033 - 41 80 00 www.ashild.se För att betala mot faktura, uppge personnummer. Aviavgift tillkommer med 19,-. I annat fall sänds ditt paket mot postförskott, f.n. 182,-. Lägsta ordervärde: 200,-. Frakt- och expeditionsavgift: 65,-. # 14 dagars returrätt. Fullständiga köpvillkor på www.ashild.se ART. NR STORL. ANTAL VARUSLAG FÄRG PRIS Namn: Frankeras ej Jag har handlat för 300,- och vill utnyttja mitt erbjudande Mottagaren betalar om FRI FRAKT på min order.
    [Show full text]
  • Dialekter I Svensk Film
    Lunds universitet Adrian Jönsson Språk-och litteraturcentrum FIVK01 Filmvetenskap Handledare: Olof Hedling 2014-01-08 Tala om tungor Dialekter i svensk film Adrian Jönsson FIVK01 Innehållsförteckning Innehållsförteckning ....................................................................................................................... 1 Inledning ......................................................................................................................................... 2 Syfte och frågeställning ............................................................................................................... 2 Forskningsläge ............................................................................................................................ 3 Teori och metod .......................................................................................................................... 3 Dialekt och sociolekt............................................................................................................... 4 Riksspråk................................................................................................................................. 8 Dialekter i svensk film .................................................................................................................... 9 Dialekt som stilelement ............................................................................................................... 9 Lokalisering .........................................................................................................................
    [Show full text]