Performance, Professionalization, and the Early Modern English Schoolmaster Michael Andrew Albright Lehigh University, [email protected]
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The History, Printing, and Editing of the Returne from Pernassus
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 1-2009 The History, Printing, and Editing of The Returne from Pernassus Christopher A. Adams College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Adams, Christopher A., "The History, Printing, and Editing of The Returne from Pernassus" (2009). Undergraduate Honors Theses. Paper 237. https://scholarworks.wm.edu/honorstheses/237 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The History, Printing, and Editing of The Returne from Pernassus A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary by Christopher A. Adams Accepted for____________________________ (Honors, High Honors, Highest Honors ) _________________________ ___________________________ Paula Blank , Director Monica Potkay , Committee Chair English Department English Department _________________________ ___________________________ Erin Minear George Greenia English Department Modern Language Department Williamsburg, VA December, 2008 1 The History, Printing, and Editing of The Returne from Pernassus 2 Dominus illuminatio mea -ceiling panels of Duke Humfrey’s Library, Oxford 3 Acknowledgments I am deeply indebted to my former adviser, Dr. R. Carter Hailey, for starting me on this pilgrimage with the Parnassus plays. He not only introduced me to the world of Parnassus , but also to the wider world of bibliography. Through his help and guidance I have discovered a fascinating field of research. -
Summer 2007 Shakespeare Matters Page
Summer 2007 Shakespeare Matters page 6:4 “Let me not to the marriage of true minds admit impediments...” Summer 2007 11th Annual Shake- speare Authorship Shakespeare—Who Studies Conference Convenes held the Pen? By Bonner Miller Cutting and Earl Showerman Insights Meets Research By Alan Stott oncordia Uni- versity hosted The man of letters is, in truth, ever writing his own biogra- Cits11th an- phy. — Anthony Trollope (1815–82). nual Shakespeare Authorship Studies The marvel of Shakespeare’s genius is that in his secular mir- Conference from ror the divine light also shines. April 12 to 15th, an — John Middleton Murry. occasion marked by many seminal very theatregoer and every reader can perceive the authentic papers, the launch voice, can sense the spirit, in and behind the work of the of the first graduate- Eworld’s leading dramatic poet, known as “William Shake- level programs in speare.” The First Folio (1623) of his collected plays, however, authorship studies, was only published years after his death. Of the actor, one Wil- and the signing of liam Shakespere (1564–1616) — the name never spelt as in the the “Declaration of First Folio — very little is known. Apparently neither manuscript Reasonable Doubt nor letter is extant. The many enigmas surrounding the whole about the Identity phenomenon comprise “the authorship question.” The identity of William Shake- of the Bard, according to Emerson (1803–1882), is “the first of speare.” While this all literary problems.” John Michell1 surveys the candidates with report will attempt a commendable fairness, outlining the history of the search for to summarize the the man who held the pen. -
Romeo at the Rose in 1598
Issues in Review 149 66 Beeston is one of six men at the Red Bull named in an order for repair of the high- ways by the theatre, dated 3 October 1622; see Bentley, The Jacobean and Caroline Stage, 1.169 n.2. As he had managed Queen Anne’s Men there, and returned there with them after the 1617 riot, it appears that he owned, and continued to own, the theatre. 67 For ‘bifold appeal’ see discussion in Rutter, Work and Play, 110. 68 Exceptions include the Red Bull Revels’ Two Merry Milkmaids, at court in 1619/20, and Gramercy Wit in 1621; see Bentley, The Jacobean and Caroline Stage, 1.173. Romeo at the Rose in 1598 In two plays of the Lord Admiral’s Men — Englishmen for My Money and The Two Angry Women of Abingdon — echoes of Romeo and Juliet appear.1 The first performances of Englishmen took place at the Rose in 1598. Two Angry Women is likely to have played at the same venue in the same year. What may these echoes tell us about the ethos and practices of the Lord Admiral’s Men, about the dramatists who wrote for them, and about the company’s place in the literary and dramatic milieu of the time? I want to argue that the presence of these echoes reveals a degree of inte- gration into urban literary fashion. And I will also suggest that some of the company’s playwrights exhibit the kind of knowing playfulness that was soon to characterize the repertory of the children’s companies and which was already shaping the satires and epigrams to reach print publication at this time. -
