DOCSLIB.ORG

I Have a Song to Sing O! Program.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James Mills, Rebecca Hargrove Matthew Wages, Bass-Baritone Alone, and Yet Alive! David Wannen, Bass (The Mikado) .................... Angela Christine Smith If Somebody There Chanced to Be Accompanist: Elizabeth Rogers (Ruddigore) .......................... Sarah Caldwell Smith My Eyes are Fully Open (Ruddigore) ....................... Angela Christine Smith Try We Lifelong (The Gondoliers) .......................................Ensemble Who’s Who in the Cast ALEX CORSON performed the role of Frederic in New York City and on tour with NYGASP last season. Alex has been a member Who’s Who in the Company of the company since 2012 and has also appeared in productions with Light Opera of New Jersey, New Jersey State Opera, New Jersey Youth Theatre, and others. Credits include Ernesto (Don Pasquale), Frederic (Pirates of Penzance), Ralph (H.M.S. Pinafore), Marco (The Gondoliers), Monostatos (The Magic Flute), Mercury/Orpheus (Orpheus in the Underworld), and Tony (West Side Story). REBECCA L. HARGROVE Recently performed the roles of Yum-Yum and Peep-Bo in The Mikado with NYGASP. She was in the chorus of Gershwin’s Porgy and Bess at the Metropolitan Opera, and was recently featured in New York City Center’s Gala presentation of Evita. Previous credits include the titular role of Acquanetta at Bard Summerscape 2019, Two Wings: The Music of Black America in Migration at Carnegie Hall, and Joseph C. Phillips’s National Chorale, Blondchen (Die Entführung DAVID WANNEN NYGASP since 2004: one-woman opera The Grey Land. Follow her aus dem Seraglio). favorites include Pirate King (Pirates), Wilfred updates at www.RebeccaLHargrove.com and Shadbolt (Yeomen), Colonel Calverley IG: @rhargrov. ANGELA CHRISTINE Angela has completed the G&S canon and roles include: (Patience), Paramount (Utopia), Pvt. Willis JAMES MILLS 2019/2020 recipient of the Dame Hannah, Katisha, Queen of the Fairies, (Iolanthe), Sultan (Rose of Persia), Arac (Princess Ida), Bill Bobstay (H.M.S. Pinafore) Isaac Asimov Award for Artistic Achievement. Little Buttercup, Ruth, Lady Blanche, Lady Entire G&S canon onstage with NYGASP for and title role in The Mikado. Tours: Beauty Jane, Duchess of Plaza-Toro, Baroness von over a decade, as well as stage managing, tech and the Beast (Beast u/s), Camelot with the Krakenfeldt and Mrs. Partlet. Ms. Smith directing, and associate directing. Recently: late Robert Goulet (Lancelot u/s); Regional: is a proud member of NYGASP’s award- Lord Chancellor (Iolanthe), Jack Point Nominated Best Featured Actor by Philadelphia winning cabaret show I’ve Got a Little (Yeomen), John Wellington Wells (Sorcerer), Inquirer for Camelot (Media Theater). Twist, and a recipient of the Isaac Asimov Major-General Stanley (Pirates), Bunthorne Producer, 2017 The Mikado; Co-Producer & Award for Artistic Achievement. Additional (Patience), Sir Joseph Porter (HMS Pinafore). Original Cast, I’ve Got a Little Twist!; Executive credits include performances with Belleayre James is co-star and co-creator of the all-new Director, NYGASP. David sends his love to his Festival Opera, Opera Saratoga, Opera drag musical, The Hell’s Kitchenettes. A stage family: Cole, Sam, Olivia, Jamé! director for the College Light Opera Company Delaware, and South Carolina Opera. www. (Falmouth, MA) and serves as a member of spotlightartistsmanagement.com the National Honorary Committee of Alumni. MATTHEW WAGES began his professional Proud member of AEA. endeavors in Opéra Comique with NYGASP, Who’s Who SARAH CALDWELL SMITH Debut with and recently completed the entire G&S canon. NYGASP: Mabel (Pirates) at New York City ‘Dramatis Personae’: The Pirate King, Sergeant in the Company Center. Ms. Smith’s principal roles include the of Police, & Samuel (Pirates of Penzance), title role in Patience, Yum-Yum (Mikado), Rose Wilfred (Yeomen of the Guard), Sir Despard ALBERT BERGERET (Founder/Artistic Maybud (Ruddigore), Gianetta (Gondoliers), (Ruddigore), Lord Mountararat (Iolanthe), Sir Director/General Manager) Mr. Bergeret