LESLEY VANDERWALT Make-Up and Hair Designer
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2015 Sydney Theatre Award Nominations
2015 SYDNEY THEATRE AWARD NOMINATIONS MAINSTAGE BEST MAINSTAGE PRODUCTION Endgame (Sydney Theatre Company) Ivanov (Belvoir) The Present (Sydney Theatre Company) Suddenly Last Summer (Sydney Theatre Company) The Wizard of Oz (Belvoir) BEST DIRECTION Eamon Flack (Ivanov) Andrew Upton (Endgame) Kip Williams (Love and Information) Kip Williams (Suddenly Last Summer) BEST ACTRESS IN A LEADING ROLE Paula Arundell (The Bleeding Tree) Cate Blanchett (The Present) Jacqueline McKenzie (Orlando) Eryn Jean Norvill (Suddenly Last Summer) BEST ACTOR IN A LEADING ROLE Colin Friels (Mortido) Ewen Leslie (Ivanov) Josh McConville (Hamlet) Hugo Weaving (Endgame) BEST ACTRESS IN A SUPPORTING ROLE Blazey Best (Ivanov) Jacqueline McKenzie (The Present) Susan Prior (The Present) Helen Thomson (Ivanov) BEST ACTOR IN A SUPPORTING ROLE Matthew Backer (The Tempest) John Bell (Ivanov) John Howard (Ivanov) Barry Otto (Seventeen) BEST STAGE DESIGN Alice Babidge (Suddenly Last Summer) Marg Horwell (La Traviata) Renée Mulder (The Bleeding Tree) Nick Schlieper (Endgame) BEST COSTUME DESIGN Alice Babidge (Mother Courage and her Children) Alice Babidge (Suddenly Last Summer) Alicia Clements (After Dinner) Marg Horwell (La Traviata) BEST LIGHTING DESIGN Paul Jackson (Love and Information) Nick Schlieper (Endgame) Nick Schlieper (King Lear) Emma Valente (The Wizard of Oz) BEST SCORE OR SOUND DESIGN Stefan Gregory (Suddenly Last Summer) Max Lyandvert (Endgame) Max Lyandvert (The Wizard of Oz) The Sweats (Love and Information) INDEPENDENT BEST INDEPENDENT PRODUCTION Cock (Red -
To December 31, 2021 the Los Angeles Acting Conservatory
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution and is seeking approval for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery. -
1 BBC Four Biopics
BBC Four biopics: Lessons in Trashy Respectability The broadcast of Burton and Taylor in July 2013 marked the end of a decade- long cycle of feature-length biographical dramas transmitted on BBC Four, the niche arts and culture digital channel of the public service broadcaster. The subjects treated in these biopics were various: political figures, famous cooks, authors of popular literature, comedians and singers. The dramas focused largely on the unhappy or complex personal lives of well-loved figures of British popular culture. From the lens of the 21st century, these dramas offered an opportunity for audiences to reflect on the culture and society of the 20th century, changing television’s famous function of ‘witness’ to one of ‘having witnessed’ and/or ‘remembering’ (Ellis, 2000). The programmes function as nostalgia pieces, revisiting personalities familiar to the anticipated older audience of BBC Four, working in concert with much of the archive and factual content on the digital broadcaster’s schedules. However, by revealing apparent ‘truths’ that reconfigure the public images of the figures they narrate, these programmes also undermine nostalgic impulses, presenting conflicting interpretations of the recent past. They might equally be seen as impudent incursions onto the memory of the public figures, unnecessarily exposing the real-life subjects to censure, ridicule or ex post facto critical judgement. Made thriftily on small budgets, the films were modest and spare in visual style but were generally well received critically, usually thanks to writerly screenplays and strong central performances. The dramas became an irregular but important staple of the BBC Four schedule, furnishing the channel with some of their highest ratings in a history chequered by low audience numbers. -
March 1, 2020 (TBD by Approval) to December 31, 2021
