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Imagery of Arnhem Land Bark Paintings Informs Australian Messaging to the Post-War USA
arts Article Cultural Tourism: Imagery of Arnhem Land Bark Paintings Informs Australian Messaging to the Post-War USA Marie Geissler Faculty of Law Humanities and the Arts, University of Wollongong, Wollongong, NSW 2522, Australia; [email protected] Received: 19 February 2019; Accepted: 28 April 2019; Published: 20 May 2019 Abstract: This paper explores how the appeal of the imagery of the Arnhem Land bark painting and its powerful connection to land provided critical, though subtle messaging, during the post-war Australian government’s tourism promotions in the USA. Keywords: Aboriginal art; bark painting; Smithsonian; Baldwin Spencer; Tony Tuckson; Charles Mountford; ANTA To post-war tourist audiences in the USA, the imagery of Australian Aboriginal culture and, within this, the Arnhem Land bark painting was a subtle but persistent current in tourism promotions, which established the identity and destination appeal of Australia. This paper investigates how the Australian Government attempted to increase American tourism in Australia during the post-war period, until the early 1970s, by drawing on the appeal of the Aboriginal art imagery. This is set against a background that explores the political agendas "of the nation, with regards to developing tourism policies and its geopolitical interests with regards to the region, and its alliance with the US. One thread of this paper will review how Aboriginal art was used in Australian tourist designs, which were applied to the items used to market Australia in the US. Another will explore the early history of developing an Aboriginal art industry, which was based on the Arnhem Land bark painting, and this will set a context for understanding the medium and its deep interconnectedness to the land. -
AUSTRALIAN BIOGRAPHY a Series That Profiles Some of the Most Extraordinary Australians of Our Time
STUDY GUIDE AUSTRALIAN BIOGRAPHY A series that profiles some of the most extraordinary Australians of our time F aith Bandler 1920–2015 Civi l Rights Activist This program is an episode of Australian Biography Series 2 produced under the National Interest Program of Film Australia. This well-established series profiles some of the most extraordinary Australians of our time. Many have had a major impact on the nation’s cultural, political and social life. All are remarkable and inspiring people who have reached a stage in their lives where they can look back and reflect. Through revealing in-depth interviews, they share their stories— of beginnings and challenges, landmarks and turning points. In so doing, they provide us with an invaluable archival record and a unique perspective on the roads we, as a country, have travelled. Australian Biography: Faith Bandler Director/Producer Frank Heimans Executive Producer Ron Saunders Duration 26 minutes Year 1993 © NFSA Also in Series 2: Franco Belgiorno-Nettis, Nancy Cato, Frank Hardy, Phillip Law, Dame Roma Mitchell, Elizabeth Riddell A FILM AUSTRALIA NATIONAL INTEREST PROGRAM For more information about Film Australia’s programs, contact: National Film and Sound Archive of Australia Sales and Distribution | PO Box 397 Pyrmont NSW 2009 T +61 2 8202 0144 | F +61 2 8202 0101 E: [email protected] | www.nfsa.gov.au AUSTRALIAN BIOGRAPHY: FAITH BANDLER 2 SYNOPSIS How did the sugar industry benefit from the Islanders? What does this suggest about the relationship between labour and the success Faith Bandler is a descendant of South Sea Islanders. At the age of of industry? 13, her father was kidnapped from the island of Ambrym, in what Aside from unequal wages, what other issues of inequality arise is known as Vanuatu, and brought to Australia to work as an unpaid from the experiences of Islanders in Queensland? labourer in the Queensland cane fields. -
Chapter 9 of the Civil Law (Wrongs) Act 2002 Which Was Introduced by the Civil Law (Wrongs) Amendment Act 2005 and Commenced on 23 February 2006
