presents

SUMMER FESTIVAL 2010 AT VERIZON WIRELESS AMPHITHEATER SATURDAY , J ULY 17, 2010, AT 8:00 P.M.

CIRQUE DE LA SYMPHONIE MAXIM ESHKENAZY , CONDUCTOR CIRQUE DE LA SYMPHONIE

DV ORˇ ÁK Carnival: Overture Op. 92 TCHAIKOVSKY Nutcracker Ballet: Mirlitons (1841 –1904) (1840 –1893) (Dance of the Reed Flutes) WILLIAMS Harry’s Wondrous World KABALEVSKY Overture to Colas Breugnon (b. 1932) (1904 –1987) (Kola Bryun’yon) , Op.24 BIZET Danse Boheme from Carmen, SAINT-SAËNS Danse macabre , Op.40 (1838 –1875) Suite No. 2 (1835 –1921) Les Toreadors from Carmen, RESPIGHI La boutique fantasque (The Suite No. 1 (1879 –1936) Fantastic Toy Shop) (after Rossini), KHACHATURIAN Suite from Masquerade P.120a (1903 –1978) Waltz Can-can CHABRIER España RIMSKY-KORSAKOV Danse des Bouffons (1841 –1894) Rhapsody for Orchestra (1844 –1908) SAINT-SAËNS Bacchanale, from Samson et Dalila WILLIAMS Star Wars: Episode II , Attack of the Clones : Across the Stars —INTERMISSION— RAVEL Bolero (1875 –1937)

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July 17, 2010 • Pacific Symphony A- 1 A K ID ’S GUIDE TO THE ORCHESTRA : FOR ADULTS What grown-ups should know before kids ask! By Michael Clive

Welcome to Cirque de la Symphonie! GOTTA DANCE! With fourteen exciting musical works in store, you’re in for What is it about some music that makes quite a trip. Here are some tips to help you find your way us want to clap our hands, tap our feet or around the program and the orchestra. jump up and dance? It’s the rhythm, of course. Dances energize the beat in a way CURTAIN UP that really moves us. More than half of Some overtures are written to the orchestral selections in today’s pro - introduce longer theatrical grams are dances, including these: works, such as operas or musi - cal plays; others are “concert Danse Macabre by Camille Saint- overtures” written to stand on Saëns. If Halloween had an official their own. Either way, all over - theme song, it would be this fabulously tures have one quality in com - creepy dance, which evokes the bizarre mon: they make you want to hear more… by tantalizing spectacle of skeletons bouncing like you with melodies and dramatic elements that you’ll hear marionettes. Saint-Saëns casts the spell later on, or by whetting your musical appetite with their immediately by pounding our ears high energy and virtuosic playing. Today’s overtures include: with the “forbidden” tritone interval as soon as the music starts. These two Carnival Overture by Antonin Dv oˇrák. Did someone say notes are rarely played together, and “high energy?” This overture opens with emphatic chords you don’t have to be an expert to and blazing percussion that seem to explode like fireworks. know they sound weird. In composing it, Dv oˇrák imagined a lonely traveler coming upon a festival in full swing, Valse from incidental music to and the music sketches the Masquerade by Aram joyful experience of a hectic Khachaturian. Step-two-three, day at the fair. But toward the sway-two-three… no other middle of the overture, the dance is quite as romantic as the mood changes. How do we waltz. But do you hear some - know? What do you think is thing a bit sad in this one? In happening? the play for which it was writ - ten, the heroine describes hear - Overture to Colas Breugnon by Dimitri Kabalevsky. Colas ing a new waltz with a feeling Breugnon is like an operatic pizza with everything: romance, “between sorrow and joy.” comedy, tragedy, satire, political intrigue, and revenge. Confusing? Not a bit. The overture tells audiences what to Dance of the Reed Pipes from The Nutcracker by Pyotr expect: high energy and boisterous good spirits conveyed in Ilich Tchaikovsky. In two of the dances in today’s program, thumping tempos with offbeat accents and whimsical har - toys magically come to life. This theme recurs in ballets like monies. Over the years, this overture has become more pop - Coppélia and operas like The Tales of Hoffmann , but it is ular than the opera it introduces. especially enchanting in The Nutcracker . Still, it’s worth not - ing that the sound of the reed pipes in this dance is evoked by flutes in the orchestra — and flutes are not reed instru - ments! (What are reed instruments? See our note on the following page.)

