New-Age-Music Label Catalog Number Product Code Artist Recording Title UPC14 Recording Genre Cost LIST
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
May 2019 New Release Book
May 2019 New Release Book . Contact: Clay Pasternack Gary Davis Email: [email protected] Email: [email protected] Phone: 440-333-2208 | Fax: 440-333-2280 Phone: 206-972-7257 | Fax: 425-671-0193 21258 Maplewood Avenue Rocky River, Ohio 44116-1244 WRECKLESS ERIC TRANSIENCE KEY SELLING POINTS: SOUTHERN DOMESTIC Eric Goulden, the man everyone knows as Wreckless Eric, is a rare example of an older and established artist who RECORDS hasn't lapsed into comfortable formulas. Exactly a year after his last album, the well-received Construction Time & Demolition, he's back with a new album, Transience. For every song of Wreckless Eric's you remember from his early days on Stiff Records, he's recorded 10 more that you've probably never heard. The early DIY British indie label may have been his entry-level position into the music business, but Eric Goulden didn't stop making music after the novelty of Stiff Records - and his being known as Wreckless Eric - wore off. Forty years on, Goulden is still making insightful music while the original label is but a footnote in music history. On Transience, Eric is joined by friends including acoustic 12-string guitar player Alexander Turnquist, Cheap Trick bassist, Tom Petersson, Amy Rigby on piano and backing TRACK LISTING vocals, jazz horn player Artie Barbato, and on drums Steve Goulding, late of Graham Parker & the Rumour - the first 1. FATHER TO THE MAN time he and Eric have recorded together since Eric's 2. STRANGE LOCOMOTION enduring hit "Whole Wide World" back in 1976. He wrote the songs on the move, alone in grubby rooms, in 3. -
Ausglass Magazine a Quarterly Publication of the Australian Association of Glass Artists Aus Ass
Ausglass Magazine A Quarterly Publication of the Australian Association of Glass Artists aus ass POST CONFERENCE EDITION Registered by Australia Post Publication No. NBG1569 1991 CONTENTS Introduction 3 An Historical Context - by Sylvia Kleinert 5 ausglass The Contemporary Crafts Industry: magazine Its Diversity - by John Odgers u Contemporary Glass - Are We Going the Right Way? - by Robert Bell 15 Dynamic Learning - A Quality Approach to Quality Training - by Richard Hames 17 POST CONFERENCE The Getting of Wisdom: the gaining of EDmON 1991 skills and a philosophy to practice Session 1 - Cedar Prest 20 Session 2 - Bridget Hancock 22 Session 3 - Richard Morrell 23 Session 4 - Anne Dybka 24 New Editorial Committee: Fostering the Environment for Professional Practice - by Noel Frankham 27 Editor Technique and Skill: its use. development Bronwyn Hughes and importance in contemporary glass Letters and correspondence to by Klaus Moje 32 Challenges in Architectural Glass - by Maureen Cahill 35 50 Two Bays Road, Ethics and Survival - by WtuTen Langley 42 Mt. Eliza, VIC. 3930. When is a Chihuly a Billy Morris? - by Tony Hanning 43 Phone: Home - (03) 787 2762 Production Line: A Means to an End - by Helen Aitken-Kuhnen 47 The Artist and the Environment - by Graham Stone 49 Editorial Committee Working to a Brief- Bronwyn Hughes Chairperson Working to a Philosophy - by Lance Feeney 51 Jacinta Harding Secretary A Conflict of Interest - by Elizabeth McClure 53 Mikaela Brown Interstate & The Gift - Contemporary Making - by Brian Hirst 55 O.S. Liaison Meeting Angels: Reconciling Craft Practice Carrie Westcott and Theory - by Anne Brennan 57 Advertising Kim Lester Function? - by Grace Cochrane 6S Juliette Thornton Internationalism in Glass Distnbution Bronwyn Hughes Too Much Common Ground - by Susanne Frantz 67 David Hobday Board Gerie Hermans Members Graham Stone President: Elizabeth McClure FRoNT COVER: C/o Glass Workshop, The Crowning of the new President. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
2016 SDF 5.5X8.5 NFA Book.Pdf 1 6/24/16 7:56 AM
