Deutsche Nationalbibliografie 2013 T 04
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KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
California State University, Northridge
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THE SPATIAL PRACTICES OF SOUL REBEL RADIO IN LOS ANGELES’ THIRD WORLD LEFT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts Chicano and Chicana Studies By Miguel Paredes August 2012 The thesis of Miguel Paredes is approved: _________________________ ______________________ Professor Yreina D. Cervántez Date _________________________ ______________________ Dr. Gabriel Gutierrez Date _________________________ _______________________ Dr. David Rodriguez, Chair Date ii Dedication To the young people in Los Angeles, to the working class communities in the Third World Left throughout Southern California especially Elysian Valley aka “Frogtown” in Northeast LA, to the over 50 members of the Soul Rebel Radio collective especially the founding members Eduardo, Laura, Javier, Jose, Tito, Teresa, Hasmik, Jorge, XL, Travis, Oriel, and Lex, to the KPFK staff and audience, to the staff of the CSUN Chican@ Studies Department especially Dr. Rudy Acuña, Dr. Alberto Garcia, Harry Gamboa, Fermin Herrera, Dr. Mary Pardo, Dr. Gabriel Gutierrez, Yreina D. Cervántez, Dr. Jorge Garcia, Ruben Mendoza, and posthumously dedicated to Roberto Sifuentes , Dr. Shirlene Soto, and “Toppy” Flores. To my family especially my mother Lucila Paredes, my father Miguel Paredes Sr., my brother Adrian Paredes, my sister Gabriela Paredes and her daughter Dahlila and son Ivan, my brother Daniel Paredes, and his son Diego, to my best friends Mike and Guzman, to my godchildren Juliette, Justin, Isaac, Elia, and Ehecatl, and to the Fe@s including Pascual, Mixpe, and Chris, but particularly to Ixya Herrera for giving me the motivation and support to complete my Master’s Degree in Chican@ Studies. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Fritz Wunderlich Greatest Successes & Rarities
Labelcopy Fritz Wunderlich Greatest Successes & Rarities 3. Welch ein grau’nvolles Bild / Fliehe, Verräter CD1 Elisabeth Grümmer (Donna Anna) 4. Nur ihrem Frieden weih‘ ich mein Leben FRITZ WUNDERLICH Die zentrale Partie: Tamino 5. O seht, gnäd’ger Herr, dort die allerliebsten Masken / Mög‘ Gott zu unserm Werke uns Kraft und Mut verleih’n (1756 – 1791) Wolfgang Amadeus Mozart Karl Kohn (Leporello), Hermann Prey (Don Giovanni), Elisabeth DIE ZAUBERFLÖTE – as Tamino – Grümmer (Donna Anna), Hildegard Hillebrecht (Donna Elvira) 1. Dies Bildnis ist bezaubernd schön Berliner Symphoniker / Hans Zanotelli - 3-5: 1960 2. Zum Ziele führt dich diese Bahn / Die Weisheitslehre dieser Knaben ZAIDE – as Gomez – Drei Wiener Sängerknaben 6. Ja, nun lass das Schicksal wüten 7. Kannst, Geliebter, du vergeben 3. Wo willst du, kühner Fremdling, hin? / O ew’ge Nacht 8. Wack’rer Freund, voll tiefer Scham Eberhard Wächter (Sprecher) 9. O selige Wonne 4. Wie stark ist nicht dein Zauberton Maria Stader (Zaide), Horst Günter (Allazim) - Sinfonieorchester des 5. Soll ich dich, Teurer, nicht mehr seh’n? Süddeutschen Rundfunks / Alfons Rischner - 6-9: 1956 Lieselotte Fölser (Pamina), Gottlob Frick (Sarastro) DIE GÄRTNERIN AUS LIEBE – as Graf von Belfiore – 6. Der, welcher wandelt diese Straße 10. Welch ein Glück 7. Tamino mein, o welch ein Glück! 11. Nein! Geh ich fort? / Im Park hier gibt es eigenart’ge Grotten Lieselotte Fölser (Pamina), Robert Charlesbois, Alois Pernerstorfer Gustav Grefe (Nardo / Roberto) (Geharnischte) - Chor der Wiener Staatsoper - Wiener Philharmoniker/ Orchester der Württembergischen Staatsoper / Josef Dünnwald Joseph Keilberth - 1-7: 1960 (Live, Salzburger Festspiele) 10,11: 1956 (Live, Ludwigsburg, Barocktheater des Schlosses) 8. -
