Cirque De La Symphonie
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Chicago Philharmonic Brings Incredible Cirque Acts with Live Music to Harris Theater This Memorial Day Weekend
Contact: Cassandra Kirkpatrick [email protected] (312) 957-0000 FOR IMMEDIATE RELEASE: Chicago Philharmonic brings incredible cirque acts with live music to Harris Theater this Memorial Day weekend Chicago, IL – (May 6 2019) This Memorial Day weekend, Chicago Philharmonic partners with the athletes, actors, and acrobats of Cirque de la Symphonie for the second time by popular demand. This extraordinary spectacle combines awe-inspiring cirque acts onstage with the virtuoso Chicago Phil musicians performing classic movie music from Superman, Star Wars, Chicago, Harry Potter, and more. These two powerhouse performing arts groups last joined forces in 2016 in a sold-out performance, impressing critics and astounding audiences of all ages. Cirque de la Symphonie’s cast of Olympians and world record-holders includes clowns, acrobats, strongmen, jugglers, and aerialists. The troupe performs exclusively with orchestras and has garnered acclaim at venues such as the Kennedy Center and the Sydney Opera House. Performers include seven-time consecutive acrobatic gymnastics National Champion and Olympic athlete Christine Van Loo, hula hoops and third-generation circus extraordinaire Alina Sergeeva, hilarious mime and juggler Vladimir Tsarkov, and many more. Chicago Philharmonic & Cirque de la Symphonie May 26, 7:30pm Harris Theater, Chicago Scott Speck Conductor Antonín Dvořák Carnival Overture John Williams Harry Potter and the Sorcerer’s Stone Harry’s Wondrous World John Williams The Witches of Eastwick Devil’s Dance Carlos Gardel Scent of a Woman Por una cabeza (Tango) Johnny Mercer/John Williams Hooray for Hollywood John Barry Out of Africa John Williams Superman John Williams Overture from The Cowboys John Kander Selections from Chicago John Williams Star Wars Episode IV: A New Hope The Throne Room End Title Medley John Williams Star Wars: Episode II Attack of the Clones Across the Stars Nikolai Rimsky-Korsakov Tsar Salton Flight of the Bumblebee Hans Zimmer / arr. -
This Is the First Time I Ever Saw a Free Headstand with Part- He Perform
NEWSLETTER MARCH 1973 Vol No 3 This Newsletter is the official publication of the International Jugglers Association^ Editors» Ken and Carol Benge, 1551 Hillcrest Avenue, Hanover Park, 111® 60103. FROM GAY Wc NG The HAI CHAI VARIETY SHOW was here in Chinatown for 13 days, and will start another two weeks in Los Angeles from February 26th0 After that they v/ill be in New York for-tv/o weeks* The show cbtoges some of the acts every three to five days* They do have at least the total of 28 different acts, consisting o^ singing, dancing, acrobatics, juggling, high wire, balancing, magic .strong men, trapeze, etc* Some of the juggling tricks were done by a fellow juggling three fire torches* He starts by placing one lit fire torch on his forehead in a balance* He then juggles the three torches over the left and right shoulders, under both legs and then he showers them. A FREE H.EADSTAND is done with the sister being the bear er, and the younger_brother on top. What really got me is this is the first time I ever saw a free headstand with part- ener WITHOUT ANY HEAD GRUMF/.ET OR HEAD DOUGHNUT! They balance for well over five minutes doing the cha-cha-cha dance and then later on they light up a cigarette. They also do some ^ugp-ling and the brother on top spins some rings with his feet. A great act indeed* I am happy to say that I saw the show 3 times, Mr. Hai Ken Hsin, Captain of the team, invited me two of the times* I was talking to him in his room and I just mentioned could he perform the free headvStand also? He hopped right into it -right on the rug, no rings, *nothirig. -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T. -
