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German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
1970'S GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ___
1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ____________________________________________________________________________________________________________________ 1971 Fremantle Ruddygore Verdon Williams John Milson Geoffry Binckes Town Hall (Musical) Michael Rogers Reg Warwicker Gerald Chrystal Kevin Roach Kaye Wilson Valerie Melrose Maureen Hawke Terry Burridge Karen Harwood ____________________________________________________________________________________________________________________ 1972 ? Utopia Limited Graham Wood John Milson Ron Harwood or The Flowers (Musical) Gerald Chrystal of Progress Serge Tampalini Kaye Wilson Valerie Melrose Martin Clare Clive Griffiths Malcolm Pratt Reg Warwicker Con de Vos Alfred Mountier ____________________________________________________________________________________________________________________ PR12202 1 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals June 1974 Fremantle The Sorcerer Graham Wood Anthony Howes Ronald Harwood Town Hall (Musical) Bruce Mackintosh Gregory Yurisich Rowland Lyne Reginald Warwicker Valerie Melrose Elaine Flint Sandra Devenish Terry Johnson ____________________________________________________________________________________________________________________ 11 – 20 Sept His Majesty’s The Pirates of Ian Westrip John Milson Alfred Mountier 1975 Theatre Penzance (Musical) Kaye Wilson Kevin Terry & Ron Harwood Gerald Chrystal Max Page Joe McGrandle Terry -
Theatre Australia Historical & Cultural Collections
University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T. -
Collection Name
Programmes, visiting artists and companies Ephemera PR8492/1870-1899 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1970 Mar 13 His Majesty's "Canterbury Tales" Peter Narroway Sammy Bayes Aztec Services Max Obistan 1 Theatre Chaucer Pty Ltd Johnny Lockwood Evelyn Page ____________________________________________________________________________________________________________________ June 1 His Majesty's "The Georgian Nina Ramishvili Iliko Sukhishvili Edgley & Dawe The Company 1 Theatre State Dance Pty Ltd Company" ____________________________________________________________________________________________________________________ June 11 His Majesty's Anything to Edgley & Dawe The Company 0 Theatre Declare? Pty ____________________________________________________________________________________________________________________ June ? His Majesty's "Joy of Spain" Pila de Oro Alfredo Gil Edgley & Dawe Diana Marquez 0 Theatre Pty Ltd Luis Reda Carmelo Montero ____________________________________________________________________________________________________________________ June 26 His Majesty's "Plaza Suite" J.C.Williamson Googie Withers 0 Theatre John McCallum Theatres Pty Alfred Sandor Ltd ____________________________________________________________________________________________________________________ Sept 4 His Majesty's "Don Quixote" Dame Peggy Sir Robert Edgley & Dawe Marilyn Jones 1 PR8492/1970-1979 Page 1 of 33 Copyright SLWA ©2011 -
Voice Syllabus / 2012 Edition
74058_MDP_SyllabusCovers_RELEASE2_Layout 1 13-02-06 11:14 AM Page 56 74058_MDP_SyllabusCovers_RELEASE2_LayoutVoice 1 13-02-06 11:14 AM Page 56 VoiceSYLLABUS EDITION SYLLABUS EDITION S35_Voice Syllabus_2016.indd 2 2016-10-17 4:12 PM Contents Message from the President . 5 Register for an Examination Examination Sessions and Registration Deadlines . 106 Getting Started Online Registration . 106 What’s New . 6 Examination Fees . 106 Contact Us . 6 Examination Centers . 106 Examination Scheduling . 106 About Us The Royal Conservatory . 7 Examination Regulations The Royal Conservatory Examinations and Examination Procedures . 107 The Achievement Program . 7 Credits and Refunds for Missed Examinations . 107 The College of Examiners . 7 Candidates with Special Needs . 108 Examinations Offered . 7 Examination Results . 108 Notable Alumni . 8 Tables of Marks . 109 Strengthening Canadian Society Since 1886 . 8 Supplemental Examinations . 110 Musicianship Examinations . 111 Quick Reference— Practical Examination Certifi cates . 