11592823.Pdf
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit Musikerlebnisse: Das Verhältnis von Musik und Literatur in autobiographischen Werken als Musiker tätiger Autoren Verfasserin Ursula Havlicek angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 393 Studienrichtung lt. Studienblatt: Diplomstudium Vergleichende Literaturwissenschaft Betreuer: Univ.-Prof. Dr. Norbert Bachleitner Für meinen Sensei. He says all the things I want they go [Tegan and Sara] Inhalt Einleitung ...................................................................................................................................7 1. Die Autoren und ihre Werke ................................................................................................11 1.1. Nagel: Wo die wilden Maden graben ............................................................................11 1.1.1. Der Autor: Nagel ....................................................................................................11 1.1.2. Das Werk: Wo die wilden Maden graben ...............................................................13 1.2. Heinz Strunk: Fleisch ist mein Gemüse - Eine Landjugend mit Musik.........................16 1.2.1. Der Autor: Heinz Strunk ........................................................................................16 1.2.2. Das Werk: Fleisch ist mein Gemüse - Eine Landjugend mit Musik.......................17 1.3. Austrofred: -
Claudia Treviño Repertorio
CLAUDIA TREVIÑO REPERTORIO 1234 (Plan White´s) A Fuego lento (Rosana) A love that will last (Renne Oldstead) A thousand years (Cristina Perri) Again (Lenny kravitz) Ain’t no sunshine when she's gone (Bill Withers) Algo más (Quinta Estación) Alone (Heart) Amazed (Lonestar) Angel (Yuridia) Angels (Robbie Williams) Así son las Cosas (Rossana) Baby come back (Player) Baby I love your way (Big Mountain) Banana pancakes (Jack Johnson) Beautiful (Christina Aguilera) Better together (Jack Johnson) big girls don’t cry (Fergie) Billy jean (Michel Jackson) Black bird (The Beatles) Black velvet (Alana Miles) Bless the broken road (Rascal Flatts) Breathe (Faith Hill) Breathless (Corinne Baley Rae) Bubbly (Colby Cailat) By your side (Sade) Can I hold you (Tracy Chapman) Can’t take my eyes off you (Gloria Gaynor) Change the world (Eric Clapton) Colgando en tus manos (Carlos Baute) Come away (Norah Jones) Corre (Ha-Ash) Crazy (Patsy Cline) Creep (Radiohead) Cry me a river (Ella Fitzgerald) Día de Enero (Shakira) Don’t speak (No Doubt) Don’t stop believing (Journey) Don’t speak (No Doubt) El aprendiz (Malu) Empire state of mind (Alicia Keys) En su lugar (Yuridia) Entre Tus Alas (Camila) Equivocada (Thalía) Estoy enamorada (Thalía) Every breath you take (Denmark) Every body’s changing (Keane) Everything I do (Bryan Adams) Exhale (Whitney Houston) Eye in the sky (Alan Parsors) Faith (George Michael) Fallen (Lauren Wood) Falling (Alicia Keys) Falling for you (Colbie Calliat) Fast car (Tracy Chapman) Fuiste tu (Ha-Ash) Game of love (Santana) Georgia (Ray -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
George Frederick Bristow Im Magazin Klassik #7