National Flute Association 44th Annual Convention SanSan Diego,Diego, CACA August 11–14, 2016 SDF_5.5x8.5_NFA_Book.pdf 1 6/24/16 7:56 AM C M Y CM MY CY CMY K YOUR VOICE ARTISTRY TOOLS SERVICES unparalleled sales, repair, & artistic services for all levels BOOTH 514 www.flutistry.com 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 3 nfaonline.org 4 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 nfaonline.org 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 5 nfaonline.org INSURANCE PROVIDER FOR: ALL YOU NEED TO KNOW ABOUT FLUTE INSURANCE www.fluteinsurance.com Located in Florida, USA or a Computer Near You! FL License # L054951 • IL License # 100690222 • CA License# 0I36013 6 44th ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, SAN DIEGO, 2016 nfaonline.org TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators ............................................................... 14 From the Convention Program Chair ................................................. 21 2016 Awards ..................................................................................... 23 Previous Lifetime Achievement and Distinguished Service Award Recipients ....................................................................................... 26 Instrument Security Room Information and Rules and Policies .......... 28 General Hours and Information ........................................................ -
The 2020 Jazz Education Network Conference
THE 2020 JAZZ EDUCATION NETWORK CONFERENCE JEN FEATURES ADONIS ROSE’S NEW ORLEANS! When Adonis Rose took over as artis- tic director of the New Orleans Jazz Orchestra, the group was on the verge of collapse. Through sweat, hard work and lots of faith, the drum- mer/bandleader has the 18-piece group cooking again. Witness them at the JEN Scholarship Concert on Friday night! 38 MEET THE 98 CHECKING IN ARTISTS! WITH ROXY COSS Meet the Artists is a new fea- The wicked good tenor player ture at this year’s JEN con- is also a staunch advocate for ference. During dedicat- equity in jazz. She discusses ed exhibit hours this week, how she founded the Women attendees have an opportu- In Jazz Organization, serves nity to say hello to dozens of on JEN’s Women In Jazz stars from jazz and jazz edu- Committee and strives to help cation. Just head down to create more opportunities for Elite Hall (Level 1)! women on the bandstand! WELCOME TO JEN! JEN CONFERENCE SCHEDULE 10 JEN President’s Welcome 36 Meet the Artists 12 Mayor of New Orleans’ Welcome 38 Hyatt Regency New Orleans Map 14 Meet the Sponsors 40 Tuesday, Jan. 7, Jazz Industry/Music 16 The JEN Board of Directors Business Symposium Schedule 18 JEN Initiatives 42 Tuesday, Jan. 7, JEN Conference Schedule 44 Wednesday, Jan. 8, JEN Conference Schedule 60 Thursday Jan. 9, JEN Conference Schedule Friday, Jan. 10, JEN HONOREES 78 JEN Conference Schedule 22 Scholarship Recipients 24 Composer Showcase Honorees VISIT OUR JEN EXHIBITORS! 26 Sisters In Jazz Honorees 92 Exhibitor List 28 JEN Commissioned Charts 93 Exhibition Hall Map 30 JEN Distinguished Award Honorees 94 JEN Guide Advertiser Index On the cover, clockwise from top left: Bass Extremes with Steve Bailey and Victor Wooten, The New Orleans Jazz Orchestra, the Dirty Dozen Brass Band, Bria Skonberg, Western Michigan University’s Gold Company, Chucho Valdés, the ChiArts Jazz Combo, Carmen Bradford and RJAM, Brubecks Play Brubeck, Tia Fuller and Mark Whitfield. -
January 2020 | Tevet/Shevat 5780 Register at Agudath.Org/Events January 2020 | Tevet/Shevat 5780
JANUARY 2020 | TEVET/SHEVAT 5780 REGISTER AT AGUDATH.ORG/EVENTS JANUARY 2020 | TEVET/SHEVAT 5780 Contents 2. Super Bowl 11. New Member Shabbat 21. Sisterhood . 4 Services Education Calendar 22. Environmental Committee 5. From the Pulpit: Rabbi Silverstein 12. Adult Education 23. B'nai Mitzvah 6. From the Pulpit: Rabbi Lucas 14. Development News 24. Tributes & Donations 8. Cantor's Notes 16. Social Worker: Resilience and Refuah 32. Yahrtzeit Donations . 9 CAI Men's Club Blood Drive 18. Night with the NJ Devils 10. Education Matters 19. Men's Club 34. Personals • MEMBER OF CONGREGATION AGUDATH ISRAEL • This message above an ad means the advertiser is a member of Congregation Agudath Israel. Please thank them for supporting CAI by supporting them! Special thanks to Abby Meth Kanter for her assistance in editing this publication Cover image by Ellen Oxild All program information — including class descriptions, times, and locations listed in the Voice — is subject to change. Get up-to-date information at agudath.org/events The Voice is published monthly from September to June by Congregation Agudath Israel of West Essex. 20 Academy Road, Caldwell, New Jersey 07006 973-226-3600 | fax 973-226-7480 | www.agudath.org Affiliated with United Synagogue of Conservative Judaism www.agudath.org | JANUARY 2020 3 Services Monthly Schedule Friday, January 3 Shabbat in PJs ........................................................ 5:30 pm Erev Shabbat Service .............................................. 4:20 pm Saturday, January 18 Saturday, January 4 Shacharit ............................................................... 9:15 am Shacharit ............................................................... 9:15 am Mincha/Talmud Study/Maariv/Havdalah ..................... 4:30 pm Shabbat Meditation ................................................. 9:30 am Friday, January 24 Mincha/Talmud Study/Maariv/Havdalah .................... -