*Catalog effective: March 1, 2020 (TBD by approval) to December 31, 2021 The Los Angeles Acting Conservatory (LAAC) is a private institution approved for operation by the Bureau of Private Postsecondary Education (BPPE). Approval to operate means the institution is compliant with the minimum standards contained in the California Private Postsecondary Education Act of 2009 (as amended) and Division 7.5 of Title 5 of the California Code of Regulations. www.bppe.ca.gov This catalog is reviewed and updated each school year. As a prospective student, you are encouraged to review this catalog prior to signing an enrollment agreement. You are also encouraged to review the School Performance Fact Sheet, which must be provided to you prior to signing an enrollment agreement. You may request a copy of the catalog and SPFS by emailing [email protected] 1 Location & Contact Info 3 History 4 Purpose 4 Mission 4 Objectives 4 Educational Programs 5 Associate Degree in Acting 5 Associate Degree in Filmmaking 16 Admission Requirements 22 Financial Aid Policy 25 Return & Cancellation Policies 26 Notice Concerning Transferability of Units Earned at Our School 28 Attendance & Scheduling Policy 29 Student Services 31 Academic & Grading Policy 33 Licensing & Approvals 37 Facility & Equipment 39 Library Resources 40 Disciplinary Policy 43 Code of Conduct 47 International Student Information 53 Faculty 57 Academic Calendar 65 2 Location & Contact Info Nestled between a café, salon, retail shops, and a popular restaurant, Edgemar Center for the Arts is the anchor of the Edgemar complex on Main Street in Santa Monica. A couple blocks away from the beach, near the 10 freeway, the Los Angeles Acting Conservatory (LAAC) is housed in its own state-of-the-art building design by renowned architect Frank Gehry, which includes two theater spaces and an art gallery. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Bofa 2018 Program
DOCUMENTARY BOFA 2O18. BRINGING GREAT STORIES TOGETHER The Tasmanian Breath of Fresh Air (BOFA) Film Choose and enjoy your favourite stories from: IF YOU ARE A TRAVELLER NOT A TOURIST, A Festival brings great stories and people together. “ DOER NOT A COUCH POTATO AND SOMEONE“ We’ve searched the world for stories that intrigue, FEATURES: Outstanding features from the world’s inspire and invite conversation. best film festivals WHO LOVES MIXING WITH PEOPLE LIKE YOU, THEN JOIN US FOR BOFA 2O18! The best of Australian and Tasmanian BOFA is about ideas and change. We’ve found films OUR STORIES: films telling our stories that question today’s world and how we, its citizens, choose to live in it. DOCUMENTARIES: Docos that will provoke, inspire and entertain. CONTACT BOFA BOFA is about personal challenge. We’ve gathered stories of the ways we test ourselves in life, in love EAT/DRINK/LIVE: From the vineyards of France to and in the wild. sustainable living in Australia. Owen Tilbury BOFA is serious about having fun. Join us at the CALL OF THE WILD: Stories of extreme adventures Festival Director, in the mountains, the sea and air Village Cinemas, in the heart of Launceston. We’re [email protected] laying out the red carpet, putting on parties every DISRUPTIVE: Tales of terrorism, social media, gender night and screening in comfortable theatres with M. 0407 501 287 identity and the future of work! the highest quality projection. 2 BOFA 1 FESTIVAL PRECINCT DRYSDALE CAMPUS DRYSDALE 2 VILLAGE CINEMAS 6 75 BRISBANE STREET MALL 163 Brisbane St, Launceston TAS 7250 BRISBANE STREET THE KINGSWAY Kingsway St, Launceston TAS 7250 STREET WELLINGTON 4 PARKING VILLAGE CINEMAS KING STREET 1 KINGSWAY FOOD OUTLETS 1 PATERSONPATTERSON STREET STREET CAR CAR PARK PARK 1 COFFEE & BURGERS 2 WELLINGTON STREET CAR PARK 2 2 EARTHY EATS SHOPS 1 3 KINGSWAY WHISKYBAR BAR 1 KATHMANDU 2 4 FOOD HALL 2 SALVOS 3 3 5 PLOUGH INN 3 MACPAC 6 PIZZA CAPERS 4 ISHKA 4 7 MAD HATTERS BP SERVICE STATION YORK STREET BOFA FILM FESTIVAL 2O18 3 DOCUMENTARY FEATURES FEATURES are supported by S. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Comedy, Tragedy, Life: an Interview with Nadia Tass and David Parker
FINN (KODI SMIT-MCPHEE) AND JACK (TOM RUSSELL) IN MATCHING JACK AN INTERVIEW WITH NADIA TASS AND DAVID PARKER TASS AND PARKER'S LATEST FILM, MATCHING JACK. SKILFULLY MINES three years ago, we were in Film Finance THE HUMAN EXPERIENCE. BRIAN MCFARLANE TALKS TO THE PAIR Corporation being assessed for this film ABOUT THE FILM, AS WELL AS DELVING INTO THE INTRICACIES OF SOME we've just done. Matching Jack. The two OF THE FILMMAKERS' EARLIER WORK. people considering this film at that time did not assess it accurately. One of them said, 'The father needs to be a nicer person.' Now, BRIAN MCFARLANE: You've been making we prefer to be going down the feature film I don't know where that person's judgement films together regularly for twenty-five route, but it's terrific when, say, Disney or was coming from and why he was sitting in years now. How difficult has it been to Warner Bros, come to Nadia saying, 'We'd that chair. His opinion was completely wrong: maintain a career like that in Australia? like you to direct this or that piece.' if we'd followed his suggestion we'd have NADIA TASS: Oh, impossible. It's the tough- NT: It's the material, too. I'd much rather do had no film. The woman assessing it also est thing. That's why we work overseas so a really good high-end television story than wanted the female lead to be a battered wife. much. We've made both features and televi- some crappy feature. -
Star-Studded Line-Up Set for the 7Th AACTA Awards Presented by Foxtel
Media Release Strictly embargoed until 12:01am Wednesday 22 November 2017 Star-studded line-up set for the 7th AACTA Awards presented by Foxtel The Australian Academy of Cinema and Television Arts (AACTA) has today announced the star-studded line- up of presenters and attendees of the 7th AACTA Awards Ceremony presented by Foxtel. Held at The Star Event Centre in Sydney on Wednesday 6 December and telecast on Channel 7, tickets are still available to enjoy a night of glamour and entertainment with the country’s biggest stars. Tickets are open to the public and industry and are selling fast. To book, visit www.aacta.org. The Ceremony will see some of Australia’s top film and television talent take to the stage to present, including: Jessica Marais, Rachel Griffiths, Bryan Brown, Charlie Pickering, Noni Hazlehurst, Shane Jacobson, Sophie Monk, Rob Collins, Samara Weaving, Daniel MacPherson, Tom Gleeson, Erik Thomson, Melina Vidler, Ryan Corr, Dan Wyllie and celebrated Indian actor and member of the Best Asian Film Grand Jury Anupam Kher. Nominees announced as presenters today include: Celia Pacquola, Pamela Rabe, Marta Dusseldorp, Stephen Curry, Emma Booth, Osamah Sami, Ewen Leslie and Sean Keenan. A number of Australia’s rising stars will also present at the AACTA Awards Ceremony, including: Angourie Rice, Nicholas Hamilton, Madeline Madden, and stars of the upcoming remake of STORM BOY, Finn Little and Morgana Davies. Last year’s Longford Lyell recipient Paul Hogan will attend the Ceremony alongside a number of this year’s nominees, including: Anthony LaPaglia, Shaynna Blaze, Luke McGregor, Don Hany, Jack Thompson, Kate McLennan, Sara West, Matt Nable, Jacqueline McKenzie and Susie Porter. -
J I N D a B Y N
A film by Ray Lawrence Laura Linney Gabriel Byrne j i n d a b y n e Canadian Distribution Mongrel Media 1028 Queen Street West Toronto, Ontario, Canada, M6J 1H6 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com Canadian Publicity Bonne Smith Star PR Tel: 416-488-4436 Fax: 416-488-8438 E-mail: [email protected] Press Book April Films Design & Artwork Halcyon Pratt Stills Photography Anthony Browell, Matt Nettheim, John Tsiavis On Set at Jindabyne Catherine Mckinnon © April Films (Jindabyne) Pty Ltd 2006 j i n d a b y n e A film by Ray Lawrence 4 SYNOPSIS Synopsis On an annual fishing trip, in isolated all of this which disturbs her deeply. high country, Stewart, Carl, Rocco and Stewart is not convinced that he has Billy (‘the Kid’) find a girl’s body in the done anything wrong. Claire’s faith in river. It’s too late in the day for them to her relationship with her husband is hike back to the road and report their shaken to the core. tragic find. Next morning, instead of making the long trek back, they spend The fishermen, their wives and their the day fishing. Their decision to stay on children are suddenly haunted by their at the river is a little mysterious—almost own bad spirits. As public opinion builds as if the place itself is exerting some against the actions of the men, their kind of magic over them. certainty about themselves and the deci- sion they made at the river is challenged. -
