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10-6-1982

e Carroll News- Vol. 67, No. 3

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*084Booklet 7/5/06 20:25 Page 1 www.signumrecords.com *084Booklet 7/5/06 20:25 Page 3 also on signumclassics SIMON PRESTON ROYAL ALBERT HALL ORGAN RESTORED 1. Felix Mendelssohn (arr. Best) Overture to the Oratorio ‘St. Paul’, Op 36 [7.44] Robert Schumann Six Fugues on B-A-C-H, Op 60 2. I. Langsam [5.03] 3. II. Lebhaft [5.25] 4. III. Mit sanften Stimmen [3.39] 5. IV. Mäßig, doch nicht zu langsam [4.21] 6. V. Lebhaft [2.43] J.S.Bach Francis Pott Louis Vierne The Art of Fugue SIGCD027 Christus - Passion Symphony SIGCD062 Symphonies pour Orgue SIGCD063 7. VI. Mäßig, nach und nach schneller [6.34] J.S.Bach’s great contrapuntal masterpiece, performed “…an astonishingly original composition, compelling “…sends shivers down the spine ... Filsell has done 8. William Bolcom Free Fantasia on ‘O Zion, Haste’ and ‘How Firm a Foundation’ [7.47] by Colm Carey. in its structural logic and exhilarating in performance. both Vierne and discerning organ-lovers a great 9. George & Ira Gershwin (arr. Cable) The Brothers Gershwin [10.30] All in all, a stupendous achievement” The Times service” The Times 10. Sigfrid Karg-Elert Valse Mignonne, Op 142, No 2 [5.17] 11. Joseph Jongen Sonata Eroïca, Op 94 [15.21] We would like to thank Heather Walker, Deputy Chief Executive and Director of Programming, Richard Knowles, Head of Show Department, Jessica Silvester, Marketing Manager, Alan Pope Total time [74.29] Deputy Show Department Manager (Events) and Caroline Darby, Assistant to the Deputy Chief P 2006 The copyright in this recording is owned by Signum Records Ltd.
Pressemitteilung 15

MINISTERIUM FÜR WISSENSCHAFT, FORSCHUNG UND KUNST PRESSE- UND ÖFFENTLICHKEITSARBEIT PRESSEMITTEILUNG 15. September 2014 Nr. 77/2014 Landesjazzpreis Baden-Württemberg: Sonderpreis für das Le- benswerk geht an den Bassisten Eberhard Weber „Mit dem neu geschaffenen Sonderpreis ehrt das Land einen Künstler, der seinesgleichen sucht und Jazzgeschichte geschrie- ben hat“, sagt Kunststaatssekretär Walter Der Landesjazzpreis Baden-Württemberg besteht seit 30 Jahren. Im Jahr seines Jubiläums wird der Preis nicht nur - wie sonst jährlich - an Nachwuchskünstler verliehen, sondern erstmals auch in der Kategorie „Sonderpreis für das Lebens- werk“ vergeben. Preisträger ist der in Stuttgart geborene und in Frankreich le- bende Bassist Eberhard Weber. „Beim Jazz-Ehrenpreis geht es um die Würdi- gung der künstlerischen Lebensleistung baden-württembergischer Jazzmusiker. In Verbindung mit der Förderung junger Talente schließt sich mit dem neuen Preis der Kreis in der Jazzförderung des Landes“, sagte Kunststaatssekretär Jür- gen Walter am Montag (15. September) in Stuttgart. „Eberhard Weber hat ein Oeuvre geschaffen, das seinesgleichen sucht. Der cha- rismatische Schwabe hat Jazzgeschichte geschrieben und die internationale Jazzszene geprägt. Das würdigen wir mit dem Preis für das Lebenswerk“, so Walter. Dotiert ist die neue Auszeichnung mit 10.000 Euro. Dieses Preisgeld wird von der L-Bank gestiftet, die damit ihr Engagement im Kultursponsoring auf den Jazz ausweitet: „Entwicklungen in Baden-Württemberg zu fördern, ist eine zentrale Aufgabe der L-Bank. Neuerungen gibt es aber nicht nur in der Wirtschaft sondern auch in der Musik. Die rege Jazzszene in unserem Land brachte und bringt im- Königstraße 46, 70173 Stuttgart, Telefon 0711 279-3005, Fax 0711 279-3081 E-Mail: [email protected], Internet: http://www.mwk.baden-wuerttemberg.de Seite 2 von 3 mer wieder große Künstlerpersönlichkeiten hervor.
Wavelength (February 1983)

University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost.
Discourses of Decay and Purity in a Globalised Jazz World