The Vindicators of Shakespeare
THE VINDICATORS OF SHAKESPEARE A REPLY TO CRITICS «8> TOGETHER WITH SOME REMARKS ON DR. WALLACE'S "NEW SHAKESPEARE DISCOVERIES." BY G. G. GREENWOOD, M.P. AUTHOR OF " THE SHAKESPEARE PROBLEM RESTATED " " are While these censors 'twould be sin to spare. " While such are critics why should I forbear ? Byron. LONDON : SWEETING and Co. 4 DYERS BUILDINGS HOLBORN BARS E.C. PRINTED BY PAGE AND THOMAS LTD. HOLBORN BARS E.C. TABLE OF CONTENTS. PART I. THE VINDICATORS OF SHAKESPEARE. PAGE THE NINETEENTH CENTURY AND AFTER - - 12 - - - SIR TITTLEBAT TOPLOFTY . 14 - - - THE FOLIO OF 1640 ! 15 " THE INTRODUCTION TO A MIDSUMMER NIGHT'S " - - - - - DREAM ! 20 VISOR OF WINCOT - - - - - 22 AUGUSTIN NICOLAS 23 MY COURTEOUS CRITIC - - - -24 LADY SOUTHAMPTON'S ACCOUNT - - 28 " " - THE DEFAMERS OF SHAKESPEARE ! 32 " " " " GENIUS AND ENVIRONMENT - - 37 THE CASE OF BURNS - - - "38 THE CASE OF BUNYAN - - - 41 THE CASE OF PLAUTUS - - - "44 " " " " SHAKSPERE OR SHAKESPEARE - 50 THE FIRST FOLIO - - - 5 2 MANY PENS CONTRIBUTED TO THE FOLIO - 56 6 TABLE OF CONTENTS. PAGE the burbages and the earl of pembroke - 59 chettle's supposed allusion - - 65 " " the meaning of quality - - 68 " " the parnassus plays - - - 70 " " imaginary stratford references - 73 shakespeare and sport 76 the two stratfordian schools - - 78 lord campbell on shakespeare's law - 80 mrs. stopes on shakspere's aunts and shak- - - spere's law - - 91 miss marie corelli on shakspere's marriage LICENCE ----- 94 CANON BEECHING - - - - * 97 THE CANON OBJECTS TO "AUTHORITY" - 100 " " SHAKSPERE'S SCRIPTS ... 102 " " INSANITARY STRATFORD - - - 104 JONSON'S ODE TO BACON - - - 106 SHAKSPERE AND RICHARD FIELD - - I08 " " PARNASSUS AGAIN .... IIX DAVIES OF HEREFORD - - - - m THE CASE OF TERENCE - - - - 115 SHAKSPERE AND LORD SOUTHAMPTON - - Il6 THE JONSONIAN RIDDLE - - - - Il8 " " WHAT IS A LIE ? - - - - 119 HENSLOWE'S DIARY ... -
THE INVENTION of the CRITIC in ENGLAND, 1570-1640 William
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository THE INVENTION OF THE CRITIC IN ENGLAND, 1570-1640 William McCullough Russell A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2009 Approved by: Jessica Wolfe Reid Barbour Mary Floyd-Wilson Darryl Gless Ritchie Kendall © 2009 William McCullough Russell ALL RIGHTS RESERVED ii ABSTRACT WILLIAM McCULLOUGH RUSSELL: The Invention of the Critic in England, 1570-1640 (Under the direction of Jessica Wolfe) This dissertation examines the social and intellectual forces that shaped the idea of the literary critic in early modern England. Histories of criticism too often neglect critical identity, fastidiously tracing the development of such concepts as imitation yet taking for granted the idea of the critic as stable and transparent. This study complicates that idea by historicizing it in the very period when the word critic first began to signify an expert in literary judgment. Revising reductive assessments of this era of criticism as the sum of its classical parts, I argue that the idea of the critic in early modern England was negotiated in a discourse equally responsive to classical precedent and to the economic, political, and religious circumstances of a rapidly changing national landscape. Such pivotal moments as the erection of public theaters in London, the Marprelate controversy, the tide of anti-intellectualism rising from what Gabriel Harvey called “the world of business,” and the English chapter of the scientific revolution forced English critics from Sidney to Jonson to reevaluate the basis and scope of critical authority. -
Did Joseph Hall and Ben Jonson Identify Oxford As Shakespeare?
