Elenco Codici Lp Completo 29 01 15

Total Page:16

File Type:pdf, Size:1020Kb

Elenco Codici Lp Completo 29 01 15 1 LADNIER TOMMY Play That Thing L/US.2.LAD 2 WOODS PHIL Great Art Of Jazz L/US.2.WOO 3 PARKER CHARLIE Volume 3 L/US.2.PAR 4 ZEITLIN DENNY Live At The Trident L/US.2.ZET 5 COLTRANE JOHN Tanganyika Strut L/US.2.COL 6 MCPHEE JOE Underground Railroad L/US.2.MCP 7 ELLIS DON Shock Treatment L/US.2.ELL 8 MCPHEE/SNYDER Pieces Of Light L/US.2.MCP 9 ROACH MAX The Many Sides Of... L/US.2.ROA 10 MCPHEE JOE Trinity L/US.2.MCP 11 ELLINGTON DUKE The Intimate Ellington L/US.2.ELL 12 V.S.O.P V.S.O.P. L/US.2.VSO 13 MILLER/COXHILL Coxhill/Miller L/EU.2.MIL 14 PARKER CHARLIE The "Bird" Return L/US.2.PAR 15 LEE JEANNE Conspiracy L/US.2.LEE 16 MANGELSDORFF ALBERT Birds Of Underground L/EU.2.MAN 17 STITT SONNY Stitt's Bits Vol.1 L/US.2.STI 18 ABRAMS MUHAL RICHARD Things To Come From Those Now Gone L/US.2.ABR 19 MAUPIN BENNIE The Jewel In The Lotus L/US.2.MAU 20 BRAXTON ANTHONY Live At Moers Festival L/US.2.BRA 21 THORNTON CLIFFORD Communications Network L/US.2.THO 22 COLE NAT KING The Best Of Nat King Cole L/US.2.COL 23 POWELL BUD Swngin' With Bud Vol. 2 L/US.2.POW 24 LITTLE BOOKER Series 2000 L/US.2.LIT 25 BRAXTON ANTHONY This Time... L/US.2.BRA 26 DAMERON TODD Memorial Album L/US.2.DAM 27 MINGUS CHARLES Live With Eric Dolphy L/US.2.MIN 28 AMBROSETTI FRANCO Dire Vol. 11 L/EU.2.AMB 29 BLACKWELL/BROWN Regeneration L/US.2.BLA 30 SEXTET OF ORCHESTRA U.S.A. Jack The Knife L/US.2.SEX 31 DE PAULA IRIO Maracana' L/AW.2.DEP 32 FRIEDMAN DON Metamorphosis L/US.2.FRI 33 CURSON TED Plenty Of Horn L/US.2.CUR 34 BRAXTON ANTHONY Actuel Vol. 15 L/US.2.BRA 35 MONTEROSE J.R. Straight Aheah L/US.2.MON 36 LAKE OLIVER Passing Thru L/US.2.LAK 37 MTUME UMOJA Alkebu Lan - Land Of The Blacks L/US.2.MTU 38 RAVA ENRICO Il Giro Del Giorno In 80 Mondi L/I.2.RAV 39 LAKE OLIVER Ntu: Point From Which Creation Begins L/US.2.LAK 40 KONITZ/SOLAL Duplicity L/US.2.KON 41 KONITZ/GALPER Windows L/US.2.KON 42 TAYLOR CECIL Spring Of Two Blue-J' S L/US.2.TAY 43 SHEPP ARCHIE The Tradition L/US.2.SHE 44 LACY STEVE Trickles L/US.2.LAC 45 MCSHANN JAY Early Bird L/US.2.MCS 46 JAZZTET At Birdhouse L/US.2.JAZ 47 SUGANO KUNIHIKO Date In Date' L/AW.2.SUG 48 SMITH JIMMY Greatest Hits 2 L/US.2.SMI 49 BOWIE LESTER African Children L/US.2.BOW 50 DAMERON/NAVARRO Live L/US.2.DAM 51 AYLER ALBERT Vibrations L/US.2.AYL 52 HAMPTON LIONEL Hamp's Small Combos - 1947-1950 L/US.2.HAM 53 SIMMONS SONNY Rumasuma L/US.2.SIM 54 OSBORNE MIKE Bordercrossing L/EU.2.OSB 55 COOPER JEROME Positions L/US.2.COO 56 POWELL BUD Bouncing With Bud L/US.2.POW 57 JACKSON MILT Hooray For L/US.2.JAC 58 ABRAMS MUHAL RICHARD Lifea Blinec L/US.2.ABR 59 