111 Examination Requirements Second ARCT Diplomas . 111 School Credits . 111 Certifi cate Program Overview . 9 Medals . 111 Theory Examinations . 10 RESPs . 112 Co-requisites and Prerequisites . 11 Editions . 112 Examination Repertoire . 12 Substitutions . 113 Technical Requirements . 15 Abbreviations . 114 Ear Tests and Sight Singing . 15 Thematic Catalogs . 115 International Phonetic Alphabet (IPA) Symbols . 16 Resources Grade-by-Grade Requirements General Resources . 117 Preparatory . 17 General Reference Works . 118 Grade 1 . 18 Voice Resources . 118 Grade 2 . 21 Grade 3 . 24 Grade 4 . 28 Frequently Asked Questions Grade 5 . 32 Practical Examinations . 122 Grade 6 . 37 Theory Co-requisites . 123 Grade 7 . 42 Grade 8 . 49 Practical Examination Day Grade 9 . 58 Checklist for Candidates Grade 10 . 70 Before you Leave Home . -
The Gondoliers Or the King of Barataria
THE GILBERT & SULLIVAN SOCIETY OF SOUTH AUSTRALIA PRESENTS The Gondoliers or The King of Barataria Libretto: W S Gilbert Music: A S Sullivan DIRECTOR: BARBARA TURNER MUSICAL DIRECTOR: IAN BOATH 22-26 MAY 2007 THE UNION HALL ADELAIDE Please note: The use of cameras and audiovisual equipment is strictly prohibited in this theatre. Offenders may be asked to leave the theatre or their cameras may be removed for the duration of the performance. Mobile Phones must be turned off for the duration of the performance. BARBARA TURNER – DIRECTOR Barbara has been part of the Adelaide scene in music and drama for fifty years. Training at the Elder Conservatorium, she has tackled, during her career, everything from opera, musical comedy, oratorio, plays and the concert platform, with considerable success. She was in the original cast of Co-Opera and was a member of the ABC Adelaide Singers. She has written, directed and performed in many melodramas and has just retired as a conductor of chamber and a cappella choirs with young voices, winning many first prizes in Eisteddfods. She has been teaching voice for many years. Barbara has been performing the contralto and mezzo roles in G & S Operettas throughout her career, has played the Duchess many times as well as the role of Tessa. She has been part of the Gilbert and Sullivan Society since 1976 and is an Honorary Life Member. Her most recent role for the Society was as Lady Angela (Patience) in 2006. In May 2003 she directed The Mikado for the Society. IAN BOATH – MUSICAL DIRECTOR Ian is a freelance composer, arranger and conductor He is currently undertaking a Research Higher Degree in Australian Cultural Studies. -
The Pirates of Penzance - Return Sydney Season
DEC/ JAN, 1985/ 6 Vol 9 No 11 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust The Pirates Of Penzance - Return Sydney Season THE PIRATES OF PENZANCE by ollowing an Australia-wide tour the to the irreverent send-up as originally en Gilbert and Sullivan FVictoria State Opera/ Australian Eliza visaged by Gilbert and Sullivan who were Reproduced by Craig Schaefer after the bethan Theatre Trust co-production of the Monty Python of their day. In addi New York Shakespeare Festival produc THE PIRATES OF PENZANCE returns tion, the music, while faithful to the tion to Sydney in January and will play in the original tunes, is presented in a modern Cast: Jon English, Simon Gallaher, June Lyric Theatre, Entertainment Centre. This style, complete with synthesisers. " Bronhill, Dennis Olsen, Rosemary Boyle venue will give the scope to present the Jon English, Simon Gallaher and June and Tim Tyler production on a much larger scale than Bronhill will return with the production. Lyric Theatre, Entertainment Centre was possible within the limited staging They will be joined by Dennis Olsen as the facilities of the Regent Theatre. Major General, Tim Tyler as the Police "It was such a joyous romp it won cheers Sergeant and Rosemary Boyle as Mabel. The Australian production of THE Prime seats have been held for and a thunderous standing ovation . PIRATES OF PENZANCE is based on bursts with outrageous fun, often pure Members for the matinee and evening per the New York Shakespeare Festival's pro formances on Saturday, January 4 and the slapstick but done with such speed and duction which was first performed in Cen vigor that audience laughter is almost non Monday and Tuesday evening perfor tral Park four years ago with Kevin Kline mances on January 6 and 7. -
