Sugar Babies - the Quintessential Burlesque Show
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
Issue 17 Ausact: the Australian Actor Training Conference 2019
www.fusion-journal.com Fusion Journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), Fusion Journal publishes refereed articles, creative works and other practice-led forms of output. Issue 17 AusAct: The Australian Actor Training Conference 2019 Editors Robert Lewis (Charles Sturt University) Dominique Sweeney (Charles Sturt University) Soseh Yekanians (Charles Sturt University) Contents Editorial: AusAct 2019 – Being Relevant .......................................................................... 1 Robert Lewis, Dominique Sweeney and Soseh Yekanians Vulnerability in a crisis: Pedagogy, critical reflection and positionality in actor training ................................................................................................................ 6 Jessica Hartley Brisbane Junior Theatre’s Abridged Method Acting System ......................................... 20 Jack Bradford Haunted by irrelevance? ................................................................................................. 39 Kim Durban Encouraging actors to see themselves as agents of change: The role of dramaturgs, critics, commentators, academics and activists in actor training in Australia .............. 49 Bree Hadley and Kathryn Kelly ISSN 2201-7208 | Published under Creative Commons License (CC BY-NC-ND 3.0) From ‘methods’ to ‘approaches’: -
Katoomba Program 2014
The Workshop Film Group presents: The 39th Residential Film Weekend October 4 – October 6, 2014 Metropole Guest House, Katoomba. Saturday 5 October 2.00 Children Of The Silk Road War drama DVD (120 Mins) 4.30 Smarts Labyrinth: A Portrait Of The Artist Jeffrey Smart Documentary DVD (57 Mins) Dinner 6pm – 8pm 8.00 Adams Rib Comedy drama DVD (103 Mins) 10.15 Nosferatu Silent horror Blu-ray (63 Mins) Sunday 6 October Breakfast 8 am – 9 am 9.00 Lonely Hearts Comedy drama DVD (95 Mins) 11.00 The Remarkable Mr Kaye Documentary DVD (50 Mins) Lunch 12.00 pm – 1.45 pm 1.45 Japanese Story Drama DVD (106 Mins) 3.45 Cosi Drama DVD (98 Mins) Dinner 6pm – 8pm 8.00 The Quiet Earth Science fiction DVD (91 Mins) 9.45 Year Of The Dogs Documentary DVD (86 Mins) Monday 7 October Breakfast 8 am – 9 am 9.00 The Peach Girl (Taohua Qi Xue Ji) Romance DVD (94 Mins) 11.00 Mohammed Alis Happy Day Feast Documentary DVD (55 Mins) Lunch 12.15 pm – 1.45 pm 1.45 Buster Keaton Collection Silent comedy VHS (55 Mins) NB. Provisional program – all the films have been booked but the order of showing may change. Mark Joffe was invited to present his film Cosi but has advised his film commitments exclude him from introducing the film. The director of Smarts Labyrinth, Geoff Bennett has been invited to introduce his documentary but has yet to confirm. Documentaries and shorts: SMARTS LABYRINTH: A PORTRAIT OF THE ARTIST JEFFREY SMART Dir: Featherstone Productions, Australia DVD 2010 57 mins, col, Cast: Jeffrey Smart. -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
The Australian Theatre Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him. -
Norman Kaye Brings “… Mastery “Norman Kaye Is “… a Fine Musician – a Absolute Attention
NormanThe Remarkable Kaye 1927-2007 HHHHH “… brilliant AFI musical Best Actor imagination” 1983 “His playing demanded “Norman Kaye brings “… mastery “Norman Kaye is “… a fine musician – a absolute attention. distinction to whatever he of an expert in organ wonderful actor, and a A great talent.” performs, in whatever medium” improvisation” playing” compassionate lover of life” Douglas Lawrence Michael Shmith David Carolane Dr AE Floyd Paul Cox It was as accompanist that Norman Kaye wove much of the musical magic for which he will long be remembered. His improvisations and varied harmonies to hymns frequently took surprising turns into ‘uncharted harmonic waters’, and the modes of his ‘return to dry land’ always gave evidence of his brilliant imagination Geoffrey Cox, organist and director of music, St Patrick’s Cathedral, Melbourne 1 Prelude (Norman Kaye) 0’56” qk O little town of Bethlehem 2 Spoken introduction (AE Floyd) 1’22” (arr. Norman Kaye) Tudor Choristers 4’26” 3 Noel (Daquin) Melbourne Town Hall 5’04” ql Postlude (Norman Kaye) 4 Scherzo (Percy Whitlock) Our Lady of Victories’ Church 1’37” Melbourne Town Hall 1’46” w0 Preludium (John Bull) 5 Melbourne Town Hall St Patrick’s Cathedral 1’01” Improvisation (Norman Kaye) 0’51” wa In Nomine (Richard Alwood) St Patrick’s Cathedral 1’34” 6 O Song of Courage (Norman Kaye) Littlejohn Chapel 1’22” ws A Duo (Richard Farnaby) St Patrick’s Cathedral 1’43” 7 A Song of Victory (Norman Kaye) Littlejohn Chapel 2’50” wd Praeludium (Giles Farnaby) St Patrick’s Cathedral 0’54” 8 Postlude, 1963 (Norman -
Cancer2ing:Maquetación 3.Qxd
J Med Mov 4 (2008): 137-140 Medicine in film stills Terminal Cancer Patients on Movie Posters (II) Technical details Title: An Act of Murder Country: USA Year: 1948 Director: Michael Gordon Music: Daniele Amfitheatrof Screenwriter: Michael Blankfort and Ernst Lothar (novel). Cast: Fredric March, Edmond O'Brien, Florence Eldridge, Geraldine Brooks, Stanley Ridges, John McIntire, Frederic Tozere, Will Wright, Virginia Brissac, Francis McDonald and Mary Servoss. Color: Black and White Runtime: 91 minutes Genre: Drama Production Companies: Universal International Pictures (UI). Comment: Catherine Cooke (Florence Eldridge) has First half of 20th century (USA) a terminal brain tumour. American poster Technical details Title: Cries and Whispers Original Title:Viskningar och rop Country: Sweden Year: 1972 Director: Ingmar Bergman Screenwriter: Ingmar Bergman Cast: Harriet Andersson, Kari Sylwan, Ingrid Thilin, Liv Ullmann, Anders Ek, Inga Gill, Erland Josephson, Henning Moritzen and Georg Årlin. Color: Color Runtime: 106 minutes Genre: Drama Production Companies: Cinematograph AB and Svenska Filminstitutet (SFI). Comment: Agnes (Harriet Andersson) dies of cervi- cal cancer. End of 19th century (Sweden) American Poster 137 © Ediciones Universidad de Salamanca J Med Mov 4 (2008): 137-140 Technical details Title: Promises in the Dark Country: USA Year: 1979 Director: Jerome Hellman Music: Leonard Rosenman Screenwriter: Loring Mandel Cast: Marsha Mason, Ned Beatty, Susan Clark, Michael Brandon, Kathleen Beller, Paul Clemens, Donald Moffat, Philip Sterling, Bonnie Bartlett, James Noble, Arthur Rosenberg and Peggy McCay. Color: Color Runtime: 118 minutes Genre: Drama Production Companies: Jerome Hellman Produc- tions and Orion Pictures Corporation. Comment: Buffy (Elizabeth) Keonig (Kathleen Beller) has terminal osteosarcoma. Filming period (USA) American poster Technical details Title: One True Thing Country: USA Year: 1998 Director: Carl Franklin Music: Cliff Eidelman Screenwriter: Karen Croner and Anna Quindlen (novel). -
Nun and Bandit Music Credits
Music Tom E. Lewis Norman Kaye Co-composer Tom E. Lewis: Lewis mixed acting with composing and performing music. Creative Spirits here, has a listing with discography, saved to WM here. Lewis also has a wiki listing here. The Guardian published this obituary by Lorena Allam here on 11th May 2018: Murrungun man, actor, singer, songwriter and larger-than-life cultural icon Balang T Lewis died suddenly overnight. Lewis, 59, was rushed to Katherine hospital. His family issued a statement on Friday morning: “It is with tremendous sadness that we confirm the sudden passing of TE Lewis late last night at his home in Katherine, Northern Territory. “Mr Lewis will be forever remembered for his compelling and enduring work on stage and screen over 40 years, as a renowned musician, and as the driving force and vision behind Djilpin Arts with his partner and his extended family of Beswick and Arnhem Land communities. He will be greatly missed. “The family of Mr Lewis ask for privacy during this time. However, in recognition of his extraordinary public life, they have agreed to the use of his image and voice.” Lewis shot to fame at a young age playing the handsome, compelling lead in Fred Schepisi’s 1978 film The Chant of Jimmie Blacksmith, and appeared in dozens of Australian films and series over his long career, including the miniseries A Town Like Alice (1981) and We of the Never Never (1985). He also appeared in John Hillcoat’s The Proposition (2005) and more recently as Tommy in Ivan Sen’s 2016 thriller, Goldstone. -
Bracken's Back - Spreading Sunshine
