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Medieval and Renaissance Drama Society Newsletter Spring 2019 a the 54Th International Congress on Medieval Studies B May 9-12

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Medieval and Renaissance Drama Society Newsletter Spring 2019 a the 54Th International Congress on Medieval Studies B May 9-12 Medieval and Renaissance Drama Society Newsletter Spring 2019 a The 54 th International Congress on Medieval Studies b May 9-12, 2019 MRDS Sponsored Sessions New Voices in Early Drama Studies “I am too much i’ the sun”: The Ghost of Hamlet and the Session 162, Friday 10:00, Bernhard Brown & Gold Room Psychological Burden of Filial Obligation Organizer: Frank Napolitano, Radford Univ. Melissa Pullara, Carleton Univ. Presider: Theresa Coletti, Univ. of Maryland Contemporary Productions of Medieval Plays Remembering Not to Forget: Wisdom and the Performance of Session 355, Saturday 3:30, Schneider 1125 Memory Organizer: Robert Clark, Kansas State Univ. Ann Hubert, St. Lawrence Univ. Presider: Robert Clark Medieval English Drama and Agricultural Polemic Alexandra Atiya, Centre for Medieval Studies, Univ. of Medieval Drama/Modern Theater: Presenting French Farces to Toronto Modern Audiences Stages of Characters’ Names in the Manuscript BnF fr 25566 David Beach, Radford Univ.; Amanda Kellogg, Radford Nouha Gammar, Univ. of Virginia Univ.; Frank Napolitano, Radford Univ. Time’s Up on Marginalizing Medieval Drama: An Argument for Summer Games Staging Hrotsvit’s Plays for Non-Specialist Audiences Session 221, Friday 1:30, Bernhard Brown & Gold Room Jenna Soleo-Shanks, Univ. of Minnesota–Duluth Organizer: Alexandra F. Johnston, Records of Early English Drama Don’t Cut the Rondeaux! Staging the French Farces Today Presider: Gordon Kipling, Univ. of California–Los Angeles Mario B. Longtin, Western Univ . “It{em} Rec{euyd} for thencrease of the mayale...”: Summer Medieval and Renaissance Drama Society Games in England Business Meeting Alexandra F. Johnston, Records of Early English Drama Friday 5:15, Bernhard Brown & Gold Room Hooligans or Good Neighbors? Reading Records of Summer Games For the Peter Greenfield, Univ. of Houston–Downtown Mostly Medieval Theatre Festival Schedule, please see page 4. Summer Games and the Neighborhood in Wiltshire Rosalind C. Hays, Dominican Univ. Stranger Things: Supernatural Effects on the Medieval and Early Modern Stage Contents Session 279, Friday 3:30, Bernhard Brown & Gold Room MRDS ICMS Sessions Organizer: Cameron Hunt McNabb, Southeastern Univ. Other Sessions on Drama 2 Presider: Cameron Hunt McNabb Papers of Interest & Compact Schedule 3 Performances at ICMS / Mostly Medieval 4 Recent Publications 5-8 Technology and the Supernatural in Early Modern Theater Publishing News 8-9 Iconography: Christoffel van Sichem’s Faustus Illustration and Recent Performances 10 the B-text Version of Marlowe’s Doctor Faustus Forthcoming Conferences & Calls for Papers 11-12 John Warrick, North Central College 2018 MRDS Business Meeting Minutes 13 MRDS Awards: Call for Nominations 14 Slaughtered Babes and Witchcraft in Two King’s Men’s Plays MRDS Officers and Council 15 Karen Sawyer Marsalek, St. Olaf College Colophon 15 Holy Theatrics: Relics Onstage in Le Mistere de Saint Quentin Emily Ciavarella Kuntz, Columbia Univ. 1 Other Sessions on Drama Matthew Sergi, Univ. of Toronto The Comedy of the Catfight: Misogyny and Laughter in The History and Drama in Medieval and Early Modern Times Castle of Perseverance Session 21, Thursday 10:00, Sangren 1320 Carissa M. Harris, Temple Univ. Sponsor: Rocky Mountain Medieval and Renaissance Confessions of a Medieval Drama Queen Association Jody Enders, Univ. of California–Santa Barbara Organizer: Kristin Bezio, Univ. of Richmond “From Sexpot to Saint”: Teasing Rhetoric and Humorous Presider: Kristin Bezio Incongruity in the Life of Saint Mary of Egypt Joan of Arc on the Medieval and Early Modern Stage: The Niamh Kehoe, Univ. College Cork Anonymous Le mistère du siège d’Orlèans and Shakespeare’s The Parody of Saint Paul in the Book of Good Love (Libro de Henry VI Part I buen amor 1343) James H. Forse, Bowling Green State Univ. Ryan Giles, Indiana Univ.–Bloomington “French Rapiers and Poniards, with Their Assigns, as Girdle, Humor, Irony, and Rhetoric in Fourteenth-Century Art and Hangers, and So”: Reading Ornamentation in Hamlet for the Devotion Dramatization of Desire in Print Anne Williams, College of William & Mary Jeffery Moser, Univ. of Northern Colorado/Aims Community And the Sacred? College Mark Burde, Univ. of Michigan–Ann Arbor “I have not deserved this”: Early Modern Social Conversations Concepts and Practices of Performance in Medieval of Domestic Violence Reflected in Theater European Culture I Sarah Fairbanks-Loose, Univ. of New Mexico Session 254, Friday 1:30, Schneider 1330 Shakespeare’s Queens Organizer: Clare Wright, Univ. of Kent; Sarah Brazil, Univ. de Session 47, Thursday 1:30, Bernhard 106 Genève