Trust News October/November 1994 Volume 94- 6
TRUST NEWS OCTOBER/NOVEMBER 1994 VOLUME 94- 6 . LEVEL 4,124 PHILLlP STREET, SYDNEY 2000IIII TEL 231-0699 . PO Box 845 K1 cs CRoss 2011 . PRIVILEGE BOOKING SERVICE EYE GS Telephone Carol Martin for her usual expert and personal service I THIS ISSUE ALO on the Trust's number (02) 23 1 0699 Show Trust Total Member's Savings TP Price Price Di scount (2 tkts) GP General Public Price Turandot $26.20 $52.40 Bl ood Brothers $8.20 $16.40 $3.00 Handling Fee per ticket (Pensioner and Student tickets). Oscar's Turn $3.00 For all other tickets $35.00 and under. to Sing $8.00 $16.00 $4.00 For all other tickets over $35.00. Jesus Christ Superstar $7.20 $ 14.40 FORTHCOMING PRODUCTIONS One Small Step $4.00 $8.00 Amadeus $6.20 $12.40 HELLO DOLLY (Book by Michael Stewart). Hello Dolly $10.00 $20.00 Music and Lyrics by Jerry Herman. Siberia $8.00 $ 16.00 Her Majesty's Theatre, Quay Street, Railway Square. Showboat Dinner Starring Jill Perriman, Warren Mitchell, Jackie Love, Jeremy Cruise $18.00 36.00 Cinemas: Stanford, Josephine Mitchell and John Bowles Hoyts $ 2.50 $ 5.00 You are invited to share in the glitter, fun and romance of thi s Village $ 2.50 $ 5.00 spectacular musical; and fall in love - as Horace does with Dolly, an Greater Union $ 2.50 $ 5.00 iITesistable spirit who's happily match-making romances for everyone but herself. Dolly does eventually find her own match - but not $206.60 Why pay the full price for theatre and before Jerry Herman's brilliant songs have brought laughter and ci11e111a tickets, ll'hen you can be a tears along th e way.Playing from Thursday April 13th, 1995 for JO Tmst member and be eligible for these weeks onl y. -
16 Brisbane Season
78 Montague Road Telephone: 07 3010 7600 Facsimile: 07 3010 7699 South Brisbane PO Box 3310 South Brisbane BC Email: [email protected] ABN 27 822 967 021 Queensland 4101 Website: www.qldtheatreco.com.au Report of Queensland Theatre Company To Anna Bligh MP Premier of Queensland Minister for the Arts Dear Minister The Members of the Board of Queensland Theatre Company have the honour to present to you their 40th report, in respect of the period 1 January 2008 to 31 December 2008. 30 March 2009 Dr Kate Foy Chair The Annual Report is available from the Office of Queensland Theatre Company, 78 Montague Road, South Brisbane and www.qldtheatreco.com.au Vision We aim to be one of the great theatre companies of the world Purpose Be living proof that theatre matters Values We value our team that: • acknowledges our people as our greatest asset • is committed to innovation and flexibility • encourages respect and trust • is supportive • values individual differences • allows time for reflection and celebration • exceeds our customers’ expectations and provides exceptional service Goals We will create: • great work • highly skilled theatre practitioners • larger audience numbers • a financially strong company • a great place to work 2 A n n u a l R e p o r t Contents Company Profile ...................................................................................................................................................... 4 Functions of the Company ...................................................................................................................................... -
Bliss in Edinburgh Robert Mitchell Provides an Insider’S Account of Opera Australia’S Recent Triumph at the Edinburgh Festival
ON STAGE The Summer 2011 newsletter of Vol.12 No.1 Bliss in Edinburgh Robert Mitchell provides an insider’s account of Opera Australia’s recent triumph at the Edinburgh Festival. buzz went around Opera Although OA’s productions now appear in 1994, and My Fair Lady visited New Australia when it was announced overseas regularly, this was only the fourth Zealand in 2009.) Athat the company had been time in more than 30 years that the Although rumours had been circulating invited to the 2010 Edinburgh International company’s artists would also travel with a for months that the tour was happening, it Arts Festival. The opera: Bliss, the hot-off-the- production. (Rigoletto and Jenufa toured New was not until the party after the 