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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
2016 MOS Program
FREE MEMBERS ONLY SCREENINGS 2016 First Wednesday of each month. These screenings are exclusively for MFS members. There is no charge to attend. Doors open at 7pm for a 7.15pm Masonic Hall, Tamarind St, Maleny start. There will be a discussion following the screening. Where possible, information on the films will be made available For more details ph: 5429 6951 prior to the screenings via email. Members are invited to bring a contribution for the supper table. All films are from the NATIONAL FILM AND SOUND ARCHIVE - www.nfsa.gov.au DATE FILM DETAILS SYNOPSIS Wednesday Casablanca Humphrey Bogart and Ingrid Bergman star in this classic romance set in 'Rick's Cafe Americain' in Morocco in 3 February 1941, when fascist forces were in charge. Cynical owner Rick Blaine's reunion with ex-lover Ilsa is blighted by English. 1942. the need for escape and a dangerous dilemma. This film has become an icon of cinema history due to its 7.15pm powerful characterisation, evocative lighting, unforgettable music and memorable dialogue. 102 min. Wednesday Dead Poet’s Society Robin Williams plays the charismatic English professor John Keating who arrives at a strict boys' boarding 2 March school where tradtion and expectations from parents run high. With his wit and wisdom, he is a breath of fresh English. 1989. air to his students (including a young Ethan Hawke), inspiring them to pursue individual passions and to make 7.15pm their lives extraordinary. Peter Weir's Dead Poets Society has touched audiences and critics alike with its 124 min. uplifting story, brilliant acting and superb craftsmanship. -
A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
Australian Radio Series
Radio Series Collection Guide1 Australian Radio Series 1930s to 1970s A guide to ScreenSound Australia’s holdings 1 Radio Series Collection Guide2 Copyright 1998 National Film and Sound Archive All rights reserved. No reproduction without permission. First published 1998 ScreenSound Australia McCoy Circuit, Acton ACT 2600 GPO Box 2002, Canberra ACT 2601 Phone (02) 6248 2000 Fax (02) 6248 2165 E-mail: [email protected] World Wide Web: http://www.screensound.gov.au ISSN: Cover design by MA@D Communication 2 Radio Series Collection Guide3 Contents Foreword i Introduction iii How to use this guide iv How to access collection material vi Radio Series listing 1 - Reference sources Index 3 Radio Series Collection Guide4 Foreword By Richard Lane* Radio serials in Australia date back to the 1930s, when Fred and Maggie Everybody, Coronets of England, The March of Time and the inimitable Yes, What? featured on wireless sets across the nation. Many of Australia’s greatest radio serials were produced during the 1940s. Among those listed in this guide are the Sunday night one-hour plays - The Lux Radio Theatre and The Macquarie Radio Theatre (becoming the Caltex Theatre after 1947); the many Jack Davey Shows, and The Bob Dyer Show; the Colgate Palmolive variety extravaganzas, headed by Calling the Stars, The Youth Show and McCackie Mansion, which starred the outrageously funny Mo (Roy Rene). Fine drama programs produced in Sydney in the 1940s included The Library of the Air and Max Afford's serial Hagen's Circus. Among the comedy programs listed from this decade are the George Wallace Shows, and Mrs 'Obbs with its hilariously garbled language. -
Picture Show Man Music Credits
Music Composed By Peter Best Music Coach and Location Casting Sandra McKenzie According to the DVD commentary, Sandra McKenzie coached the cast and singing extras in their musical performances, including, most notably, John Ewart pretending to play the piano. She also supervised the recording in the field of the musical performances seen in the film. They were recorded on location rather than in the studio, and performances were then filmed to playback, a reflection of the lack of sophistication in the industry at the time, though it also helps give the numbers a kind of raw "field" energy. Peter Best cut his feature film teeth as a composer by working with feature film producer Phillip Adams on the low budget experimental 1970 drama Jack and Jill: a postscript. Best went on score the two Barry McKenzie films. He would become one of the major contributors to the revival of screen music in Australia, with scores for films such as Muriel's Wedding, the first two Crocodile Dundees and Bliss. He has also had a successful career in the advertising game. He did several scores for Tim Burstall's films, starting with the score for Burstall's The Child episode of the four part portmanteau feature Libido, followed by Petersen and then End Play. He has a short (at time of writing) wiki here, and should not be confused with the original drummer for The Beatles. (Below: Peter Best) The song known as "Tap, Tap" sung in the film by John Ewart and John Meillon became a minor hit after its release on a 45: 45 (Stereo) Albert Productions AP-11423 1977 Also released as Albert Productions AP-720 1977 Produced by Peter Best Side A: Picture Show Man (2:45) (Peter Best) (Albert) Side B: Tap Tap (2:05) (Peter Best) (Albert) Vocals: John Meillon and John Ewart It was also published as a two page printed music score for piano by Albert Publications in 1977. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