Presider: Sarah Brazil Sponsor: Shakespeare at Kalamazoo Organizer: Christina Gutierrez-Dennehy, Northern Arizona Performative Ideas and Altercations in the Medieval English Univ. University Presider: Carole Levin, Univ. of Nebraska–Lincoln Thomas Meacham, Independent Scholar One Body, Politic to Rule: Titania’s Melded Sovereignty in A Pornographic Performance in Farce: The “Lapsus Gestus” Midsummer Night’s Dream Jody Enders, Univ. of California–Santa Barbara Sandra Logan, Michigan State Univ. Angela of Foligno’s Poly-Performativity Present Mothers and Erased Daughters: Motherhood in William Robert, Syracuse Univ. Shakespeare and Fletcher’s Henry VIII and Calderón’s La Using Medieval to Early Modern Defamation to Interrogate Cisma de Inglaterra Paradigms of “Performance” Courtney Herber, Univ. of Nebraska–Lincoln Clare Egan, Lancaster Univ. “My courage try by combat, if thou darest”: Martial Women and Concepts and Practices of Performance in Medieval Political Power in Shakespeare’s History Plays European Culture II (A Roundtable) Amanda D. Taylor, Oakeshott Institute/Univ. of Minnesota– Session 280, Friday 3:30, Fetzer 1005 Twin Cities Organizer: Sarah Brazil, Univ. de Genève; Clare Wright, Univ. Middle English Drama of Kent Session 106, Thursday 3:30, Bernhard Brown & Gold Room Presider: Clare Wright, Univ. of Kent; Sarah Brazil, Univ. de Genève Presider: Amber Dunai, Texas A&M Univ.–Central Texas Comparing the Staging of N-Town and Wakefield/Towneley Performing Silent Music John Ghent, Independent Scholar Jessica Brantley, Yale Univ. Staging the Miraculous: Cognitive Dissonance and the Didactic Hearing Voices: The Performative Frame of Trouvère Songs Impetus in the Chester Mystery Cycle James Borders, Univ. of Michigan–Ann Arbor Carla Neuss, Univ. of California–Los Angeles John Lydgate and Late Medieval English Performance Culture Penetrating Christ’s Body: Locating BDSM in the York Corpus Mary C. Flannery, Univ. of Oxford Christi Cycle’s “Crucifixion” Scene Monastic Communities/Communication and the Aesthetics of Madelynn Cullings, Binghamton Univ. Performance: Defining Characteristics of and in Early Medieval Theater Sacred Comedy in Medieval Culture (A Roundtable) Kyle A. Thomas, Univ. of Indianapolis Session 192, Friday 10:00, Schneider 1280 Talking with Dead Authors: The Iconography of Performative Organizers: Sarah Brazil, Univ. de Genève; Emma Maggie Writing, Solberg, Bowdoin College Joyce Coleman, Univ. of Oklahoma Presiders: Sarah Brazil and Emma Maggie Solberg Performance and Self-Making in Old English Devotional Literature The Middle of Mankind : Skipping to the Funny Parts of Kaylin O’Dell, Suffolk Univ. Moralities Discussant: Carol Symes, Univ. of Illinois–Urbana-Champaign 2 Papers of Interest ICMS 2019 – Compact Schedule Drama Sessions & Performances Shakespeare’s Poems: Pre-Texts, Texts, and After-Texts MRDS Sessions – Bold Session 96, Thursday 3:30, Bernhard 106 Performances – Bold & Italics Sponsor: Shakespeare at Kalamazoo Other Sessions – Normal Text A Parlement of Foules: Medieval Debates in Shakespeare’s Love’s Labour’s Lost Wednesday, May 8 Mark Jones, Trinity Christian College Session Time, Place Topics in Hagiography II Sfanta (Holy One ) 8:00 Gilmore Theatre Complex Session 133, Thursday 3:30, Schneider 1320 Husband Swap, or Swap Meat Images of Clerical Greed and Petty Divinities in Selected Miracle Plays Thursday, May 9 Linda Marie Rouillard, Univ. of Toledo History and D rama in Medieval 10:00 Sangren 1320 and Early Modern Times. 21. Reformation II: Cross Cultural and Cross Community Shakespeare’s Queens. 47. 1:30 Bernhard 106 Connections in the Reformation Session 231, Friday 1:30, Sangren 1320 Middle English Drama 3:30 Bernhard Brown & Gold Sponsor: Society for Reformation Research Je Christine 8:00 Gilmore Theatre Complex From Gorboduc to the King of Scots: Thomas Norton, Thomas Aliénor Sackville, and the Theatre of Anti-Catholic Politics 1561–1604 Kristin Bezio, Univ. of Richmond Friday, May 10 New Voices in Early Drama 10:00 Bernhard Brown & Gold Teaching the Middle Ages to All Ages Studies. 162. Session 315, Friday 3:30, Schneider 1345 Sponsor: Litel Clergeon Society Sacred Comedy in Medieval 10:00 Schneider 1280 Feast and Farce: Teaching the Middle Ages through Theater Culture (A Roundtable). 192. Jenna McKellips, Independent Scholar Summer Games. 221. 1:30 Bernhard Brown & Gold Stranger Things: Supernatural 3:30 Bernhard Brown & Gold John Gower on the Page and on the Stage Effects on the Medieval and Session 356, Saturday 10:00, Schneider 1130 Early Modern Stage. 279 . Presider: Donald Burke, Cerro Coso Community College Non-Violence, Justice, and Gender in Shakespeare’s Pericles Concepts and Practices of 1:30 Schneider 1330 Will Eggers, Loomis Chaffee School Performance in Medieval European Culture I. 254. Fixers and Go-Betweens in the Medieval Mediterranean and Concepts and Practices of 3:30 Fetzer 1005 Medieval Iberian Worlds
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