Bob Ellis at 70 PROFILE from the Bank to the Birdcage
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A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
Golden Yearbook
Golden Yearbook Golden Yearbook Stories from graduates of the 1930s to the 1960s Foreword from the Vice-Chancellor and Principal ���������������������������������������������������������5 Message from the Chancellor ��������������������������������7 — Timeline of significant events at the University of Sydney �������������������������������������8 — The 1930s The Great Depression ������������������������������������������ 13 Graduates of the 1930s ���������������������������������������� 14 — The 1940s Australia at war ��������������������������������������������������� 21 Graduates of the 1940s ����������������������������������������22 — The 1950s Populate or perish ���������������������������������������������� 47 Graduates of the 1950s ����������������������������������������48 — The 1960s Activism and protest ������������������������������������������155 Graduates of the 1960s ���������������������������������������156 — What will tomorrow bring? ��������������������������������� 247 The University of Sydney today ���������������������������248 — Index ����������������������������������������������������������������250 Glossary ����������������������������������������������������������� 252 Produced by Marketing and Communications, the University of Sydney, December 2016. Disclaimer: The content of this publication includes edited versions of original contributions by University of Sydney alumni and relevant associated content produced by the University. The views and opinions expressed are those of the alumni contributors and do -
Community Engagement Delivery Plan
APPENDIX (CFO/165/07) World firefighters Games 08 Liverpool Community Engagement Delivery Plan Contents Pages Abbreviation Table 03 Introduction 04-15 Projects & Cost Table 16 Individual Project Outline 17-27 E Learning 17 Kabbadi 18 Visual Impairment Awareness 19 Local Pension Service 20 WFG Cabinet & Heritage Tour with Council Library 21 BBC Merseyside Bus 22 Public Awareness on Disabilities 23 Learning Disability Awareness 24 Toughest Young Firefighter Alive 25 Cycling & Racing Circuit 26 Ramp Up 27 Projects under establishment 28 Detailed Costing Breakdown 29-30 Objective Codes Tables 31-34 2 Abbreviation Table Merseyside Fire & Rescue Service MFRS World Firefighters Games WFG Fire & Rescue Service FRS Community Engagement Activities CEA Toughest Young Firefighter Alive TYFA Community Engagement Manager CEM Introduction - Background - Purposes of Funding and Amount - Potential Distribution of the Applying Funding - Timing for Required Funding - Benefits from WFG to Fire & Rescue Service Background Merseyside Fire & Rescue Service (MF&RS) are delighted to have the opportunity to host the World Firefighters Games in 2008 (WFG08). MFRS has a commitment to excellence and innovation in delivery of fire safety and rescue services. WFG08 represents a unique chance to provide another ground-breaking way of making the Community Stronger, Healthier and Safer. MF&RS made an application to DCLG in July 2006 for financial support for the community engagement element of WFG08. DCLG recently informed CFO 3 Tony McGuirk and WFG08 GM Dave Robinson about their willingness to offer a funding of £80K to support the above stated initiatives. However, due to the set up of financial arrangements, the date of transaction of the funding is remained unspecified. -
Icons of Catastrophe: Diagramming Blackness in Until the Quiet Comes
"U NTIL THE Q U IET C OMES” (D IREC TED BY K AHLIL J OSEPH , 2013, WHAT MATTERS MOST/P U LSE FILMS), FRAME GRAB . Kahlil Joseph’s “Until the Quiet leaning to the right, the camera Comes” is a short film about a series pans to an ambulance parked on the of miraculous and catastrophic street. It is possible the emergency Icons of events. The camera moves gracefully vehicle arrived in response to the through a dreamy Los Angeles dancer’s wounds, but now its red Catastrophe: sunset as black children play and, flashing lights illuminate the entire as if it were predestined, die. Then, neighborhood with a warning signal. without warning, bodies begin to Even as the film fades to black—the move gracefully in reverse while editing transition and color that the world around them continues has become cinema’s definitive Diagramming to move forward. Finally, in the last word—this discontinuous dramatic conclusion of the film, a narrative about black bodies remains man bleeding from bullet wounds incomplete and in suspension. Blackness in Until on the ground miraculously rises and begins to dance. He removes The central conceit of “Until the his bloodstained shirt and, evidently, Quiet Comes” is contradiction. The the Quiet Comes the finality of death. Then, he enters film subjects viewers to violence a car and drives off into the night. that is horrific yet beautifully surreal Lauren M. The film moves effortlessly between and to an unending cycle of death Cramer different settings and times, without and vibrancy. Similarly, we see giving viewers a sense of direction, blackness through the contradictory but this stunning possibility for forces that shape it, boundless change (and even reanimation) possibility and crushing confinement. -
World Firefighter Games 2008
AGENDA ITEM: 17 NORTH WALES FIRE AND RESCUE AUTHORITY 17 th March 2008 WORLD FIREFIGHTER GAMES Report by Chris Enness, Deputy Chief Fire Officer Purpose of Report 1. To inform Members of an international event happening in Merseyside with some organised activities taking place in North Wales. Information 2. This year Merseyside Fire and Rescue Service will be hosting the 10 th World Firefighter Games (WFG). Four of the WFG events will be hosted in North Wales. The events are: Event Date Venue Kayaking 26/27 August Mile End Mill, Berwyn Road, Llangollen Sea Angling 26/27 August North Wales Coast, sailing from Liverpool and Rhyl Raft Race 27 August Mile End Mill, Berwyn Road, Llangollen Mountain Biking 2nd September Coed Llandegla Forest Visitor Centre, Llandegla, Wrexham Background 3. The World Firefighters Games (WFG) was initiated by an American entrepreneur and a committee of international firefighters whose coming together led to the first WFG in Auckland, New Zealand, in 1990. This inaugural event was hailed a great success placing the WFG firmly on the international map, attracting thousands of athletes and their fans from all over the world. 4. The second WFG were held in Las Vegas in 1992 and thus the stage was set to host this event on a biennial basis. 1994 saw the ownership of the event passing to a committee of firefighters in Perth, Western Australia, who hosted a successful WFG in this same year. The Western Australia WFG Governing Body has continued to drive forward this event which has seen the mantle of the games being hosted at the following international venues: 1996 – Edmonton, Canada 1998 – Durban, South Africa 2000 – Mantes, France 2002 – Christchurch, New Zealand 2004 – Sheffield, England 2006 – Hong Kong, China 5. -
International-Multi-Sport-Games-With
INTERNATIONAL MULTI-SPORT GAMES WITH SQUASH 2018 OLYMPIC YOUTH GAMES PHOTO: AULIA DYAN PHOTO: International 2017 BOLIVARIAN GAMES 2018 ASIAN GAMES MULTI-SPORT GAMES WITH PHOTO: TONI VAN DER KREEK VAN TONI PHOTO: Squash 2018 COMMONWEALTH GAMES 2018 CENTRAL AMERICAN AND CARIBBEAN GAMES By James Zug quash has been trying to get into the Olympic Games for decades. In 1986 the effort became focused when the International Olympic Committee recognized squash and the World Squash Federation applied for inclusion in the 1992 Barcelona Games. Campaigns have occurred ever since, in particular for the Beijing 2008, London 2012 and Rio 2016, as well as for the next three upcoming Summer Games. SThe push for the Olympics, however, often overshadows squash’s inclusion in numerous other international multi-sport events, some that you might know well and others slightly more obscure. Squash will be featured this month in the quadrennial Pan Ameri- can Games in Lima, and also the Pacific Games in Samoa and the Island Games in Gibraltar. Later this year, there is the African Games in Morocco in August, and the Southeast Asian Games in Philippines and the South Asian Games in Nepal in December. Many thousands of squash players, from top PSA professionals to amateurs of all ages, play in these games, building friendships and adding to their home nation’s medal count. The exposure of squash to wider audiences is tremendous, with media attention in the host and participating nations. The facilities that get built are fabulous legacies, particularly for host cities that are slightly off the beaten squash track—for example, the courts in Cartagena that were built for the 2006 Central PHOTO: © R. -
Lauren Cramer
Lauren M. Cramer Curriculum Vitae Department of Film & Screen Studies Pace University 41 Park Row New York, New York 10038 [email protected] PROFESSIONAL EXPERIENCE Sept 2016 - Present Pace University, New York, NY Assistant Professor Film & Screen Studies EDUCATION August 2016 Georgia State University, Atlanta, GA PhD – Communication, Moving Image Studies Dissertation: “A Hip-Hop Joint: Thinking Architecturally About Blackness” Committee: Dr. Alessandra Raengo (Chair); Dr. Jennifer Barker; Dr. Angelo Restivo; Dr. Derek Conrad Murray May 2009 Emory University, Atlanta, GA M.A. – Film Studies May 2007 Villanova University, Villanova, PA B.A. – Communication, Sociology and Africana Studies RESEARCH SPECIALIZATIONS African American Popular Culture Film/Media Studies Architectural Theory/Digital Aesthetics Hip Hop Studies Blackness Visual Culture PUBLICATIONS Peer Reviewed Co-Authored with Alessandra Raengo. “Freeing Black Codes: liquid blackness Plays the Jazz Ensemble.” in "Black Code Studies,” ed. Jessica Marie Johnson and Mark Anthony Neal, special issue, The Black Scholar 47 (Summer 2017). “The Black (Universal) Archive and the Architecture of Black Cinema.” Black Camera 8, no. 1 (Fall 2016). Cramer – Curriculum Vitae 2 “Race at the Interface: Rendering Blackness on WorldStarHipHop.com.” Film Criticism 40, no. 2 (January 2016). doi:10.3998/fc.13761232.0040.205. Book Reviews Invited Review of Pulse of the People: Political Rap Music and Black Politics by Lakeyta M. Bonnette. Journal of African American History 102, (Spring 2016) – Forthcoming -
CSUSB Scholarworks Fall 1993
California State University, San Bernardino CSUSB ScholarWorks CSUSB Magazine Arthur E. Nelson University Archives 1993 Fall 1993 - 1994 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/alumni-mag Recommended Citation CSUSB, "Fall 1993 - 1994" (1993). CSUSB Magazine. 9. https://scholarworks.lib.csusb.edu/alumni-mag/9 This Book is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in CSUSB Magazine by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. dSlafle Fall 1993-94 SAN BERNARDINO NEWS FOR ALUMNI AND FRIENDS OF THE UNIVERSITY DISNEY CONSULTS CSUSB BIOLOGIST PAGE 2 PARTNERSHIP 2000 PRO' REPORT PAGE IS CALIFORNIA STATE UNIVERSITY SAN BERNARDINO OBSERVATIONS Replenishing Inventory for Scholarship Shoppers The good news is: More students CDSTATE than ever before may be eligible for fi SAN BERNARDINO nancial aid this year because of changes in CAL STATE SAN BERNARDINO state and federal regulations qualifying MAGAZINE IS PUBLISHED BY THE them for assistance. The bad news is: OFFICE OF UNIVERSITY RELATIONS There is less federal money available for AT CALIFORNIA STATE UNIVERSITY, grants and only a modest increase in SAN BERNARDINO FOR ALUMNI, state-funded assistance, so students may FRIENDS, PARENTS AND COLLEAGUES. need to take out larger loans in order to IT IS PRODUCED TRIANNUALLY AT THE complete their education. BEGINNING OF EACH ACADEMIC For some students, these trends in QUARTER IN SEPTEMBER, JANUARY college financial aid will translate into AND APRIL. THIS PUBLICATION IS $100 less in Pell Grants, which will be a PARTIALLY FUNDED WITH NON-STATE maximum of $2,300 this year. -
THE HIP HOP TURN Contemporary Art’S Love Affair with Hip Hop Culture from Manhattan to Dakar
1 Dulcie Abrahams Altass THE HIP HOP TURN Contemporary Art’s Love Affair with Hip Hop Culture from Manhattan to Dakar The Dadaist should be a man who has That” was screened at the Fondation Louis fully understood that one is entitled to Vuitton in Paris and at the Los Angeles County have ideas only if one can transform Museum of Art. Hip hop culture seems to be increasingly present in spaces for contem- them into life – the completely active porary art as key figures from both worlds type, who lives only through action, be- collaborate. Beyond the bombastic improb- cause it holds the possibility of achiev- ability and glamour of their fusion, however, ing knowledge. this recent love affair needs to be understood —Richard Huelsenbeck in a nuanced way. It would be short-sighted to ignore the threat of cultural and financial We are not the PDS, not the democrats, appropriation by a majority white art world of we are the PBS, a new party. a multi-facetted culture that was born within Black and Latino communities of the Bronx, —Positive Black Soul at a gaping distance from the white cubes of Manhattan. In 2013, superstar rapper Jay Z teamed up with performance artist Marina Abramovic to Perhaps the clue to understanding this “hip shoot his music video “Picasso Baby” at Pace hop turn” lays in the fact that more than any Gallery in New York during the run of her “The other musical form or cultural genre of the Artist is Present” retrospective at MoMA. The last century, hip hop has shattered the bar- following year artist Kara Walker guest-curat- riers between art and life, fulfilling the aspi- ed Ruffneck Constructivists at the Institute rations of twentieth century avant-gardism. -
Redwood Highway/Save the Redwoods Movement Susie Van Kirk
Humboldt State University Digital Commons @ Humboldt State University Susie Van Kirk Papers Special Collections 12-2015 Redwood Highway/Save the Redwoods Movement Susie Van Kirk Follow this and additional works at: https://digitalcommons.humboldt.edu/svk Part of the United States History Commons Recommended Citation Van Kirk, Susie, "Redwood Highway/Save the Redwoods Movement" (2015). Susie Van Kirk Papers. 25. https://digitalcommons.humboldt.edu/svk/25 This Article is brought to you for free and open access by the Special Collections at Digital Commons @ Humboldt State University. It has been accepted for inclusion in Susie Van Kirk Papers by an authorized administrator of Digital Commons @ Humboldt State University. For more information, please contact [email protected]. REDWOOD HIGHWAY/SAVE THE REDWOODS MOVEMENT Research for State Parks project August 2013-April 2014 Engbeck, Joseph H., Jr., State Parks of California. 1980. Graphic Arts Center Publishing Co., Portland. Chapter 4. Save the Redwoods! Naturalists had explored the forests of the north coast region and some, including John Mur, were especially impressed by the extraordinary stand of redwoods alongside the South Fork of the Eel River at bull Creek and the nearby Dyerville Flat. These experts agreed that the coast redwood forest was at its magnificent best far to the north of San Francisco. Some authorities went so far as to say that the Bull Creek and Dyerville Flat area supported the most impressive and spectacular forest in the whole world…. In 1916 and 1917 several developments took place that would eventually have a profound impact on the north coast redwood region in general and the Bull Creek-Dyerville Flat area in particular. -
Borsuk Spreads 150.Pdf
AFFECT & AUDIENCE TRANSLATIONAL POETICS curated by AMARANTH BORSUK with an introduction by SARAH DOWLING from a symposium at the University of Washington in January 2016 featuring JORDAN ABEL, AMY SARA CARROLL, LORI EMERSON, KARA KEELING, RODRIGO TOSCANO, & STEPHEN VOYCE with contributions from SCOTT BROWN, FRANCESCA CAPONE, MICHA CÁRDENAS, BRENT COX, LYNNARA FEATHERLY, JULIA FREEMAN, AMANDA HURTADO, CHRISTOPHER PATTON, DEBORAH POE, LISA SAMUELS, KAT SEIDEMANN, CHRISTINE SMITH, BARRETT WHITE, JANE WONG, & MAGED ZAHER #84 ESSAY PRESS LT SERIES CONTENTS In the Essay Press Listening Tour series, we have commissioned some of our favorite conveners of public discussions to curate conversation-based chapbooks. Overhearing such dialogues among poets, prose writers, critics, and artists, we hope Introduction vii to further envision how Essay can emulate by SARAH DOWLING and expand upon recent developments in trans-disciplinary small-press culture. Roundtable Conversation 5 Contributor Bios 59 Series Editors Maria Anderson Andy Fitch Ellen Fogelman Aimee Harrison Courtney Mandryk Victoria A. Sanz Travis A. Sharp Ryan Spooner Series Assistants Cristiana Baik Ryan Ikeda Christopher Liek Emily Pifer Randall Tyrone Cover Image Francesca Capone, Loom of Language Book Design Aimee Harrison INTRODUCTION —Sarah Dowling, Fall 2016 On January 29th, 2016, Amaranth Borsuk (University of Washington, Bothell), micha cárdenas (University of Washington, Bothell), Gregory Laynor (University of Washington, Seattle), Brian Reed (University of Washington, Seattle), and I convened an audience for the one- day symposium Affect & Audience in the Digital Age: Translational Poetics. Building upon a prior conference in 2013, and upon a series of performances and scholarly events during the 2014-2015 academic year, our 2016 symposium sought to investigate contemporary scholarly, aesthetic, and activist projects that engage the processes and thematics of translation. -
From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected]
Taboo: The Journal of Culture and Education Volume 16 | Issue 2 Article 4 September 2017 From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade Cienna Davis Freie Universitat, Berlin, Germany, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/taboo Recommended Citation Davis, C. (2018). From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade. Taboo: The Journal of Culture and Education, 16 (2). https://doi.org/10.31390/taboo.16.2.04 Taboo,Cienna Fall Davis 2017 7 From Colorism to Conjurings Tracing the Dust in Beyoncé’s Lemonade Cienna Davis Abstract Colorism creates relentless tension and pressure in the lives of Black women. Pop-star Beyoncé Gisele Knowles-Carter is an interesting case in the discussion of colorism because her career has expressed a rich intimacy to Southern Black cul- ture and female empowerment while also playing into tropes of the mulatta “fancy girl,” whose relative proximity to whiteness adheres social value within mainstream culture. Finding aesthetic and thematic parallels between Beyoncé’s recent project Lemonade (2016) and Julie Dash’s cult-classic film Daughters of the Dust (1991) I draw a critical connection between Yellow Mary Peazant and Beyoncé, the prodigal child and the licentious “post-racial,” pop-star to argue that while Lemonade may not present the same critique of exclusionary Black womanhood present within Daughters of the Dust, reactions to the Beyoncé’s visual album and the “Formation” music video inadvertently demonstrate the longevity of harmful colorist prejudices and the disparaging of Black female sexual and creative agency within the Black community.