The Australian Elizabethan Theatre Trust I PATRO HER MAJESTY the QUEEN ,/~~~~Sit° ~.-L
DEPARTMENTOF RAILWAYS,NEW SOUTHWALES Sonaething to Benaeniber A visit to the theatre is a highlight in our lives. It is a pleasant experience to remember, sometimes for many years. A Sunday one-day train tour is also something to remember. It enables you to see hundreds of miles of rural scenery under ideal conditions. The long-distance tours are made in air-conditioned expresses hauled by diesel electric locomotives. On these tours you may see Canberra in the Spring and Autumn, Goulburn at lilac time, Oran ge when the cherry blossoms are at their best, and Scone during its Floral Festival. Some tours are for longer periods--a week-end at Kosciusko and the Snowy Mountains or a week on the semi-tropical North Coast. Inquire about these special tours a/ your nearest railway station. i]Jru:a··~!..........§1 .•r--nii& ~~>~ ~ t(1 <-1 <9 0" ,..... '-< ~ > 00 ~i = ~ 'y ~ 3~l..~~~ ~ r The Australian Elizabethan Theatre Trust I PATRO HER MAJESTY THE QUEEN ,/~~~~Sit° ~.-L. PRE SIDENT ............... The Rt . Hon. Sir John Lath am, G.C.M.G., Q .C. ,__> = ffKQfft'/1 CH AIRMAN ___________ Dr. H . C. Coombs EXE CUTIVE DIRE CTOR Hu gh Hunt 1 t~j~ ~" ('t ~A:&;',._, ~ ADMI NIS TRATIVE OPF ICE R James Mills ~~1 ·0~ ~~ H ON . SEC RETARY Maurice Park er G•)WJ'), M ake your Christmas ·v· M .o,,j thing that will live gi mi so~e- ~ that will b · · · · something lh rmg happiness throughout STATE REPRESENTATIVES. e years . make a i Nicholson's- "the g,·rt fp anol from N ew South Wale s Mr. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
The Life and Times of the Remarkable Alf Pollard
1 FROM FARMBOY TO SUPERSTAR: THE LIFE AND TIMES OF THE REMARKABLE ALF POLLARD John S. Croucher B.A. (Hons) (Macq) MSc PhD (Minn) PhD (Macq) PhD (Hon) (DWU) FRSA FAustMS A dissertation submitted for the degree of Doctor of Philosophy University of Technology, Sydney Faculty of Arts and Social Sciences August 2014 2 CERTIFICATE OF ORIGINAL AUTHORSHIP I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. Signature of Student: Date: 12 August 2014 3 INTRODUCTION Alf Pollard’s contribution to the business history of Australia is as yet unwritten—both as a biography of the man himself, but also his singular, albeit often quiet, achievements. He helped to shape the business world in which he operated and, in parallel, made outstanding contributions to Australian society. Cultural deprivation theory tells us that people who are working class have themselves to blame for the failure of their children in education1 and Alf was certainly from a low socio-economic, indeed extremely poor, family. He fitted such a child to the letter, although he later turned out to be an outstanding counter-example despite having no ‘built-in’ advantage as he not been socialised in a dominant wealthy culture. -
Table of Contents
Thesis submitted for the degree of Doctor of Philosophy of the University of Canberra The Effect of Lifestyle Choices on the Physical and Mental Health of Older Australians: Successful Ageing Audrey Guy B.Sc, Dip Soc Stud, M.Ed, M.Acc, M.P.S. Submitted February 2013 i Abstract This study examines the effect of lifestyle choices on the physical and mental health of Australians in the 55+ age group and the contribution of these lifestyles to successful ageing. It uniquely uses interviews with successful older Australians to identify the ingredients that contribute to their success. It also uses data from a recognised source to provide a qualitative summary of the attributes of all older Australians on the assumption that if successful lifestyles are to be recommended then older people must be physically and mentally capable of achieving them. Australia, in common with other countries in the developed world, is facing a changing demographic. Low fertility and increases in life expectancy both contribute to an ageing population. Concern is expressed at the increase in the dependency ratio, i.e. the number of dependent people (under the age of 15 and over the age of 65) compared with the number of productive people in the workforce aged 15 – 65. In practical terms, there will be fewer taxpayers to fund increasing pension and health costs. The counter-argument that there are more people adding to the country’s social and economic capital is rarely heard. Research in ageing tends to concentrate around financial issues, using quantitative research which rarely involves older people. -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.