Can-Can from La boutique fantasque by Respighi/Rossini. Can you can- can? We wouldn’t suggest trying it at home. Characterized by high kicks and high energy, it scandalized the Paris nightclubs of the late 19th century, where can-can dancers did sensationally acrobatic dancing and yelled to punctuate their exertions. You can hear the exuberance of their steps in this arrangement by Ottorino Respighi of music by Giaocchino Rossini — a composer who was also a celebrity chef of his day. It is excerpted from La boutique fantasque , a ballet set in a shop where the toys come alive.

A- 2 July 17, 2010 • Pacific Symphony TAKE OUT YOUR ATLAS end. They generate sound in the same way you’d whistle Music can evoke a sense of place as distinctly through a split blade of grass. Playing a reed is simple; it just as a photograph — maybe more so, when the takes long years of studying how to blow into it while music is by a great composer who engages moving your fingers along a pipe. Here’s your guide to the our imagination. To create the works included reeds: in our Cirque de la Symphonie , a number of composers took out their staff paper and Single reed: Clarinets and saxophones are constructed with made highly atmospheric musical sketches of single reeds carved from cane. The reed’s relatively large size Spain, Bohemia, Russia, and even outer space. helps produce a thick, full-bodied tone. Listen for sinuous clarinet and saxophone solos in Ravel’s Bolero. By boldly Danse boheme from the Carmen Suite No. 2 by Georges featuring these instruments in solo passages, Ravel makes Bizet. Why put a “Bohemian” dance in an opera set in Spain? the whole orchestra sound exotic and colorful. Because in opera, music does more than just tell a story; it also reveals character. As a free-spirited gypsy girl, Carmen Double reed: Bassoons, oboes and English horns employ a is right at home with the music of Bohemia, a region in thinner, double reed that produces a narrow, focused sound today’s Czech Republic known for artistic and inde pendent even on low notes. The oboe and its longer, deeper-sound - types (as in the opera La bohème ). Though it begins softly ing cousin the English horn are often described as having a with a light, lilting rhythm, the Danse boheme grows pro - tone that is lonely or “plangent.” In fact, the English horn is gressively faster and louder… and the melody falls each sometimes called “duck-like” — but not when our soloist, time it’s repeated. What do these changes suggest to you Lelie Resnick, plays the beautiful English horn solo in about the character of Carmen? Dv oˇrák’s Carnival Overture .

Les Toreadors from the Lou Reed: Famous rock guitarist who is not on today’s program. Carmen Suite No. 1 by Georges Bizet. Set in the A BOLERO LEXICON Spanish city of Seville and the Maurice Ravel’s Bolero is not only one of the most popu - mountains outside it, Carmen lar orchestral works ever written; it is also one of the most is as descriptive as a trave - influential. Here are some Bolero-related terms you should logue. In this excerpt, bull - know: fighters are in triumphant pro - cession outside Seville’s bullring. It’s a colorful spectacle, Bolero Curse. The phenomenal global success of Bolero and the music shows every detail: the proud swagger of the bedeviled Ravel — or so he claimed, sometimes referring bullfighters… their bright costumes and regal bearing… to it as “non-music.” The problem? He felt it detracted their military precision as they march in strict formation. from the reputation of his more complex works. After all, Bolero is based upon a single theme repeated over and over Rhapsody for Orchestra from España by Emmanuel again, rather than the subtler and more intricate structure Chabrier. Like Bizet, Chabrier was a French composer who of compositions such as his Daphnis et Chloe. looked south to Spain for inspiration. In this excitingly scored rhapsody, you can hear what fascinated him: the Bolero Jacket. Do you have the broad shoulders, narrow waist bright sunshine of the Iberian peninsula, the warmth and and perfect posture of a flamenco dancer or a bullfighter? sensuality of Spanish living, and the emphatic, staccato Then you might look good in a bolero jacket, which is rhythms of Flamenco dancing. typically short-waisted and worn open — sometimes while dancing a bolero. Danse des Bouffons from The Snow Maiden by Nikolai Rimsky-Korsakov. Even at their tenderest and most lyrical, Crescendo. You probably already know that the term “crescen - like The Snow Maiden , operas based on Russian folk tales do” denotes music that gets louder in a controlled way, are tinged with the melancholy and suffused with wintry marked with a symbol that looks like a long, sideways “v”. cold. Quick — send in the ! This dance provides a But you may not have known that Ravel’s Bolero contains the jolt of comic energy that contrasts with the poignance of most famous single crescendo in all of music, sustained gradu - an allegory rooted in Russia’s endless, frigid winters. ally over a period of approximately seventeen minutes.