VARIOUS ARTISTS The Great Jazz Concerts At The Original "Royal Roost" L/US.2.VAR 60 ROLLINS SONNY Vol.1 "The Bridge" - Vol.2 "Sonny With Hawk!" L/US.2.ROL 61 MURRAY DAVID Let The Music Take You L/US.2.MUR 62 KIRK ROLAND We Free Kings L/US.2.KIR 63 BRAND DOLLAR Anatomy Of A South African Village L/US.2.BRA 64 THOMAS RENE' Meeting Mister Thomas L/EU.2.THO 65 CHAMBERS/COLTRANE High Step L/US.2.CHA 66 YOUNG LESTER Story Vol.1 L/US.2.YOU 67 MANNE SHELLY Perk Up L/US.2.MAN 68 GONSALVEZ PAUL In Europe 1963 L/US.2.GON 69 BRACKEEN JOANNE New True Illusion L/US.2.BRA 70 DEJOHNETTE JACK Pictures L/US.2.DEJ 71 CHERRY DON Eternal Now L/US.2.CHE 72 CALCHAKIS, LOS La Misa Criolla - Carnaval Y Navidad L/AW.2.CAL 73 CYRILLE ANDREW Junction L/US.2.CYR 74 ALBANY JOE The Legendary Jazz Pianist L/US.2.ALB 75 FITZGERALD ELLA I Grandi Del Jazz L/US.2.FIT 76 NAVARRO FATS Featured With The Tadd Dameron Band L/US.2.NAV 77 COLEMAN ORNETTE To Whom Who Keeps A Record L/US.2.COL 78 POWELL BUD Blues In The Closet L/US.2.POW 79 WILSON GERALD Moment Of Truth L/US.2.WIL 80 MONK THELONIOUS Best Moments - Part 1 L/US.2.MON 81 BROWN CLIFFORD Caravan L/US.2.BRO 82 VINSON EDDIE "CLEANHEAD" Back Door Blues L/US.2.VIN 83 GIUFFRE JIMMY Music For People, Birds, Butterflies & Mosquitoes L/US.2.GIU 84 POWELL BUD At The Blue Note Cafe' Paris, 1961 L/US.2.POW 85 ROACH MAX Lift Every Voice And Sing L/US.2.ROA 86 BURRELL DAVE Only Me L/US.2.BUR 87 JARMAN/BRAXTON Together Alone L/US.2.JAR 88 ART ENSEMBLE OF CHICAGO Bap-Tizum L/US.2.ART 89 FARMER/GOLSON Meet The Jazztet L/US.2.FAR 90 RAVA ENRICO The Pilgrim And The Stars L/I.2.RAV 91 SUN RA Nothing Is.. L/US.2.SUN 92 SHEPP ARCHIE Doodlin' L/US.2.SHE 93 VARIOUS ARTISTS The Stars Of Hollywood L/US.2.VAR 94 GILLESPIE/PARKER Groovin' High L/US.2.GIL 95 ROLLINS SONNY East Broadway Rundown L/US.2.ROL 96 BLUIETT HAMIET Birthright L/US.2.BLU 97 BASS FONTELLA I Need To Be Loved L/US.2.BAS 98 ROLLINS SONNY In Japan L/US.2.ROL 99 LOWE FRANK Doctor Too-Much L/US.2.LOW 100 DAVIS MILES Milestones... L/US.2.DAV 101 WEBB CHICK Original Sessions 1937/1939 L/US.2.WEB 102 FREEMAN CHICO Chico L/US.2.FRE 103 LLOYD CHARLES The Flowering L/US.2.LLO 104 PETTIFORD OSCAR My Little Cello L/US.2.PET 105 MURRAY SUNNY The Untouchable Factor - Charredearth L/US.2MUR 106 BROWN/ROACH Jordu - 1955 L/US.2.BRO 107 BAKER CHET Quartet L/US.2.BAK 108 DAVIS EDDIE "LACKJAW" Montreux '77 L/US.2.DAV 109 HAMPTON LIONEL In Concert L/US.2.HAM 110 ROLLINS SONNY More From The Vanguard L/US.2.ROL 111 RIVERS SAM Paragon L/US.2.RIV 112 BASIE COUNT One O'clock Jump L/US.2.BAS 113 SIMS ZOOT On Riverside L/US.2.SI, 114 ART ENSEMBLE OF CHICAGO Les Stances A Sophie L/US.2.ART 115 MINGUS CHARLES In Stuttgart, April 