and Constance (Sorcerer), among others. Sarah Marmaduke (The Sorcerer), Florian (Princess is a career-long professional specialist in also tours with NYGASP’s award-winning Ida), Bouncer (Cox & Box), Giuseppe Palmieri the works of Gilbert & Sullivan, having cabaret, I’ve Got a Little Twist. NYC: City (Gondoliers), Major Murgatroyd (Patience), performed, staged, conducted and designed Center Encores! (Music in the Air), VHRP Dick Deadeye & Bill Bobstay (H.M.S. Pinafore), every opera in the repertoire over a 40 year LIVE! (title roles in Naughty Marietta and The Tare/Poppytop/de Vere (Ages Ago/Mr. Jericho), period. He has directed G&S productions for Fortune Teller, Grace Holbrook in The Princess Sir Roderic (Ruddygore: Revisited) at the university students and residency programs for Pat, Gretchen in The Red Mill), Avery Fisher International G&S Festival in Harrogate, U.K. elementary schools. He has been hailed as “The solo debut as Infant Casmira (Candide) with Much love to Kenji, Jo and Kento. leading custodian of the G&S classics” by New 2 POPEJOY PRESENTS || I HAVE A SONG TO SING, O! || SATURDAY, OCTOBER 10, 2020, 7PM York Magazine (Peter Davis) and his work as of the all-new critically-acclaimed production intact, while Sullivan’s evocative scores, which both stage and musical director has been widely of The Mikado, and co-producer of I’ve Got a need no revision at all, are given the full range acclaimed in the press both in New York and Little Twist, NYGASP’s original cabaret. His of vocal and orchestral color for which they on tour throughout the United States, Canada, other responsibilities for NYGASP include call. and the UK. Mr. Bergeret founded NYGASP fundraising, marketing, board development, The company has in its repertory thirteen in 1974 and has served as Artistic Director/ and strategic planning. Mr. Wannen is a past different complete G&S operettas (cast, General Manager since its inception. He has president of North American Performing Arts orchestra and crew of 50-80 people), special conducted and staged all 13 of the works in Managers and Agents, recently completing six versions of the most popular operettas designed the G&S canon as well as the company’s smash years of service as an officer of the board. He is for children’s audiences, and a variety of hit production of George Gershwin’s Of Thee the recipient of the 2018 Western Arts Alliance charming concert programs created especially I Sing. He has conducted programs with the Award for Mentorship and an Association for NYGASP’s “Wand’ring Minstrels” ensemble. Buffalo Philharmonic, Orchestra London in of Performing Arts Professionals Leadership The company’s recognition and stature Ontario Canada, Northwest Indiana Symphony Fellow. continue to grow. In January of 2002 the and the Erie Philharmonic in a program company mounted its first triumphant season featuring Metropolitan Opera baritone Robert at New York’s venerable City Center, playing 3 Goodloe. With NYGASP he has also conducted of its most popular productions to over 20,000 and directed such diverse personalities as Hal About the New York G&S enthusiasts in 3 weeks. Linden, Steve Allen, John Astin, Pat Carroll, NYGASP’s annual New York season has Noel Harrison, John Rubenstein, Louis Quilico, Gilbert & Sullivan included performances at the Peter Norton Lando Bartolini, and John Reed, O.B.E. Symphony Space on Manhattan’s Upper West DANNY BRISTOLL (Editor) is an art Players Side since 1978. NYGASP performed at the director, photographer, videographer, actor, Kaye Playhouse at Hunter College for its and composer based in New York City. He has Now in its forty-sixth year of operation, New 2019-20 45th Anniversary Season. Productions run his own photography and video company, York Gilbert & Sullivan Players (NYGASP) included Iolanthe and The Mikado. Danny Bristoll Photo for over twelve years, is America’s preeminent professional Gilbert The company’s celebrated ensemble of G&S specializing in actor headshots, commercial & Sullivan
Recommended publications
  • AUDITION PIECES – “THE MIKADO” Role Audition Piece Chappell Pg

    AUDITION PIECES – “THE MIKADO” Role Audition Piece Chappell Pg

    AUDITION PIECES – “THE MIKADO” Role Audition Piece Chappell Pg.# Kalmus / Schirmer Pg.# THE MIKADO Solo: “A more humane Mikado” (to chorus entrance) 149 Act 2 #6 172 Act 2 # 17 bass or bass/baritone Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Dialogue: “Obliged… -> theatrical performances” NANKI-POO Solo: ”A wand’ring minstrel, I” (to chorus entrance) 27 Act 1 #2 23 Act 1 #2 tenor Ens. “Were you not to Ko-Ko plighted” 80 Act 1 #9 88 Act 1 #9 Ens.: “Brightly dawns our wedding day” 133 Act 2 #3 151 Act 2 #14 Dialogue: “This is simply appalling” (whole scene) Dialogue: “Yum-Yum, at last we are alone” (whole scene) KO-KO Solo: “On a tree by a river…” 175 Act 2 #11 208 Act 2 #22 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Ens.: “There is beauty …” 179 Act 2 #12 213 Act 2 #23 Dialogue: “This is simply appalling” (whole scene) POOH-BAH Solo: “Young man, despair” 41 Act 1 #4 42 Act 1 #4 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “See how the fates their gifts allot” 162 Act 2 #8 190 Act 2 #19 Dialogue: “It is. -> sneering” PISH-TUSH Solo: “Our great Mikado, virtuous man” 34 Act 1 #3 32 Act 1 #3 baritone Ens.: “I am so proud” 84 Act 1 #10 93 Act 1 #10 Ens.: “Brightly dawns our wedding day” 133 Act 2 #3 151 Act 2 #14 Dialogue: “Obliged… -> theatrical performances” (reads The Mikado’s lines) GO-TO (A NOBLE) Solo: “Why, who are you who ask this question?” 26 Act 1 #1 Recit.
  • Advance Program Notes New York Gilbert & Sullivan Players H.M.S

    Advance Program Notes New York Gilbert & Sullivan Players H.M.S

    Advance Program Notes New York Gilbert & Sullivan Players H.M.S. Pinafore Friday, May 5, 2017, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. Albert Bergeret, artistic director in H.M.S. Pinafore or The Lass that Loved a Sailor Libretto by Sir William S. Gilbert | Music by Sir Arthur Sullivan First performed at the Opera Comique, London, on May 25, 1878 Directed and conducted by Albert Bergeret Choreography by Bill Fabis Scenic design by Albère | Costume design by Gail Wofford Lighting design by Benjamin Weill Production Stage Manager: Emily C. Rolston* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Rt. Hon. Sir Joseph Porter, K.C.B. (First Lord of the Admiralty) James Mills* Captain Corcoran (Commanding H.M.S. Pinafore) David Auxier* Ralph Rackstraw (Able Seaman) Daniel Greenwood* Dick Deadeye (Able Seaman) Louis Dall’Ava* Bill Bobstay (Boatswain’s Mate) David Wannen* Bob Becket (Carpenter’s Mate) Jason Whitfield Josephine (The Captain’s Daughter) Kate Bass* Cousin Hebe Victoria Devany* Little Buttercup (Mrs. Cripps, a Portsmouth Bumboat Woman) Angela Christine Smith* Sergeant of Marines Michael Connolly* ENSEMBLE OF SAILORS, FIRST LORD’S SISTERS, COUSINS, AND AUNTS Brooke Collins*, Michael Galante, Merrill Grant*, Andy Herr*, Sarah Hutchison*, Hannah Kurth*, Lance Olds*, Jennifer Piacenti*, Chris-Ian Sanchez*, Cameron Smith, Sarah Caldwell Smith*, Laura Sudduth*, and Matthew Wages* Scene: Quarterdeck of H.M.S. Pinafore *The actors and stage managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
  • MUSICAL NOTES. Orchestra, at Long Beach, Are Deservedly Praised

