Sounds on Cd ‘Reduced’ Gilbert and Sullivan Catalogue
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Program from the Production
STC Board of Trustees Board of Trustees Stephen A. Hopkins Emeritus Trustees Michael R. Klein, Chair Lawrence A. Hough R. Robert Linowes*, Robert E. Falb, Vice Chair W. Mike House Founding Chairman John Hill, Treasurer Jerry J. Jasinowski James B. Adler Pauline Schneider, Secretary Norman D. Jemal Heidi L. Berry* Michael Kahn, Artistic Director Scott Kaufmann David A. Brody* Kevin Kolevar Melvin S. Cohen* Trustees Abbe D. Lowell Ralph P. Davidson Nicholas W. Allard Bernard F. McKay James F. Fitzpatrick Ashley M. Allen Eleanor Merrill Dr. Sidney Harman* Stephen E. Allis Melissa A. Moss Lady Manning Anita M. Antenucci Robert S. Osborne Kathleen Matthews Jeffrey D. Bauman Stephen M. Ryan William F. McSweeny Afsaneh Beschloss K. Stuart Shea V. Sue Molina William C. Bodie George P. Stamas Walter Pincus Landon Butler Lady Westmacott Eden Rafshoon Dr. Paul Carter Rob Wilder Emily Malino Scheuer* Chelsea Clinton Suzanne S. Youngkin Lady Sheinwald Dr. Mark Epstein Mrs. Louis Sullivan Andrew C. Florance Ex-Officio Daniel W. Toohey Dr. Natwar Gandhi Chris Jennings, Sarah Valente Miles Gilburne Managing Director Lady Wright Barbara Harman John R. Hauge * Deceased 3 Dear Friend, Table of Contents I am often asked to choose my favorite Shakespeare play, and Henry IV, Parts 1 and 2 Title Page 5 it is very easy for me to answer immediately Henry IV, Parts 1 The Play of History and 2. In my opinion, there is by Drew Lichtenberg 6 no other play in the English Synopsis: Henry IV, Part 1 9 language which so completely captures the complexity and Synopsis: Henry IV, Part 2 10 diversity of an entire world. -
The Mikado Program
GENEVA CONCERTS presents TheThe MikadoMikado Albert Bergeret, Artistic Director Saturday, September 24, 2011 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2011-2012 SEASON Saturday, 24 September 2011, 7:30 p.m. New York Gilbert & Sullivan Players The Mikado Sunday, 11 December 2011, 3:00 p.m. Imani Winds A Christmas Concert This tour engagement of Imani Winds is funded through the Mid Atlantic Tours program of Mid Atlantic Arts Foundation with support from the National Endowment for the Arts. Friday, 2 March 2012, 7:30 p.m. Rochester Philharmonic Orchestra Christoph Campestrini, conductor Juliana Athayde, violin Music of Barber and Brahms Friday, 30 March 2012, 7:30 p.m. Brian Sanders’ JUNK Patio Plastico Plus Saturday, 28 April 2012, 7:30 p.m. Cantus On the Shoulders of Giants Performed at the Smith Opera House, 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Saturday, September 24, 2011 at 7:30 p.m. The Mikado or, The Town of Titipu Libretto by Sir William S. Gilbert Music by Sir Arthur Sullivan First Performed at the Savoy Theatre, London, England, March 14, 1885 Stage Direction: Albert Bergeret & David Auxier Music Director: Albert Bergeret; Asst. Music Director: Andrea Stryker-Rodda Conductor: Albert Bergeret Scenic Design: Albère Costume Design: Gail J. Wofford & Kayko Nakamura Lighting Design: Brian Presti Production Stage Manager: David Sigafoose* Assistant Stage Manager: Annette Dieli DRAMATIS PERSONAE The Mikado of Japan .....................................................................Quinto Ott* Nanki-Poo (His son, disguised as a wandering minstrel) . -
I Have a Song to Sing O! Program.Pdf