28 1964 Concert L/US.2.MIN 116 DAVIS MILES And His All Stars L/US.2.DAV 117 FULLER JESSE Frisco Bound L/US.2.FUL 118 NAUGHTON BOBBY The Haunt L/US.2.NAU 119 VARIOUS ARTISTS The Jazz Life! L/US.2.VAR 120 SPONTANEUS MUSIC ENSEMBLE Face To Face L/EU.2.SPO 121 SANDERS PHAROAH Pharoah L/US.2.SAN 122 MINGUS CHARLES The Clown L/US.2.MIN 123 VARIOUS ARTISTS Jazz Meeting 1 L/EU.2.VAR 124 KELLY WINTON Undiluted L/US.2.KEL 125 MANGELSDORFF ALBERT The Wide Point L/EU.2.MAN 126 PARKER CHARLIE In Sweden Cafe Society Nights L/US.2.PAR 127 DRAPER RAY Ray Draper Quintet Featuring John Coltrane L/US.2.DRA 128 HART BILLY Enchance L/US.2.HAR 129 MOST SAM Flute Flight L/US.2.MOS 130 LACY STEVE Epistrophy L/US.2.LAC 131 LACY STEVE Threads L/US.2.LAC 132 EVANS BILL Explorations L/US.2.EVA 133 GETZ STAN Prezervation L/US.2.GET 134 MINGUS CHARLES In Berlin L/US.2.MIN 135 RICH BUDDY '47 - '48 L/US.2.RIC 136 WESTON RANDY Carnival L/US.2.WES 137 TUSQUES FRANCOIS Intercomunical Music L/US.2.TUS 138 STANKO TOMASZ Purple Sun L/US.2.STA 139 AYLER ALBERT Nuits De La Fondation Maeght - Vol. 1 L/US.2.AYL 140 CREATIVE CONSTRUCTION COMPANY Creative Construction Company L/US.2.CRE 141 PULLEN DON Tomorrow's Promisese L/US.2.PUL 142 MONTOLIU TETE Music For Perla L/EU.2.MON 143 ANITA Anita 1975 L/US.2.ANI 144 CLARK SONNY Cool Struttin' L/US.2.CLA 145 SHEPP ARCHIE Life At The Donaueschningen Music Festival L/US.2.SHE 146 CHARLES TEDDY Word From Bird L/US.2.CHA 147 WILSON GERALD Portraits L/US.2.WIL 148 BECHET SIDNEY Memorial Set L/US.2.BEC 149 POWELL BUD A Portrait Of Thelonious L/US.2.POW 150 SHEPP/KROG Hi-Fly L/US.2.SHE 151 BAKER CHET Sextet & Quartet L/US.2.BAK 152 DAVIS MILES At His Extra Special L/US.2.DAV 153 DE MORAES/POWELL Afro Sambas L/US.2.DEM 154 DAVIS MILES Pre-Birth Of The Cool L/US.2.DAV 155 BRAND DOLLAR This Is Dollar Brand L/US.2.BRA 156 DEAN/SKIDMORE El Skid L/EU.2.DEA 157 MINGUS CHARLES The Black Saint And The Sinner Lady L/US.2.MIN 158 HARRIS BARRY Plays Tadd Dameron L/US.2.HAR 159 HUMAIR DANIEL Morning L/EU.2.HUM 160 AYLER ALBERT The First Recondings L/US.2.AYL 161 ALMALGAM Play Blackwell & Higgins L/US.2.ALM 162 KONITZ LEE London Concert L/US.2.KON 163 BURRELL KENNY Jazzmen From Detroit L/US.2.BUR 164 LOWE FRANK Black Beings L/US.2.LOW 165 MURRAY DAVID Low Class Conspiracy L/US.2.MUR 166 LACY STEVE School Days - A 1963 Live Session L/US.2.LAC 167 HARPER BILLY Black Saint L/US.2.HAR 168 MELIS MARCELLO The New Village On The Left L/I.2.MEL 169 KIRK ROLAND The Inflated Tears L/US.2.KIR 170 LOWE FRANK The Flam L/US.2.LOW 171 BLAKEY ART Art's Break! L/US.2.BLA 172 BASIE COUNT The Blues I Like To Hear - 1938/1939 L/US.2.BAS 173 ELLINGTON DUKE The Hollywood Bowl Concert Vol.