University of Cape Town
Town The copyright of this thesis rests with the University of Cape Town. No quotation from it or information derivedCape from it is to be published without full acknowledgement of theof source. The thesis is to be used for private study or non-commercial research purposes only. University MUSIC FOR CLASSICAL GUITAR BY SOUTH AFRICAN COMPOSERS A historical survey, notes on selected works and a general catalogue Town Avril Kinsey Cape of University A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Music Faculty of the Humanities, University of Cape Town 2009 Supervisor: Dr Hendrik Hofmeyr ii MUSIC FOR CLASSICAL GUITAR BY SOUTH AFRICAN COMPOSERS A historical survey, notes on selected works and a general catalogue Avril Kinsey (KNSAVR001) Town Cape of A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Music Faculty of the Humanities, University of Cape Town 2009 UniversitySupervisor: Dr Hendrik Hofmeyr COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work, generated by me as the result of my own original research. Each significant contribution to, and quotation in, this dissertation from the work, or works of other people has been attributed, and has been cited and referenced. Signature: …………………………………….. Date: ………… ii Declaration This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work, generated by me as the result of my own original research. -
Herbie Mann Let Me Tell You Mp3, Flac, Wma
Herbie Mann Let Me Tell You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Let Me Tell You Country: UK Released: 1973 MP3 version RAR size: 1920 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1130 mb Rating: 4.8 Votes: 624 Other Formats: AIFF APE AC3 WAV VOC TTA MP3 Tracklist Hide Credits Let Me Tell You A1 4:25 Written-By – Mann* When The Sun Comes Out A2 4:53 Written By – Koehler-ArlenWritten-By – Arlen*, Koehler* Professor A3 3:42 Written-By – Puma* Lazy Bones A4 7:02 Written By – Mercer-CarmichaelWritten-By – Carmichael*, Mercer* Sultry Serenade B1 5:00 Written By – Glenn-RobertsWritten-By – Roberts*, Glenn* Little Man, You've Had A Budy Day B2 5:10 Written By – Sigler-Hoffman-WayneWritten-By – Hoffman*, Wayne*, Sigler* One Morning In May B3 4:02 Written-By – Carmichael* Swing Till The Girls Come B4 4:50 Written-By – Pettiford* Let's March C1 7:21 Written-By – Mann* Chasing The Byrd C2 8:12 Written-By – Parker* Bo-Do C3 5:52 Written-By – Puma* Tel Aviv D1 14:37 Written-By – Mann* Somewhere Else D2 5:53 Written-By – Puma* Companies, etc. Phonographic Copyright (p) – Milestone Records Distributed By – Fantasy Records Published By – Herbie Mann Music Published By – Bregman, Vocco & Conn Published By – Juma Music Published By – Southern Music Published By – Avco Embassy Music Published By – Vogue Music Published By – Mills Music Published By – Orpheus Music Published By – Prestige Music Published By – Savoy Music Credits Art Direction – Tony Lane Baritone Saxophone – Jack Nimitz (tracks: A1, A4) Bass – Oscar Pettiford -
The Wind Music of Steve Danyew: a Discussion and Analysis of Three Significant Wind Compositions
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2017 THE WIND MUSIC OF STEVE DANYEW: A DISCUSSION AND ANALYSIS OF THREE SIGNIFICANT WIND COMPOSITIONS Michael C. Black University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.388 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Black, Michael C., "THE WIND MUSIC OF STEVE DANYEW: A DISCUSSION AND ANALYSIS OF THREE SIGNIFICANT WIND COMPOSITIONS" (2017). Theses and Dissertations--Music. 100. https://uknowledge.uky.edu/music_etds/100 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Higjh Fidelity Magazine August 1958