Musical Numbers With Cat-like Tread, Upon Our Prey We Steal (The Pirates of Penzance) ...........................Ensemble I Have a Song to Sing, O! (The Yeomen of the Guard) ..................... James Mills and Sarah Caldwell Smith Am I Alone and Unobserved? (Patience)............................................... James Mills A British Tar (H.M.S. Pinafore) ................................Alex Corson, Albert Bergeret, Artistic Director Matthew Wages, David Wannen I’m Called Little Buttercup Wand’ring Minstrels (H.M.S. Pinafore) .............. Angela Christine Smith in We’re Called Gondolieri (The Gondoliers) ...................................Alex Corson and Matthew Wages Take a Pair of Sparkling Eyes (The Gondoliers) ...................................Alex Corson Oh, Better Far to Live and Die (The Pirates of Penzance) ................. Matthew Wages and Men Director: James Mills When All Night Long a Chap Remains (Iolanthe) ..........................................David Wannen Music Director & Conductor: Albert Bergeret Executive Producer: David Wannen Three Little Maids From School are We (The Mikado) .............................Rebecca Hargrove, Editor: Danny Bristoll Angela Christine Smith, Sarah Caldwell Smith Sarah Caldwell Smith, Soprano The Sun, Whose Rays are All Ablaze Rebecca Hargrove, Soprano (The Mikado) ..............................Rebecca Hargrove Angela Christine Smith, Contralto Here’s a How-de-do! Alex Corson, Tenor (The Mikado) ......................................Alex Corson, James Mills, Comic Baritone James -
Asides Magazine for SALOMÉ
2015|2016 SEASON Issue 1 TABLE OF Dear Friend, CONTENTS A few years ago in New York, I had an unforgettable theatrical experience. It was Mies Julie, ® 1 Title page Yäel Farber’s adaptation of Recipient of the 2012 Regional Theatre Tony Award 3 Cast Strindberg’s play, transferring Artistic Director Michael Kahn from its acclaimed run at the Executive Director Chris Jennings 5 About STC Edinburgh Fringe Festival. Setting the text in post- Apartheid South Africa, Yaël managed to miraculously 5 About ACA re-create the visceral shock of the original play while daringly mapping its exploration of gender and social 6 The Stories Not Told class inequalities onto an unmistakably contemporary by Drew Lichtenberg landscape. I was captivated and excited. Most importantly, I admired Yaël’s ability to transform 10 Director’s Word classical texts to speak to some of the most pressing issues of our time. I was not surprised to see Yaël by Yaël Farber quickly become one of the most sought-after directors 14 Salomé as History in international theatre. Her recent production of The adapted and directed by Yaël Farber Crucible at the Old Vic in London was nominated for and Fetish an Olivier Award, the highest honor in British theatre, by Gail P. Streete and her documentary piece, Nirbhaya, on the subject of a brutal sexual assault in India, has toured the world to Performances begin October 6, 2015 20 Creating Salomé critical acclaim. Opening Night October 13, 2015 21 Cast Biographies We presented Mies Julie to Washington audiences in our Lansburgh Theatre 2013–2014 season, where it was nominated for a Helen 27 Play in Process Hayes Award for Outstanding Visiting Production. -
CARMEN DAAH Mezzo-Soprano with J. Hunter Macmillan, Piano Recorded London, January 1925 MC-6847 Kishmul's Galley (“Songs Of
1 CARMEN DAAH Mezzo-soprano with J. Hunter MacMillan, piano Recorded London, January 1925 MC-6847 Kishmul’s galley (“songs of the Hebrides”) (trad. arr. Marjorie Kennedy Fraser) Bel 705 MC-6848 The spinning wheel (Dunkler) Bel 705 MC-6849 Coming through the rye (Robert Burns; Robert Brenner) Bel 706 MC-6850 O rowan tree – ancient Scots song (trad. arr. J. H. MacMillan) Bel 707 MC-6851 Jock o’ Hazeldean (Walter Scott; trad. arr. J. Hunter MacMillan Bel 706 MC-6853 The herding song (trad. arr. Mrs. Kennedy Fraser) Bel 707 THE DAGENHAM GIRL PIPERS (formed 1930) Led by Pipe-Major Douglas Taylor. 