Recommended publications
  • The Carroll News
    John Carroll University Carroll Collected The aC rroll News Student 10-6-1982 The aC rroll News- Vol. 67, No. 3 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 67, No. 3" (1982). The Carroll News. 670. http://collected.jcu.edu/carrollnews/670 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Vol. OINo. 3 October 6. 1982 tlrbe <!Carroll _jf}etus John Carroll University University Heights, Ohio 44118 Student Union proposes renewal of Stunt Night Will Stunt Night return? This Stunt Night was considered recent. Student Union meeting. tion. laborating data of the past is one of the more popular ques· one of the best sources of class JCU alumni have suggested Student Union President stunt nights, and devising tions pervading the halls of unity, and received significant that Stunt Night be brought Chris Miller says that he is wiU· ground rules which will im· Carroll as of late. yearbook coverage. back, according to senior class ing to lli1ten to any ideas prove future stunt nights. "What is Stunt Night?" you Unfortunately, some of the representative Jim Garvey. students have regarding the Stunt Night was once a main might ask. Actually, it was one material in the skits, which was Presently, the newly-formed return of this much-missed at· event on campus to bring of the bigger events here until intended for the coUege·level Investigative Committee, com· traction.
    [Show full text]
  • Us Lone Wand'ring Whaling-Men
    “Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives by Jennifer Hope Schell B.A., Emory University, 1996 M.A., University of Georgia, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Jennifer Hope Schell Jennifer Hope Schell It was defended on April 21, 2006 and approved by Susan Z. Andrade, Associate Professor of English Jean Ferguson Carr, Associate Professor of English Kirk Savage, Associate Professor of History of Art & Architecture Dissertation Advisor: Nancy Glazener, Associate Professor of English ii “Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives Jennifer Hope Schell, PhD University of Pittsburgh, 2006 My project takes up a variety of fictional and non-fictional texts about a kind of work which attracted the attention of American novelists Herman Melville, Harry Halyard, and Helen E. Brown; historian Obed Macy; and journalist J. Ross Browne, among others. In my Introduction, I argue that these whaling narratives helped to further develop and perpetuate an already existing fantasy of masculine physical labor which imagines the United States’ working class men to be ideal, heroic Americans. This fantasy was so compelling and palpable that, surprisingly enough, the New England whalemen could be persistently claimed as characteristically and emblematically American, even though they worked on hierarchically-stratified floating factories, were frequently denied their Constitutional rights by maritime law, and hardly ever spent any time on American soil.
