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Programmes, Visiting Artists and Companies Ephemera PR8492/1950-1959 to View Items in the Ephemera Collection, Contact the State Library of Western Australia
Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D 1950 January Marquee Puss in Boots Bruce Carroll Bruce Carroll Eric Maxon 0 Theatre Edgar Rogers Noreen Rogers ____________________________________________________________________________________________________________________ April 10 His Majesty's "Annie Get Leo Packer Carl Randall J.C.Williamson Victor Carell 1 Theatre Your Gun" Theatres Ltd Wendy Selover Irving Berlin Wilfred Stevens ____________________________________________________________________________________________________________________ May 25 His Majesty's The Mikado Leo Packer Anna Bethell J.C.Williamson Jon Dean 1 Theatre Gilbert & Theatres Ltd Richard Walker Sullivan Leslie Rands Ivan Menzies Bernard Manning Muriel Howard Marjorie Eyre Nancy Rasmussen Evelyn Gardiner Richard Bengar ____________________________________________________________________________________________________________________ June 3 His Majesty's Pirates of Leo Packer Anna Bethell J.C.Williamson John Dean 2 Theatre Penzance & Theatres Ltd Helen Roberts Trial by Jury Evelyn Gardiner PR8492/1950-1959 Page 1 of 40 Copyright SLWA ©2011 Programmes, visiting artists and companies Ephemera PR8492/1950-1959 To view items in the Ephemera collection, contact the State Library of Western Australia Date Venue Title Author Director Producer Agent Principals D Gilbert & Sullivan Leslie Rands Richard -
L DTAT Alexandra Theatre, Hull Programmes and Playbills 26 Dec 1902-1937
Hull History Centre: Alexandra Theatre, Hull Programmes and Playbills L DTAT Alexandra Theatre, Hull Programmes and Playbills 26 Dec 1902-1937 Historical Background: The Alexandra Theatre opened in 1902 on the corner of George Street and Charlotte Street. It was owned by William Morton and designed by T Guest. A brick corner-tower was its main feature. The theatre was refurbished in 1930 but then destroyed by heavy bombing in 1941. Extent: 43 items Related material: Plans of the Alexandra Theatre can be found at C TAB/CB3 Access conditions: Access will be granted to any accredited reader L DTAT/1 Alexandra Theatre, Hull, Programmes 26 Dec 1902- 42 items 1937 L DTAT/1/1 The Original Royal Divorce Company, Princess Dec 1902- Theatre, London presents ''A Royal Divorce.'' Jan 1903 Performers: Miss Edith Cole, Frederick Moyes, William Dexter, Charles A. Doran, Herbert H. Young, Mr H.P. Owen This is a photocopy, the original programme at L DTAT/1/1a is not fit for production. 1 item L DTAT/1/1a The Original Royal Divorce Company, Princess Dec 1902- Theatre, London presents ''A Royal Divorce.'' Jan 1903 Performers: Miss Edith Cole, Frederick Moyes, William Dexter, Charles A. Doran, Herbert H. Young, Mr H.P. Owen Original programme. Not fit for production. See L DTAT/1/1 for photocopy. 1 item L DTAT/1/2 Walter Howard presents ''The Story of the 17 Nov 1917 Rosary.'' Performers: Alfred Farrell, Charles Calvert, Reginald Hancock, Sidney A. Monckton, Christopher Hodge, Frank Stevens, Anne Crankshaw, Robert Monteigle, Cyril Harcourt, April Merle, Esme Lewis and Vera French 1 item L DTAT/1/3 A list of performances for the week - Romeo & 8 Jan 1923 Juliet, Aida, Il Trovatore, Maritana, Lohengrin, Carmen. -
Auditions for the Gondoliers by Gilbert and Sullivan
Auditions for The Gondoliers by Gilbert and Sullivan The performances of this fully staged production will take place in The Wilde Theatre, South Hill Park Arts Centre, Bracknell, RG12 4PA, on 19 and 20 June 2015, at 7.30pm, and a Matinee on 20 June at 2.30pm with full dress rehearsals on 17 and 18 June. Rehearsals will take place on Tuesday and/or Thursday evenings, and some Sunday afternoons. Auditions will take place on Saturday 14 February 2015 from 11am to 3.00pm in the Recital Room at South Hill Park. As well as the musical audition, you will be asked to read a piece of libretto. The full libretto may be downloaded from our website www.parkopera.org.uk If you have any queries please contact: Musical Director Francis Griffin T: 07801 387340 E: [email protected] Producer John Aldis T: 07980 609406 E: [email protected] Secretary Sue Mainwaring T: 07968 197154 E: [email protected] Music references are from the Chappell score: Character Voice Act, No Music Duke Baritone I,3 60-62, 1st verse Luiz Tenor/Baritone I,5 68-69 Don Alhambra Bass Baritone II,6 166-170, two verses, end on Their various opinions Marco Tenor II,3 143-145, one verse Giuseppe Baritone II,2 138-142, one verse Antonio Baritone I,1 19-22, one verse Francesco Tenor I,1 16-19 as per part Giorgio Bass I,1 16-19 as per part Duchess Contralto II,9 187-190, one verse Casilda Soprano I,5 70-71 Gianetta Soprano I,10 96-97 Tessa Mezzo I,9 89-92, end on nothing's wrong Fiametta Soprano I,1 12-14, start at Two there are end at p14 only two Vittoria Mezzo I,1 16-19 as per part Giulia Mezzo I,1 16-19 as per part Inez Alto II,12 214-215 Pieces of libretto: Character Libretto Duke pp 38-39 Ah! Their Majesties…….. -
The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
The Gondoliers Program 2017
Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. -
Princess Ida; Or, Castle Adamant [Comic Opera, in Three Acts; Text By
Princess Ida; or, Castle Adamant [Comic opera, in three acts; text by Gilbert. First produced at the Savoy Theatre, London, January 5, 1884.] PERSONAGES. King Hildebrand. Hilarion, his son. Cyril, } Florian, } Hilarion's friends. King Gama. Avac, } Guron, } Scynthius, } Gama's sons. Princess Ida, Gama's daughter. Lady Blanche, Professor of Abstract Science. Lady Psyche, Professor of Humanities. Melissa, Lady Blanche's daughter. Sacharissa, } Chloe, } Ada, } girl graduates. [Soldiers, courtiers, girl graduates, "daughters of the plough," etc.] The scene is laid at King Hildebrand's palace and Castle Adamant; time, the present. "Princess Ida" is the least effective of the Sullivan operas. Its libretto is also the least effective of the Gilbert stories set to the former's music. At the time it was written the composer was depressed by a severe family affliction, and at the same time had met the misfortune of losing all his savings through the failure of those to whom he had intrusted them. It may have been also that the labored and heavy style of the story had something to do with the dry and somewhat forced style of the music, as well as its lack of the brightness and fancy which are so apparent in "Pinafore" and "Patience." The first act opens at King Hildebrand's palace, where the courtiers are watching for the arrival of King Gama and his daughter, the Princess Ida, who has been promised in marriage to Hilarion, Hildebrand's son. When Gama finally comes, Ida is not with him, and he explains to the enraged Hildebrand that she is at Castle Adamant, one of his country houses, where she is president of a woman's university. -
I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James -
Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with Date and Length of Original London Run • Thespis 1871 (63)
Sinfonicron Light Opera presents Ruddigore, or The Witch’s Curse January 23-26, 2020 Kimball Theatre Osher Lifelong Learning Institute November 15, 2019 Ken Krantz [email protected] Phi Mu Alpha Sinfonia + Delta Omicron = Sinfonicron G&S Works, with date and length of original London run • Thespis 1871 (63) • Trial by Jury 1875 (131) • The Sorcerer 1877 (178) • HMS Pinafore 1878 (571) • The Pirates of Penzance 1879 (363) • Patience 1881 (578) • Iolanthe 1882 (398) G&S Works, Continued • Princess Ida 1884 (246) • The Mikado 1885 (672) • Ruddigore 1887 (288) • The Yeomen of the Guard 1888 (423) • The Gondoliers 1889 (554) • Utopia, Limited 1893 (245) • The Grand Duke 1896 (123) Elements of Gilbert’s stagecraft • Topsy-Turvydom (a/k/a Gilbertian logic) • Firm directorial control • The typical issue: Who will marry the soprano? • The typical competition: tenor vs. patter baritone • The Lozenge Plot • Literal lozenge: Used in The Sorcerer and never again • Virtual Lozenge: Used almost constantly Ruddigore: A “problem” opera • The horror show plot • The original spelling of the title: “Ruddygore” • Whatever opera followed The Mikado was likely to suffer by comparison Ruddigore Time: Early 19th Century Place: Cornwall, England Act 1: The village of Rederring Act 2: The picture gallery of Ruddigore Castle, one week later Ruddigore Dramatis Personae Mortals: •Sir Ruthven Murgatroyd, Baronet, disguised as Robin Oakapple (Patter Baritone) •Richard Dauntless, his foster brother, a sailor (Tenor) •Sir Despard Murgatroyd, Sir Ruthven’s younger brother -
Class, Respectability and the D'oyly Carte Opera Company 1877-1909
THE UNIVERSITY OF WINCHESTER Faculty of Arts ‘Respectable Capers’ – Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron Doctor of Philosophy June 2014 The Thesis has been completed as a requirement for a postgraduate research Degree of the University of Winchester The word count is: 98,856 (including abstract and declarations.) THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS ‘Respectable Capers’: Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron This thesis will demonstrate ways in which late Victorian social and cultural attitudes influenced the development and work of the D’Oyly Carte Opera Company, and the early professional production and performance of the Gilbert and Sullivan operas. The underlying enquiry concerns the extent to which the D’Oyly Carte Opera organisation and its work relate to an ideology, or collective mentalité, maintained and advocated by the Victorian middle- classes. The thesis will argue that a need to reflect bourgeois notions of respectability, status and gender influenced the practices of a theatrical organisation whose success depended on making large-scale musical theatre palatable to ‘respectable’ Victorians. It will examine ways in which managerial regulation of employees was imposed to contribute to both a brand image and a commercial product which matched the ethical values and tastes of the target audience. The establishment of a company performance style will be shown to have evolved from behavioural practices derived from the absorption and representation of shared cultural outlooks. The working lives and professional preoccupations of authors, managers and performers will be investigated to demonstrate how the attitudes and working lives of Savoy personnel exemplified concerns typical to many West End theatre practitioners of the period, such as the drive towards social acceptability and the recognition of theatre work as a valid professional pursuit, particularly for women. -
Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
Hifi StereoReview SEPTEMBER 1966 60 CENTS GREAT AMERICAN COMPOSERS SERIES: CARL RUGGLES HOW TO INSTALL A STEREO TEST SWITCH THE ART OF BEL CANTO * HOW MUCH SHOULD A RECORD COST? 4,z, 3 3 4 it's/Wit/OW 01 cE 99L0 because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM -stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE NO. 24 ON READER SERVICE CARD OVERSEAS AND CANADIAN RESIDENTS PLEASE WRITETO TIMER RADIO I IONAL. INC., LONG ISLAND CITY, N.Y. 1 r PLACE 40 STAMP HERE At Fisher we don't equate performance with size. Every Fisher stereo system must be capable of producing °- FISHER RADIO CORPORATION 11-35 45th Road sound as big as the music. Long Island City, N. Y. 11101 Without compromise. And every time you turn it on. IN The Fisher baby grand is J the most recent proof of this. We call it our baby grand How to get big sound out ofasmall Fisher: N theRemarkable-howTurntable soundRemarkable, ofreproduces the most too-how a stereo magnificentthat recordarecord Garrard without capturesperformance. Automatic a hint dynamicallyofIntegralmeaningful distortion.Technically-this cueing; featuresbalanced, adjustable introducedis counterweightdue antito certain -skating by Garrard. -
1970'S GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ___
1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ____________________________________________________________________________________________________________________ 1971 Fremantle Ruddygore Verdon Williams John Milson Geoffry Binckes Town Hall (Musical) Michael Rogers Reg Warwicker Gerald Chrystal Kevin Roach Kaye Wilson Valerie Melrose Maureen Hawke Terry Burridge Karen Harwood ____________________________________________________________________________________________________________________ 1972 ? Utopia Limited Graham Wood John Milson Ron Harwood or The Flowers (Musical) Gerald Chrystal of Progress Serge Tampalini Kaye Wilson Valerie Melrose Martin Clare Clive Griffiths Malcolm Pratt Reg Warwicker Con de Vos Alfred Mountier ____________________________________________________________________________________________________________________ PR12202 1 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals June 1974 Fremantle The Sorcerer Graham Wood Anthony Howes Ronald Harwood Town Hall (Musical) Bruce Mackintosh Gregory Yurisich Rowland Lyne Reginald Warwicker Valerie Melrose Elaine Flint Sandra Devenish Terry Johnson ____________________________________________________________________________________________________________________ 11 – 20 Sept His Majesty’s The Pirates of Ian Westrip John Milson Alfred Mountier 1975 Theatre Penzance (Musical) Kaye Wilson Kevin Terry & Ron Harwood Gerald Chrystal Max Page Joe McGrandle Terry -
Gilbert and Sullivan Highlights from the Mikado and Patience Mp3, Flac, Wma
Gilbert And Sullivan Highlights From The Mikado And Patience mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Highlights From The Mikado And Patience Country: US Style: Opera MP3 version RAR size: 1628 mb FLAC version RAR size: 1118 mb WMA version RAR size: 1159 mb Rating: 4.7 Votes: 379 Other Formats: RA AAC VQF MP2 WMA MP4 APE Tracklist A Highlights From The Mikado B Highlights From Patience Credits Conductor – Isidore Godfrey Liner Notes – Robert Boas Orchestra – The New Promenade Orchestra Vocals – The D'Oyly Carte Opera Company* Vocals [D'oyly Carte Opera Company] – Alan Styler, Ann Drummond-Grant, Darrell Fancourt, Ella Halman, Joan Gillingham, Joyce Wright , Leonard Osborn, Margaret Mitchell , Martyn Green, Muriel Harding, Neville Griffiths, Peter Pratt, Richard Watson , Yvonne Dean Written-By – Gilbert And Sullivan* Notes On Labels: Made in England Sleeve printed in U.S.A. Other versions Category Artist Title (Format) Label Category Country Year Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera New Promenade Company* With The London 5087 Orchestra Conducted By 5087 Canada Unknown New Promenade Records Isidore Godfrey - Orchestra Highlights From The Conducted By Mikado And Patience Isidore Godfrey (LP, Album) Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera London New Promenade 5087, Company* With The Records, 5087, Orchestra Conducted By US Unknown X.5087 New Promenade London X.5087 Isidore Godfrey