12 pipers, 4 drummers Recorded Chelsea Town Hall, King’s Road, London, Saturday, 19th. November 1932 GB-5208-1/2 Lord Lovat’s lament; Bruce’s address – lament (both trad) Panachord 25365; Rex 9584 GB-5209-1/2 Earl of Mansfield – march (John McEwan); Lord Lovat’s – strathspey (trad); Mrs McLeod Of Raasay – reel (Alexander MacDonald) Panachord 25365; Rex 9584 GB-5210-1 Highland Laddie – march (trad); Lady Madelina Sinclair – strathspey (Niel Gow); Tail toddle reel (trad) Panachord 25370; Rex 9585 GB-5211-3 An old Highland air (trad) Panachord 25370; Rex 9585 Pipe Major Peggy Isis (solos); 15 pipers; 4 side drums; 1 bass drum. Recorded Studio No. 2, 3 Abbey Road, London, Tuesday, 26th. March 1957 Military marches – intro. Scotland the brave; Mairi’s wedding; Athole Highlanders (all trad) Par GEP-8634(EP); CapUS T-10125(LP) Pipes in harmony – intro. Maiden of Morven (trad); Green hills of Tyrol (Gioacchino Rossini. arr. P/M John MacLeod) Par GEP-8634(EP); CapUS T-10125(LP) Corn rigs – march (trad); Monymusk – strathspey (Daniel Dow); Reel o’ Tulloch (John MacGregor); Highland laddie (trad) Par GEP-8634(EP); CapUS T-10125(LP) Quick marches – intro. -
Class, Respectability and the D'oyly Carte Opera Company 1877-1909
THE UNIVERSITY OF WINCHESTER Faculty of Arts ‘Respectable Capers’ – Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron Doctor of Philosophy June 2014 The Thesis has been completed as a requirement for a postgraduate research Degree of the University of Winchester The word count is: 98,856 (including abstract and declarations.) THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS ‘Respectable Capers’: Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron This thesis will demonstrate ways in which late Victorian social and cultural attitudes influenced the development and work of the D’Oyly Carte Opera Company, and the early professional production and performance of the Gilbert and Sullivan operas. The underlying enquiry concerns the extent to which the D’Oyly Carte Opera organisation and its work relate to an ideology, or collective mentalité, maintained and advocated by the Victorian middle- classes. The thesis will argue that a need to reflect bourgeois notions of respectability, status and gender influenced the practices of a theatrical organisation whose success depended on making large-scale musical theatre palatable to ‘respectable’ Victorians. It will examine ways in which managerial regulation of employees was imposed to contribute to both a brand image and a commercial product which matched the ethical values and tastes of the target audience. The establishment of a company performance style will be shown to have evolved from behavioural practices derived from the absorption and representation of shared cultural outlooks. The working lives and professional preoccupations of authors, managers and performers will be investigated to demonstrate how the attitudes and working lives of Savoy personnel exemplified concerns typical to many West End theatre practitioners of the period, such as the drive towards social acceptability and the recognition of theatre work as a valid professional pursuit, particularly for women. -
The Best of Gilbert & Sullivan
The Best of Gilbert & Sullivan Beecham Choral Society and Royal Philharmonic Orchestra conducted by James Walker The Mikado If You Want To Know Who We Are A Wand'ring Minstrel I [Nanki-poo] – Edgar Fleet Behold the Lord High Executioner [Ko-ko] – Donald Adams I've Got a Little List [Ko-ko] – Donald Adams Comes a Train of Little Ladies Three Little Maids from School are we [Peep-bo] – Cynthia Glover [Pitti-sing] – Jean Allister [Yum-yum] – Patricia Clarke The Moon and I [Yum-yum] – Patricia Clarke Mi-ya Sa-ma, Mi-ya Sa-ma [Katisha] – Jean Allister [Mikado] – Anthony Raffell My Object All Sublime [Mikado] – Anthony Raffell For He's Gone and Married Yum-Yum The Pirates of Penzance Pour, Oh Pour the Pirate Sherry [Samuel] – Neil Howlett Oh Better Far to Live And Die [Pirate King] – Kenneth Sandford Climbing Over Rocky