1970'S GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ___

Total Page:16

File Type:pdf, Size:1020Kb

1970'S GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ___ 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ____________________________________________________________________________________________________________________ 1971 Fremantle Ruddygore Verdon Williams John Milson Geoffry Binckes Town Hall (Musical) Michael Rogers Reg Warwicker Gerald Chrystal Kevin Roach Kaye Wilson Valerie Melrose Maureen Hawke Terry Burridge Karen Harwood ____________________________________________________________________________________________________________________ 1972 ? Utopia Limited Graham Wood John Milson Ron Harwood or The Flowers (Musical) Gerald Chrystal of Progress Serge Tampalini Kaye Wilson Valerie Melrose Martin Clare Clive Griffiths Malcolm Pratt Reg Warwicker Con de Vos Alfred Mountier ____________________________________________________________________________________________________________________ PR12202 1 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals June 1974 Fremantle The Sorcerer Graham Wood Anthony Howes Ronald Harwood Town Hall (Musical) Bruce Mackintosh Gregory Yurisich Rowland Lyne Reginald Warwicker Valerie Melrose Elaine Flint Sandra Devenish Terry Johnson ____________________________________________________________________________________________________________________ 11 – 20 Sept His Majesty’s The Pirates of Ian Westrip John Milson Alfred Mountier 1975 Theatre Penzance (Musical) Kaye Wilson Kevin Terry & Ron Harwood Gerald Chrystal Max Page Joe McGrandle Terry Johnson Trial by Jury …………………. Gerald Jones David Osborne Martin Clare Kevin Roach Frances Moncrieff Valerie Melrose ____________________________________________________________________________________________________________________ PR12202 2 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals 19 - 18 Sept His Majesty’s Iolanthe Ian Westrip John Milson Barry Preece 1976 Theatre (Musical) John Little Reg Warwicker John Bailey Bruce Mackintosh Valerie Melrose Jean Callaghan Vivian Menzies Anne Watson Karen Harwood Terry Johnson ____________________________________________________________________________________________________________________ May 1977 The Entertainment The Mikado Alan Abbott Brian Crossley June Bronhill Centre Dennis Olsen ____________________________________________________________________________________________________________________ 28 July - Playhouse Offenbach’s RSVP Ian Westrip John Milson Ron Harwood 6 Aug (Musical) Roslyn Collins 1977 Roland McCallum James Malcolm & Robert Miller Alan Beckwith Anne Watson Robert van Mackelenberg PR12202 3 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals HMS Pinafore …………… Barry Preece Roland McCallum Bruce Mackintosh Desmond Lukey John Bailey Robert Miller Terry Johnson June Holmes Anne Watson 1978 ? The Gondoliers Alan Abbott Betty Pounder Peter Pratt (Musical) Bruce Mackintosh Gerald Chrystal Daphne Harris Louetta Farrar June Bronhill Terry Johnson Carla Jones Miriam Bottomley Donna Stone ____________________________________________________________________________________________________________________ 24 Aug - Playhouse Patience Peter Bandy John Milson Desmond Lukey 2 Sept (Musical) David Holmes 1978 Reg Warwicker PR12202 4 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals Barry Preece Chris Waddell Roland McCallum Jean Callaghan Donna Stone June Holmes Anne Watson Terry Johnson ____________________________________________________________________________________________________________________ 1979 Playhouse Ruddygore Peter Bandy Raymond Omodei Chris Waddell June – July (Musical) Terry Johnson Des Lukey Anne Watson Reg Warwicker Valerie Melrose Kevin Roach Bill Coackley Susan Donnelly Pauline Rock ____________________________________________________________________________________________________________________ PR12202 5 2021 .