    [Show full text]
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • Theory and Interpretation of Narrative James Phelan, Peter J
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by KnowledgeBank at OSU THEORY AND INTERPRETATION OF NARRATIVE JAMES PHELAN, PETER J. RABINOWITZ, AND ROBYN WARHOL, SERIES EDITORS FOR VANESSA, MAX, AND MILLY THE RETURN OF THE OMNISCIENT NARRATOR Authorship and Authority in Twenty-First Century Fiction PAUL DAWSON THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2013 by The Ohio State University. All rights reserved. Library of Congress Cataloging-in-Publication Data Dawson, Paul, 1972– The return of the omniscient narrator authorship and authority in twenty-first century fiction / Paul Dawson. pages cm—(Theory and interpretation of narrative) Includes bibliographical references and index. ISBN-13: 978-0-8142-1233-2 (cloth : alk. paper) ISBN-10: 0–8142– 1233–6 (cloth : alk. paper) 1. Fiction—Technique. 2. Omniscience (Theory of knowledge) in literature. 3. Narration (Rhetoric) I. Title. II. Series: Theory and interpretation of narrative series. PN3355.D246 2013 808.3—dc23 2013031509 Cover design by AuthorSupport.com Text design by Juliet Williams Type set in Adobe Sabon Printed by Sheridan Books, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments vii Introduction The Return of Omniscience in Contemporary Fiction 1 CHaptER 1 Omniscience and Narrative Authority 25 CHaptER 2 The Direct Address and the Ironic
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
    BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
    [Show full text]
  • 59Th Annual Critics Poll
    Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • City, University of London Institutional Repository
    City Research Online City, University of London Institutional Repository Citation: Lockett, P.W. (1988). Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980. (Unpublished Doctoral thesis, City University London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/8259/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] IMPROVISING PIANISTS: ASPECTS OF KEYBOARD TECHNIQUE AND MUSICAL STRUCTURE IN FREE JAll - 1955-1980. Submitted by Mark Peter Wyatt Lockett as a thesis for the degree of Doctor of Philosophy The City University Department of Music May 1988 TABLE OF CONTENTS Page No I List of Figures 3 IIListofRecordings............,........ S III Acknowledgements .. ..... .. .. 9 IV Abstract .. .......... 10 V Text. Chapter 1 .........e.e......... 12 Chapter 2 tee.. see..... S S S 55 Chapter 3 107 Chapter 4 ..................... 161 Chapter 5 ••SS•SSSS....SS•...SS 212 Chapter 6 SS• SSSs•• S•• SS SS S S 249 Chapter 7 eS.S....SS....S...e.
    [Show full text]
  • The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
    THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format.
    [Show full text]
  • Perusal Book 3 Perusal Book 3
    PERUSAL BOOK 3 PERUSAL BOOK 3 INTERMEDIATE TO ADVANCED STUDIES TIM LAUTZENHEISER JOHN HIGGINS CHARLES MENGHINI PAUL LAVENDER TOM C. RHODES DON BIERSCHENK Percussion consultant and editor WILL RAPP PERUSAL BOOK FORMAT This book is designed to give you an overview of Essential Technique for Band Book 3. Throughout this book you will find every exercise and page from the book, from the conductor book as well as a mixture of various student books. A variety of instruments were chosen to offer a sampling of how each instrument is approached. Instruments are notated on each page as they change throughout the book. ESSENTIAL ELEMENTS INTERACTIVE Essential Elements Conductor and Student Books come with a wealth of tools and resources online! Be sure to check out www.essentialelementsinteractive.com for more information. EEi works with these platforms: Copyright © 2004 by HAL LEONARD LLC International Copyright Secured All Rights Reserved EE BAND PERUSAL BOOK 3: CONDUCTOR 6 SEQUENCE OF Director 1 12–17 18–24 25–27 28–34 35–41 42–47 48–51 52–56 57–63 64–67 68–71 Page Student Page 1 2 3 4 5 6 7 8 9 10 11 12 3 3 Rhythm Rap, Rhythm Rhythm Rhythm Rhythms œ ‰œ3 œ œ ‰ Sixteenth Rap Rap Rap , Notes Rhythm‰ œ œ Rap and Rests Minor Triplets Theory 3 9 Keys 12 with Rests 8 , 8 8 Handel, Native Johann Claude History Baroque American Strauss Jr. Debussy Period Music Tempo Lento, Lento Terms div., Maestoso di Valse, Giocoso molto Mysterioso a2 Operetta Concert B Major, Concert Concert E Major, Concert Concert F Major, Special Title Chorale,b A Minor, Chorale,b C Minor, Chorale, EE Quiz Features Page Chromatic Scale EE Quiz Chromatic Scale EE Quiz Chromatic Scale Note Sequence œ# œ œ# Flute œ# & Oboe œ# œ# & Enharmonic œ# œ œ# Bassoon ? œ# œb Enharm.
    [Show full text]