Mountain Oh, Is There Not One Maiden Breast [Frederic] – Edgar Fleet [Mabel] – Cynthia Glover Poor Wand'ring One [Mabel] – Cynthia Glover I Am the Very Model of a Modern Major-General [Major-general] – John Cartier When the Foeman Bares His Steel [Mabel] – Cynthia Glover [Samuel] – Neil Howlett [Sergeant] – Donald Adams A Policeman's Lot Is not a Happy One [Sergeant] – Donald Adams With Cat-Like Tread [Samuel] – Neil Howlett H. M. S. Pinafore We Sail the Ocean Blue I'm Called Little Buttercup [Mrs. Cripps (Buttercup)] – Jean Allister The Nightingale [Ralph] – Edgar Fleet A Maiden Fair to See [Ralph] – Edgar Fleet I am the Captain of the Pinafore [Captain Corcoran] – Neil Howlett Over the Bright Blue Sea Sir Joseph's Barge is Seen I Am the Monarch of the Sea [Captain Corcoran] – Neil Howlett [Cousin Hebe] – Jean Allister [Sir Joseph Porter] – Stanley Riley When I Was a Lad [Sir Joseph Porter] – Stanley Riley Things Are Seldom What They Seem [Captain Corcoran] – Neil Howlett [Mrs. -
Great American Composers Series: Carl Ruggles How to Install a Stereo Test Switch the Art of Bel Canto * How Much Should a Record Cost?
Hifi StereoReview SEPTEMBER 1966 60 CENTS GREAT AMERICAN COMPOSERS SERIES: CARL RUGGLES HOW TO INSTALL A STEREO TEST SWITCH THE ART OF BEL CANTO * HOW MUCH SHOULD A RECORD COST? 4,z, 3 3 4 it's/Wit/OW 01 cE 99L0 because it is the next best speakers, or $299.50 with 10- thing to our grand grands. At inch speakers. a small fraction of the size The 85 includes a powerful and cost. The 95 baby grand transistor amplifier, an auto- is only $369.50 with standard matic turntable and a mag- speakers, or $399.50 with op- netic cartridge to match. The tional larger speaker systems 95 has a sensitive FM -stereo for even finer bass. The 85 is tuner in addition. Everything only $269.50 with 8 -inch you need for fine stereo. The Fisher baby grand. CIRCLE NO. 24 ON READER SERVICE CARD OVERSEAS AND CANADIAN RESIDENTS PLEASE WRITETO TIMER RADIO I IONAL. INC., LONG ISLAND CITY, N.Y. 1 r PLACE 40 STAMP HERE At Fisher we don't equate performance with size. Every Fisher stereo system must be capable of producing °- FISHER RADIO CORPORATION 11-35 45th Road sound as big as the music. Long Island City, N. Y. 11101 Without compromise. And every time you turn it on. IN The Fisher baby grand is J the most recent proof of this. We call it our baby grand How to get big sound out ofasmall Fisher: N theRemarkable-howTurntable soundRemarkable, ofreproduces the most too-how a stereo magnificentthat recordarecord Garrard without capturesperformance. Automatic a hint dynamicallyofIntegralmeaningful distortion.Technically-this cueing; featuresbalanced, adjustable introducedis counterweightdue antito certain -skating by Garrard. -
Group Sales Tickets
SHAKESPEARE THEATRE COMPANY 21st Annual Table of Contents D.C.’s favorite Feature Letter from Michael Kahn 5 The Two Faces of Capital summer by Drew Lichtenberg 6 Program Synopsis 11 theatre event About the Playwright 13 Title Page 15 Cast 17 is back! Cast Biographies 18 PRESENTED BY Direction and Design Biographies 22 Shakespeare Theatre Company Tickets will be available Board of Trustees 8 online and in line! Shakespeare Theatre Company 26 Individual Support 28 Visit ShakespeareTheatre.org/FFA for more details on how to get your tickets via lottery Corporate Support 40 or at Sidney Harman Hall on the day of the Foundation and performance. Tickets for 2011–2012 Season Government Support 41 subscribers available through the Box Office Academy for Classical Acting 41 beginning July 5, 2011, at 10 a.m. For the Shakespeare Theatre Company 42 Join the Friends of Free Staff 44 JULIUS For All for tickets! Audience Services 50 Free For All would not be possible without Creative Conversations 50 CAESAR the hundreds of individuals who generously