Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
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Arnold Schoenberg Wind Quintet Op. 26 Mp3, Flac, Wma
Arnold Schoenberg Wind Quintet Op. 26 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Wind Quintet Op. 26 Country: US Released: 1978 Style: Modern MP3 version RAR size: 1884 mb FLAC version RAR size: 1453 mb WMA version RAR size: 1326 mb Rating: 4.4 Votes: 714 Other Formats: WAV DMF AIFF AA ASF TTA WMA Tracklist A1 First Movement: Schwungvoll 11:31 A2 Second Movement: Anmutig Und Heiter; Scherzando 8:17 B1 Third Movement: Etwas Langsam (Poco Adagio) 9:05 B2 Fourth Movement: Rondo 8:28 Credits Bassoon – Brian Pollard Clarinet – Piet Honingh Flute – Frans Vester Horn – Adriaan van Woudenberg Illustration – Kandinsky* Liner Notes – Alan Stout, Jeffrey Wasson Oboe – Maarten Karres Producer – Wolf Erichson Other versions Category Artist Title (Format) Label Category Country Year Schoenberg*, Danzi Philips, Schoenberg*, PHC 9068 Quintet* - Wind Quintet, World PHC 9068 Canada 1967 Danzi Quintet* Opus 26 (LP, Album) Series Arnold Schönberg* - Danzi Quintett* - Arnold Schönberg* 64 812 Bläserquintett Op. 26 BASF 64 812 Germany 1975 - Danzi Quintett* (1923/24) (LP, Album, Club) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 Acanta 25 22057-5 Germany Unknown - Danzi Quintett* Bläserquintett Op. 26 (LP, RE) Arnold Schönberg* - Arnold Schönberg* Danzi Quintett* - 25 22057-5 BASF 25 22057-5 Germany 1975 - Danzi Quintett* Bläserquintett Op. 26 (1923/24) (LP, Album) Arnold Schönberg* - Arnold Schönberg* 37 93007 Danzi Quintett* - BASF 37 93007 Spain 1976 - Danzi Quintett* Bläserquintett Op. 26 (LP) Related Music albums to Wind Quintet Op. 26 by Arnold Schoenberg Schönberg / Claude Helffer - Intégrale De L'Oeuvre Pour Piano Seul Messiaen, Schoenberg - Yvonne Loriod, Pierre Boulez - Sept Haïkaï / Kammersymphonie / 3 Orchesterstücke Paul Hindemith, Danzi-Quintett - Kleine Kammermusik Op. -
Hitchcock's Appetites
McKittrick, Casey. "The pleasures and pangs of Hitchcockian consumption." Hitchcock’s Appetites: The corpulent plots of desire and dread. New York: Bloomsbury Academic, 2016. 65–99. Bloomsbury Collections. Web. 28 Sep. 2021. <http:// dx.doi.org/10.5040/9781501311642.0007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 16:41 UTC. Copyright © Casey McKittrick 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 3 The pleasures and pangs of Hitchcockian consumption People say, “ Why don ’ t you make more costume pictures? ” Nobody in a costume picture ever goes to the toilet. That means, it ’ s not possible to get any detail into it. People say, “ Why don ’ t you make a western? ” My answer is, I don ’ t know how much a loaf of bread costs in a western. I ’ ve never seen anybody buy chaps or being measured or buying a 10 gallon hat. This is sometimes where the drama comes from for me. 1 y 1942, Hitchcock had acquired his legendary moniker the “ Master of BSuspense. ” The nickname proved more accurate and durable than the title David O. Selznick had tried to confer on him— “ the Master of Melodrama ” — a year earlier, after Rebecca ’ s release. In a fi fty-four-feature career, he deviated only occasionally from his tried and true suspense fi lm, with the exceptions of his early British assignments, the horror fi lms Psycho and The Birds , the splendid, darkly comic The Trouble with Harry , and the romantic comedy Mr. -
DINNERS ENROLL TOM SAWYER.’ at 2:40