    MUSICAL NOTES. Orchestra, at Long Beach, Are Deservedly Praised

    THE MUSICAL CRITIC AND TRADE REVIEW. September 5th, 1880 SCHREINER.—Mr. Kleophas Schreiner's Military Band and String MUSICAL NOTES. Orchestra, at Long Beach, are deservedly praised. There is a great deal of strength and precision in the performances, and Mr. Schreiner has a good AT HOME. and varied repertoire. Some of the soloists are excellent. Mr. Hoch is ap- DODWORTH.—Harvey B. Dodworth was engaged to furnish the music plauded after his cornet performances, and Mr. Neubech, the concert master for the Rockaway Beach Improvement Company at the big hotel; but as the of the orchestra, has made many friends by an artistic rendering of Max hotel -was not finished, he was forced to remain idle seven weeks. He now Bruch's first Concerto for the Violin. has a claim against the company for $10,080. THAYER.—The Kate Thayer Concert Company, under the management MARETZEK.—Max Maretzek has accepted the position of "Professor of of Mr. Will E. Chapman, will enter upon a concert tournee on October 17. the School for Operatic Training," in the College of Music of Cincinnati, The company comprises Miss Kate Thayer, Miss Maurer, pianist, the Spanish and "will enter upon his duties about the middle of this month. Students, and some other artistes. Whether the company will appear in New York during the season, we do not know, as the dates of the entire- STEBNBERG.—Heir Constantin Sternberg, a Russian piano virtuoso, season have not been settled upon yet. has been engaged for 100 concerts in America. He will arrive in New York in September.
  • November 2004 Newsletter

    November 2004 Newsletter

    THE G ILBERT & S ULLIVAN SOCIETY OF AUSTIN OCTOBER/NOVEMBER 2004 NEWSLETTER Letter from Your President Dear Friends: Patience Who will make the memories? Your Society feels or, Bunthorne’s Bride strongly about the musical education of our young (Concert Version, adapted by Brad Merrell) people. And most particularly I think we can agree that the music and lyrics of Gilbert & Sullivan are an Producer/Director: Brad Merrell Music Director: Mel Witcher ideal form to advance their appreciation. There are Piano: Gloria Kim such lovely arias and such intricate trios. There are such humorous situations and silly plays on words. Colonel Calverley (Officers of Randall McIntyre It really is great stuff and is perfect for our young Major Murgatroyd Dragoon Trey Deason people. Lieut. The Duke of Dunstable} Guards) Brad Merrell But what Iʼm getting at here is that we need to Reginald Bunthorne (a Fleshly Poet) Arthur DiBianca revitalize our program of performing in schools. What Archibald Grosvenor (an Idyllic Poet) Derek Smootz Iʼm asking for is a volunteer to coordinate the program. Mr. Bunthorneʼs Solicitor To be Announced It would involve coordinating our singers and the host The Lady Angela Kristina Horacek schools. There is a great degree of flexibility because The Lady Saphir (Rapturous Amanda Hatfield it doesnʼt have to be done just exactly as it was in the The Lady Ella Maidens) Chelsea Manasseri } past. The goal is so worthy that I expect my note here The Lady Jane Mandy Summers in the newsletter will strike a chord. Will you please Patience (a Dairy Maid) Meredith Groeschel ring my bell (I mean phone)? Will you call me and we Chorus of Rapturous Maidens and can talk? My home phone number is 892-3722.
  • January / February

    January / February

    CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music.
  • Auditions for the Gondoliers by Gilbert and Sullivan