Shine Tail Credits
With thanks to David and Gillian Helfgott for their assistance and co-operation in the making of this film Cast (in order of appearance) David as an adult Geoffrey Rush Tony Justin Braine Sylvia Sonia Todd Sam Chris Haywood David as a child Alex Rafalowicz Eisteddfod Presenter Gordon Poole Peter Armin Mueller-Stahl Ben Rosen Nicholas Bell Suzie as a child Danielle Cox Margaret Rebecca Gooden Rachel Marta Kaczmarek Jim Minogue John Cousins David as an adolescent Noah Taylor State Champion Announcer Paul Linkson Isaac Stern Randall Berger Boy Next Door Ian Welbourn Louise as a baby Kelly Bottrill Rabbi Beverley Vaughan Synagogue Secretary Phyllis Burford Society Hostess Daphne Grey Soviet Society Secretary Edwin Hodgeman Katharine Susannah Prichard Googie Withers Sonia Maria Dafnero Postman Reis Porter Roger Woodward (younger) Stephen Sheehan Announcer Brenton Whittle Suzie as a teenager Marianna Doherty Louse as a child Camilla James Cecil Parkes John Gielgud Viney David King Registrar Danny Davies Sarah Helen Dowell Muriel Louise Dorling Student Sean Carlsen Ashley Richard Hansell Robert Robert Hands Ray Marc Warren RCOM Conductor Neil Thomson Suzie as an adult Joey Kennedy Nurse Ellen Cressey Beryl Alcott Beverley Dunn Bar Customer Andy Seymour Gillian Lynn Redgrave Jessica Ella Scott Lynch Rowan Jethro Heysen-Hicks Roger Woodward (older) John Martin Celebrant Bill Boyley Opera singers Teresa La Rocca Lindsey Day Grant Doyle Musicians Leah Jennings Kathy Monaghan Mark Lawrence Gordon Coombes Luke Dollman Margaret Stone Tom Carrig Helen Ayres Vocalists Suzi Jarratt Samantha McDonald Hand double for Noah Taylor Martin Cousin Hand double for Alex Rafalowicz Simon Tedeschi Hand double for Geoffrey Rush Himself Standin for Sir John Gielgud Ronald Markham (UK) Standin for Mr. -
Sugar Babies - the Quintessential Burlesque Show
SEPTEMBER,1986 Vol 10 No 8 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust Sugar Babies - The Quintessential Burlesque Show personality and his own jokes. Not all the companies, however, lived up to the audience's expectations; the comedians were not always brilliant and witty, the girls weren't always beautiful. This proved to be Ralph Allen's inspiration for SUGAR BABIES. "During the course of my research, one question kept recurring. Why not create a quintessen tial Burlesque Show out of authentic materials - a show of shows as I have played it so often in the theatre of my mind? After all, in a theatre of the mind, nothing ever disappoints. " After running for seven years in America - both in New York and on tour - the Australian Elizabethan Theatre Trust will mount SUGAR BABIES in Australia, opening in Sydney at Her Majesty's Theatre on October 30. In February it will move to Melbourne and other cities, including Adelaide, Perth and Auckland. The tour is expected to last about 39 weeks. Eddie Bracken, who is coming from the USA to star in the role of 1st comic in SUGAR BABIES, received rave reviews from critics in the USA. "Bracken, with his rolling eyes, rubber face and delightful slow burns, is the consummate performer, " said Jim Arpy in the Quad City Times. Since his debut in 1931 on Broadway, Bracken has appeared in Sugar Babies from the original New York production countless movies and stage shows. Garry McDonald will bring back to life one of Harry Rigby, happened to be at the con Australia's greatest comics by playing his SUGAR BABIES, conceived by role as "Mo" (Roy Rene).