OCTOBER, 1987 Vol 11 No 9 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Eddie Bracken as Willie Clarke in THE SUNSHINE BOYS Bracken's back - spreading sunshine THE SUNSHINE BOYS blades (he can't hold with his shaking As well as the comedy we can always by Neil Simon hands). It is the role played by Walter expect from Neil Simon this play also Directed by Eddie Bracken Matthau in the film version of the play. has touches of pathos. It has been writ Cast includes: Eddie Bracken, Ray Eddie Bracken knew the two men ten out of love and deep affinity with Barrell, Pat McDonald and John portrayed in the play and claims never the theatrical scene and temperament. The New York Daily News said of the Orscik to have heard even a cross word pass between them. But altercations and play "another hit for Simon in this resh from his success in the lead role conflict make for interest and fun in the shrewdly balanced, splendidly per F of SUGAR BABIES which has just play. formed and rather touching slice of completed a national tour for the Trust, Ray Barrett plays Willie's partner Al showbiz life". Lewis, the role played by the-still-alive Eddie Bracken will direct and star in BOOKlNG INFORMATION THE SUNSHINE BOYS which comes after-all-these-years, George Bums. Pat McDonald will be returning to the stage Her Majesty's Theatre to Sydney's Her Majesty's Theatre next Tue Nov 24 to Sat Dec 12 month. Eddie Bracken plays Willie after five years as Aunt Fiona in TV's Mon to Sat at 8 p.m. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture. -
Oshea Sean.Pdf
sue barnett & associates SEAN O’SHEA TRAINING 1989 WAPPA 1986 Bachelor of Arts, UNSW THEATRE The Miser La Fleche/Signor Anselm Bell Shakespeare Company/ Melbourne Theatre Company Dir: Peter Evans Saint Joan Chaplain John de Stogumber Sydney Theatre Company Dir: Imara Savage Darlinghurst Nights Ken Hayes Theatre Dir: Lee Lewis Dinner Lars Sydney Theatre Company Dir: Imara Savage The Rasputin Affair Rasputin Ensemble Theatre Dir: John Sheedy A Flea in Her Ear Dr Finache/Baptistin Sydney Theatre Company Dir: Simon Phillips Tribes Christopher Ensemble Theatre Dir: Susanna Dowling Hamlet Claudius/Ghost Bell Shakespeare Company Dir: Damien Ryan Tartuffe Orgon Bell Shakespeare Company Dir: Peter Evans Rupert (US) Older Rupert Kennedy Center, Washington/ Melbourne Theatre Company Dir: Lee Lewis Rupert Older Rupert Melbourne Theatre Company Dir: Lee Lewis Henry IV Worcestor/Shallow/Traveller Bell Shakespeare Company Dir: John Bell Mariage Blanc Father Sydney Theatre Company Dir: Sarah Giles The Duchess of Malfi The Judge Bell Shakespeare Company Dir: John Bell The Libertine King Charles ll Darlinghurst Theatre Company Dir: Damien Ryan Much Ado About Nothing Don John Bell Shakespeare Company Dir: John Bell The Crucible Danforth Sydney Theatre Company Dir: Tanya Goldberg Macbeth Macbeth Bell Shakespeare Company Dir: John Bell Measure for Measure The Duke Bell Shakespeare Company Dir: John Bell Scenes from a Separation Darcy Sydney Theatre Company Dir: Robyn Nevin As You Like It Jacques Bell Shakespeare Company Dir: Lindy Davies The Cavalcaders Ted -
Languaging the Actor
LANGUAGING THE ACTOR AN EXAMINATION OF THE TERMINOLOGY USED IN ACTOR TRAINING Bernadette Anne Pryde Diploma of Teaching Graduate Diploma in Dramatic Art in Voice Studies Faculty of Creative Industries Queensland University of Technology Submitted for the award of Master of Arts (Research) 2002 FORMALIA KEYWORDS The following is a list of keywords that appear within the thesis, or are associated with the thesis topic. These keywords have been listed for cataloguing purposes. Keywords that apply to this study are: acting; actor training; Australian actor training; grounded theory; and language. i ABSTRACT Throughout the twentieth century increased interest in the training of actors resulted in the emergence of a plethora of acting theories and innovative theatrical movements in Europe, the UK and the USA. The individuals or groups involved with the formulation of these theories and movements developed specific terminologies, or languages of acting, in an attempt to clearly articulate the nature and the practice of acting according to their particular pedagogy or theatrical aesthetic. Now at the dawning of the twenty- first century, Australia boasts quite a number of schools and university courses professing to train actors. This research aims to discover the language used in actor training on the east coast of Australia today. Using interviews with staff of the National Institute of Dramatic Art, the Victorian College of the Arts, and the Queensland University of Technology as the primary source of data, a constructivist grounded theory has emerged to assess the influence of last century‟s theatrical theorists and practitioners on Australian training and to ascertain the possibility of a distinctly Australian language of acting.