PROTECTING REPUTATION DEFAMATION PRACTICE, PROCEDURE AND PRECEDENTS THE MANUAL by Peter Breen Protecting Reputation Defamation Practice, Procedure and Precedents THE MANUAL © Peter Breen 2014 Peter Breen & Associates Solicitors 164/78 William Street East Sydney NSW 2011 Tel: 0419 985 145 Fax: (02) 9331 3122 Email: [email protected] www.defamationsolicitor.com.au Contents Section 1 Introduction ............................................................................................... 1 Section 2 Current developments and recent cases ................................................. 5 Section 3 Relevant legislation and jurisdiction ..................................................... 11 3.1 Uniform Australian defamation laws since 2006 ........................................ 11 3.2 New South Wales law [Defamation Act 2005] ........................................... 11 3.3 Victoria law [Defamation Act 2005] .......................................................... 13 3.4 Queensland law [Defamation Act 2005] ..................................................... 13 3.5 Western Australia law [Defamation Act 2005] .......................................... 13 3.6 South Australia law [Defamation Act 2005] .............................................. 14 3.7 Tasmania law [Defamation Act 2005] ........................................................ 14 3.8 Northern Territory law [Defamation Act 2006] .......................................... 15 3.9 Australian Capital Territory law [Civil Law (Wrongs) Act 2002] ............. 15 3.10 -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
SEVEN WOMEN of the 1967 REFERENDUM Project For
SEVEN WOMEN OF THE 1967 REFERENDUM Project for Reconciliation Australia 2007 Dr Lenore Coltheart There are many stories worth repeating about the road to the Referendum that removed a handful of words from Australia’s Constitution in 1967. Here are the stories of seven women that tell how that road was made. INTRODUCING: SHIRLEY ANDREWS FAITH BANDLER MARY BENNETT ADA BROMHAM PEARL GIBBS OODGEROO NOONUCCAL JESSIE STREET Their stories reveal the prominence of Indigenous and non-Indigenous women around Australia in a campaign that started in kitchens and local community halls and stretched around the world. These are not stories of heroines - alongside each of those seven women were many other men and women just as closely involved. And all of those depended on hundreds of campaigners, who relied on thousands of supporters. In all, 80 000 people signed the petition that required Parliament to hold the Referendum. And on 27 May 1967, 5 183 113 Australians – 90.77% of the voters – made this the most successful Referendum in Australia’s history. These seven women would be the first to point out that it was not outstanding individuals, but everyday people working together that achieved this step to a more just Australia. Let them tell us how that happened – how they got involved, what they did, whether their hopes were realised – and why this is so important for us to know. 2 SHIRLEY ANDREWS 6 November 1915 - 15 September 2001 A dancer in the original Borovansky Ballet, a musician whose passion promoted an Australian folk music tradition, a campaigner for Aboriginal rights, and a biochemist - Shirley Andrews was a remarkable woman. -
Raising the Bar Sydney 2018 Warwick Holmes – to Infinity and Beyond
Raising the Bar Sydney 2018 Warwick Holmes – To infinity and beyond Welcome to the podcast series of "Raising the Bar Sydney." Raising the bar in 2018 saw 20 University of Sydney academics take their research out of the lecture theatre and into bars across Sydney, all on one night. In this podcast, you'll hear Warrick Holmes' talk, "To Infinity and beyond." Enjoy the talk. [ Applause ] Okay, ladies and gentlemen, thank you very much indeed for coming this evening to the University of Sydney's "Raising The Bar." The theme of my talk tonight is titled, and I've just forgotten what it is, "To Infinity and Beyond." That's right. Okay. So, tonight I'm going to be presenting to you some themes about space engineering and space science. And the relevance to Australia. And I'm going tp put this in the format of giving you some antidotes about space engineering and some of the history of engineering in Australia. Before I start, I just want to check that you've all got the right drinks, because this a bar. I understand there's some interesting space cocktails here tonight. So, I tonight have a Bailey's Comet with me, you see, Bailey's Comet. There's Pink Galactic Garbo Blasters I believe courtesy of Douglas Adams. And did you know that there was a crater on the moon called beer crater, which I just feel is appropriate somehow for tonight. So, because we're in a bar, I think the general theme I have, I'm going to ask you some questions first of all and then half an hour later you're going to ask me questions, okay. -
Bob Ellis at 70 PROFILE from the Bank to the Birdcage