1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
Baden-Württemberg 2021

Christoph Neuhaus JAZZ AWARD Baden-Württemberg 2021 Artists JAZZ Festivals Baden-Württemberg 2021 Venues Labels Universities of Music Welcome Petra Olschowski Baden-Württemberg‘s jazz scene is both steeped in tradition and modern, rooted in the region and yet internationally wide reaching, and is therefore an important part of culture in the state. With over sixty venues, numerous festivals, creative labels and a wealth of experimental musicians, Baden-Württemberg‘s jazz scene again and again shows its importance as a driving cultural force. The cultural life has been virtually uneventful for the past year. And yet the organisers and musicians have been working on new ideas – which could hardly be seen or heard from the outside. For many performing artists, music and jazz are an important part of life which they just cannot and do not want to give up. Christoph Neuhaus, whom we award with the Baden-Württemberg Jazz Award 2021, was also creative during the pandemic. He had been working hard on his new album „Ramblin Bird“, which was released in March 2021. Imprint Editor This brochure provides interesting details about this year‘s jazz award winner. Ad- Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart ditionally, it gives you an up-to-date overview of the multi-faceted jazz scene in Ba- Graphics, Layout den-Württemberg. You‘ll also learn more about the local musicians, the festivals, venu- Jazzverband Baden-Württemberg e.V. es and labels in this brochure. Furthermore, it briefly describes the promotion lines for Texts Baden-Württemberg Ministry of Science, Research and Arts, Stuttgart jazz and the training opportunities in the field.
* Hc Omslag Film Architecture 22-05-2007 17:10 Pagina 1

* hc omslag Film Architecture 22-05-2007 17:10 Pagina 1 Film Architecture and the Transnational Imagination: Set Design in 1930s European Cinema presents for the first time a comparative study of European film set design in HARRIS AND STREET BERGFELDER, IMAGINATION FILM ARCHITECTURE AND THE TRANSNATIONAL the late 1920s and 1930s. Based on a wealth of designers' drawings, film stills and archival documents, the book FILM FILM offers a new insight into the development and signifi- cance of transnational artistic collaboration during this CULTURE CULTURE period. IN TRANSITION IN TRANSITION European cinema from the late 1920s to the late 1930s was famous for its attention to detail in terms of set design and visual effect. Focusing on developments in Britain, France, and Germany, this book provides a comprehensive analysis of the practices, styles, and function of cine- matic production design during this period, and its influence on subsequent filmmaking patterns. Tim Bergfelder is Professor of Film at the University of Southampton. He is the author of International Adventures (2005), and co- editor of The German Cinema Book (2002) and The Titanic in Myth and Memory (2004). Sarah Street is Professor of Film at the Uni- versity of Bristol. She is the author of British Cinema in Documents (2000), Transatlantic Crossings: British Feature Films in the USA (2002) and Black Narcis- sus (2004). Sue Harris is Reader in French cinema at Queen Mary, University of London. She is the author of Bertrand Blier (2001) and co-editor of France in Focus: Film
German Cinema As a Vehicle for Teaching Culture, Literature

DOCUMENT7RESUMEA f ED 239 500 FL 014 185 AUTHOR' Duncan, Annelise M. TITLE German Cinema as a Vehicle for Teaching Culture, . Literature and Histoy. 01 PUB DATE Nov 83 . NOTE Pp.; Paper presented at the Annual' Meeting of the. AmeriCan Council on the Teaching of Foreign Languages (San Franci co, , November 24-26, 1993), PUB TYPE Guides - Cla r om User Guides (For Teachers) (052) Speeches/Conference Papers "(150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Art Education; *Cultural Education; . *Film Study; *German; Higher Educati-on; History InStruction; Instructional Materials; Interdisciplinary Approach; *Literature Appreciation; *SeCond Language Instruction; Social HiStory ABSTRACT The use of German film in four instructional; contexts, based on experiences in developinga university course,, is aiScussed. One use is as part ofa German culture course taught in German, emphasizing the role of film as a cultural statement of ,its time, intended to be'either a social criticismor a propaganda tool.t A second use is integration of the film intoa literature course taught in German, employing a series of television' plays acquired from the Embassy of Wkst Germany. Experience with filmas part of an interdisciplinary German/journalism course offers ideas for,a third use: a curriculum, offered in Engl4sh, to explore a hi toric pdriod or film techniques. A fourth use is as an element of p riod course taught either in German or,if interdepartmental, En fish, such as a. course on t'he artistic manifestations of expres (Author/MSE) O 9- * * * * * * * * * * * * * * * * * * * * * * * * ** * * * * * * * * * * * * * * * * * * * * * 4* * ** * * * * * * * * * *********** Reproductions supplied by EDRS are the best thatcan be made '* from the original document.
Sound: Eine Arbeitsbibliographie 2003

Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897.
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH

BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: .
Benny Bailey Islands Mp3, Flac, Wma