1 11 T 1 Another Film for Film Fans to Suggest Gordon tried out in the drama, "Ch.!« There Is dren of Darkness.” It was thought No ‘Cimarron’ Team. Janet’s Next Role. in Theaters This Week the play would be a failure, so they Photoplays Washington IRENE DUNNE and ^ Wesley Ruggles, of the Nation will * fyJOVIE-GOERS prepared to abandon It. A new man- who as star and director made be asked to suggest the sort of agement took over the property, as- WEEK OP JUNE 12 SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY cinematic history in 1931 In “Cimar- Stopping picture In which little Janet Kay signed Basil Sydney and Mary Ellis "Bit Town Olrl." "Manneouln." "Manneouln." are to be "Naughty Marietta" "Haughty Marietta" "Thank You. Ur. ron," reunited as star and Chapman. 4-year-old star dis- to the leads and Academy "alfm*83ifl£L'‘ Jon Hall in Will Rogers in Will Rosen in and ‘•The Shadow of and "The Shadow of Moto.” and "Ride. recently they scored a Broad- " director of a Paramount to Sth »nd O Sts. B.E, "The Hu-rlcane." "The Hurricane." _"David Harum "David Harum."_Silk Lennox."_ Silk Lennox." Ranter. Ride." picture covered by a Warner scout, should be way hit. This Lad in } into in the Rudy Vailee Rudy Valle? in Rudy Vallee in Myrna Loy. Clark Oa- Myrna Loy. Clark Oa- Loretta Yoon* in go production early fall. next seen on the screen. Miss So It Is at this time of Ambassador •■Sm* "Gold Diggers in "Gold Diggers in "Oold in ble and ble Chap- only yea# DuE*niBin Diggers Spencer Tracy and Spencer Tracy "Four Men and a The announcement was made after man the 18th «nd OolumblA Rd. -
Fritz Wunderlich Greatest Successes & Rarities
Labelcopy Fritz Wunderlich Greatest Successes & Rarities 3. Welch ein grau’nvolles Bild / Fliehe, Verräter CD1 Elisabeth Grümmer (Donna Anna) 4. Nur ihrem Frieden weih‘ ich mein Leben FRITZ WUNDERLICH Die zentrale Partie: Tamino 5. O seht, gnäd’ger Herr, dort die allerliebsten Masken / Mög‘ Gott zu unserm Werke uns Kraft und Mut verleih’n (1756 – 1791) Wolfgang Amadeus Mozart Karl Kohn (Leporello), Hermann Prey (Don Giovanni), Elisabeth DIE ZAUBERFLÖTE – as Tamino – Grümmer (Donna Anna), Hildegard Hillebrecht (Donna Elvira) 1. Dies Bildnis ist bezaubernd schön Berliner Symphoniker / Hans Zanotelli - 3-5: 1960 2. Zum Ziele führt dich diese Bahn / Die Weisheitslehre dieser Knaben ZAIDE – as Gomez – Drei Wiener Sängerknaben 6. Ja, nun lass das Schicksal wüten 7. Kannst, Geliebter, du vergeben 3. Wo willst du, kühner Fremdling, hin? / O ew’ge Nacht 8. Wack’rer Freund, voll tiefer Scham Eberhard Wächter (Sprecher) 9. O selige Wonne 4. Wie stark ist nicht dein Zauberton Maria Stader (Zaide), Horst Günter (Allazim) - Sinfonieorchester des 5. Soll ich dich, Teurer, nicht mehr seh’n? Süddeutschen Rundfunks / Alfons Rischner - 6-9: 1956 Lieselotte Fölser (Pamina), Gottlob Frick (Sarastro) DIE GÄRTNERIN AUS LIEBE – as Graf von Belfiore – 6. Der, welcher wandelt diese Straße 10. Welch ein Glück 7. Tamino mein, o welch ein Glück! 11. Nein! Geh ich fort? / Im Park hier gibt es eigenart’ge Grotten Lieselotte Fölser (Pamina), Robert Charlesbois, Alois Pernerstorfer Gustav Grefe (Nardo / Roberto) (Geharnischte) - Chor der Wiener Staatsoper - Wiener Philharmoniker/ Orchester der Württembergischen Staatsoper / Josef Dünnwald Joseph Keilberth - 1-7: 1960 (Live, Salzburger Festspiele) 10,11: 1956 (Live, Ludwigsburg, Barocktheater des Schlosses) 8. -
Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University
Eastern Illinois University The Keep Music Programs The Earl Boyd Collection 2015 Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/earl_boyd_programs Part of the Music Commons Recommended Citation Boyd, Earl, "Faculty Woodwind Quartet Flyer" (2015). Music Programs. 29. http://thekeep.eiu.edu/earl_boyd_programs/29 This Book is brought to you for free and open access by the The Earl Boyd Collection at The Keep. It has been accepted for inclusion in Music Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. 0 €astenn 1tt1nols Un1vens1ty w oo0w1n0 Quintet Dear Music Director: Your flutist, oboist, clarinetist, bassoonists, and hornists will welcome the opportunity to hear and work personally with the fine performers in the Eastern Illinois University Woodwind Quintet You are invited to write or call Rhoderick Key, Chairman, Music Department, Eastern Illinois University, Charleston, Illinois, 61920 Phone 217-581-2917 Scheduled to suit your program FLUTE - Robert C. Snyder, flutist, frequent recitalist in Illinois and recent performer at Carnegie Recital Hall in New York, clinician, · writer, and band direetor, graduated from Indiana University with a Masters Degree in Woodwinds and complet~ his doctorate in History and Literature at University of Missouri at Kansas City. He has studied with Vallie Kirk at Washburn University of Topeka, James Pellerite at Indiana University, and William Kincaid. OBOE -Joseph Martin, oboist, double-reed specialist, recitalist, and clinician, graduated with his Masters Degree in Education from East Carolina University in North Carolina. Mr. Martin directs a University stage band and assists in the Symphony Orchestra program. -
George Frederick Bristow Im Magazin Klassik #7
200x307_mowo18_rk_stephansdom.qxp_Layout 1 10.10.17 17:13 Seite 1 magazin KLASSIK No. 7/Winter € 5,50 2017/ 18 MOZART WOCHE 2018 26. JÄNNER – 4. FEBRUAR www.mozarteum.at 26.01 PREMIERE 30.01., 02.02. jeweils 19.30, Haus für Mozart MOZART DIE ENTFÜHRUNG AUS DEM SERAIL KV 384 René Jacobs (Dirigent), Andrea Moses (Regie), Jan Pappelbaum (Bühne), Svenja Gassen (Kostüme), Olaf Freese (Licht), Akademie für Alte Musik Berlin, Salzburger Bachchor. Mit Robin Johannsen, Sunhae Im, Sebastian Kohlhepp, Julian Prégardien, David Steffens, Alban Berg S. 2 Musik für die Weihnachtsfeiertage S. 10 Peter Lohmeyer Konzerte Wissenschaft Museen Gottfried von Einem – zum 100. Geburtstag S. 12 Erinnerung an Rudolf Nurejew S. 16 Die Macht der Musik S. 31 fb communications Bei uns RADIO KLASSIK sind HÖRERREISE Musikalischer Höhepunkt BASKISCHES OPERNHAUS Private Banking im neuerbauten Palacio Euskalduna BILBAO 22.2. - 25.2.2018 Kunden DIE HAUPTSTADT DES BASKENLANDES – VON DER INDUSTRIERUINE ZUR LEBENDIGEN KULTURHAUPTSTADT. GEPLANTE HIGHLIGHTS herzlich Altstadt & Guggenheim Museum • • Busrundfahrt Baskenland: Besichtigung Gernika und die malerisch gelegene Kirche San Juan de Gaztelugatxe, willkommen. Getxo, der noble Vorort mit der ältesten Schwebefähre (Weltkulturerbe) Guggenheim Bilbao © Pixabay • Opernbesuch Palacio Euskalduna Richard Strauss Salome • Flug mit Austrian Airlines / Umstieg in Brüssel • Reiseleitung Dr. Helmut Pitsch / radio klassik Stephansdom PAUSCHALPREIS Suspention Bridge of Bizkaia © Basquetour inkl. Flug, 2xMittagessen, 1 Abendessen, Opernkarte, 3 ÜN Hotel Coliseo Bilbao, Tagesausflug Baskenland, Eintritt & Führung Guggenheim Museum, Altstadtführung Pauschalpreis pro Person im DZ EUR 1.295,– EZ EUR 1.405,– Zusätzliche Informationen: WWW.RADIOKLASSIK.AT San Juan de Gaztelugatxe © Basquetour PRIVATBANK SEIT 1832 Veranstalter: Mondial GmbH & Co. KG, Operng. -
American Mavericks Festival