A WALK THROUGH THE REEDS Snare Drum. Every musical element in Bolero gradually Woodwind instruments take a prominent evolves — except for the snare drum part. The snare drum role in the music on today’s program. is the beating heart of Bolero , and its beat remains unvarying Derived from wooden pipes, some wood - from beginning to end. Its consistency and simplicity pose a winds are called “reeds” for short. The rea - challenge for any percussionist. son: even though it took centuries for today’s versions to evolve, reed instruments Michael Clive is a cultural reporter and critic who lives in the are still basically pipes with vibrating reeds stuck into one Litchfield hills of Connecticut.

July 17 2010 • Pacific Symphony A- 3 ABOUT THE ARTISTS

MAXIM ESHKENAZY ten entirely by the America for Bulgaria CIRQUE DE LA Foundation, will take place in his home - ASSISTANT CONDUCTOR , SYMPHONIE town of Sofia, and will include most of PACIFIC SYMPHONY the major Bulgarian orchestras as well as onsidered a orchestras and soloists from the United Alexander Crising star States. The Fortissimo Fest will be a cul - Streltsov is a among today's gen - tural bridge builder and Eshkenazy is Russian aerial eration of young excited to be an ambassador for the arts artist who started conductors, and integral link between the two working with Bulgarian native nations. future Cirque du Maxim Eshkenazy At the Colburn School of Performing Soleil choreogra - has been described Arts in Los Angeles, Eshkenazy is the pher Pavel Brun as a musician of interim music director and conductor for and famed produc - “vigor and intelli - the Colburn Chamber Orchestra, in er Valentin gence,” who conducts with “complete addition to his duties as an assistant con - Gneushev when he was only 12, per - assuredness and insight.” Called “charis - ductor of the Colburn Orchestra. forming on Broadway at the Gershwin matic and exciting,” by the Los Angeles Members of the Colburn Orchestra will Theater. That same year, he won the gold Times , Eshkenazy marks his third season be traveling with Eshkenazy to medal in the competition among inter - with Pacific Symphony in 2010-11, Fortissimo Fest in September 2010. national cirque artists at the prestigious where he serves as assistant conductor, Eshkenazy received his early musical Festival Mondial Du Cirque De L’Avenir leading the Family Musical Mornings training at the Sofia Conservatory before in Paris. His combination of natural series and Class Act youth concerts. He moving to the United States to pursue a strength, artistic expression, and grace also conducts and serves as the music double masters of music degree in con - sets his performance apart from other director of Pacific Symphony Youth ducting and violin performance at the aerialists. Also known as “Sasha,” he has Orchestra (PSYO); in 2011, Eshkenazy University of Southern California. performed for three Russian presidents will lead the PSYO’s first European tour He is an alumnus of several world- and the Bolshoi Ballet, numerous sym - through Bulgaria, where they will per - class conducting schools and workshops phonies in the U.S. and Europe, and form concerts in the cities of Varna, including the Pierre Monteux School in elaborate theater and stage productions Plovdiv and Sofia. Maine, and he was awarded a coveted worldwide. He has made many television Last year, with Bakersfield Youth Conductor's Fellowship to the newly appearances, such as the star-studded Symphony Orchestra, Eshkenazy com - established American Academy of ABC-TV special Christopher Reeve — A pleted a successful tour to South Korea, Conducting at the Aspen Music Festival Celebration of Hope and the PBS nation - which was received with overwhelming in the summer of 2000. wide broadcast of the Cincinnati enthusiasm by audience and press alike. Eshkenazy lives in a small bungalow Symphony Orchestra’s fourth of July cel - Eshkenazy returns to Pacific Symphony’s not far from the Pacific Ocean in ebration. Summer Festival to conduct Cirque de la Orange County, Calif., with his dog Symphonie — which fuses cirque artists Bella. He is a airplane pilot and is cur - The mind-bog - performing amazing feats against the rently working on his helicopter license. gling strength and backdrop of classical masterpieces and agility of Jarek much-loved film music; last season, his and Darek ’s “Duo summer debut with the Symphony in Design” provides collaboration with the Orange County one of the most affiliate of Susan G. Komen for the Cure powerful acts to be saw record-breaking attendance. included in Cirque The 2010-11 season also marks the de la Symphonie’s inception of Fortissimo Fest, where captivating pro - Eshkenazy will serve as music director. gram. This dynamic and exciting balanc - The newly-founded festival, underwrit - ing act consists of Jaroslaw Marciniak and

