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Dave Black: a Publisher's Perspective by Rick Mattingly
Dave Black: a Publisher’s Perspective By Rick Mattingly ave Black serves as Vice President and Another mistake I often see are people RM: I often saw books that came from teachers Editor-in-Chief, School & Church who try to write the bible of whatever sub- who said, “Instead of students having to buy Publications, for Alfred Music Pub- ject they’re teaching, and they send in a 200- several different drum books, this one book has Dlishing Company. A prolific composer page manuscript. No one is going to publish everything they need!” It would have a little bit and arranger, more than 60 of his composi- a book that size. Had they talked to the about reading, a little bit about rudiments, a tions and arrangements have been published publisher in advance and asked for a recom- couple of pages of Stick Control-type exercises, by Alfred, Barnhouse, CPP/Belwin, TRN, mended page count, they could have saved a little bit of rock drumset, a little bit of jazz Highland/Etling, and Warner Bros. Black themselves a lot of time. drumset, a little bit about fills, a little double has written for the bands of Louie Bellson, bass, a little odd-time stuff—a little bit of a lot RM: Sammy Nestico, Bill Watrous, Bobby Shew, Ed Based on what I saw when I used to review of things, but not enough of anything. Shaughnessy, Gordon Brisker, and the C.S.U., manuscripts for Hal Leonard, how many times DB: Right. The typical cover letter I often Northridge Jazz Ensemble. -
The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Persistence UST Symphonic Wind Ensemble Persistence Innova 812:3CD Recordings Is the Label of the ® American Composers Forum
University of St. Thomas Symphonic Wind Ensemble Matthew George, conductor Persistence University of St. Thomas Commission Series, Vols. IV - VI UST Symphonic wind ensemble persistence How Very Close 1 Andrew Boysen, Jr. - December Dance Ralph Hultgren - Concertino for Wind Ensemble Dana Wilson - How Very Close Nigel Clarke - Mata Hari Shamir Tandon - Desi Jhalak Love and Hope 2 Victoriano Valencia Rincón - Suite No. 4 For Band Boris Pigovat - Lights From the Yellow Star: Music of Sorrow and Love Duende 3 Luis Serrano Alarcón - Duende Jesús Santandreu - Oneiric Discourse Aldo Raphael Forte - Dalí innova 812:3CD © University of St. Thomas. All Rights Reserved, 2016. innova® Recordings is the label of the American Composers Forum. www.innova.mu www.stthomas.edu/music The UST Bands are made up of students who are serious musicians, but whose major course of study may vary from music to engineering, business, biology or foreign affairs. Students may participate in a variety of musical groups – from small chamber ensembles to larger symphonic ensembles. UST Band op- portunities include the Symphonic Wind Ensemble, Symphonic Band, Chamber Winds and a full comple- ment of woodwind, brass and percussion chamber ensembles. While members of the UST Bands study and perform standard and contemporary band music as well as transcriptions of other musical genres, the program is dedicated to bringing new literature to the band repertoire. Each year, the Symphonic Wind Ensemble actively commissions and premieres new music by significant national and internationally renowned composers. Since 1991, the UST Symphonic Wind En- semble has commissioned and premiered over 80 new works for band. -
*1 "~~ E and Was Unable to Identify Any Record With
, 92/ , JPM: tz I-A 9-2 98 The January 114, 1961 Ins Angeles Mirror contained , an article reflecting that on January 14, 1961 srzva ALLDI had given a talk at the Ins Angeles High School to more than 2,000 teachers, which talk was sponsored by the American Federation of Teachers, local 1021. lhe article reflected that pickets had marched around the school. According to the ' article, DOM SULLIVAN, 27, of 12220 Montana, admitted that some of the placards were used when ALLEN -ras picketed Wednesday at a restaurant in the San Fernando Valley. The article said that SULLIVAN, a public relations man, said he had organized the demonstration on January 14, 1961, that he was a member of - the Policy Board of "For America", a local patriotic group, but that the group had had nothing to do with the pickaeting. '1he newspaperquoted SULLIVAN as saying that the piclcets came from a number of patriotic groups, including the American Legion, John Birch Society, Young Republicans, Californians for America, and America First. According to the article, SULLIVAN said the demonstration was not officially organized by the groups and that he had paid for the new placards out oi his own pocket. __,_ On January 17, 1 ascertained *~"'~'there that was no record of wi h the Retail Merchants Credit Association. On January19, 1961 Sl?. checked the *1_,_ records"~~ e and of the Los Angeleswas Police unableto partmen identify anya Los recordAngeleswith On January21, 1961] _ __ |Personnel Depart- ment,| Los Angeles, b,_r advised SA that a wa ed '' and that his superv sor was 3'13 P°"°z R°""°' FEDERAL BUREAU OF |NVESTlGA""'7N - Date _ 2/2/61 at-he isl a he is in charge of e Speakers Bureau fox-| | lie stated that has a "Tree IxTterprise Program", the purpose o ' - s - '--v e spealoers to alert the public to the dangers of Communi = -- . -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Ron Mcclure • Harris Eisenstadt • Sackville • Event Calendar
NEW YORK FebruaryVANGUARD 2010 | No. 94 Your FREE Monthly JAZZ Guide to the New ORCHESTRA York Jazz Scene newyork.allaboutjazz.com a band in the vanguard Ron McClure • Harris Eisenstadt • Sackville • Event Calendar NEW YORK We have settled quite nicely into that post-new-year, post-new-decade, post- winter-jazz-festival frenzy hibernation that comes so easily during a cold New York City winter. It’s easy to stay home, waiting for spring and baseball and New York@Night promising to go out once it gets warm. 4 But now is not the time for complacency. There are countless musicians in our fair city that need your support, especially when lethargy seems so appealing. To Interview: Ron McClure quote our Megaphone this month, written by pianist Steve Colson, music is meant 6 by Donald Elfman to help people “reclaim their intellectual and emotional lives.” And that is not hard to do in a city like New York, which even in the dead of winter, gives jazz Artist Feature: Harris Eisenstadt lovers so many choices. Where else can you stroll into the Village Vanguard 7 by Clifford Allen (Happy 75th Anniversary!) every Monday and hear a band with as much history as the Vanguard Jazz Orchestra (On the Cover). Or see as well-traveled a bassist as On The Cover: Vanguard Jazz Orchestra Ron McClure (Interview) take part in the reunion of the legendary Lookout Farm 9 by George Kanzler quartet at Birdland? How about supporting those young, vibrant artists like Encore: Lest We Forget: drummer Harris Eisenstadt (Artist Feature) whose bands and music keep jazz relevant and exciting? 10 Svend Asmussen Joe Maneri In addition to the above, this month includes a Lest We Forget on the late by Ken Dryden by Clifford Allen saxophonist Joe Maneri, honored this month with a tribute concert at the Irondale Center in Brooklyn. -
The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St. -
Awards to Recognize Individuals Who Have Made Major Contributions to Instrumental Mu- Sic Education
A W A RDS Each year, The Midwest Clinic presents awards to recognize individuals who have made major contributions to instrumental mu- sic education. The Medal of Honor was introduced in 1962 as a way to honor conductors, educators, composers, and others whose unique service to music education and continuing influence on the development and improvement of bands and orchestras deserve special recognition. Over its fifty-one year history, the Medal of Honor has been presented to ninety-four individuals. The Music Industry Award honors persons for outstanding support of music education through their work in the music industry. This award was introduced in 1991 and has been presented twenty-seven times. In 1992, the International Award was introduced to honor individu- als who contribute to music education from around the globe, reflecting the growth of the Midwest Clinic from an event of national stature to one of international notoriety. The Midwest Clinic is pleased to honor the 2013 recipients of the Medal of Honor, the Music Industry Award and the International Award. MUSIC INDUSTRY AWARD Lamond has dedicated himself to the cause education. Speaking at conferences, in of music education as a fundamental right front of government leaders and JOE LAMOND for all children and led NAMM’s efforts to education policy experts, Lamond has Presentation Ceremony increase funding and support for music made a strong case for the proven Tuesday, December 17 – 6:00PM education including the creation of the benefits of music making throughout the Meeting Room CC10 Support Music Coalition, funding of music lifespan and for increasing attention on brain research and lobbying for education the power of music and the arts as tools reform. -
Bio Page.Indd
BILL DANA BIOGRAPHY Many know Bill Dana as "José Jiménez", a classic character he created on the Steve Allen Show in the 1950's and continued to perform throughout his career, but Dana has also been a successful writer, author, cartoonist, producer, director, recording artist, inventor, and stand-up comedian. After serving as a decorated combat infantryman in WW II, Bill graduated Emerson College in Boston and entered show business, beginning his career as an NBC page at 30 Rock. His career took a major turn when he began writing for Don Adams including the now famous "Would You Believe?" jokes. Hired by Steve Allen to write on the original Steve Allen Tonight Show, he eventually became head writer. His creation of the José Jimenéz character in 1959 resulted in his own NBC show (1963-65). His comedy albums, as both José and Bill Dana, were top-sellers. He helped launch the careers of comedic greats such as Don Adams, Jackie Mason, Don Knotts, and Jim Nabors. A major career highlight for him was writing the "All In The Family" episode featuring Sammy Davis, Jr., consistently rated in TV Guide's "Top 100 Television Episodes of All Time". Adopted by the original seven Mercury astronauts, Dana became part of U.S. space history on May 5, 1961, when the first words from Planet Earth spoken to Alan Shepard, America's first man in space were....."OK, José, You're on your way." Bill and José are honored by inclusion in the Smithsonian Air and Space Museum and the Astronaut Hall of Fame. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
May 2019 New Release Book
May 2019 New Release Book . Contact: Clay Pasternack Gary Davis Email: [email protected] Email: [email protected] Phone: 440-333-2208 | Fax: 440-333-2280 Phone: 206-972-7257 | Fax: 425-671-0193 21258 Maplewood Avenue Rocky River, Ohio 44116-1244 WRECKLESS ERIC TRANSIENCE KEY SELLING POINTS: SOUTHERN DOMESTIC Eric Goulden, the man everyone knows as Wreckless Eric, is a rare example of an older and established artist who RECORDS hasn't lapsed into comfortable formulas. Exactly a year after his last album, the well-received Construction Time & Demolition, he's back with a new album, Transience. For every song of Wreckless Eric's you remember from his early days on Stiff Records, he's recorded 10 more that you've probably never heard. The early DIY British indie label may have been his entry-level position into the music business, but Eric Goulden didn't stop making music after the novelty of Stiff Records - and his being known as Wreckless Eric - wore off. Forty years on, Goulden is still making insightful music while the original label is but a footnote in music history. On Transience, Eric is joined by friends including acoustic 12-string guitar player Alexander Turnquist, Cheap Trick bassist, Tom Petersson, Amy Rigby on piano and backing TRACK LISTING vocals, jazz horn player Artie Barbato, and on drums Steve Goulding, late of Graham Parker & the Rumour - the first 1. FATHER TO THE MAN time he and Eric have recorded together since Eric's 2. STRANGE LOCOMOTION enduring hit "Whole Wide World" back in 1976. He wrote the songs on the move, alone in grubby rooms, in 3.