12 March press piece adapted from Peter Carey’s 1981 Zealand in 1976, Britten’s A Midsummer world première in Sydney that Jonathan novel by Brett Dean and Amanda Holden. Night’s Dream went to the Edinburgh Festival Mills, artistic director of the festival, * confirmed that, subject to signing off on the By mid-April the funding was in place Adelaide, and the QPAC Theatre, Brisbane. the star, seven of his colleagues and the lion. retained, the refurbishment by the Millburn over by the Mecca Bingo organisation. The funding, the rumours would turn into reality. (including a generous contribution from the Then the surprise: walking onto the set, Fortunately there was a fire curtain and the brothers reduced the theatre from four to seating was removed from the stalls and it The logistics (and ergo costs) of touring Victorian government, thanks to Edinburgh with the house curtain out, there in all its audience and auditorium were spared. -
PROMPT): JC Williamson (Gilbert & Sullivan Progarms
AUSTRALIAN EPHEMERA COLLECTION FINDING AID J.C. WILLIAMSON GILBERT & SULLIVAN PROGRAMS PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 James Cassius Williamson was an American actor who immigrated to Australia in the 1870s. Along with business partners, such as William Musgrove, his theatre company became one of the most dominant in colonial Australia. After his death in 1913 the company, now named J.C. Williamson Ltd. continued under the direction of George Tallis and the Tait brothers (who remained involved in the company until the 1970s). J.C. Williamson continued to be one of the biggest theatre companies in Australia throughout the first three quarters of the 20th century. J.C. Williamson held the license for theatres in Melbourne, Sydney, Brisbane, Adelaide and New Zealand (at times more than one theatre in each city). In 1976 the company closed, but the name was licensed until the mid 1980s. This list includes productions of Gilbert and Sullivan operettas held in J.C. Williamson theatres, as well as those produced by J.C. Williamson and performed in other theatres under venue hire arrangements. CONTENT Printed materials in the PROMPT collection include programs and printed ephemera such as brochures, leaflets, tickets, etc. Theatre programs are taken as the prime documentary evidence of a performance staged by the J.C. Williamson company. In a few cases however, the only evidence of a performance is a piece of printed ephemera. In these cases the type of piece is identified, eg, brochure. The list is based on imperfect holdings and is updated as gaps in the Library’s holdings for these artists are filled. -
Stars Come out for the Palais
ON STAGE The Summer 2008 newsletter of Vol.9 No.1 Stars come out for the Palais atchdog group for the St Kilda their plan was announced. around one million dollars has already triangle development, unChain UnChain St Kilda is a diverse group been pledged. WSt Kilda, has come to the aid of campaigning for an urgent rethink of the Each donor has already picked out their the Palais Theatre, and is recruiting stage, overall development of what is known as favourite seat and if each seat was sold in screen and rock stars into the action. the St Kilda triangle. this way the result would be $13.5 million Actor Rachel Griffiths, a St Kilda native Already the group Human Nature, with which to refurbish the heritage theatre. now resident in Los Angeles, and her performers Bruce Springsteen, Shannon Noll, By doing so, unChain St Kilda says, the mother Anna Griffiths, unChain St Kilda’s David Campbell, and Rachel Griffiths pressure to pay for renovations will be taken spokeswoman, have hit on the idea of herself, have promised their financial support, off the St Kilda triangle developers, Citta raising money to restore the theatre by selling unChain St Kilda reports. Promoter Paul Properties, obviating the need for around its 2700 seats at $5000 each. They led a Dainty has confirmed that the Rolling 180 shops, pubs and nightclubs in the * rally at the theatre on 28 December when Stones would add their support. A total of Twin icons: The Palais Theatre, St Kilda, with its neighbour, Luna Park. (Picture: Frank Van Straten) development and thereby reducing the need for an over-sized project to pay for it.