VISIONARIES PIONEERS ICONOCLASTS A LOOK AT 20TH-CENTURY MUSIC IN THE UNITED STATES, FROM THE SAN FRANCISCO SYMPHONY EDITED BY SUSAN KEY AND LARRY ROTHE PUBLISHED IN COOPERATION WITH THE UNIVERSITY OF CaLIFORNIA PRESS The San Francisco Symphony TO PHYLLIS WAttIs— San Francisco, California FRIEND OF THE SAN FRANCISCO SYMPHONY, CHAMPION OF NEW AND UNUSUAL MUSIC, All inquiries about the sales and distribution of this volume should be directed to the University of California Press. BENEFACTOR OF THE AMERICAN MAVERICKS FESTIVAL, FREE SPIRIT, CATALYST, AND MUSE. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England ©2001 by The San Francisco Symphony ISBN 0-520-23304-2 (cloth) Cataloging-in-Publication Data is on file with the Library of Congress. The paper used in this publication meets the minimum requirements of ANSI / NISO Z390.48-1992 (R 1997) (Permanence of Paper). Printed in Canada Designed by i4 Design, Sausalito, California Back cover: Detail from score of Earle Brown’s Cross Sections and Color Fields. 10 09 08 07 06 05 04 03 02 01 10 9 8 7 6 5 4 3 2 1 v Contents vii From the Editors When Michael Tilson Thomas announced that he intended to devote three weeks in June 2000 to a survey of some of the 20th century’s most radical American composers, those of us associated with the San Francisco Symphony held our breaths. The Symphony has never apologized for its commitment to new music, but American orchestras have to deal with economic realities. For the San Francisco Symphony, as for its siblings across the country, the guiding principle of programming has always been balance. -
Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too. -
Ronald Roseman: a Biographical Description and Study of His Teaching Methodology
LAMPIDIS, ANNA, D.M.A. Ronald Roseman: A Biographical Description and Study of his Teaching Methodology. (2008) Directed by Dr. Mary Ashley Barret. 103 pp. Ronald Roseman was an internationally acclaimed oboe soloist, chamber musician, teacher, recording artist, and composer whose career spanned over 40 years. A renowned oboist, he performed in some of America’s most influential institutions and ensembles including the New York Woodwind Quintet, the New York Philharmonic, and the New York Bach Aria Group. His contributions to 20th Century oboe pedagogy through his own unique teaching methodology enabled him to contribute to the success of both his own personal students and many others in the field of oboe and woodwind performance. His body of compositions that include oboe as well as other instruments and voice serve to encapsulate his career as a noteworthy 20th Century composer. Roseman’s musicianship and unique teaching style continues to be admired and respected worldwide by oboists and musicians. The purpose of this study is to present a biographical overview and pedagogical techniques of oboist Ronald Roseman. This study will be divided into sections about his early life, teaching career, performance career and his pedagogical influence upon his students. Exercises and techniques developed by Roseman for the enhancement of oboe pedagogy will also be included. Interviews have been conducted with his wife and three former well-known students in order to better serve the focus of this study. The author also contributed pedagogical techniques compiled during a two-year period of study with Roseman. Appendices include a discography of recorded materials, the New York Woodwind Quintet works list, Roseman’s published article on Baroque Ornamentation, a list of his compositions with premiere dates and performers, and interview questions. -
Looking at Hollywood with Ed Sullivan