20 12 HONIWeek Eleven October 17 SOIT Senate Results: Writing, women, From the Bank What Senator Pat and wowsers: to the Birdcage: means for you Bob Ellis at 70 Sydney’s drag kings CAMPUS 4 PROFILE 11 FEATURE 12 Contents This Week The Third Drawer SRC Pages 8 Sex, Messages, Reception. 19 Mason McCann roadtests the iPhone 5 The Back Page 23 Presenting the Honi Laureates Spooky Soit for 2012 10 Mariana Podesta-Diverio looks on the bright side of death Editor in Chief: Rosie Marks-Smith Editors: James Alexander, Hannah Bruce, Bebe D’Souza, 11 Profile: Bob Ellis Paul Ellis, Jack Gow, Michael Koziol, James O’Doherty, Michael Koziol talks to one of his Kira Spucys-Tahar, Richard Withers, Connie Ye heroes, Bob Ellis Reporters: Michael Coutts, Fabian Di Lizia, Eleanor Gordon-Smith, Brad Mariano, Virat Nehru, Drag Kings Sean O’Grady, Andrew Passarello, Justin Pen, 12 Lucy Watson walks the streets of Hannah Ryan, Lane Sainty, Lucy Watson, Dan Zwi Newtown to teach us about drag Contributors: Rebecca Allen, Chiarra Dee, John Gooding, kings John Harding-Easson, Joseph Istiphan, Stephanie Langridge, 11 Mason McCann, Mariana Podesta-Diverio, Ben Winsor Culture Vulture 3 Spam 14 Crossword: Paps Dr Phil wrote us a letter! Well, sort of. Where has the real Slim Shady gone? Cover: Angela ‘panz’ Padovan of Panz Photography Asks John Gooding Advertising: Amanda LeMay & Jessica Henderson [email protected] Campus 16 Tech & Online 4 Connie Ye teaches us how to dance Justin Pen runs us through social your PhD media in modern Aussie politics HONISOIT.COM News Review Action-Reaction Disclaimer: 6 17 Honi Soit is published by the Students’ Representative Council, University of Sydney, Level 1 Why are Sydney buses exploding? An open letter to the Australian Rugby Wentworth Building, City Road, University of Sydney, NSW, 2006. -
The Making of Indigenous Australian Contemporary Art
The Making of Indigenous Australian Contemporary Art The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Marie Geissler All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5546-1 ISBN (13): 978-1-5275-5546-4 Front Cover: John Mawurndjul (Kuninjku people) Born 1952, Kubukkan near Marrkolidjban, Arnhem Land, Northern Territory Namanjwarre, saltwater crocodile 1988 Earth pigments on Stringybark (Eucalyptus tetrodonta) 206.0 x 85.0 cm (irreg) Collection Art Gallery of South Australia Maude Vizard-Wholohan Art Prize Purchase Award 1988 Accession number 8812P94 © John Mawurndjul/Copyright Agency 2020 TABLE OF CONTENTS Acknowledgements .................................................................................. vii Prologue ..................................................................................................... ix Theorizing contemporary Indigenous art - post 1990 Overview ................................................................................................ -
Ii: Mary Alice Evatt, Modern Art and the National Art Gallery of New South Wales
Cultivating the Arts Page 394 CHAPTER 9 - WAGING WAR ON THE ESTABLISHMENT? II: MARY ALICE EVATT, MODERN ART AND THE NATIONAL ART GALLERY OF NEW SOUTH WALES The basic details concerning Mary Alice Evatt's patronage of modern art have been documented. While she was the first woman appointed as a member of the board of trustees of the National Art Gallery of New South Wales, the rest of her story does not immediately suggest continuity between her cultural interests and those of women who displayed neither modernist nor radical inclinations; who, for example, manned charity- style committees in the name of music or the theatre. The wife of the prominent judge and Labor politician, Bert Evatt, Mary Alice studied at the modernist Sydney Crowley-Fizelle and Melbourne Bell-Shore schools during the 1930s. Later, she studied in Paris under Andre Lhote. Her husband shared her interest in art, particularly modern art, and opened the first exhibition of the Contemporary Art Society in Melbourne 1939, and an exhibition in Sydney in the same year. His brother, Clive Evatt, as the New South Wales Minister for Education, appointed Mary Alice to the Board of Trustees in 1943. As a trustee she played a role in the selection of Dobell's portrait of Joshua Smith for the 1943 Archibald Prize. Two stories thus merge to obscure further analysis of Mary Alice Evatt's contribution to the artistic life of the two cities: the artistic confrontation between modernist and anti- modernist forces; and the political career of her husband, particularly knowledge of his later role as leader of the Labor opposition to Robert Menzies' Liberal Party. -
Annual Report 2006 Published by the Australian National University