2020 Program Book
1 TheEastman 3 Experience Learn from a dedicated Photo Courtesy of SueB. Photography residential faculty PHILADELPHIA INTERNATIONAL Belong MUSIC CAMP & FESTIVAL to a vibrant community Study With Members Of The Philadelphia Orchestra Discover Directed by Kimberly Fisher, Principal Second Violin, Philadelphia Orchestra your own path Choose: Orchestra, Chamber Music, Solo Performance, Piano, Opera Theater or College Audition Preparation Sessions in June and July | All Skill Levels | Ages 11-19 Apply online today at PIMF.org | 856-875-6816 For more information visit esm.rochester.edu/admissions 2 3 Fairfield county’s most convenient instrument shop with 3 violin makers and 2 band technicians working 6 days a week INTERCONNECTED LIMIT ONE PER FAMILY Interlochen Deep in the woods of northern Michigan, arts collide and unbreakable bonds form. An experience at Interlochen Arts Camp won’t just make you a better artist—it will transform the course of your future. Programs for every young artist grades 3-12. CAMP.INTERLOCHEN.ORG www.rentalinstrument.com email: [email protected] 4 5 Strings. Piano. Woodwinds. French Horn. Summer 2020 Chamber Music Programs in Fairfield, Connecticut Duos. Two Action-packed 2-week Sessions Trios. intermediate to advanced students ages 8-18 Session 1: July 13-24, Session 2: July 27- August 7 Quartets. and Serious Fun! Amici Ensembles Exhilarating 1-week Chamber Music Boot Camp for advanced high school and college students ages 14-22 August 10-15 Placement Auditions March/April College Internships Registration opensMusic January/February Majors-Minors - Apply Online Tuition Assistance Available www.ChamberMusicCentral.org Chamber Music Central, Inc. admits students of any race, color, and national or ethnic origin. -
Circus Report, February 15, 1982, Vol. 11, No. 7
February 15, 1982 SABO'S CHIMPS on TV's "Saturday Night Live" Show Adriatic Animal Attractions, Inc. Josip Marcan - President For the 1981 and 1982 season, my new mixed act of lions and tigers has been exclusively contracted by the Hawthorn Circus Corp. for bookings. But the ani- mals and equipment remain solely owned by me. However, I have trained and added to my act - 8 ti- gers belonging to the Hawthorn Circus Corp., enlarg- ing my act to 19 animals. My enlarged act shall be re- ferred to as: Marcan's Mixed Lions and Tigers Com- bined with the Hawthorn Tigers. Due to the fact that the Hawthorn Circus Corp. al- ready owns an act referred to as the "Hawthorn Ti- gers", it has become necessary to distinguish the dif- ference of the act which I own and the Hawthorn act. I hope this will clarify the ownership and billing of my act. Sincerely, Josip Marcan Page 4 SHOW DATES ', Mail room Ringling-Barnum - Blue The Post Office recent- Feb 17-21 Richmond, Va ly returned Circus Reports Ringling-Barnum • Red addressed to the following Feb 10-21 Atlanta, Ga, people. Robin Heisinger -•-OTHER DATES--- James R. Decker Auto Show Jack Miller Feb 19-21 Oakland, Ca. Elmer Wilson Byran's Clowns, Inc. Hedy Thomason Feb 6 W.Middlesex, Pa. Kandy the Clown 12 Newcastle Amel Zaciial Disney World on Ice Scott Taylor Feb 9-21 Boston, Mass. Harry Thomas Holiday on Ice Feb 16-21 Reno, Nev. The Ptunketts Feb 19-21 Albuquerque, N. M. -•MAGIC--- Abbott's Magic Exhibit Feb 19-21 Hollywood, Calif. -
Rs .0 Destinations Overview Tour Highlights Itinerary