P.,e- Two C1aica'o SUl:lday TrlLul:le Looking at Hollywood Trio in Color • Oolor phot08 of the three film with Ed Sullivan performere 8ketched here ap- pear on page one of tOday'8 pic. Glamor Boys, Like the Tall ture section. DANlELU: As the result of an- DARRIEUX swering a want ad Corn, Hail from Midwest in a Paris newspa- per in 1931, when she was only 14 years old, Danielle Darrieux landed a leading rOle in a French play, "Le Bal.' Today she is a sensation of the movies, the idol Ohio'. CLARK GABLE. of France, and one of Europe's most glamorous stars. She was By ED SUWVAN minob' FRED MacMl1RRA Y. seen recently as the star of Universal's picture" The Maybe if I'd been born in Ohio Hollywood, Cal. Rage of Paris," with a nota- my whole career would have AS IT EVER struck you ble cast that included Doug- been altered. Well, it's too late girls of the midwest that las Fairbanks Jr., Mischa H now. you're darn lucky? Well, Auer, Louis Hayward, and Fredric March is one of the it's high time that it was brought H e 1e n Broderick. And few Big Ten grads in the higher to your attention, my little chick- everyone who saw her adees of the Big Ten sector, be- brackets of lovemaking. When in "Mayerling," playing Her father, a cause you're living in an area he was manager the Wiscon· -or opposite to C h a r 1e s French World sin football team back in 1920, Ohio'. -
Deutsche Nationalbibliografie 2013 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2013 T 04 Stand: 17. April 2013 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2013 ISSN 1613-8945 urn:nbn:de:101-ReiheT04_2013-2 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ -
Angels from on High Program in the Company of Angels……………………………………… Donald St
Mendelssohn Club of Philadelphia Alan Harler, Artistic Director John French, Associate Conductor Angels from on High Program In the Company of Angels …………………………………… Donald St. Pierre Mendelssohn Club commission and premiere Erin Swanson, soprano Cory O’Neill Walker, tenor d Angels, We Have Heard on High …………………traditional French carol d O Come, All Ye Faithful …………………………………John Francis Wade Messe Solennelle, Op. 16 ………………………………………… Louis Vierne 1. Kyrie 2. Gloria 3. Sanctus 4. Benedictus 5. Agnus Dei Ashley Alden, soprano Jennifer Beattie, alto Benjamin Harbold, tenor Ryan Tibbetts, bass d Joy to the World ………………………………………… arr. Lowell Mason Four Carols for Brass ………………………………………… arr. Richard Price The Mendelsson Brass Echo Nowell ……………… Louis-Claude D’aquin, arr. Thomas R. Vozzella d The First Nowell ……………………………………… arr. David Willcocks Angels We Have Heard on High ………………………………… Arnold Freed Lo, How A Rose E’er Blooming …………Michael Praetorius, arr. Shaw-Parker A Wondrous Birth (Strannoye Rozhdsetvo videshe) ……………Georgy Sviridov Bring a Torch, Jeanette, Isabella ……traditional French carol, arr. Shaw-Parker d Hark! The Herald Angels Sing …………………………Felix Mendelssohn Exaltation (While Shepherds Watched) …………………………… Carl Ruggles A Christmas Carol ………………………………………………… Charles Ives d Silent Night ………………………………………… Franz Xaver Gruber Alan Harler, conductor Mendelssohn Club Chorus Michael Stairs, organ The Mendelssohn Brass d The audience is invited to join in the singing of these carols. The use of recording or photographic equipment during this concert is strictly prohibited. Please turn off audible cell phones and alarms. 5 Program Notes This evening’s holiday concert, Angels from on High, features a mix of the new, the unfamiliar and some traditional favorites. The new is the premiere of a commission from Mendelssohn Club composer-in-residence Donald St.