donate to support the program each year. “ Only with the help of the Friends of Free For All is STC able to offer free performances, All hail Julius Caesar! making Shakespeare accessible to … One of the best productions of this or any season.” Washington, D.C., area residents every summer. The Washingtonian In appreciation for this support, Friends of Free For All receive exclusive benefits during This Year's Production: the festival such as reserved Free For All tickets, the option to have tickets mailed in August 18–September 4 advance, special event invitations, program recognition and more. -
1970'S GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ___
1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals ____________________________________________________________________________________________________________________ 1971 Fremantle Ruddygore Verdon Williams John Milson Geoffry Binckes Town Hall (Musical) Michael Rogers Reg Warwicker Gerald Chrystal Kevin Roach Kaye Wilson Valerie Melrose Maureen Hawke Terry Burridge Karen Harwood ____________________________________________________________________________________________________________________ 1972 ? Utopia Limited Graham Wood John Milson Ron Harwood or The Flowers (Musical) Gerald Chrystal of Progress Serge Tampalini Kaye Wilson Valerie Melrose Martin Clare Clive Griffiths Malcolm Pratt Reg Warwicker Con de Vos Alfred Mountier ____________________________________________________________________________________________________________________ PR12202 1 2021 1970’s GILBERT & SULLIVAN SOCIETY of W.A. PR12202 Date Venue Title & Author Director Producer Principals June 1974 Fremantle The Sorcerer Graham Wood Anthony Howes Ronald Harwood Town Hall (Musical) Bruce Mackintosh Gregory Yurisich Rowland Lyne Reginald Warwicker Valerie Melrose Elaine Flint Sandra Devenish Terry Johnson ____________________________________________________________________________________________________________________ 11 – 20 Sept His Majesty’s The Pirates of Ian Westrip John Milson Alfred Mountier 1975 Theatre Penzance (Musical) Kaye Wilson Kevin Terry & Ron Harwood Gerald Chrystal Max Page Joe McGrandle Terry -
Gilbert and Sullivan Highlights from the Mikado and Patience Mp3, Flac, Wma
Gilbert And Sullivan Highlights From The Mikado And Patience mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Highlights From The Mikado And Patience Country: US Style: Opera MP3 version RAR size: 1628 mb FLAC version RAR size: 1118 mb WMA version RAR size: 1159 mb Rating: 4.7 Votes: 379 Other Formats: RA AAC VQF MP2 WMA MP4 APE Tracklist A Highlights From The Mikado B Highlights From Patience Credits Conductor – Isidore Godfrey Liner Notes – Robert Boas Orchestra – The New Promenade Orchestra Vocals – The D'Oyly Carte Opera Company* Vocals [D'oyly Carte Opera Company] – Alan Styler, Ann Drummond-Grant, Darrell Fancourt, Ella Halman, Joan Gillingham, Joyce Wright , Leonard Osborn, Margaret Mitchell , Martyn Green, Muriel Harding, Neville Griffiths, Peter Pratt, Richard Watson , Yvonne Dean Written-By – Gilbert And Sullivan* Notes On Labels: Made in England Sleeve printed in U.S.A. Other versions Category Artist Title (Format) Label Category Country Year Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera New Promenade Company* With The London 5087 Orchestra Conducted By 5087 Canada Unknown New Promenade Records Isidore Godfrey - Orchestra Highlights From The Conducted By Mikado And Patience Isidore Godfrey (LP, Album) Gilbert And Sullivan*, Gilbert And The D'Oyly Carte Opera Sullivan*, The Company* With The D'Oyly Carte Opera London New Promenade 5087, Company* With The Records, 5087, Orchestra Conducted By US Unknown X.5087 New Promenade London X.5087 Isidore Godfrey -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned.