Cirque De La Symphonie
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Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Featuring Nik Wallenda & “Grandma”
featuring Nik Wallenda & “Grandma” Welcome to the of 1 Welcome to the On behalf of all the performers, administrative staff, design team and crew, we welcome you to this very special production of the Big Apple Circus. This year marks the 40th Anniversary of a beloved New York City cultural gem that has delighted generations of families during its traditional holiday season at Lincoln Center and cities up and down the East Coast and as far west as Chicago. The 40th Anniversary celebrates the rebirth of a New York City and American cultural institution. After declaring bankruptcy in 2016, the Big Apple Circus seemed destined for extinction. Each of us in front and behind the curtain are honored to be part of this renaissance. The circus transcends all barriers bringing together children and adults of all ages, cultures and faith. For two hours, the world inside the Big Top transforms into a colorful kaleidoscope of wonder, amazement and laughter for all to of share. At the Big Apple Circus, we are committed to continuing the outreach programs so every child will have the opportunity to experience the wonder of the Circus. This year we will be expanding the number of shows adapted for children and young adults with Autism as well as those with hearing and visual challenges through our Circus of the Senses. In addition, we continue our commitment to provide children less fortunate the opportunity to attend the circus. Welcome back and enjoy the show. All of us at Big Apple Circus thank you for your support and hope you enjoy the magic and thrill of this special 40th Anniversary Show. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
Der Zirkus-Event Des Monats / Le Cirque Du Mois Diese Woche
ll DIE GRÖSSTE ZEITUNG LE PLUS GRAND JOURNAL DER REGION DE LA RÉGION AUFLAGE: 100 500 TIRAGE: 100 500 ERSCHEINT JEDEN PARAÎT CHAQUE MERCREDI/JEUDI MITTWOCH/DONNERSTAG DANS TOUS LES MÉNAGES IN ALLEN HAUSHALTEN BIELS UND DES DE LA RÉGION BIENNE- SEELANDES UND DES BERNER JURAS. JURA BERNOIS-SEELAND. HERAUSGEBER: CORTEPRESS BIEL ÉDITEUR: CORTEPRESS BIENNE 032 327 09 11 / FAX 032 327 09 12 032 327 09 11 / FAX 032 327 09 12 INSERATE: BURGGASSE 14 E ANNONCES: RUE DU BOURG 14 032 329 39 39 / FAX 032 329 39 38 11./12. SEPTEMBER 2019 WOCHE 37 42. JAHRGANG / NUMMER 37 11/12 SEPTEMBRE 2019 SEMAINE 37 42 ANNÉE / NUMÉRO 37 032 329 39 39 / FAX 032 329 39 38 INTERNET: http://www.bielbienne.com KIOSKPREIS FR. 2.– INTERNET: http://www.bielbienne.com Die andere Zeitung L’autre journal DIESE WOCHE: CETTE SEMAINE: Bieler Guggenmusigen nin Festlaune: Die Harlekin (Bild) feiert ihr 50-Jahr- und die Lämpe ihr 40-Jahr-Jubiläum. Die Ge- burtstagsparty steigt in der «Dispo» in Nidau. Seite 2. Les cliques n «Harlekin» et «Lämpe» fêtent leurs 50 et 40 ans ensemble à la Dispo de Nidau. Page 2. Für die ehemalige n Bieler Stadtratspräsi- dentin Monique Esseiva Unaufhaltsamer Aufstieg: Rolf Schädeli et Enrico Brogini steht fest: Minderheiten Rolf Schädeli und Enrico Brogini muss Respekt entgegenge- ont à nouveau attiré des artistes bracht werden. Seite 9. gelang es erneut, für das populaires et légendaires aux Festival «Christmas Sessions» prochaines Christmas Sessions Monique Esseiva, in Biel hochkarätige Stars à Bienne. Page 3. n ancienne parlemen- zu verpfl ichten. -
THE BIG APPLE CIRCUS, LTD. Case No