Recommended publications
  • Strategic Plan Business Plan Action Plan Three Years 2012
    Oliver! 2013. Strategic Plan Business Plan Action Plan Three Years 2012 - 2014 2nd Annual review, 31 December 2013 The Company From The President In last year’s note on this page I opined that ‘Put on The Gondoliers and they will come,’ doesn’t work any more. In other words the theatre environment today is now so fluid that the future isn’t what it used to be. Les Misérables, 2008. Last year the Board presented a strategic plan as its short-term guide to a less sure future, setting out a disciplined way of progressing over the ensuing three years. That Society History. Membership is open to any interested person and is (2013) document also showed where we were at the end of year one. The Society has seen 76 years of continuous available in ordinary, junior, life, honorary, honorary operation presenting the works of famed librettist life and patron categories. Membership stands at I am now able to present the plan as a progress report at the end of year two as part WS Gilbert and composer Arthur Sullivan whose 110 at 31 December 2013. mid-late 19th century collaboration resulted of the Board’s continuing effort to make sure the G & SS of SA continues “to do today in works that changed the nature of musical Society Management. what we must do to make sure we are here tomorrow.” - Having a sense of where we theatre. That these works stay strong, youthful The Society is managed, subject to its constitution, are going and how we may likely get there.
    [Show full text]
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
    Hifi StereoReview SEPTEMBER 1966 60 CENTS GREAT AMERICAN COMPOSERS SERIES: CARL RUGGLES HOW TO INSTALL A STEREO TEST SWITCH THE ART OF BEL CANTO * HOW MUCH SHOULD A RECORD COST? 4,z, 3 3 4 it's/Wit/OW 01 cE 99L0 because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM -stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE NO. 24 ON READER SERVICE CARD OVERSEAS AND CANADIAN RESIDENTS PLEASE WRITETO TIMER RADIO I IONAL. INC., LONG ISLAND CITY, N.Y. 1 r PLACE 40 STAMP HERE At Fisher we don't equate performance with size. Every Fisher stereo system must be capable of producing °- FISHER RADIO CORPORATION 11-35 45th Road sound as big as the music. Long Island City, N. Y. 11101 Without compromise. And every time you turn it on. IN The Fisher baby grand is J the most recent proof of this. We call it our baby grand How to get big sound out ofasmall Fisher: N theRemarkable-howTurntable soundRemarkable, ofreproduces the most too-how a stereo magnificentthat recordarecord Garrard without capturesperformance. Automatic a hint dynamicallyofIntegralmeaningful distortion.Technically-this cueing; featuresbalanced, adjustable introducedis counterweightdue antito certain -skating by Garrard.
    [Show full text]
  • Theatre Australia Historical & Cultural Collections
    University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T.
    [Show full text]
  • Gilbert and Sullivan Highlights from the Mikado and Patience Mp3, Flac, Wma
    Gilbert And Sullivan Highlights From The Mikado And Patience mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Highlights From The Mikado And Patience Country: US Style: Opera MP3 version RAR size: 1628 mb FLAC version RAR size: 1118 mb WMA version RAR size: 1159 mb Rating: 4.7 Votes: 379 Other Formats: RA AAC VQF MP2 WMA MP4 APE Tracklist A Highlights From The Mikado B Highlights From Patience Credits Conductor – Isidore Godfrey Liner Notes – Robert Boas Orchestra – The New Promenade Orchestra Vocals – The D'Oyly Carte Opera Company* Vocals [D'oyly Carte Opera Company] – Alan Styler, Ann Drummond-Grant, Darrell Fancourt, Ella Halman, Joan Gillingham, Joyce Wright , Leonard Osborn, Margaret Mitchell , Martyn Green, Muriel Harding, Neville Griffiths, Peter Pratt, Richard Watson , Yvonne Dean Written-By – Gilbert And Sullivan* Notes On Labels: Made in England Sleeve printed in U.S.A. Other versions Category Artist Title (Format) Label Category Country Year Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera New Promenade Company* With The London 5087 Orchestra Conducted By 5087 Canada Unknown New Promenade Records Isidore Godfrey - Orchestra Highlights From The Conducted By Mikado And Patience Isidore Godfrey (LP, Album) Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera London New Promenade 5087, Company* With The Records, 5087, Orchestra Conducted By US Unknown X.5087 New Promenade London X.5087 Isidore Godfrey
    [Show full text]
  • Decca Discography
    DECCA DISCOGRAPHY >>2 GREAT BRITAIN: ffrr, 1944-57 In a business where exclusive contracts were the norm, it was very difficult for a newcomer to become established and Decca’s initial roster of classical artists was unable to compete with established rivals. In March 1932 an agreement with Polydor provided access to a substantial catalogue of German artists and a year later the company virtually abandoned classical recording to concentrate on dance bands. The move to Thames Street Studios provided more scope for orchestral sessions and a bold policy of recording contemporary British music enhanced the label’s reputation. The newly formed Boyd Neel Orchestra was signed up in 1934, followed by the Griller String Quartet in 1935, Clifford Curzon in 1937, Peter Pears in 1944, Kathleen Ferrier in 1946 and Julius Katchen in 1947. War broke the link with Polydor, leaving Decca with a respectable catalogue of chamber music, but little symphonic repertoire. Armed with ffrr technology, the company began to remedy this in 1944, engaging Sidney Beer’s National Symphony Orchestra until 1947 and the misleadingly named New Symphony Orchestra (it had made its first recordings in 1909) from 1948. Neither developed into a house band to rival EMI’s Philharmonia and, with the Royal Philharmonic also exclusive to EMI, Decca had to resort to the LSO and the LPO, both in rather run-down condition in the post-war years. Meanwhile every opportunity was taken to impress visiting continental orchestras with ffrr sessions and it was evident that the company intended to transfer much of its symphonic work to Paris, Amsterdam, Geneva and Vienna as soon as practicable.