    Auditions for the Gondoliers by Gilbert and Sullivan

    Auditions for The Gondoliers by Gilbert and Sullivan The performances of this fully staged production will take place in The Wilde Theatre, South Hill Park Arts Centre, Bracknell, RG12 4PA, on 19 and 20 June 2015, at 7.30pm, and a Matinee on 20 June at 2.30pm with full dress rehearsals on 17 and 18 June. Rehearsals will take place on Tuesday and/or Thursday evenings, and some Sunday afternoons. Auditions will take place on Saturday 14 February 2015 from 11am to 3.00pm in the Recital Room at South Hill Park. As well as the musical audition, you will be asked to read a piece of libretto. The full libretto may be downloaded from our website www.parkopera.org.uk If you have any queries please contact: Musical Director Francis Griffin T: 07801 387340 E: [email protected] Producer John Aldis T: 07980 609406 E: [email protected] Secretary Sue Mainwaring T: 07968 197154 E: [email protected] Music references are from the Chappell score: Character Voice Act, No Music Duke Baritone I,3 60-62, 1st verse Luiz Tenor/Baritone I,5 68-69 Don Alhambra Bass Baritone II,6 166-170, two verses, end on Their various opinions Marco Tenor II,3 143-145, one verse Giuseppe Baritone II,2 138-142, one verse Antonio Baritone I,1 19-22, one verse Francesco Tenor I,1 16-19 as per part Giorgio Bass I,1 16-19 as per part Duchess Contralto II,9 187-190, one verse Casilda Soprano I,5 70-71 Gianetta Soprano I,10 96-97 Tessa Mezzo I,9 89-92, end on nothing's wrong Fiametta Soprano I,1 12-14, start at Two there are end at p14 only two Vittoria Mezzo I,1 16-19 as per part Giulia Mezzo I,1 16-19 as per part Inez Alto II,12 214-215 Pieces of libretto: Character Libretto Duke pp 38-39 Ah! Their Majesties……..
  • Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, Thaddaeusbourne@Gmail.Com

    Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected]

    University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 4-15-2018 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus Bourne University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Bourne, Thaddaeus, "Male Zwischenfächer Voices and the Baritenor Conundrum" (2018). Doctoral Dissertations. 1779. https://opencommons.uconn.edu/dissertations/1779 Male Zwischenfächer Voices and the Baritenor Conundrum Thaddaeus James Bourne, DMA University of Connecticut, 2018 This study will examine the Zwischenfach colloquially referred to as the baritenor. A large body of published research exists regarding the physiology of breathing, the acoustics of singing, and solutions for specific vocal faults. There is similarly a growing body of research into the system of voice classification and repertoire assignment. This paper shall reexamine this research in light of baritenor voices. After establishing the general parameters of healthy vocal technique through appoggio, the various tenor, baritone, and bass Fächer will be studied to establish norms of vocal criteria such as range, timbre, tessitura, and registration for each Fach. The study of these Fächer includes examinations of the historical singers for whom the repertoire was created and how those roles are cast by opera companies in modern times. The specific examination of baritenors follows the same format by examining current and
  • The Mikado Program

    The Mikado Program

    GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) .
  • BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music

    BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music

    The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress.
  • The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival

    The Mikado the Articles in This Study Guide Are Not Meant to Mirror Or Interpret Any Productions at the Utah Shakespeare Festival