phone lines be offers on Jimmy Raney of Paris in The Paris Scene ( Savoy early Canadian recordings on Great Jazz Visits Paris ( Dawn 1120, $4.98). How- 12113, $4.98). Pianists, RCA Camden 328, $1.98), he ever, on another French recording, Bobby Jean "Toots" Thielmans, a Reinhardt- has developed -since moving to the U.S. Jasper and His All Stars (EmArcy 36105, inspired guitarist and occasional harmon- in 1940 -into a musician of great range, $3.98) his saxophoning slips to aimless ica virtuoso, a member of George Shear - potential resource, and superb technique. noodling at times. Both his saxophone ing's Quintet since 1953, has played a His playing, however, has a glib, chilly and flute were happily at home when he generally modest role in Shearing's re- quality which no amount of foot pound- was part of the J. J. Jnhnson Quintet- cordings. He shows an unusual ability to ing, grunting, or furious fingering seems ) Is for Jazz (Columbia CL 935, $3.98), play unpretentiously swinging jazz on the able to transmute to warm- blooded jazz. Dial J.J. 5 (Columbia CL 1084, $3.98), harmonica on The Sound (Columbia CL As house pianist for Vcrvc Records, ac- single selections in Jay and Kai (Colum- 658, $3.98) and, in more diluted form, companying Lionel Hampton, Ben Web- bia CL 937, $3.98), anti The Playboy on Time Out for Toots ( Decca 9204, ster, Ella Fitzgerald, Harry Edison, Stuff Jazz Allstars ( Playboy 1957, $9.00 ) -and $3.98). His best opportunity with Shear- Smith, Lester Young, and others, and his saxophone shines through wannly on ing, also on harmonica, has been n bril- leading his own trio, he is one of the Interplay for Two Trumpets and Two liant Body and Snal, included in both most frequently recorded of today's jazz Tenors (Prestige 7112, $4.98) and Night Shearing in iii -Fi (M -G -M 3293, $3.98) musicians, yet he has produced hardly People (Savoy 12073, $4.98). -
Location, Location, Location Contents
Columbia College Fall 2014 TODAY Columbians know it’s all about … Location, Location, Location Contents LOCATION, LOCATION, LOCATION 18 Majesty and Humanity Columbia’s Morningside Heights campus provides a distinctive urban oasis for teaching, learning and discovery. You Can Go Home Again BY JAMIE KATZ ’72, BUS’80 For decades, Homecoming has drawn Columbians to Baker Athletics Complex 24 Scenes from a Bygone Era for football and fun, and this year promises more of the same when the Lions take on Ivy League rival Dartmouth on Saturday, October 25. Kickoff is at 1:30 p.m. Archival photos show how the College and the neighborhood but be sure to come early for a gourmet barbecue under the Big Tent and a carnival used to look. with games and play areas for the youngsters. For more information, contact Jonathan Whitford, alumni affairs, [email protected] or 212-851-4488. 26 On the Heights PHOTOS: TOP, EILEEN BARROSO; BOTTOM, CCT ARCHIVES Columbia’s neighborhood, captured through the camera lens. PHOTOS BY LEslIE JEAN-BART ’76, JRN’77 32 Only in New York Alumni, faculty and students on their favorite sites and memorable experiences. BY SHIRA BOss ’93, JRN’97, SIPA’98 COVER: EILEEN BARROSO; ABOVE: COLIN SULLIVAN ’11 MESSAGE FROM DEAN JAMES J. VALENTINI How NYC Enriches the College Experience 10 48 83 ou have probably heard me refer to Columbia Our location in New York City means that students can take College as “the greatest college in the greatest advantage of Columbia-run career development programs such 5 Minutes with Robert Friedman Claire Shipman ’86, SIPA’94 and Katty Kay Erica Easley ’00 university in the greatest city in the world.” as the Columbia Arts Experience, Columbia Communities in I truly believe that. -
MUSIC for CLASSICAL GUITAR by SOUTH AFRICAN COMPOSERS a Historical Survey, Notes on Selected Works and a General Catalogue
MUSIC FOR CLASSICAL GUITAR BY SOUTH AFRICAN COMPOSERS A historical survey, notes on selected works and a general catalogue Avril Kinsey A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Music Faculty of the Humanities, University of Cape Town 2009 Supervisor: Dr Hendrik Hofmeyr ii MUSIC FOR CLASSICAL GUITAR BY SOUTH AFRICAN COMPOSERS A historical survey, notes on selected works and a general catalogue Avril Kinsey (KNSAVR001) A dissertation submitted in fulfilment of the requirements for the award of the degree of Master of Music Faculty of the Humanities, University of Cape Town 2009 Supervisor: Dr Hendrik Hofmeyr COMPULSORY DECLARATION This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work, generated by me as the result of my own original research. Each significant contribution to, and quotation in, this dissertation from the work, or works of other people has been attributed, and has been cited and referenced. Signature: …………………………………….. Date: ………… ii Declaration This work has not been previously submitted in whole, or in part, for the award of any degree. It is my own work, generated by me as the result of my own original research. Each contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. Signed ……………………………….. ………………………………… Avril Kinsey Date iii Acknowledgements My deepest gratitude and thanks to my supervisor Dr Hendrik Hofmeyr for his musicological insight, impeccable attention to detail and for being a constant source of inspiration.