Did Joseph Hall and Ben Jonson Identify Oxford as Shakespeare? Carolyn Morris When Shakespeare, Jonson, Fletcher , rul’d the Stage, They took so bold a freedom with the Age, That there was scarce a Knave or Fool in Town Of any note, but had his picture shown; And, without doubt, though some it may offend, Nothing helps more than Satyr to amend Ill manners, or is trulier Virtues Friend. —Sir Carr Scroope , 1678 1 The chief reason why these attacks are not plain on the surface…is, that they were not open but covert...Not a poet or a statesman—scarcely any man of note then lived, but had one or more pastoral names, and his deeds were narrated, or his qualities discussed in parables. —Richard Simpson , 1874 2 odern scholarship dates the beginning of the Shakespeare authorship question to the middle of the 19th century. 3 However, Arcades Ambo M (1597-9), an anonymous satire subsequently attributed to the Cambridge scholar Joseph Hall, presented the authorship question as early as March, 1598. This unjustifiably disregarded text also specifically identified Edward de Vere, 17th Earl of Oxford, as William Shakespeare, clearly differentiating him from William Shakspere, the Stratford gentleman . Finally, as we shall see, Ben Jonson’s Every Man Out of His Humor (1599) 4 parallels and supports the account in Arcades Ambo. A Pair of Rascals Arcades Ambo is Satire II of Book IV of Virgidemiarum , published December, 1599. 5 It is a compilation of two earlier editions of satires. In Books I–III, known as Tooth-lesse Satyrs (March, 1597), the author severely criticizes the church, academia, the literature of the time and society’s general moral tone. -
Cambridge Companion Eng Renais Drama
This page intentionally left blank The Cambridge Companion to English Renaissance Drama This second edition of the Companion offers students up-to-date factual and interpretative material about the principal theatres, playwrights, and plays of the most important period of English drama, from 1580 to 1642. Three wide- ranging chapters on theatres, dramaturgy, and the social, cultural, and political conditions of the drama are followed by chapters describing and illustrating various theatrical genres: private and occasional drama, political plays, heroic plays, burlesque, comedy, tragedy, with a final essay on the drama produced during the reign of Charles I. Several of the essays have been substantially revised and all of the references updated. An expanded biographical and bib- liographical section details the work of the dramatists discussed in the book and the best sources for further study. A chronological table provides a full listing of new plays performed from 1497 to 1642, with a parallel list of major political and theatrical events. THE CAMBRIDGE COMPANION TO ENGLISH RENAISSANCE DRAMA EDITED BY A. R. BRAUNMULLER AND MICHAEL HATTAWAY SECOND EDITION cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Informationonthistitle:www.cambridge.org/9780521821155 © Cambridge University Press 1990, 2003 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. -
William Shakespeare 1 William Shakespeare
William Shakespeare 1 William Shakespeare William Shakespeare The Chandos portrait, artist and authenticity unconfirmed. National Portrait Gallery, London. Born Baptised 26 April 1564 (birth date unknown) Stratford-upon-Avon, Warwickshire, England Died 23 April 1616 (aged 52) Stratford-upon-Avon, Warwickshire, England Occupation Playwright, poet, actor Nationality English Period English Renaissance Spouse(s) Anne Hathaway (m. 1582–1616) Children • Susanna Hall • Hamnet Shakespeare • Judith Quiney Relative(s) • John Shakespeare (father) • Mary Shakespeare (mother) Signature William Shakespeare (26 April 1564 (baptised) – 23 April 1616)[1] was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist.[2] He is often called England's national poet and the "Bard of Avon".[3][4] His extant works, including some collaborations, consist of about 38 plays,[5] 154 sonnets, two long narrative poems, and a few other verses, the authorship of some of which is uncertain. His plays have been translated into every major living language and are performed more often than those of any other playwright.[6] Shakespeare was born and brought up in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. -
Medieval and Renaissance Drama Society Newsletter Spring 2019 a the 54Th International Congress on Medieval Studies B May 9-12
Medieval and Renaissance Drama Society Newsletter Spring 2019 a The 54 th International Congress on Medieval Studies b May 9-12, 2019 MRDS Sponsored Sessions New Voices in Early Drama Studies “I am too much i’ the sun”: The Ghost of Hamlet and the Session 162, Friday 10:00, Bernhard Brown & Gold Room Psychological Burden of Filial Obligation Organizer: Frank Napolitano, Radford Univ. Melissa Pullara, Carleton Univ. Presider: Theresa Coletti, Univ. of Maryland Contemporary Productions of Medieval Plays Remembering Not to Forget: Wisdom and the Performance of Session 355, Saturday 3:30, Schneider 1125 Memory Organizer: Robert Clark, Kansas State Univ. Ann Hubert, St. Lawrence Univ. Presider: Robert Clark Medieval English Drama and Agricultural Polemic Alexandra Atiya, Centre for Medieval Studies, Univ. of