A- 4 July 17, 2010 • Pacific Symphony Dariusz Wronski, former Polish national of the audience, Vladimir’s Red From her “Master of Sports” in gymnas - hand-balancing champions. They have act features rings, balls, and tics, Elena developed into a unique and competed and performed throughout batons, and he’s even been known to graceful performer with the Big Apple Europe and the United States, winning teach the maestro a trick or two! He is a , Switzerland’s Circus Knie, and championships in Evian, France and veteran of Circus Circus, Cirque Germany’s Circus Roncalli. Her combi - Sarasota, Florida. Over the past few years, Ingenieux, and various Cirque de la nation of , balance, and grace - these prolific performers have thrilled Symphonie performances. Tsarkov grad - ful dance moves has made her a major audiences at several NBA halftimes, uated from Russia’s prestigious State star with Cirque de la Mur in Florida , Circus Circus, Busch College of Circus and Theater Arts and and Circus Circus in Las Vegas. Gardens, and the national tour of Cirque won the gold medal at the Cirque de Ingenieux. Demain International Festival in France. Larissa Sherman graduated from the Aloysia Gavre is Christine Van Circus School of another incredible Loo is a 7-time Ukraine, specializ - aerial performer consecutive ing in the art of from the Ecole national champi - with National de Cirque, on, female hoops. She was Montreal, with Olympic athlete of also trained in the early training from the year, and ath - aerial disciplines of Master Lu-Yi and lete of the decade web, fabric and the Pickle Family in acrobatic gym - static trapeze. Voted “Best New Circus School. Her nastics. She was Performer,” Sherman won first place in aerial acrobatics and graceful maneuvers inducted into the USSA (acro-gymnastics) the Russian Circus Festival, and then on the , suspended high above hall of fame and the World Acrobatics traveled the world with the Moscow the stage, add three-dimensional excite - Society gallery of honor. As a profession - State Circus and Circo Americano in ment to the symphony and the music al aerialist and acrobat, she has performed Europe. She rose to international fame as hall. Gavre was the special prize winner in the 2002 Winter Olympics, at two a member of Cirque du Soleil’s Balagan at the International Circus Festival in Grammy Awards (with No Doubt and and with other productions such as Monte Carlo. A veteran of stage and the - Ricky Martin), at the American Music Circus America, Dreamcast Productions’ ater performances worldwide, Gavre is Awards (with Aerosmith), the Miss Fire and Ice show, and Cirque Le Masque. best known as a veteran of Cirque du Universe pageant, and Paul McCartney’s She has been in great demand for spe - Soleil’s Quidam and O. Her five years European tour. She choreographed the cialty performances, such as the opening with Quidam established her as one of aerials for Britney Spears’ world tour and of Broadway’s The Lion King , the Latin the best aerial artists in the world, and the Stars on Ice U.S. tour. Van Loo pro - Music Awards show, the Victoria’s Secret today she shares that experience with vides spellbinding performances of static fashion show, Good Morning Berlin in others as choreographer for Cirque silks, aerial hoop, and duo trapeze with Germany, and other events around the Mechanics and Troupe Vertigo and as Cirque de la Symphonie. world. director of Cirque School in Los Angeles. Elena Tsarkova, the “Lady in Vladimir Tsarkov White,” is a gradu - provides a spell- ate of the famed binding perform - Moscow Circus ance with combi - School and first- nations of mime place winner of and feats. the prestigious A favorite of the National Russian younger members Circus Festival.

July 17, 2010 • Pacific Symphony A- 5 KATHARINE McPHEE Thursday –Saturday, March 17-19, 2011, 8 p.m. POPS! Richard Kaufman, conductor 2010-2011 The “American Idol” runner up who amazed audi - ences with her heart-stirring rendition of “Over the Rainbow,” Katharine McPhee continues her evolu - THE THREE PHANTOMS tion into a pop music superstar! Fans cheer as she Thursday –Saturday, October 28-30, 8 p.m. effortlessly crosses boundaries to deliver songbook Richard Kaufman, conductor standards, catchy pop tunes, musical theater Craig Schulman • Kevin Gray • Brad Little favorites, powerful ballads and soulful blues. For Just in time for Halloween, an evening of Broadway these Orange County shows, she is backed by the magic that combines the cachet of “The Phantom lush melodies of a full symphony orchestra for the of the Opera” with three extraordinary performers first time. The lighter side of who have played that title role. In addition to soaring melodies from Andrew Lloyd Webber’s WITH FULL -LENGTH FEATURE FILM Pacific Symphony: phenomenon (now the longest-running musical on THE WIZARD OF OZ Hear the magic of Pacific Broadway), the concert includes blockbusters from Thursday –Saturday, April 7-9, 2011, 8 p.m. Symphony in the talented “Les Misérables,” “Miss Saigon,” “Guys and Richard Kaufman, conductor Dolls,” “Nine” and much more! hands of Principal Pops A symphonic night at the movies! One of the most Conductor Richard beloved films of all time comes to our big screen, lov - CHRISTMAS WITH ANDY WILLIAMS ingly restored. On stage, the gifted musicians of Pacific Kaufman. Big names. Thursday –Saturday, December 16-18, 8 p.m. Symphony perform the timeless soundtrack live. Great shows. And some Richard Kaufman, conductor of the most treasured Still thrilling audiences more than 40 years after JIM BRICKMAN songs and genres of our his debut, Andy Williams has crooned his way into Thursday –Saturday, May 12-14, 2011, 8 p.m. time. the hearts of multiple generations. His quintessen - Richard Kaufman, conductor tial interpretation of “It’s the Most Wonderful Time of the Year” highlights our Pops Christmas “America’s romantic piano sensation,” Jim special, which also features other Williams’ hits Brickman has become the best-selling solo piano including “Moon River,” “Music to Watch Girls artist of our time with his catchy, heart-tugging By,” “Can’t Get Used to Losing You” and “Days love songs. His signature style of playing and of Wine and Roses.” songwriting has brought him two Grammy nods, six Gold and Platinum albums, and 28 charted adult radio hits. Program includes “After All These VALENTINE’S DAY with NATALIE COLE Years” and “The Gift.” Thursday –Saturday, February 10-12, 2011, 8 p.m. Richard Kaufman, conductor THE MUSIC OF BOND. JAMES BOND. Just in time for Valentine’s Day, an “Unforgettable” Thursday –Saturday, June 16-18, 2011, 8 p.m. concert featuring the incredible Natalie Cole, backed Carl Davis, conductor by a full symphony orchestra. Warm, tender and heartfelt, her singing preserves the treasured stan - A night of intrigue, espionage and glamour. Come dards made famous by her father, while adding her dressed as your favorite Bond character while own touches of jazz, swing, soul and pop. Pacific Symphony explores the cool soundtracks that accompany the cool gadgets in the iconic “007” films. Enjoy hits from “Goldfinger,” “From Russia with Love,” “Thunderball,” “Casino Royale,” “Diamonds Are Forever,” “Live and Let Die” and other films. ABOUT PACIFIC SYMPHONY

Pelli with acoustics by the late Russell named the Symphony as one of five innovative Johnson.“Pacific Symphony is rising to meet orchestras to be profiled in an in-depth study. the ambitions of its new home”— The New The orchestra has commissioned such leading CARL ST.CLAIR York Times . In September 2008, the Symphony composers as Michael Daugherty, James Pacific Symphony, which celebrated its debuted the hall’s stunning new 4,322-pipe Newton Howard, Paul Chihara, Philip 30th anniversary in the 2008-09 season, is led William J. Gillespie Concert Organ. Glass,William Bolcom, Daniel Catán,William by Music Director Carl St.Clair, who marked In 2005–06, the Symphony not only made Kraft,Tobias Picker, Frank Ticheli, and Chen his 20th anniversary with the orchestra during its debut appearance in Walt Disney Concert Yi, who composed a cello concerto in 2004 2009-2010. The largest orchestra formed in Hall in Los Angeles by special invitation from for Yo-Yo Ma. The Symphony has also com - the United States in the last 40 years, Pacific the League of American Orchestra’s 2006 missioned and recorded An American Requiem , Symphony is recognized as an outstanding National Conference, but also embarked on by Richard Danielpour, on the Reference ensemble making strides on both the national its first European tour. Performing in nine Recordings label in 2002, and Elliot and international scene as well as in its own cities in three countries, the Symphony Goldenthal’s Fire Water Paper:A Vietnam Oratorio burgeoning cultural community of Orange received rave reviews—22 in all—expanding with Yo-Yo Ma for SONY Classical. County. The orchestra paid tribute to St.Clair’s its reach to an international level. The Symphony’s award-winning education milestone in 2009–10 with a significant and The Symphony offers moving musical programs are designed to integrate the celebratory season featuring inventive, forward - experiences with repertoire ranging from the Symphony and its music into the community thinking projects. These included the launch great orchestral masterworks to music from in ways that stimulate all ages and form of a new series of multi-media concerts called today’s most prominent composers, highlight - meaningful connections between students and “Music Unwound,” featuring new visual ed by the annual American Composers the organization. St.Clair actively participates elements, varied formats and more to high - Festival. The Wall Street Journal said, “Carl in the development and execution of these light great masterworks. St.Clair, the Pacific Symphony’s dynamic programs. The orchestra’s Class Act residency In addition to classical music, Principal music director, has devoted 19 years to build - program has been honored as one of nine Pops Conductor Richard Kaufman leads a ing not only the orchestra’s skills but also the exemplary orchestra education programs in spectacular Pops season in 2010-11—one of audience’s trust and musical sophistication— the nation by the National Endowment for the most elaborate ever, starring some of the so successfully that that they can now present the Arts and the League of American world’s leading entertainers and enhanced by some of the most innovative programming in Orchestras. Added to Pacific Symphony Youth a state-of-the-art high-definition video and American classical music to its fast-growing, Orchestra on the list of programs in 2007-08 sound system. Each season also includes a rapidly diversifying community.” were Pacific Symphony Youth Wind Ensemble three-concert chamber music series and With a vision for the future, the Symphony and Pacific Symphony Santiago Strings. “Classical Connections,” which offers an inti - is dedicated to developing and promoting The Symphony has played a central role mate exploration of selected works hosted by today’s young and established composers and in the phenomenal growth of the performing St.Clair. And rising star Assistant Conductor expanding the orchestral repertoire. This com - arts in Orange County. Presenting more than Maxim Eshkenazy brings a new energy to mitment to new works is illustrated through 100 concerts a year and a rich array of the highly popular Family series—featuring the Symphony’s commissions and recordings, education and community programs, the holiday favorites and a number of new con - in-depth explorations of American artists and Symphony touches more than 275,000 cert programs designed for families—as well themes at the American Composers Festival. Orange County residents—from school as the Pacific Symphony Youth Orchestra. The Symphony’s innovative approaches to children to senior citizens. In addition to its It was at the start of the 2006–07 season introducing new works to audiences received winter home, the Symphony presents a that the orchestra first moved into the Renée the prestigious ASCAP Award for summer outdoor series at Irvine’s Verizon and Henry Segerstrom Concert Hall, an Adventuresome Programming in 2005. In Wireless Amphitheater, the organization’s acoustical gem designed by architect Cesar 2009, the League of American Orchestras summer residence since 1987.

July 17, 2010 • Pacific Symphony A- 7 CARL ST.CLAIR , MUSIC DIRECTOR William J. Gillespie Music Director Chair

RICHARD KAUFMAN , PRINCIPAL POPS CONDUCTOR Hal and Jeanette Segerstrom Family Foundation Principal Pops Conductor Chair

MAXIM ESHKENAZY , ASSISTANT CONDUCTOR Mary E. Moore Family Assistant Conductor Chair

FirsT Violin Viola piccolo Bass TromBone Raymond Kobler Robert Becker,* Cynthia Ellis Robert Sanders Concertmaster, Catherine and James Emmi Eleanor and Michael Gordon Chair oBoe TuBa Chair Carolyn Riley Jessica Pearlman,* James Self * Paul Manaster John Acevedo Sue Radford Chair Associate Concertmaster Luke Maurer Deborah Shidler Timpani Jeanne Skrocki Meredith Crawford Todd Miller* Assistant Concertmaster Julia Staudhammer englisH Horn Nancy Coade Eldridge Joseph Wen-Xiang Zhang Lelie Resnick percussion Christine Frank Pamela Jacobson Robert A. Slack* Kimiyo Takeya Cheryl Gates clarineT Cliff Hulling Ayako Sugaya Margaret Henken Benjamin Lulich,* Ann Shiau Tenney The Hanson Family Harp Maia Jasper cello Foundation Chair Mindy Ball* Robert Schumitzky Timothy Landauer* David Chang Michelle Temple Agnes Gottschewski Kevin Plunkett** Dana Freeman John Acosta Bass clarineT piano/celesTe Grace Oh Robert Vos Joshua Ranz Sandra Matthews* Jean Kim László Mezö Angel Liu Ian McKinnell Bassoon personnel manager Shalini Vijayan M. Andrew Honea Rose Corrigan* Paul Zibits Waldemar de Almeida Elliott Moreau second Violin Jennifer Goss Andrew Klein liBrarians Bridget Dolkas* Rudolph Stein Allen Savedoff Russell Dicey Jessica Guideri** Brent Anderson Yen-Ping Lai Bass conTraBassoon Yu-Tong Sharp Steven Edelman* Allen Savedoff producTion/sTage manager Ako Yamaguchi Douglas Basye** Libby Farley Ovsep Ketendjian Christian Kollgaard FrencH Horn assisTanT Linda Owen David Parmeter Keith Popejoy* sTage manager Phil Luna Paul Zibits Mark Adams Will Hunter MarlaJoy Weisshaar David Black James Taylor** Robin Sandusky Andrew Bumatay Russell Dicey * Principal Alice Miller-Wrate Constance Deeter ** Assistant Principal Xiaowei Shi TrumpeT The musicians of Pacific FluTe Barry Perkins* Sharon O’Connor Tony Ellis Symphony are members of Cynthia Ellis David Wailes the American Federation of Musicians, Local 7.

TromBone Michael Hoffman* David Stetson

A- 8 July 17, 2010 • Pacific Symphony