0484 4020030, 8129114245 [email protected] GLORIOUS RUSSIA Rs .0 6 Nights 7 Days Destinations Russia Overview Places Covered : Moscow City Tour, Russian Circus, Moscow River Cruise, Red Square , Lenin Mausoleum, Moscow Metro, Kremlin Cathedrals, World War Museum in Poklonya Gora, Tretyakov Art Gallery, Saint Petersburg City Tour, Grand Palace in Peterhof, Peter & Paul Fortress, Hermitage Museum, Nickolayvesky Palace and Traditional Russian Folk Show. Russian Ballet Dance-(optional). Tour Highlights Moscow City Tour Russian Circus Show Moscow River Cruise Red Square Tour Visit Lenin Mausoleum Moscow Metro Tour Visit Kremlin With Cathedrals World War Museum in Poklonya Gora Entrance to Tretyakov Gallery City Tour of Saint Petersburg Entrance to Grand Palace in Peterhof Entrance to Peter & Paul Fortress Entrance to Hermitage Museum Nickolayvesky Palace and Traditional Russian Folk Show Russian Ballet Dance-(optional). Itinerary Day 1 : COCHIN – MOSCOW Assemble at Kochi International Airport at 01.20 hrs. Check in starts at 01.40 hrs. After emigration and customs formalities Gulf Air Flight GF 271W depart to Bahrain at 04.20 hrs. Connect Gulf Air Flight GF 14W to Moscow at 09.00 hrs and arrive Domodedovo International Airport, Moscow at 15.00 hrs. Welcome to Moscow, Russia. Moscow is the capital and most populous city of the Russian Federation, with 12.2 million residents. According to Forbes 2013, Moscow has been ranked as the ninth most expensive city in the world. Upon arrival you will meet your airport assistant and transfer to hotel. MOSCOW STATE CIRCUS SHOW Evening we take you to Moscow State Circus. It is used for a variety of circuses. -
Katrina Carter Phd 2015
Suspending Conventions: How ‘disabled aerialists’ are challenging aesthetic and methodological practices in 21st Century aerial(ism) Katrina Carter Royal Holloway University London PhD Thesis 2014 1 DECLARATION OF AUTHORSHIP I, Katrina Carter, hereby declare that this thesis and the work presented in it is entirely my own. Where I consult the work of others, this is always clearly stated. Signed: _________________________ Dated: _________________________ 2 Acknowledgements I would like to thank my supervisor Libby Worth, secondary supervisor Jacky Bratton and advisor Colette Conroy for their astute and generous guidance throughout my research. I have received financial support at different stages so gratitude goes to: RHUL for travel grants to Barcelona and the USA; the Headley Pitt Trust for a new computer; Canterbury City Council and the Circus Space for co-funding Hang-ups! and Arts Council England for enabling my attendance at the Circus Educators Conference, 2014. I am indebted to Steve Gossard, Maureen Brunsdale and Mark Schmitt of the Bloomington Circus Archive, Milner Gallery at the Illinois State University; to Fred Dahlinger of the John and Mable Ringling Museum of Art in Sarasota, and to Anna-Karyna Barlati at Montréal’s National Circus School library. All offered me extensive support in my search for historical ‘disabled aerialists’. Appreciation goes to my generous aerial friends and colleagues who were happy to share their aerial journeys with me. In addition I thank Jean-Marie Akkerman, Lyndsay Adams, Amelia Cavallo, Claire Cunningham, Penny Clapcott, Tiiu Mortley and Jenny Sealey as well as the aerialists I worked with in the Paralympic Opening Ceremony and Graeae’s productions. -
Articulating the Contemporary Circus Sector in the United States