16-13297-shl Doc 102 Filed 01/27/17 Entered 01/27/17 19:36:02 Main Document Pg 1 of 32 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK In re: Chapter 11 THE BIG APPLE CIRCUS, LTD. Case No. 16-13297 (SHL) Debtor. GLOBAL NOTES AND STATEMENT OF LIMITATIONS, METHODOLOGY AND DISCLAIMER REGARDING DEBTOR’S SCHEDULES OF ASSETS AND LIABILITIES AND STATEMENT OF FINANCIAL AFFAIRS On November 20, 2016 (the “Petition Date”), The Big Apple Circus, Ltd, the above- captioned debtor and debtor in possession (the “Debtor”) filed a voluntary petition for relief under chapter 11 of title 11 of United States Code (the “Bankruptcy Code”) with the United States Bankruptcy Court for the Southern District of New York (the “Bankruptcy Court”). The Debtor is currently operating its business as a debtor in possession pursuant to sections 1107(a) and 1108 of the Bankruptcy Code. The Debtor, with the assistance of its advisors, has prepared its Schedules of Assets and Liabilities (the “Schedules”) and Statement of Financial Affairs (the “SOFA”) pursuant to section 521 of the Bankruptcy Code and rule 1007 of the Federal Rules of Bankruptcy Procedure. These Global Notes and Statement of Limitations, Methodology and Disclaimer Regarding the Debtor’s Schedules of Assets and Liabilities and Statement of Financial Affairs (the “Global Notes”) pertain to all of the Schedules and the SOFA. While the Debtor’s management has made reasonable efforts to ensure that the Schedules and the SOFA are accurate and complete based on information that was available to them at the time of preparation, subsequent information or discovery may result in material changes to the Schedules and the SOFA, and inadvertent errors or omissions may exist in the Schedules and the SOFA. -
Appendix A: 1976 Clown College and 1977 Blue Unit Route
A p p e n d i x A : 1 9 7 6 C l o w n College and 1977 Blue Unit Route There’s nothing so dangerous as sitting still. You’ve only got one life, one youth, and you can let it slip through your fingers; nothing easier. Willa Cather, The Bohemian Girl CHAPTER 1 • ROMANCE OF THE RED NOSE Clown College, Ringling Arena, Venice, Sep.–Nov. 1976 CHAPTER 2 • BOWL OF CHERRIES Rehearsals and first performances, Ringling Arena, Venice, Jan. 10–Feb. 2 CHAPTER 3 • RUBBER NOSE MEETS THE ROAD Lakeland Civic Center, Feb. 4–6 Atlanta Omni, Feb. 9–20 Savannah Civic Center, Feb. 22–23 Asheville Civic Center, Feb. 25–27 Raleigh, Dorton Arena, Mar. 1–6 Fayetteville, Cumberland County Memorial Arena, Mar. 8–9 Columbia, Carolina Coliseum, Mar. 11–13 Charlotte Coliseum, Mar. 15–20 CHAPTER 4 • THE SHOW BUSINESS Knoxville, Civic Coliseum, Mar. 22–27 Cincinnati, Riverfront Coliseum, Mar. 30–Apr. 3 168 Appendix A Washington, DC, Armory, Apr. 6–17 Largo, Capital Centre, Apr. 20-May 1 CHAPTER 5 • LOVE ‘EM & LEAVE ‘EM Binghamton, Broome County Veterans Memorial Arena, May 4–8 Hartford, Civic Center, May 10–15 Portland, Cumberland County Civic Center, May 17–22 CHAPTER 6 • GOOD OL’ DAYS? Troy, RPI Field House, May 25–30 Providence Civic Center, June 1–5 Niagara Falls, International Convention Center, June 8–12 Wheeling Civic Center, June 15–19 Charleston Civic Center, June 21–22 Memphis, Mid-South Coliseum, June 24–26 CHAPTER 7 • RODEO ROUTE Little Rock, T.H. Barton Coliseum, June 28–29 Huntsville, von Braun Civic Center, July 1–4 Dallas, Convention Center, July 6–11 New Orleans, Superdome, July 14–17 Houston, Summit, July 20–31 Abilene, Taylor County Expo Center, August 2–3 Lubbock, Civic Center, August 5–7 CHAPTER 8 • SPIRIT OF ST. -
A Conversation with Henry Kissinger Jaclyn Novatt
Issue 66 March 2010 A NEWSLETTER OF THE ROCKEFELLER UNIVERSITY COMMUNITY THE INSIGHT LECTURE BRINGS POlitiCS TO CAMPUS: A CONVERSAtiON WitH HENRY KISSINGER Jaclyn Novatt On Tuesday, January 19, Rockefeller University hosted Dr. Henry past, Kissinger spoke about the way sovereign nations are identi- Kissinger as the first speaker in a series of Insight Lectures dedi- fied. I thought this was a fascinating way of thinking. According cated to politics. If the emails back and forth over the university’s to Kissinger, today there are four worlds. There’s the post-modern political listserv are any indication, Dr. Kissinger is a highly po- Europe which, although the nations are sovereign, features more larizing figure. Kissinger served as National Security Advisor and cooperation than competition since the formation of the Euro- Secretary of State under President Richard Nixon, and continued pean Union. In the Asian world, nations see their neighbors as to advise subsequent administrations on foreign policy. As Sec- potential rivals and approach them with more caution. The Jiha- retary of State, Kissinger oversaw the negotiations of the Paris dist world does not rely on national boundary lines, but rather Peace Accords, ending the Vietnam War. He was also involved ideological and religious boundaries. Finally, there is the world in many controversial events, such as the bombings of Cambodia that exists irrespective of any boundaries: climate change, trade, and Laos in the early 1970s and the cia’s support of Chile’s Au- and nuclear proliferation. gusto Pinochet in 1973. Despite such controversy, Dr. Kissinger is After the formal conversation, the audience had the oppor- highly respected by many, winning the Nobel Peace Prize and the tunity to ask questions. -
Chicago Philharmonic Brings Incredible Cirque Acts with Live Music to Harris Theater This Memorial Day Weekend
Contact: Cassandra Kirkpatrick [email protected] (312) 957-0000 FOR IMMEDIATE RELEASE: Chicago Philharmonic brings incredible cirque acts with live music to Harris Theater this Memorial Day weekend Chicago, IL – (May 6 2019) This Memorial Day weekend, Chicago Philharmonic partners with the athletes, actors, and acrobats of Cirque de la Symphonie for the second time by popular demand. This extraordinary spectacle combines awe-inspiring cirque acts onstage with the virtuoso Chicago Phil musicians performing classic movie music from Superman, Star Wars, Chicago, Harry Potter, and more. These two powerhouse performing arts groups last joined forces in 2016 in a sold-out performance, impressing critics and astounding audiences of all ages. Cirque de la Symphonie’s cast of Olympians and world record-holders includes clowns, acrobats, strongmen, jugglers, and aerialists. The troupe performs exclusively with orchestras and has garnered acclaim at venues such as the Kennedy Center and the Sydney Opera House. Performers include seven-time consecutive acrobatic gymnastics National Champion and Olympic athlete Christine Van Loo, hula hoops and third-generation circus extraordinaire Alina Sergeeva, hilarious mime and juggler Vladimir Tsarkov, and many more. Chicago Philharmonic & Cirque de la Symphonie May 26, 7:30pm Harris Theater, Chicago Scott Speck Conductor Antonín Dvořák Carnival Overture John Williams Harry Potter and the Sorcerer’s Stone Harry’s Wondrous World John Williams The Witches of Eastwick Devil’s Dance Carlos Gardel Scent of a Woman Por una cabeza (Tango) Johnny Mercer/John Williams Hooray for Hollywood John Barry Out of Africa John Williams Superman John Williams Overture from The Cowboys John Kander Selections from Chicago John Williams Star Wars Episode IV: A New Hope The Throne Room End Title Medley John Williams Star Wars: Episode II Attack of the Clones Across the Stars Nikolai Rimsky-Korsakov Tsar Salton Flight of the Bumblebee Hans Zimmer / arr. -
Circus and the City New York, 1793–2010
Circus and the City New York, 1793–2010 Libsohn–Ehrenberg. “April Manhattan.” Cue, the Weekly Magazine of New York Life (April 1945), 16. On view September 21, 2012– February 3, 2013 Exhibition From September 21, 2012, to February 3, 2013, the Bard Graduate Center: Decorative Arts, Design History, Mate- rial Culture (BGC) will present Circus and the City: New York, 1793–2010, an exhibition that uses New York City as a lens through which to explore the extraordinary de- velopment and spectacular pageantry of the American circus. Through a wide variety of ephemera, images, and artifacts, the exhibition documents the history of the circus in the city, from the seminal equestrian displays of the late eighteenth century through the iconic late nineteenth-century American railroad circus to the Big Apple Circus of today. From humble beginnings, the circus grew into the most popular form of entertain- “Nixon & Co.’s Mammoth Circus: The Great Australian ment in the United States. By the turn of the twentieth Rider James Melville as He Appeared Before the Press of New York in His Opening Rehearsal at Niblo’s Garden,” century, New York City was its most important market 1859. Poster, printed by Sarony, Major, & Knapp, New and the place where cutting-edge circus performances York. Courtesy, American Antiquarian Society. and exhibitions were introduced to the nation. “Circus and the City promises to be one of the grandest and it offers a compelling look at how New York City exhibitions about the American circus ever mounted, influenced and inspired this iconic form of American popular entertainment,” said curator Matthew Witt- mann, a curatorial fellow at the BGC. -
This Is the First Time I Ever Saw a Free Headstand with Part- He Perform
NEWSLETTER MARCH 1973 Vol No 3 This Newsletter is the official publication of the International Jugglers Association^ Editors» Ken and Carol Benge, 1551 Hillcrest Avenue, Hanover Park, 111® 60103. FROM GAY Wc NG The HAI CHAI VARIETY SHOW was here in Chinatown for 13 days, and will start another two weeks in Los Angeles from February 26th0 After that they v/ill be in New York for-tv/o weeks* The show cbtoges some of the acts every three to five days* They do have at least the total of 28 different acts, consisting o^ singing, dancing, acrobatics, juggling, high wire, balancing, magic .strong men, trapeze, etc* Some of the juggling tricks were done by a fellow juggling three fire torches* He starts by placing one lit fire torch on his forehead in a balance* He then juggles the three torches over the left and right shoulders, under both legs and then he showers them. A FREE H.EADSTAND is done with the sister being the bear er, and the younger_brother on top. What really got me is this is the first time I ever saw a free headstand with part- ener WITHOUT ANY HEAD GRUMF/.ET OR HEAD DOUGHNUT! They balance for well over five minutes doing the cha-cha-cha dance and then later on they light up a cigarette. They also do some ^ugp-ling and the brother on top spins some rings with his feet. A great act indeed* I am happy to say that I saw the show 3 times, Mr. Hai Ken Hsin, Captain of the team, invited me two of the times* I was talking to him in his room and I just mentioned could he perform the free headvStand also? He hopped right into it -right on the rug, no rings, *nothirig. -
May 2015 a Monthly Guide to Living in Basel
> INSIDE: YOUNG STAGE CIRCUS • BREAST CANCER SCREENING • AUGUSTA RAURICA • BASEL’S MARKETS Volume 3 Issue 8 CHF 5/€5 A Monthly Guide to Living in Basel May 2015 Basel’s Basilisk The Story Behind the Myth... LETTER FROM THE EDITOR Dear Basel Life Readers: With the temperature heating up in Basel, you may try to cool down with a sip at one of Basel’s many drinking fountains—only to notice a threatening-look- May 2015 Volume 3 Issue 8 ing bird-like creature staring down at you. In this month’s issue of Basel Life Magazine, you can learn all about these Basilisks, Basel’s mythical beasts. TABLE OF CONTENTS Culture knows no bounds this month in Basel. In addition to the usual plethora of shows and music concerts of all kinds—from jazz and blues to pop and clas- Events in Basel: May 2015 4-8 sic rock—Basel welcomes the Bildrausch Film Festival, the Videocity.ch art fair, and Fantasy Basel for fantasy freaks, digital geeks, and game addicts. Also, many of Basel’s museums will be featuring special activities and attractions in Basel Traditions: Basel’s Basilisks 9 association with International Museums’ Day, in addition to their usual wealth of permanent and temporary exhibits. Fun Outings: Beyond Basel 10-11 May also brings an abundance of attractions suitable for the whole family, from a horse-and-buggy competition and a classic car fair to various circuses, pup- pet and children’s theaters, Sunday matinées, family concerts, magic and clown Markets and Fairs 12-13 shows, family musicals, and a sheep-shearing event. -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T.