    Insights A Study Guide to the Utah Shakespeare Festival The Mikado The articles in this study guide are not meant to mirror or interpret any productions at the Utah Shakespeare Festival. They are meant, instead, to be an educational jumping-off point to understanding and enjoying the plays (in any production at any theatre) a bit more thoroughly. Therefore the stories of the plays and the interpretative articles (and even characters, at times) may differ dramatically from what is ultimately produced on the Festival’s stages. Insights is published by the Utah Shakespeare Festival, 351 West Center Street; Cedar City, UT 84720. Bruce C. Lee, communications director and editor; Phil Hermansen, art director. Copyright © 2011, Utah Shakespeare Festival. Please feel free to download and print Insights, as long as you do not remove any identifying mark of the Utah Shakespeare Festival. For more information about Festival education programs: Utah Shakespeare Festival 351 West Center Street Cedar City, Utah 84720 435-586-7880 www.bard.org. Cover photo: Erin Annarella (top), Carol Johnson, and Sarah Dammann in The Mikado, 1996 Contents Information on the Play Synopsis 4 CharactersThe Mikado 5 About the Playwright 6 Scholarly Articles on the Play Mere Pish-Posh 8 Utah Shakespeare Festival 3 351 West Center Street • Cedar City, Utah 84720 • 435-586-7880 Synopsis: The Mikado Nanki-Poo, the son of the royal mikado, arrives in Titipu disguised as a peasant and looking for Yum- Yum. Without telling the truth about who he is, Nanki-Poo explains that several months earlier he had fallen in love with Yum-Yum; however she was already betrothed to Ko-Ko, a cheap tailor, and he saw that his suit was hopeless.
  • Auditions and Also Concerning the Hilariously Funny and Incredibly Tuneful Show We Will Present This Summer

    Auditions and Also Concerning the Hilariously Funny and Incredibly Tuneful Show We Will Present This Summer

    Audition Notes for The Gilbert & Sullivan Society of Austin’s June 2012 production of Patience by Artistic Director Ralph MacPhail, Jr. INTRODUCTION: Patience is a high-spirited send-up of artistic affectation. Originally it poked fun at the pre- Raphaelite “brotherhood” in London of the 1870s and ‘80s, but Gilbert’s wit transcends the original target and Sullivan’s tunes have remained ever funny, martial, sentimental, poignant—whatever the moment in the plot demands. My purpose here is to provide information for auditionees concerning the auditions and also concerning the hilariously funny and incredibly tuneful show we will present this summer. If you’re planning to audition, please read this in its entirety. INFORMATION ON AUDITIONS: Auditions will be held on Saturday and Sunday, March 3rd and 4th. Music Director and Conductor Jeffrey Jones-Ragona and I request that each auditionee memorize a song from Gilbert & Sullivan or something similar that will show their voice and range to best advantage. It is also mandatory to provide a copy of the music for the auditions accompanist. No a cappella auditions will be heard. An accompanist will be provided, but singers will be welcome to bring their own if they wish. If Patience is not in your library, you can download the libretto from The Gilbert & Sullivan Archive (math.boisestate.edu/gas). You can also download some printed music from the opera from this website, read a plot synopsis, or download audio files. And there’s more, too! THE ROLES: Patience is filled with fun-to-act roles, incredible singing opportunities, and requires actors who can sing well as well as singers who can act well.
  • The Gondoliers Program 2017

    The Gondoliers Program 2017

    Light Opera of Portland presents THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S. Gilbert Dennis Britten, Director Linda Smith, Musical Director David Smith, Producer THANK YOU SPECIAL THANKS TO: The King’s Navy for the loan of the drum Home Depot for discounts on supplies for building the set Sarah Ominski for photography Kevin Lay for orchestration MKTX for marketing and promotion support Gallery Theater for lending costumes TVFR for use of Firestation 65 community room for rehearsals Set Design and Construction Joe Rosenthal, David Ridley, Ron Swingen, David Smith, Linda Smith, Jacob Mott, Dennis Freeze, Justin Rueff, Dennis Britten and Rob Patrick Costumes Lucy Tait, Marquerite Kendall, Phyllis Fort, Phyllis Brinkerhoff and Anne Kolibaba Larkin DONORS Dennis Britten Cathrine Huard Jillane and David Onasch David and Linda Smith Anonymous YOUR DONATION The Light Opera of Portland is a 501c3 organization. Please donate to help us continue providing excellent light opera. LOoP depends on the generous donations of our friends and patrons to support our ongoing efforts of providing high-quality, entertaining light opera productions. Whether you made the suggested donation upon entering or choose to add to your donation upon exiting, be assured your contribution is helping this young theatre company bring you more of the fun of treasured theatre works in the future. Please let us know particularly if you are able to help by donating space to store our sets, rehearsal space or performance space. Thank you for your help. THE GONDOLIERS OR The King of Barataria with music by Arthur Sullivan and libretto by W.S.