Medieval Drama/Modern Theater: Presenting French Farces to Toronto Modern Audiences Stages of Characters’ Names in the Manuscript BnF fr 25566 David Beach, Radford Univ.; Amanda Kellogg, Radford Nouha Gammar, Univ. of Virginia Univ.; Frank Napolitano, Radford Univ. Time’s Up on Marginalizing Medieval Drama: An Argument for Summer Games Staging Hrotsvit’s Plays for Non-Specialist Audiences Session 221, Friday 1:30, Bernhard Brown & Gold Room Jenna Soleo-Shanks, Univ. of Minnesota–Duluth Organizer: Alexandra F. Johnston, Records of Early English Drama Don’t Cut the Rondeaux! Staging the French Farces Today Presider: Gordon Kipling, Univ. of California–Los Angeles Mario B. Longtin, Western Univ . “It{em} Rec{euyd} for thencrease of the mayale...”: Summer Medieval and Renaissance Drama Society Games in England Business Meeting Alexandra F. Johnston, Records of Early English Drama Friday 5:15, Bernhard Brown & Gold Room Hooligans or Good Neighbors? Reading Records of Summer Games For the Peter Greenfield, Univ. -
Shakespeare Authorship Question 1 Shakespeare Authorship Question
Shakespeare authorship question 1 Shakespeare authorship question The Shakespeare authorship question is the argument that someone other than William Shakespeare of Stratford-upon-Avon wrote the works traditionally attributed to him, and that the historical Shakespeare was merely a front to shield the identity of the real author or authors, who for reasons such as social rank, state security or gender could not safely take public credit.[1] Although the idea has attracted much public interest,[2] all but a few Shakespeare scholars and literary historians consider it a fringe belief with no hard evidence, and for the most part disregard it except to rebut or disparage the claims.[3] Shakespeare's authorship was first questioned in the middle of the 19th century, when adulation of Shakespeare as the greatest writer of all time had become widespread.[4] Shakespeare's biography, with his humble origins and obscure life, seemed incompatible with his poetic eminence and reputation as a natural genius,[5] arousing suspicion that Shakespeare might not have written the works attributed to him.[6] Shakespeare surrounded by (clockwise from top right): Bacon, Derby, Marlowe and Oxford, each of whom has been [7] The controversy has since spawned a vast body of literature, proposed as the true author. and more than 70 authorship candidates have been proposed,[8] including Francis Bacon, the Earl of Derby, Christopher Marlowe, and the Earl of Oxford.[9] Proponents believe that their candidate is the more plausible author in terms of education, life experience -
William Shakespeare
Classic Poetry Series William Shakespeare - poems - Publication Date: 2012 Publisher: PoemHunter.Com - The World's Poetry Archive William Shakespeare (26 April 1564 - 23 April 1616) an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His surviving works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592, he began a successful career in London as an actor, writer, and part owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613 at age 49, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his physical appearance, sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1589 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the 16th century. He then wrote mainly tragedies until about 1608, including Hamlet, King Lear, Othello, and Macbeth, considered some of the finest works in the English language. -
Shakespeare Bites Back: Not So Anonymous 1
Shakespeare Bites Back: Not So Anonymous 1 IN PARTNERSHIP WITH misfit, inc. a by www.bloggingshakespeare.comWWW.BLOGGINGSHAKESPEARE.COM Shakespeare Bites Back: Not So Anonymous “Shakespeare Bites Back: Not So Anonymous” is a free ebook produced by The Shakespeare Birthplace Trust in partnership with Misfit, Inc. It is one of our many online projects, including Blogging Shakespeare, Finding Shakespeare, 60 Minutes with Shakespeare, Happy Birthday Shakespeare as well as many others. Our aim is to connect Shakespeare professionals, lovers and enthusiasts all over the world and to lead the world in democratising Shakespeare in the digital age. The Shakespeare Birthplace Trust is the independent charity charged with the care and promotion of Shake- speare’s physical and intellectual legacy. If you would like to know more or become involved with us then please go to www.shakespeare.org.uk. Dr. Diana Owen Director Shakespeare Birthplace Trust WWW.BLOGGINGSHAKESPEARE.COM Shakespeare TableBites Back: of Contents Not So Anonymous 3 The Evidence for Shakespeare 5 Doubting the Doubters 10 Shakespeare and Co. 11 Who’s in? Who’s out? 12 Infiltrating the Academy 13 Imagining Experience 15 Art Imitating Life 16 Among the Conspirators 18 Duping the Dean 21 The Language of the Doubters This book is free and does not 22 contain affiliate links. Share it with the world under the Sucking Shakespeare’s Blood 26 terms of creative commons attribution 3.0 license. Speaking up for Shakespeare 28 © 2011 Blogging Shakespeare Not at all anonymous 29 baked & frosted by misfit, inc. A Pro-Shakespearian Manifesto 32 Resources 40 WWW.BLOGGINGSHAKESPEARE.COM Shakespeare Bites Back: Not So Anonymous 4 by Rev.