    [Show full text]
  • High-Fidelity-1987-0
    S311V3 is03 iS030IA 3N111 LB6l VS1105'15 CSES vim oianv o3ain 1531 11210d321 )iinw 1W aNn aaino Lspivno s Hamvacisano, SalVS SINVOS 9 [OH MaN &ft. 9NR1301SNO3 -0111011/111S, 11110S SlUtION11.1MOH MOH alnoHs 11 4a.aNnos -qum LW LS313 31110631NOH Are ivaloia aNnowns Id EIOSS3D0 any 00( ONI10e11:1111S S0301A - Arr. iPlt ,igaRik$10,1N- V0,404 &SHIA MOO, .LV s.aaN 300Z-CiAlf r kiOSS33014c1 i .1 IN) L ,714:0 IMO+ - r -N 19025 PA -ESHERD! DR JEFFREY 3337 C;) HASTINGS P D MR N In YL c0 HIF JEF98 13337 2HST4 OCT90 16 7JEF451 #25333 CO 19025 #131Cninmx>m5-DIPCT NotEvolutionary The C-90 Pioneer's Revolutionary C -90/M-90Preamp readies you for the video revo- Elite High -Fidelity Components. lution, with six video inputs, a built-in AucLophiles, take note: The preamp and ampli-video enhancer, and two -buss switching fier you've been waiting for are finally here. (separate"Record" and"View" selectors). The IntrodLcing the Pioneer Elite Hi-Fi C -9C C -90's unique system remote -control unit Preamp and M-90 Power Amplifier. Together, features volume adjustment, input source they combine the finest in both audio and selection, and control of audio and video video to retrieve every detail and nuance foundinput devices such as Pioneer's"SK compat- in in. cher:shed records, tapes, compact discs.ible VCRs, CDs, LaserVision players and LaserVision' discs and other software. Imaginecassette decks. a so-andstage spread throughout your entire The M-90 is a superb high -power stereo liste:-.ing room! Stunning, transparent, three- amplifier, utilizing dual -mono construction.
    [Show full text]
  • Collection Name
    Programmes, visiting artists and companies Ephemera PR8492/1870-1899 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1970 Mar 13 His Majesty's "Canterbury Tales" Peter Narroway Sammy Bayes Aztec Services Max Obistan 1 Theatre Chaucer Pty Ltd Johnny Lockwood Evelyn Page ____________________________________________________________________________________________________________________ June 1 His Majesty's "The Georgian Nina Ramishvili Iliko Sukhishvili Edgley & Dawe The Company 1 Theatre State Dance Pty Ltd Company" ____________________________________________________________________________________________________________________ June 11 His Majesty's Anything to Edgley & Dawe The Company 0 Theatre Declare? Pty ____________________________________________________________________________________________________________________ June ? His Majesty's "Joy of Spain" Pila de Oro Alfredo Gil Edgley & Dawe Diana Marquez 0 Theatre Pty Ltd Luis Reda Carmelo Montero ____________________________________________________________________________________________________________________ June 26 His Majesty's "Plaza Suite" J.C.Williamson Googie Withers 0 Theatre John McCallum Theatres Pty Alfred Sandor Ltd ____________________________________________________________________________________________________________________ Sept 4 His Majesty's "Don Quixote" Dame Peggy Sir Robert Edgley & Dawe Marilyn Jones 1 PR8492/1970-1979 Page 1 of 33 Copyright SLWA ©2011
    [Show full text]
  • Voice Syllabus / 2012 Edition
    74058_MDP_SyllabusCovers_RELEASE2_Layout 1 13-02-06 11:14 AM Page 56 74058_MDP_SyllabusCovers_RELEASE2_LayoutVoice 1 13-02-06 11:14 AM Page 56 VoiceSYLLABUS EDITION SYLLABUS EDITION S35_Voice Syllabus_2016.indd 2 2016-10-17 4:12 PM Contents Message from the President . 5 Register for an Examination Examination Sessions and Registration Deadlines . 106 Getting Started Online Registration . 106 What’s New . 6 Examination Fees . 106 Contact Us . 6 Examination Centers . 106 Examination Scheduling . 106 About Us The Royal Conservatory . 7 Examination Regulations The Royal Conservatory Examinations and Examination Procedures . 107 The Achievement Program . 7 Credits and Refunds for Missed Examinations . 107 The College of Examiners . 7 Candidates with Special Needs . 108 Examinations Offered . 7 Examination Results . 108 Notable Alumni . 8 Tables of Marks . 109 Strengthening Canadian Society Since 1886 . 8 Supplemental Examinations . 110 Musicianship Examinations . 111 Quick Reference— Practical Examination Certifi cates . 111 Examination Requirements Second ARCT Diplomas . 111 School Credits . 111 Certifi cate Program Overview . 9 Medals . 111 Theory Examinations . 10 RESPs . 112 Co-requisites and Prerequisites . 11 Editions . 112 Examination Repertoire . 12 Substitutions . 113 Technical Requirements . 15 Abbreviations . 114 Ear Tests and Sight Singing . 15 Thematic Catalogs . 115 International Phonetic Alphabet (IPA) Symbols . 16 Resources Grade-by-Grade Requirements General Resources . 117 Preparatory . 17 General Reference Works . 118 Grade 1 . 18 Voice Resources . 118 Grade 2 . 21 Grade 3 . 24 Grade 4 . 28 Frequently Asked Questions Grade 5 . 32 Practical Examinations . 122 Grade 6 . 37 Theory Co-requisites . 123 Grade 7 . 42 Grade 8 . 49 Practical Examination Day Grade 9 . 58 Checklist for Candidates Grade 10 . 70 Before you Leave Home .
    [Show full text]
  • The Gondoliers Or the King of Barataria
    THE GILBERT & SULLIVAN SOCIETY OF SOUTH AUSTRALIA PRESENTS The Gondoliers or The King of Barataria Libretto: W S Gilbert Music: A S Sullivan DIRECTOR: BARBARA TURNER MUSICAL DIRECTOR: IAN BOATH 22-26 MAY 2007 THE UNION HALL ADELAIDE Please note: The use of cameras and audiovisual equipment is strictly prohibited in this theatre. Offenders may be asked to leave the theatre or their cameras may be removed for the duration of the performance. Mobile Phones must be turned off for the duration of the performance. BARBARA TURNER – DIRECTOR Barbara has been part of the Adelaide scene in music and drama for fifty years. Training at the Elder Conservatorium, she has tackled, during her career, everything from opera, musical comedy, oratorio, plays and the concert platform, with considerable success. She was in the original cast of Co-Opera and was a member of the ABC Adelaide Singers. She has written, directed and performed in many melodramas and has just retired as a conductor of chamber and a cappella choirs with young voices, winning many first prizes in Eisteddfods. She has been teaching voice for many years. Barbara has been performing the contralto and mezzo roles in G & S Operettas throughout her career, has played the Duchess many times as well as the role of Tessa. She has been part of the Gilbert and Sullivan Society since 1976 and is an Honorary Life Member. Her most recent role for the Society was as Lady Angela (Patience) in 2006. In May 2003 she directed The Mikado for the Society. IAN BOATH – MUSICAL DIRECTOR Ian is a freelance composer, arranger and conductor He is currently undertaking a Research Higher Degree in Australian Cultural Studies.
    [Show full text]
  • The Pirates of Penzance - Return Sydney Season
    DEC/ JAN, 1985/ 6 Vol 9 No 11 ISSN 0314 - 0598 A publication of the Australian Elizabethan Theatre Trust The Pirates Of Penzance - Return Sydney Season THE PIRATES OF PENZANCE by ollowing an Australia-wide tour the to the irreverent send-up as originally en­ Gilbert and Sullivan FVictoria State Opera/ Australian Eliza­ visaged by Gilbert and Sullivan who were Reproduced by Craig Schaefer after the bethan Theatre Trust co-production of the Monty Python of their day. In addi­ New York Shakespeare Festival produc­ THE PIRATES OF PENZANCE returns tion, the music, while faithful to the tion to Sydney in January and will play in the original tunes, is presented in a modern Cast: Jon English, Simon Gallaher, June Lyric Theatre, Entertainment Centre. This style, complete with synthesisers. " Bronhill, Dennis Olsen, Rosemary Boyle venue will give the scope to present the Jon English, Simon Gallaher and June and Tim Tyler production on a much larger scale than Bronhill will return with the production. Lyric Theatre, Entertainment Centre was possible within the limited staging They will be joined by Dennis Olsen as the facilities of the Regent Theatre. Major General, Tim Tyler as the Police "It was such a joyous romp it won cheers Sergeant and Rosemary Boyle as Mabel. The Australian production of THE Prime seats have been held for and a thunderous standing ovation . PIRATES OF PENZANCE is based on bursts with outrageous fun, often pure Members for the matinee and evening per­ the New York Shakespeare Festival's pro­ formances on Saturday, January 4 and the slapstick but done with such speed and duction which was first performed in Cen­ vigor that audience laughter is almost non­ Monday and Tuesday evening perfor­ tral Park four years ago with Kevin Kline mances on January 6 and 7.
    [Show full text]
  • Trust News October/November 1994 Volume 94- 6
    TRUST NEWS OCTOBER/NOVEMBER 1994 VOLUME 94- 6 . LEVEL 4,124 PHILLlP STREET, SYDNEY 2000IIII TEL 231-0699 . PO Box 845 K1 cs CRoss 2011 . PRIVILEGE BOOKING SERVICE EYE GS Telephone Carol Martin for her usual expert and personal service I THIS ISSUE ALO on the Trust's number (02) 23 1 0699 Show Trust Total Member's Savings TP Price Price Di scount (2 tkts) GP General Public Price Turandot $26.20 $52.40 Bl ood Brothers $8.20 $16.40 $3.00 Handling Fee per ticket (Pensioner and Student tickets). Oscar's Turn $3.00 For all other tickets $35.00 and under. to Sing $8.00 $16.00 $4.00 For all other tickets over $35.00. Jesus Christ Superstar $7.20 $ 14.40 FORTHCOMING PRODUCTIONS One Small Step $4.00 $8.00 Amadeus $6.20 $12.40 HELLO DOLLY (Book by Michael Stewart). Hello Dolly $10.00 $20.00 Music and Lyrics by Jerry Herman. Siberia $8.00 $ 16.00 Her Majesty's Theatre, Quay Street, Railway Square. Showboat Dinner Starring Jill Perriman, Warren Mitchell, Jackie Love, Jeremy Cruise $18.00 36.00 Cinemas: Stanford, Josephine Mitchell and John Bowles Hoyts $ 2.50 $ 5.00 You are invited to share in the glitter, fun and romance of thi s Village $ 2.50 $ 5.00 spectacular musical; and fall in love - as Horace does with Dolly, an Greater Union $ 2.50 $ 5.00 iITesistable spirit who's happily match-making romances for everyone but herself. Dolly does eventually find her own match - but not $206.60 Why pay the full price for theatre and before Jerry Herman's brilliant songs have brought laughter and ci11e111a tickets, ll'hen you can be a tears along th e way.Playing from Thursday April 13th, 1995 for JO Tmst member and be eligible for these weeks onl y.
    [Show full text]