Articulating the Contemporary Circus Sector in the United States By JOSHUA STUART FRANCIS A PROJECT Presented to the Arts and Administration Program in partial fulfillment of the requirements for the degree of Master of Arts in Arts Management June 2016 © 2016 Joshua Stuart Francis Table of Contents Abstract …………………………………………………………………………………………….. 2 Acknowledgements ………………………………………………………………………………… 3 Chapter 1: Introduction ………………………………………………………………………………… 4 1.1: Introductory Definitions ………………………………………………………. 5 1.2: Research Topics ………………………………………………………. 7 1.3: Biases and Approach …………………………………………………………………… 10 1.4: Delimitations and Data Collection ………………………………………….. 12 1.5: Conclusion ………………………………………………………………………………… 17 Chapter 2: Historical Context …………………………………………………………………… 19 2.1: Early Origins of the Circus ………………………………………………………. 20 2.2: The Father of the Circus ………………………………………………… ……. 22 2.3: The Circus Comes to America ………………………………………………………. 24 2.4: The Decline and Redefinition of the United States Circus ….………….. 26 2.5: Trends in Circus History ………………………………………………… ……. 28 2.6: Defining the Circus Today ………………………………………………… ……. 31 2.7: The Contemporary Circus ………………………………………………… ……. 36 2.8: Conclusion ………………………………………………………………………………… 38 Chapter 3: The Circus Sector – Downstream Infrastructure …………………………….. 40 3.1: The Creative Sector …………………………………………………………………… 40 Figure 1 …………………………………………………………………… 42 3.2: The People of the Circus Sector …………………………………………. 44 Figures 2 & 3 ………………………………………………………………….. 45 Figures 4-6 …………………………………………………………………. -
Season 2013-2014
23 Season 2013-2014 Friday, January 3, at 8:00 Saturday, January 4, at 8:00 The Philadelphia Orchestra Cirque de la Symphonie Cristian Ma˘celaru Conductor Kabalevsky Overture to Colas Breugnon, Op. 24 Márquez Danzón No. 2 McTee Circuits Barber “Hesitation Tango,” from Souvenirs, Op. 20 Ginastera Final Dance: “Malambo,” from Suite from Estancia, Op. 8a Saint-Saëns “Bacchanale,” from Samson and Delilah Intermission PO Book 17.indd 1 12/27/13 10:46 AM 24 Chabrier España Abreu “Tico-Tico no Fubá” Wagner/arr. Hutschenruyter “The Ride of the Valkyries,” from Die Walküre Antheil Hot-Time Dance Tchaikovsky Waltz, from Swan Lake, Op. 20 Sibelius Finlandia, Op. 26 This program runs approximately 1 hour, 40 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. PO Book 17.indd 2 12/27/13 10:46 AM PO Book 17.indd 3 12/27/13 10:46 AM 426 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra community itself. His concerts to perform in China, in 1973 is one of the preeminent of diverse repertoire attract at the request of President orchestras in the world, sold-out houses, and he has Nixon, today The Philadelphia renowned for its distinctive established a regular forum Orchestra boasts a new sound, desired for its for connecting with concert- partnership with the National keen ability to capture the goers through Post-Concert Centre for the Performing hearts and imaginations of Conversations. Arts in Beijing. -
“ Cirque in Transition”
AArrttiissaannss ddee LL’’IImmaaggiinnaaiirree 30 ans du Cirque du Soleil ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 155 ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 Can Cirque du Soleil go on without Dragone? "There's no reason why the circus can't change with the times." – Guy Caron At the end of 1998, the creative team behind so many of Cirque du Soleil's productions in the 1990s - Franco Dragone, Michel Crete and Dominique Lemieux - concluded their remarkable run of artistic and professional development with the company, leaving the creative reins to future shows in the hands of others and giving Cirque du Soleil an interesting dilemma to overcome during the first-half of the new millennium: how to move on from a very successful run of productions under the helm of Franco Dragone and his team of conceptors and show the world it could still re-invent the circus. Faced with the challenge of mounting a new show, with a new team, in a compressed period of time, Guy Laliberté turned to an old friend: Guy Caron. Since he had left Cirque