Theatre Australia Historical & Cultural Collections
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Tickets You Can Either Subscribe with a Friend Or Buy Guest Tickets for Them to Join You (They’Ll Get Your Discount Too!)
2020 WELCOME Photo: Alana Dimou THEJOAN.COM.AU 2 HOW TO SUBSCRIBE 6 PENRITH ARTS LOVER 8 SEASON AT A GLANCE 10 80S FILM FESTIVAL 12 SEASON 2020 14 – 60 KIDS & FAMILIES 20, 30, 44, 54, 58, 60 YOUNG ADULTS 26, 42 SPIEGELESQUE 14 GRACE UNDER PRESSURE 16 EASTER ORATORIO – BACH AKADEMIE AUSTRALIA 18 ANN-DROID THE WONDERFUL ADVENTURES OF A ROBOT GIRL 20 JEKYLL & HYDE 22 PLAYLIST 24 30 SOMETHING 26 MY ROBOT 28 THE SENTIMENTAL BLOKE 30 MICF ROADSHOW 32 THE SPOOKY MEN’S CHORALE 34 THE GOSPEL ACCORDING TO PAUL 36 THE MELL-O-TONES 38 THE WHARF REVUE 2020 40 LIGHTS IN THE PARK 42 BEEP 44 CARMEN 46 CONTENTS KANGAROO 48 DADS 50 30TH ANNIVERSARY CONCERT 52 LOOSE ENDS 54 LAMB 56 JUST LIVE ON STAGE! 58 EDWARD THE EMU 60 Q THEATRE 62 – 64 MORNING MELODIES 65 – 66 FOR SENIORS 67 – 68 ALSO AT THE JOAN 69 WHO WE ARE 70 IN RESIDENCE: 71 – 72 PENRITH SYMPHONY ORCHESTRA PENRITH MUSICAL COMEDY COMPANY SUPPORT US 73 ACKNOWLEDGEMENTS 74 – 76 ATTENDING THE JOAN 77 SEATING MAPS 78 SUBSCRIPTION STEPS 79 ORDER FORM 80 EASY WAYS TO BOOK 82 Penrith Performing & Visual Arts acknowledges the unique status of Aboriginal and Torres Strait Islander people as the original custodians of lands and waters, including the land and waters of Western Sydney. THEJOAN.COM.AU 4 ave your calendar handy and read through this guide. This year we’ve ordered it chronologically, so you can make it work for you: Hholidays first, shows next, everything else later. Some people like to bring friends and family together and make plans as a group, others prefer to make plans for themselves; and gifts and surprises are always good. -
2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Theatre Australia
University of Wollongong Research Online Theatre Australia 6-1980 Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Robert Page Editor Lucy Wagner Editor Follow this and additional works at: http://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert and Wagner, Lucy, (1980), Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980, Theatre Publications Ltd., New Lambton Heights, 50p. http://ro.uow.edu.au/theatreaustralia/43 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the Performing Arts 4(11) June 1980 Publisher Theatre Publications Ltd., New Lambton Heights, 50p This serial is available at Research Online: http://ro.uow.edu.au/theatreaustralia/43 Australia’s magazine of the performing arts. June 1980 $1.95* Theatre Australia Circuz Oz Colin George Departs His Majesty’s Perth Open Tasmanian Puppets Closed 1 1 1 8 1 1 : m m m S S m p ^ Pw&jfe ’S r °PERa NEIL MOORE^ Theatre Australia JUNE 1980, VOLUME 4, NO. 11. DEPARTMENTS 3/COMMENT 4/INFO 9/WHISPERS, RUMOURS AND F ACTS /Norman Kessell 45/GUIDE (THEATRE, DANCE, OPERA, CONCERTS) SPOTLIGHT 10/CIRCUS OZ/Lucy Wagner 12/COLIN GEORGE DEPARTS/J?o/i Blair 13/TASMANIAN PUPPET THEATRE/Cathryn Robinson FEATURES 14/SYDNEY DANCE COMPANY/.//// 16/HIS MAJESTY’S PERTH INTERNATIONAL 18/UK: IN FAVOUR OF THE OLD SCHOOL//rvi/i£ Wardle 19/USA: LATE OF TENNESSEE/ATar/Leve« 20/ITI FUTURE EVENTS DANCE 21/BERLIN BALLET, PRAGUE BALLET, RAYMONDA/^iV/wm Shoubridge FILM 25/BREAKER MOR ANT/Elizabeth Riddell OPERA 26/THREEPENNY OPERA AND DON GIOVANNI/DaW*/ Gyger REVIEWS 29/ACT/STRAWBERRY FIELDS, OUT AT SEA /Kyle Wilson 30/NSW/CLOUDS/Robert Page NO NAMES.. -
Strategic Plan Business Plan Action Plan Three Years 2012
Oliver! 2013. Strategic Plan Business Plan Action Plan Three Years 2012 - 2014 2nd Annual review, 31 December 2013 The Company From The President In last year’s note on this page I opined that ‘Put on The Gondoliers and they will come,’ doesn’t work any more. In other words the theatre environment today is now so fluid that the future isn’t what it used to be. Les Misérables, 2008. Last year the Board presented a strategic plan as its short-term guide to a less sure future, setting out a disciplined way of progressing over the ensuing three years. That Society History. Membership is open to any interested person and is (2013) document also showed where we were at the end of year one. The Society has seen 76 years of continuous available in ordinary, junior, life, honorary, honorary operation presenting the works of famed librettist life and patron categories. Membership stands at I am now able to present the plan as a progress report at the end of year two as part WS Gilbert and composer Arthur Sullivan whose 110 at 31 December 2013. mid-late 19th century collaboration resulted of the Board’s continuing effort to make sure the G & SS of SA continues “to do today in works that changed the nature of musical Society Management. what we must do to make sure we are here tomorrow.” - Having a sense of where we theatre. That these works stay strong, youthful The Society is managed, subject to its constitution, are going and how we may likely get there. -
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Marie Collier: a Life
Marie Collier: a life Kim Kemmis A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Department of History The University of Sydney 2018 Figure 1. Publicity photo: the housewife diva, 3 July 1965 (Alamy) i Abstract The Australian soprano Marie Collier (1927-1971) is generally remembered for two things: for her performance of the title role in Puccini’s Tosca, especially when she replaced the controversial singer Maria Callas at late notice in 1965; and her tragic death in a fall from a window at the age of forty-four. The focus on Tosca, and the mythology that has grown around the manner of her death, have obscured Collier’s considerable achievements. She sang traditional repertoire with great success in the major opera houses of Europe, North and South America and Australia, and became celebrated for her pioneering performances of twentieth-century works now regularly performed alongside the traditional canon. Collier’s experiences reveal much about post-World War II Australian identity and cultural values, about the ways in which the making of opera changed throughout the world in the 1950s and 1960s, and how women negotiated their changing status and prospects through that period. She exercised her profession in an era when the opera industry became globalised, creating and controlling an image of herself as the ‘housewife-diva’, maintaining her identity as an Australian artist on the international scene, and developing a successful career at the highest level of her artform while creating a fulfilling home life. This study considers the circumstances and mythology of Marie Collier’s death, but more importantly shows her as a woman of the mid-twentieth century navigating the professional and personal spheres to achieve her vision of a life that included art, work and family. -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
Digital Playlist
Title Artist Title Artist Boogie Wonderland- "Earth, Wind & Fire" Ironic- Alanis Morissette Does Your Mother Know- Abba Thank U Alanis Morissette Fernando- Abba UR Alanis Morissette Knowing Me Knowing You- Abba You Learn Alanis Morissette Lay All Your Love On Me- Abba You Oughta Know Alanis Morissette Mamma Mia Abba Black Velvet- Alannah Myles Money Money Money Abba Crying At The Discotheque Alcazar One Of Us Abba Wild 12 Megamix Alex K Ring Ring Abba Amazing Alex Lloyd Rock Me Abba Lucky Star Alex Lloyd S.O.S. Abba Billion Dollar Babies- Alice Cooper Take A Chance On Me Abba I'm Eighteen- Alice Cooper The Name Of The Game Abba School's Out Alice Cooper The Winner Takes It All Abba Under My Wheels Alice Cooper Voulez Vous Abba Back In My Life Alice Deejay Waterloo Abba Better Off Alone- Alice Deejay Absolutely Fabulous absolutely fabulous I Love The Nightlife- Alicia Bridges Are You Ready AC-DC Smooth Criminal Alien Ant Farm Back In Black AC-DC Smooth Criminal(v) Alien Ant Farm Fire Your Guns AC-DC Bootie Call- All Saints Giving The Dog A Bone AC-DC I Know Where It's At- All Saints Goodbye & Good Riddance To Bad Luck AC-DC Never Ever All Saints Got You By The Balls AC-DC Pure Shores All Saints Have A Drink On Me AC-DC Angel Amanda Perez Hells Bells AC-DC Vibe-Rator Amen Highway To Hell(v) AC-DC Angel In My Heart Amen vs Alex K If You Dare AC-DC I Can't Wait Amen vs Alex K Let Me Put My Love Into You AC-DC Knock On Wood- Ami Stewart Let's Make It AC-DC Baby Baby- Amy Grant Mistress For Christmas AC-DC I’m Outta Love- Anastacia Moneytalks -
JC Williamson (Opera, Comic Opera, Operetta)
AUSTRALIAN EPHEMERA COLLECTION FINDING AID J.C. WILLIAMSON OPERA, COMIC OPERA, OPERETTA PROGRAMS PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA AUGUST 2017 James Cassius Williamson was an American actor who immigrated to Australia in the 1870s. Along with business partners, such as William Musgrove, his theatre company became one of the most dominant in colonial Australia. After his death in 1913 the company, now named J.C. Williamson Ltd. continued under the direction of George Tallis and the Tait brothers (who remained involved in the company until the 1970s). J.C. Williamson continued to be one of the biggest theatre companies in Australia throughout the first three quarters of the 20th century. J.C. Williamson held the license for theatres in Melbourne, Sydney, Brisbane, Adelaide and New Zealand (at times more than one theatre in each city). In 1976 the company closed, but the name was licensed until the mid 1980s. This list includes productions of Gilbert and Sullivan operettas held in J.C. Williamson theatres, as well as those produced by J.C. Williamson and performed in other theatres under venue hire arrangements. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance staged by the J.C. Williamson company. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled.