UQ Leads Renewable Energy Research
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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
CSIRO Annual Report 1991 – 1992
C5 I R0 1991-1992 ANNUAL 1991'-1992 REPORT .. C~3I 8'-'1 . , C5110 ANNUAL IEPOIT CID C S I RO AUSTRALIA Photo credits: G Heath (p.45), Heide Smith (p.6), R Nethery (p.25), E Dare (p.28), J Houldsworth (p.33), M Basaglia (p.35), J Masterson (p.41, 54), D Whillas (p.44), D Malin (p.49), M Fergus (p.53), B Campbell (p.59), L Lockley (p.60), Internet (p.73), G Tidy (p.74) Published by CSIRO, Canberra ISSN 1030-4215 Printed in Australia by National Capital Printers, Canberra • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • The Hon Ross Free MP Minister for Science and Technology Parliament House CANBERRA ACT 2600 We have pleasure in submitting to you, for presentation to Parliament, the forty-fourth annual report of the Commonwealth Scientific and Industrial Research Organisation. Highlights for the year included the release of a number of cost-benefit studies showing that CSIRO delivered returns of up to $14 for evelY dollar invested in a wide range of our research. Our Strategic Plan for 1991-96 reveals how we have planned to deliver benefits to Australia in the future. The establishment of eleven more multi-Divisional programs this year will enable us to focus more effectively on important national issues by bringing teams swiftly together from across traditional scientific and administrative boundaries. We commend the Organisation's achievements to you. ;l~--- ~" Adrienne E. Clarke John W. Stocker (Chairman of the Board) (Chief Executive) November 1992 • Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Chairman's foreword 3 Appendixes Chief Executive's review 6 1. Index of compliance with About CSIRO reporting guidelines 82 Charter, functions and powers 9 2. -
A New Perspective on the Presley Legend
JULY, 1986 Vol 10 No 6 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust A New Perspective on the Presley Legend ARE YOU LONESOME TONIGHT? by Alan Bleasdale Directed by Robin Lefevre Designed by Voytek Lighting designed by John Swaine Musical direction by Frank Esler-Smith Cast: Martin Shaw, David Franklin, Peta Toppano, Marcia Hines, John Derum, Lynda Stoner, Mervyn Drake, Ron Hackett and Jennifer West Her Majesty's Theatre heap of foil-wrapped Cadillac bon A nets (or is it crushed Cadillacs) form a stage upon a stage to set the mood for ARE YOU LONESOME TONIGHT?, Alan Bleasdale's play with songs about the life and death of Elvis Presley. On the lower stage, Gracelands, the garish pink Presley mansion with its outrageous chandeliers, is portrayed. Here, on the last day of his life, is "The King", now ageing, bloated, pill-popping and wear ing a purple jumpsuit and sunglasses. He watches his old movies and fumes because one of his trusted "aides" is ex posing his secrets to a newspaperman. In a series of flashbacks, Elvis relives his earlier experiences, the death of the twin brother whom he believes was his alter ego and stronger half, the death of his mother while he was a GI in Ger many, and the adulation poured on him as the lean, sexy king of rock. HiS manager, Colonel Tom Parker, is por trayed as his manipulator, holding a Presley dummy and gloating over the Martin Shaw as the ageing Presley in ARE profits. LONESOME TONIGHT? and (inset) as himself Author Bleasdale wrote the play to achieve a personal vindication of Presley, London critics were not always kind of $9.00 per ticket). -
San-Joe Tan Barrister-At-Law
San-Joe Tan Barrister-at-Law 35 West Chambers, Level 35 Santos Place, 32 Turbot Street, Brisbane Qld 4000 07 3211 2090 [email protected] Qualifications Diploma in International Commercial Arbitration 2018 Chartered Institute of Arbitrators. Graduate Diploma in Legal Practice 2014 College of Law, Australian National University. Short Term Program in Chinese Law (non-award conferring) June – Studied at Peking University, Beijing, as part of the LLM program December 2013 covering: Chinese Civil Law, Chinese Company Law and Chinese Administrative Law. Bachelor of Laws (Honours) and Bachelor of Commerce 2008 – 2013 The University of Queensland (UQ). Class 2A Honours (LLB). Dean’s Honour Roll (BCom). Professional experience Barrister – 35 West Chambers June 2019 to Since commencing at the bar, I have developed a broad commercial present practice. Examples of my experience include: Building & construction - Acting for an electrical services contractor in an ACICA arbitration for variations and extension of time claims, which resulted in a successful outcome for the client (led by Matthew Jones). - Acting and appearing for a home owner in QCAT proceedings regarding quantum meruit and the interpretation of the Queensland Building and Construction Commission Act 1991 (Qld). - Acting for an electrical sub-contractor regarding a defective works claim in the Queensland District Court. - Acting for a civil works contractor in a substantial claim against a developer/owner of a residential sub-division for variations, delay damages and other relief. Insolvency & bankruptcy - Acting for the related party of a director in defending recovery proceedings under the Corporations Act 2001 (Cth). - Advising a liquidator regarding unpaid invoices and the interaction with the Building Industry Fairness (Security of Payment) Act 2017 (Qld). -
Brisbane Powerhouse Events Guide 02 BRISBANE POWERHOUSE BRISBANE POWERHOUSE 03
Brisbane Powerhouse Events Guide 02 BRISBANE POWERHOUSE BRISBANE POWERHOUSE 03 Brisbane Powerhouse is Queensland’s home for contemporary culture, a magnificent power station of the 1920s reborn as an arts and cultural hub on the Brisbane River. A unique venue with breathtaking river views. With over 1250 performances and events each year, we are one of the busiest arts venues in the Asia-Pacific region. Brisbane Powerhouse has an organisation-wide commitment to creators of all disciplines. We offer a year-round program featuring events across music, comedy, writers + ideas, dance, film, visual arts, digital arts, theatre and music theatre. We also open our doors to independent and emerging artists. We help create events and experiences that couldn’t exist anywhere else, including outstanding dining experiences, the adrenalin rush of a festival’s atmosphere or the joy of witnessing a great performance. Our building is the hero of our story, and its uniqueness is represented in everything our audience encounters. ROOFTOP TERRACE 132m2 RIVERBEND TERRACE 95m2 RIVER STUDIO 165m2 POWERHOUSE THEATRE 458m2 VISY THEATRE STAGE 29m2 TURBINE PLATFORM 120m2 PARK MEZZANINE 56m2 GRAFFITI ROOM 42m2 OUR SPACES PERFORMANCE LAWN 750m2 AT A GLANCE AT POWERHOUSE PLAZA 1320m2 IMAGE: STUDIO IMPRESSIONS 04 OUR VENUES ROOFTOP TERRACE 05 1 3 6 2 5 IMAGES 1, 3 + 5: STUDIO IMPRESSIONS IMAGE 2: TRENT AND JESSIE PHOTOGRAPHERS IMAGE 6: STORIES BY ASH ROOFTOP TERRACE The Rooftop Terrace boasts heritage listed like wedding receptions and cocktail parties, ROOFTOP TERRACE FLOOR SIZE 132m2 DECK 120m2 graffiti walls, bay windows and a covered the venue is sure to impress your guests. -
Speech to University of Queensland Celebration Breakfast and Affirmative Action Award
SPEECH TO UNIVERSITY OF QUEENSLAND CELEBRATION BREAKFAST AND AFFIRMATIVE ACTION AWARD UNIVERSITY STAFF AND GRADUATES CLUB, STAFF HOUSE ROAD, ST LUCIA, THURSDAY, 2 MARCH 2000, 7.00 AM. Bridges and Strategies Spanning the 20th and 21st Centuries A Personal View Congratulations to the University's Senate Standing Committee on the Status of Women and its executive body, the Office of Gender Equity, for sponsoring and organising this Breakfast and the Affirmative Action Award to recognise, publicise, promote and celebrate the advancement of women at the University of Queensland. I particularly commend the Senior Deputy Vice Chancellor and Feminist of the Decade, Professor Ted Brown, for his outstanding, long term support of the Committee, both intellectually and financially. Ted's innovative perspective has helped develop a culture here at UQ which values women and their achievements. Your vision, Ted, is worthy of my Venice Beach millennium sunglasses of which even Dame Edna would be envious! The culture which now exists for women in the University of Queensland, whilst perhaps still flawed, has vastly improved since the 70s when I was a student. My formative years were passed comfortably with TV institutions like The Wonderful World of Disney every Sunday night at 6.30 p.m., each episode set in one of four worlds Fantasyland, Adventureland, Frontierland or Tomorrowland. Forgive me whilst I reminisce and return to Disney's Frontierland and tell tall tales but true from the legendary past. When I commenced my law degree at UQ in 1972, lobbying by women law students had just resulted in the provision of the first dedicated women's toilets within the law faculty. -
Annual Report 2008
ANNUAL REPORT 2008 Communication objectives This Annual Report reviews The University of Queensland’s performance in 2008, compares it with previous years, and flags future intentions. CONTENTS It answers the interests of our diverse stakeholders by documenting our progress against the aims, aspirations and commitments stated in our five-year Strategic Plan 2008-2012. At a glance 1 The report outlines our operational and business framework, and describes the teaching and research highlights of the year. It reflects the Vice-Chancellor’s review 2 strength of our community partnerships and demonstrates our efficient stewardship of public Five years – key statistics 3 and other resources. 2008 snapshots 4 We have structured this information to serve a variety of readership styles, ranging from the Organisation 6 casual to the more exacting. The index adds to – Basis of authority 7 the Report’s usefulness as a reference document. – Lines of responsibility 8 Users of this report include members of State Parliament, members of the public, the University – Controlled entities 9 community (academics, administrators, graduates Corporate governance 11 and students), business and media communities, benefactors and others, such as Australian and – Corporate governance 11 international visitors, and prospective staff and – Senior officers 16 students. – University Senate 19 They will find the report describes a range of initiatives, achievements and future plans – Strategic direction 20 a sound basis for measuring our performance – Strategic Plan 2008-2012 -
Phillip Street Theatre
COLLECTION FINDING AID Phillip Street Theatre Performing Arts Programs and Ephemera (PROMPT) Australian ColleCtion Development The Phillip Street Theatre (sucCeeded by the Phillip Theatre) was a popular and influential commercial Sydney theatre and theatriCal Company of the 1950s and 1960s that beCame well known for its intimate satiriCal revue produCtions. William Orr was the Company’s founding DireCtor of ProduCtions, and EriC DuCkworth was General Manager. After taking over the MerCury Theatre in Phillip Street, William Orr re- opened it as the Phillip Street Theatre in 1954, presenting a series of “Phillip Street Revues” and children's musicals, including Top of the Bill and Hit and Run (both 1954), Willow Pattern Plate (1957), Cross Section (1957-58), Ride on a Broomstick (1959), Mistress Money (1960). These featured many noted Australian performers, many who later went on to beCome well known film, theatre and television personalities, inCluding Gordon Chater, Margot Lee, Barry Creyton, Jill Perryman, Noeline Brown, Robina Beard, Judi Farr, Kevin Miles, Charles "Bud" Tingwell, Ray Barrett, Ruth CraCknell, June Salter, John Meillon, Barry Humphries, Reg Livermore, Peter Phelps, and Gloria Dawn. The Phillip Street Theatre was demolished at the time of Out on a Limb with Bobby Limb and Dawn Lake in 1961, and the Company moved to the Australian Hall at 150 Elizabeth Street, near Liverpool Street. The Company's name was then shortened to the Phillip Theatre in reCognition of this move. Content Printed materials in the PROMPT ColleCtion include programs and printed ephemera such as broChures, leaflets, tiCkets, etC. Theatre programs are taken as the prime doCumentary evidenCe of a performanCe at the Phillip Street Theatre. -
Local Heritage Register
Explanatory Notes for Development Assessment Local Heritage Register Amendments to the Queensland Heritage Act 1992, Schedule 8 and 8A of the Integrated Planning Act 1997, the Integrated Planning Regulation 1998, and the Queensland Heritage Regulation 2003 became effective on 31 March 2008. All aspects of development on a Local Heritage Place in a Local Heritage Register under the Queensland Heritage Act 1992, are code assessable (unless City Plan 2000 requires impact assessment). Those code assessable applications are assessed against the Code in Schedule 2 of the Queensland Heritage Regulation 2003 and the Heritage Place Code in City Plan 2000. City Plan 2000 makes some aspects of development impact assessable on the site of a Heritage Place and a Heritage Precinct. Heritage Places and Heritage Precincts are identified in the Heritage Register of the Heritage Register Planning Scheme Policy in City Plan 2000. Those impact assessable applications are assessed under the relevant provisions of the City Plan 2000. All aspects of development on land adjoining a Heritage Place or Heritage Precinct are assessable solely under City Plan 2000. ********** For building work on a Local Heritage Place assessable against the Building Act 1975, the Local Government is a concurrence agency. ********** Amendments to the Local Heritage Register are located at the back of the Register. G:\C_P\Heritage\Legal Issues\Amendments to Heritage legislation\20080512 Draft Explanatory Document.doc LOCAL HERITAGE REGISTER (for Section 113 of the Queensland Heritage -
UQ International Undergraduate Guide 2021
SPINE International Undergraduate UQ Guide 2021 Create your future THE UNIVERSITY OF QUEENSLAND INTERNATIONAL UNDERGRADUATE UNDERGRADUATE INTERNATIONAL UQ UQ GUIDE 2021 Study enquiries Online enquiries future-students.uq.edu.au/contact-us/ international-online-enquiries Outside Australia +61 7 3067 8608 Within Australia (freecall) 1800 671 980 General office Level 2, JD Story Building The University of Queensland St Lucia Qld 4072 AUSTRALIA +61 7 3365 7941 CRICOS Provider 00025B facebook.com/uniofqld twitter.com/uq_news instagram.com/uniofqld weibo.com/myuq 昆士兰大学官微 SPINE SPINE Important dates 2021 JANUARY 1 January New Year’s Day 1 January Research Quarter 1 starts 26 January Australia Day holiday 30 January Summer Semester ends** FEBRUARY 15–19 February Orientation Week 22 February Semester 1 starts Contents MARCH 31 March Census date (Semester 1) 31 March Research Quarter 1 ends APRIL 1 April Research Quarter 2 starts Welcome to UQ 1 2 April Good Friday 5 April Easter Monday Our global reputation 2 5–11 April Mid-semester break Pioneering change 4 12 April Semester 1 resumes 25 April ANZAC Day holiday Transforming your learning 6 MAY 3 May Labour Day holiday 31 May Semester 2 application closing date* Industry relevant 8 Find 31 May–4 June Revision period A truly global network 10 JUNE 5–19 June Examination period out more 19 June Semester 1 ends Game-changing graduates 12 19 June–25 July Mid-year break 30 June Research Quarter 2 ends The perfect place to study 14 Meet us in your location JULY 1 July Research Quarter 3 starts UQ St Lucia 16 12–16 July July graduations** UQ academic and administrative staff 19–23 July Mid-year Orientation Week UQ Gatton 18 26 July Semester 2 starts often travel internationally, giving you the opportunity to meet one of our team AUGUST 9 August Royal Queensland Show holiday (Gatton) UQ Herston 19 11 August Royal Queensland Show holiday members at an event local to you. -
Melbourne Suburb of Northcote
ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers. -
UQ Law LEAD Scholarship Application Guide 2022
UQ Law LEAD Scholarship Application guide 2022 What is the LEAD Scholarship? How to apply The Leadership, Excellence and Diversity (LEAD) There are three things you will need to complete in order Scholarship supports students who have experienced for your application to be considered: educational, social and/or financial disadvantage. There 1. LEAD Scholarship application (see detailed steps on are multiple scholarships offered each year to deserving page 4) students who aspire to study an undergraduate law program at UQ. 2 QTAC application with UQ Law as first or second preference (see detailed steps on page 4) The scholarship includes: 3 Admission scheme application/s (see page 4 for $8000 per year more information). for up to five years to help with living and study expenses. Plus, there are some additional things (like providing supporting documentation) you can do to give yourself Academic mentors the best chance of being selected. Examples of other Regular check-ins with your two-person mentor documents to include are listed on page 5. team throughout the semester. Community and social support Events and activities with more than 30 other KEY DATES LEAD scholars and support from the Law life & QTAC applications open wellbeing Coordinator. July 2021: 2 August 2021: LEAD applications open Non-residential college membership 12 November 2021: LEAD applications close Optional non-residential memberships at a UQ 27 November 2021: LEAD Scholarship interviews (Round 1)* college in first-year, providing an additional 21 January 2022: LEAD Scholarship interviews (Round 2)* support network. 29 January 2022: LEAD Scholarship offers For QTAC closing and offer dates please refer to theQTAC website.