200x307_mowo18_rk_stephansdom.qxp_Layout 1 10.10.17 17:13 Seite 1 magazin KLASSIK No. 7/Winter € 5,50 2017/ 18 MOZART WOCHE 2018 26. JÄNNER – 4. FEBRUAR www.mozarteum.at 26.01 PREMIERE 30.01., 02.02. jeweils 19.30, Haus für Mozart MOZART DIE ENTFÜHRUNG AUS DEM SERAIL KV 384 René Jacobs (Dirigent), Andrea Moses (Regie), Jan Pappelbaum (Bühne), Svenja Gassen (Kostüme), Olaf Freese (Licht), Akademie für Alte Musik Berlin, Salzburger Bachchor. Mit Robin Johannsen, Sunhae Im, Sebastian Kohlhepp, Julian Prégardien, David Steffens, Alban Berg S. 2 Musik für die Weihnachtsfeiertage S. 10 Peter Lohmeyer Konzerte Wissenschaft Museen Gottfried von Einem – zum 100. Geburtstag S. 12 Erinnerung an Rudolf Nurejew S. 16 Die Macht der Musik S. 31 fb communications Bei uns RADIO KLASSIK sind HÖRERREISE Musikalischer Höhepunkt BASKISCHES OPERNHAUS Private Banking im neuerbauten Palacio Euskalduna BILBAO 22.2. - 25.2.2018 Kunden DIE HAUPTSTADT DES BASKENLANDES – VON DER INDUSTRIERUINE ZUR LEBENDIGEN KULTURHAUPTSTADT. GEPLANTE HIGHLIGHTS herzlich Altstadt & Guggenheim Museum • • Busrundfahrt Baskenland: Besichtigung Gernika und die malerisch gelegene Kirche San Juan de Gaztelugatxe, willkommen. Getxo, der noble Vorort mit der ältesten Schwebefähre (Weltkulturerbe) Guggenheim Bilbao © Pixabay • Opernbesuch Palacio Euskalduna Richard Strauss Salome • Flug mit Austrian Airlines / Umstieg in Brüssel • Reiseleitung Dr. Helmut Pitsch / radio klassik Stephansdom PAUSCHALPREIS Suspention Bridge of Bizkaia © Basquetour inkl. Flug, 2xMittagessen, 1 Abendessen, Opernkarte, 3 ÜN Hotel Coliseo Bilbao, Tagesausflug Baskenland, Eintritt & Führung Guggenheim Museum, Altstadtführung Pauschalpreis pro Person im DZ EUR 1.295,– EZ EUR 1.405,– Zusätzliche Informationen: WWW.RADIOKLASSIK.AT San Juan de Gaztelugatxe © Basquetour PRIVATBANK SEIT 1832 Veranstalter: Mondial GmbH & Co. KG, Operng. -
1.12: He Shall, from Time to Time
The West Wing Weekly 1.12: He Shall, From Time to Time [Intro Music] HRISHI: You’re listening to The West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’re talking about episode 12 of season 1 of The West Wing “He Shall, From Time to Time.” JOSH: It was written by Aaron Sorkin and directed by Arlene Sanford. First female director of a West Wing episode. HRISHI: Is that right? JOSH: Yeah, I believe so. HRISHI: This is the only episode she directed of The West Wing. JOSH: It first aired on January 12th, 2000, so it’s the first episode of the new Millennium. Lot of firsts. Lots of meaningful firsts. HRISHI: Is it the new Millennium though, Josh? JOSH: Oh, here we — HRISHI: — or is it really the end of the 20th century? JOSH: Which episode was that from? HRISHI: That question was raised in “In Excelsis Deo.” [West Wing Episode 1.10 excerpt] TOBY: It’s not the new Millennium but I’ll just let it drop. SAM: It is. TOBY: It is not the new Millennium. The Year 2000 is the last year of the Millennium. It’s not the first year of the next one. SAM: But the common sensibility, to quote Stephen J. Gould... TOBY: Stephen J. Gould needs to look at a calendar. SAM: Gould says this is a largely unresolvable issue. TOBY: Yes, it’s tough to resolve so you’d have to look at a calendar. [end excerpt] JOSH: Ah, that’s right. -
Lessons & Carols for Advent and Christmas
Lessons & Carols for Advent and Christmas An annual celebration of traditional Christmas music and biblical texts of the season. Mark R. Orten Cash donations collected for local Dean of Spiritual charities. Please give as generously as and Religious Life your means permit. Jeff Buettner Director Sunday, December 9, 2018 Middlebury College Choir 4:00 p.m. and 7:00 p.m. Middlebury College • Mead Chapel • 1 • The Lord’s Prayer (in unison) Lessons & Carols Choir Anonymous 17th Century Hanacpachap Cussicuinin FOR ADVENT AND CHRISTMAS Peru/Andes (Quechua) Heaven’s joy! The Carillon Hannah Blake ’21 A thousand times we shall praise you. Abigail Stone ’20.5 O tree bearing blessed fruit, George Matthew Jr., College carillonneur long awaited by humankind, helper of the weak. hear our prayer! Organ Prelude Von Himmel hoch da komm ich her BWV 606 (from Orgelbüchlein) J. S. Bach (1685–1750) Hear our pleas, Sur les Flûtes: “Noël pour l’amour de Marie» Column of ivory, Mother of God, and «Chantons, je vous prie” Beautiful lily, white, Grand jeu et Duo: “Quand Dieu naquit à Noël” Receive this song we offer you, Louis-Claude Daquin (1694-1772) Come to our assistance, Ronnie Romano ’20, Organist show us the fruit of your womb. * Processional Hymn Once in Royal David’s City First Lesson Genesis 3:8–13, 22–24 (Choir & Congregation) Liz Robinson, 4:00 p.m. Associate Dean, Student Creativity, 1. (Solo: Clara Sternberg ’19) 2. (Choir) Engagement and Careers Once in royal David’s city He came down to earth from heaven Barbara Walter, 7:00 p.m. -
PARADISE LOST Release Date Pre-Order Start Believe in Nothing Uu 29/06/2018 Uu 27/04/2018
New Release Information uu June PARADISE LOST Release Date Pre-Order Start Believe In Nothing uu 29/06/2018 uu 27/04/2018 uu Digi incl. 2 bonus tracks uu advertising in many important music magazines MAY/JUN 2018 uu album reviews, interviews in all important Metal magazines in Europe’s MAY/JUN 2018 issues Price Code: CD03 uu song placements in European magazine compilations NB 4309-0 CD-Digi uu spotify playlists in all European territories (incl. 2 bonus tracks) uu retail marketing campaigns uu instore decoration: flyers, poster A1 uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a back- Price Code: LP16 NB 4309-1 LP ground on nuclearblast.de and nuclearblast.com (black in gatefold) uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release uu Tracklists: DIGI: 01. I Am Nothing 02. Mouth 03. Fader 04. Look At Me Now 05. Illumination 06. Something Real 07. Divided 08. Sell It To The World 09. Never Again 10. Control 11. No Reason 12. World Pretending Bonus: 13. -
Czech Romantic Opera Anna Moffo, the Complete RCA Recital Albums
act starting from ‘Stride le vampa’ would still be around for the later with tender strength by Bořek Rujan, a through the duet with Manrico. However, ‘Björling performance’ where he does strikingly virile-sounding baritone new to I think her finest singing is in the first not sound a great deal different. Finally, I me—one of the set’s major satisfactions scene of the following act. Captured and cannot resist mentioning the very first is hearing some unfamiliar singers threatened by the Count’s soldiers, her voice we hear on these discs—not proving themselves the equals of better- initial response is quiet and Moscona’s, but rather that of Milton known contemporaries. contemplative, rising to an exciting Cross, the inimitable presenter of Met Having said which, the prime climax as she defies her captors and broadcasts for more than 40 years. musical attractions here come from the warns of divine vengeance. As ever with Immortal Performances usual suspects. Maria Tauberová Nicola Moscona as Ferrando and there are extras. One can take for granted delivers Liduška’s brief lyric from Francesco Valentino as Di Luna were the fine sound restoration and the beautiful Dvořák’s rarely-heard Král a uhlíř both at relatively early stages in their Met booklet. There is also a musical bonus—a (‘King and Collier’) with immaculate careers and Trovatore represented their 1952 Björling broadcast containing ease and beauty of line. It is thrilling to debuts in Live Met broadcasts. Moscona several songs starting with a gorgeous ‘If I have the 15-minute fragment of would go on to give a total of more than could tell you’ and just one operatic Smetana’s last opera Viola (some way 700 performances with the company; aria—‘Nessun dorma’, a performance after Twelfth Night) inspirationally driven Valentino a mere 450! Both offer solid, comparable with his superb 1944 by Karel Ančerl.