Annual Report 2006 Published by The Australian National University Produced by Marketing and Communications Division The Australian National University Printed by University Printing Service The Australian National University ISSN 1327-7227 April 2007 FURTHER INFORMATION ABOUT ANU Detailed information about ANU is available from the University’s website: www.anu.edu.au For course and other academic information, contact: Registrar The Australian National University Canberra ACT 0200 T: +61 2 6125 3339 F: +61 2 6125 0751 For general information, contact: Director Marketing and Communications Division The Australian National University Canberra ACT 0200 T: +61 2 6125 2229 F: +61 2 6125 5568 CONTENTS ANU by 2010 6 Implementing the ANU College structure 6 Australia’s highest ranked university and among 7 the world’s best A local, national and global participant 8 Sources of income 10 Research 11 Education 14 Governance and Freedom of Information 19 Academic structure 21 Organisational chart 22 Access 25 Risk management 27 A safe and healthy place 28 The environment 29 Infrastructure 31 The Council and University Officers 32 Council and Council Committees 39 Auditor-General’s Report 41 Statement by Directors 43 Financial Statements 44 Glossary 94 FINANCIAL STATEMENTS CONTENTS 5 ANU BY 2010 In July 2006, the University Council endorsed ANU by 2010, the University’s strategic plan. It is not a traditional plan but rather about people, values and aspirations. The reputation of a university depends not on the number of its students or the splendour of its buildings, but on the quality of its members and the nature of its contribution to learning.1 ANU by 2010 is written to influence all that ANU does, and to describe what ANU will be in 2010 and beyond. -
No Place Like Home: Australian Art History and Contemporary Art at the Start of the 1970S
No place like home: Australian art history and contemporary art at the start of the 1970s Heather Barker and Charles Green This‖essay‖considers‖an‖emergent‖Australian‖art‖history’s‖dramatically‖changing‖ impact on art criticism in the late 1960s and, in turn, as a key part of a wider perspective on the intersection of contemporary art and art history in Australia from the early 1960s into the 1980s. The change in Australian art history was evident in the development of modes of professional competence modelled on formalism and a tendentious neo-Marxism in transition towards an affectless postmodernism, already strands in international art history as a discipline. So, during the period, seminal Australian art historian Bernard Smith's battle against what he saw as American cultural imperialism was well and truly lost. Young art historians writing on contemporary art from the late 1960s on, including art historians Patrick McCaughey and Terry Smith, were convinced that the centre of world art was now New York. This idea of world art did not, however, diminish the Australian preoccupation with nation, national identity and the position—and therefore the category—of Australian art.‖Rather,‖it‖was‖to‖result‖in‖key‖writings,‖from‖Terry‖Smith’s‖articles‖to‖Paul‖ Taylor’s‖postmodern‖polemics‖in‖Art and Text, all of which above all sought to locate Australian art in relation to international (which largely remained American) art. Here, we shall focus on the turn from the 1960s into the 1970s. It has been our belief, since Green wrote the conclusion -
Australian Slang Dictionaryaustralian Slang Dictionary R4.17
R4.17 AUSTRALIAN SLANG DICTIONARYAUSTRALIAN SLANG DICTIONARY R4.17 It wasn’t easy but we’ve tried to include uniquely Australian slang here and to exclude British and American slang even though these are commonly used in Australia. We see no point in informing the world that “fridge” is Australian slang for a “refrigerator”. © Koala Net 1997-2007 www.koala-net.com.au/australian-slang.htm A Ace! : Excellent! Very good! Aerial pingpong : Australian Rules football Amber fluid : beer Ambo : ambulance, ambulance driver Ankle biter : small child Apples, she’ll be : It’ll be all right Arvo : afternoon Aussie (pron. Ozzie) : Australian Aussie salute : brushing away flies with the hand Avos : avocados B B & S : Bachelors’ and Spinsters’ Ball - a very enjoyable party usually held in rural areas Back of Bourke : a very long way away Bail (somebody) up : to corner somebody physically Bail out : depart, usually angrily Banana bender : a person from Queensland Barbie : barbecue (noun) Barrack : to cheer on (football team etc.) Bastard : term of endearment Bathers : swimming costume Battler : someone working hard and only just making a living Beaut, beauty : great, fantastic Big-note oneself : brag, boast Bikkie : biscuit (also “it cost big bikkies” - it was expensive) Billabong : an ox-bow river or watering hole Billy : teapot. Container for boiling water. Bingle : motor vehicle accident Bities : biting insects Bitzer : mongrel dog (bits of this and bits of that) Bizzo : business (“mind your own bizzo”) Black Stump, beyond the : a long way away, the