Benny Bailey Islands mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Islands Country: Germany Released: 1976 Style: Fusion MP3 version RAR size: 1563 mb FLAC version RAR size: 1666 mb WMA version RAR size: 1961 mb Rating: 4.7 Votes: 758 Other Formats: MMF MP3 AU MP4 AC3 ASF AA Tracklist A1 So Far As I Know A2 Estrelle B1 To Fly Or Not To Fly B2 One Of Those Love Songs B3 Remember The Islands Companies, etc. Recorded At – Studio Barbarossa Credits Bass – Eberhard Weber Drums – Lala Kovacev* Guitar, Sitar – Siggi Schwab* Music By – Mladen (Bobby) Gutesha* Trumpet, Flugelhorn – Benny Bailey Notes Recorded at Studio Barbarossa, Munich, May 25 & 26, 1976. Other versions Category Artist Title (Format) Label Category Country Year Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja RJ-7142 RJ-7142 Japan 1977 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (LP, Album) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja ENJ-2082 2 ENJ-2082 2 Germany 1993 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album) Benny Bailey, Eberhard Benny Bailey, Weber, Siggi Schwab*, Eberhard Weber, Enja GQCP-59048 Lala Kovacev* - Islands GQCP-59048 Japan 2008 Siggi Schwab*, Records (CD, Album, Ltd, RE, Lala Kovacev* RM, Pap) Benny Bailey, Benny Bailey, Eberhard Eberhard Weber, Weber, Siggi Schwab*, Enja CDSOL-6519 CDSOL-6519 Japan 2014 Siggi Schwab*, Lala Kovacev* - Islands Records Lala Kovacev* (CD, Album, RE) Comments about Islands - Benny Bailey Nirn Smooth, clean Jazz. I played it on YouTube first and liked it even though i'm a "free jazz guy".......Eberhard Weber "Fluid Rustle" Lp is in the Top 5 of all time (my list anyways).......Norma "Kid" Winstone shines on that one.......
Creativity in Jazz

Creativity in Jazz Norman Lawrence Meehan A thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy New Zealand School of Music 2014 1 Creativity in Jazz ................................................................................................................ 1 Acknowledgements .......................................................................................................... 7 Part One: Creativity and Jazz ......................................................................................... 8 Introduction ........................................................................................................................ 9 Why are these questions important? .................................................................................. 9 The central idea ....................................................................................................................... 17 Thesis Plan ................................................................................................................................ 19 Chapter One: Creativity, and its importance ......................................................... 24 Why is creativity important? ............................................................................................... 24 Creativity in Music? ................................................................................................................ 27 Defining creativity .................................................................................................................
Carillon Concerts in Berlin-Tiergarten 2017 Concert for the Day of German Unity Tuesday, October 3 at 3 P.M

CARILLON CONCERTS IN BERLIN-TIERGARTEN 2017 CONCERT FOR THE DAY OF GERMAN UNITY TUESDAY, OCTOBER 3 AT 3 P.M. CARILLONNEUR, JEFFREY BOSSIN, BERLIN PROGRAM MUSIC FROM GERMANY GERMAN NATIONAL ANTHEM* Joseph Haydn I. Sacred Music From cantata no. 147 "Herz und Mund und Tat und Leben" BWV 147 CHORALE "JESU JOY OF MAN’S DESIRING"* Johann Sebastian Bach PHANTASIE ÜBER DEN CHORAL "LOBE DEN HERREN" (1987) Jeffrey Bossin II. Arrangements of Classical Works PRELUDE IN G MINOR FOR ORGAN BWV 535** Johann Sebastian Bach From "Scenes of Childhood" op. 15 REVERIE* Robert Schumann CARILLON* Anonymus From Symphony no. 9 in D minor op. 125 ODE TO JOY* Ludwig van Beethoven III. Music for the Carillon in Berlin-Tiergarten MENSCH, CHRISTO UND JEANNE-CLAUDE! (1995) Lutz Glandien IV. Songs of Marlene Dietrich* LILI MARLEEN Norbert Schultze From the film "The Blue Angel" FALLING IN LOVE AGAIN Friedrich Hollaender ICH HAB' NOCH EINEN KOFFER IN BERLIN Ralph Maria Siegel Arranged for carillon by *Jeffrey Bossin.**Ennis Fruhauf PRESENTED BY CARILLONCONCERTSBERLIN WITH THE GENEROUS SUPPORT OF THE BEAUFTRAGTE DER BUNDESREGIERUNG FÜR KULTUR UND MEDIEN AND THE KULTURVERANSTALTUNGEN DES BUNDES IN BERLIN GMBH Concerts on the first three Advent Sundays and Christmas and Boxing Day at 2 p.m. Next concert: Sunday, Dezember 3 at 2 p.m.; Carillonneur: Jeffrey Bossin, Berlin. The carillonneur will offer a tour of the carillon tower following the concert. Jeffrey Bossin, born in 1950 in Santa Monica, California, has been put in charge of the Carillon in Berlin- Tiergarten by the German Federal Government´s organization for cultural events in Berlin.