in 1988, Caron had maintained friendly relations with Laliberté. In 1992, he had even directed a show called “Cirque Knie Presents Cirque du Soleil” for the Swiss National Circus, produced in collaboration with Cirque. Caron's job wasn't easy, though. He'd have to pick up the creative pieces and attempt to meet or exceed the expectations laid down by the likes of Quidam, “O” and La Nouba. Despite the challenges - or perhaps because of them - Laliberté and Caron were able to show that it was the creative juices of the whole rather than just one man that drove the company, and it was during this period of transition that Cirque du Soleil began to branch out beyond theatrical productions; Cirque would dive into the realm of motion pictures and television full-force with Journey of Man (IMAX film), Fire Within (reality series) and Solstrom (variety series). -
Cirque De La Symphonie Maxim Eshkenazy , Conductor Cirque De La Symphonie
presents SUMMER FESTIVAL 2010 AT VERIZON WIRELESS AMPHITHEATER SATURDAY , J ULY 17, 2010, AT 8:00 P.M. CIRQUE DE LA SYMPHONIE MAXIM ESHKENAZY , CONDUCTOR CIRQUE DE LA SYMPHONIE DV ORˇ ÁK Carnival: Overture Op. 92 TCHAIKOVSKY Nutcracker Ballet: Mirlitons (1841 –1904) (1840 –1893) (Dance of the Reed Flutes) WILLIAMS Harry’s Wondrous World KABALEVSKY Overture to Colas Breugnon (b. 1932) (1904 –1987) (Kola Bryun’yon) , Op.24 BIZET Danse Boheme from Carmen, SAINT-SAËNS Danse macabre , Op.40 (1838 –1875) Suite No. 2 (1835 –1921) Les Toreadors from Carmen, RESPIGHI La boutique fantasque (The Suite No. 1 (1879 –1936) Fantastic Toy Shop) (after Rossini), KHACHATURIAN Suite from Masquerade P.120a (1903 –1978) Waltz Can-can CHABRIER España RIMSKY-KORSAKOV Danse des Bouffons (1841 –1894) Rhapsody for Orchestra (1844 –1908) SAINT-SAËNS Bacchanale, from Samson et Dalila WILLIAMS Star Wars: Episode II , Attack of the Clones : Across the Stars —INTERMISSION— RAVEL Bolero (1875 –1937) Supporting Series Sponsor Official Airline Official Hotel Official Classical Official Pops Official Television Station Official Media Partner Radio Station Radio Station July 17, 2010 • Pacific Symphony A- 1 A K ID ’S GUIDE TO THE ORCHESTRA : FOR ADULTS What grown-ups should know before kids ask! By Michael Clive Welcome to Cirque de la Symphonie! GOTTA DANCE! With fourteen exciting musical works in store, you’re in for What is it about some music that makes quite a trip. Here are some tips to help you find your way us want to clap our hands, tap our feet or around the program and the orchestra. jump up and dance? It’s the rhythm, of course. -
Cirque De La Symphonie
23 Season 2018-2019 Thursday, June 13, at 7:00 Friday, June 14, at 7:00 The Philadelphia Orchestra Cirque de la Symphonie Kensho Watanabe Conductor Falla “Final Dance (Jota),” from Suite No. 2 (Three Dances) from The Three-Cornered Hat Piazzolla “Libertango” Bizet/arr. Hoffmann “Bohemian Dance,” from Suite No. 2 from Carmen Falla Spanish Dance No. 1, from La vida breve Chabrier España Márquez Danzón No. 2 Giménez Intermezzo, from The Wedding of Luis Alonso Intermission 24 Abreu/arr. Dragon “Tico-Tico no Fubá” Ginastera “Final Dance: Malambo,” from Suite from Estancia, Op. 8a Frank “Tarquecada,” from Walkabout: Concerto for Orchestra First Philadelphia Orchestra performance Falla “Ritual Fire Dance,” from El amor brujo Rimsky-Korsakov “Scene and Gypsy Song” and “Asturian Fandango,” from Capriccio espagnol, Op. 34 Bizet/arr. Hoffmann “The Toreadors,” from Suite No. 1 from Carmen Benzecry from Symphony No. 1 (“El compendio de la vida”): IV. El compendio de las culturas First Philadelphia Orchestra performance This program runs approximately 2 hours. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage.