National Acrobats of China
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Monday Tuesday Wednesday Thursday Friday Saturday Swinging Trapeze 1000-01 2:30-3:30PM Swinging Trapeze 1000-02 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Swinging Trapeze 1000-02 2:45-3:30PM Swinging Trapeze 1000-01 2:15-3:15PM 9:00 AM Wings 0000-01 2:30-3:45PM Cloud Swing 1000-01 2:30-3:00PM Revolving Ladder 1000-01 3:15-4:00PM Double Trapeze 0100-04 3:30-4:15PM Duo Trapeze 0100-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM 3:00 Mexican Cloud Swing 0100-02 3:30-4:15PM Pas de Deux 0000-01 3:00-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Handstands 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Double Trapeze 0100-02 3:15-4:00PM Triangle Trapeze 1000-01 3:30-4:15PM Chair Stacking 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Duo Trapeze 0100-02 3:30-4:15PM Static Trapeze 1000-01 4-Girl Spinning Cube 0000-01 3:30-4:00PM Mini Hammock 0000-02 Handstands 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 High Wire 1000-01 Stilt Walking 1000-01 3:30-4:25PM Toddlers 0200-03 ages 3-4 Mexican Cloud Swing 0100-02 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Stilt Walking 1000-01 3:30-4:25PM Trampoline 0000-04 ages 6-9 Swinging Trapeze 0100-01 3:30-4:15PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM 4:00 PM 4:00 4-Girl Spinning Cube 1000-01 3:45-4:30PM Circus Spectacle 0100-01 Pas de Deux -
An Investigation Into Decision Training As a Cognitive Approach to Circus Training
Edith Cowan University Research Online Theses: Doctorates and Masters Theses 2016 Pedagogy in performance: An investigation into decision training as a cognitive approach to circus training Jonathan Burtt Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses Part of the Cognitive Psychology Commons, and the Theatre and Performance Studies Commons Recommended Citation Burtt, J. (2016). Pedagogy in performance: An investigation into decision training as a cognitive approach to circus training. https://ro.ecu.edu.au/theses/1778 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses/1778 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: • Copyright owners are entitled to take legal action against persons who infringe their copyright. • A reproduction of material that is protected by copyright may be a copyright infringement. • A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Use of Thesis This copy is the property of Edith Cowan University. However the literary rights of the author must also be respected. If any passage from this thesis is quoted or closely paraphrased in a paper or written work prepared by the user, the source of the passage must be acknowledged in the work. -
Circus Friends Association Collection Finding Aid
Circus Friends Association Collection Finding Aid University of Sheffield - NFCA Contents Poster - 178R472 Business Records - 178H24 412 Maps, Plans and Charts - 178M16 413 Programmes - 178K43 414 Bibliographies and Catalogues - 178J9 564 Proclamations - 178S5 565 Handbills - 178T40 565 Obituaries, Births, Death and Marriage Certificates - 178Q6 585 Newspaper Cuttings and Scrapbooks - 178G21 585 Correspondence - 178F31 602 Photographs and Postcards - 178C108 604 Original Artwork - 178V11 608 Various - 178Z50 622 Monographs, Articles, Manuscripts and Research Material - 178B30633 Films - 178D13 640 Trade and Advertising Material - 178I22 649 Calendars and Almanacs - 178N5 655 1 Poster - 178R47 178R47.1 poster 30 November 1867 Birmingham, Saturday November 30th 1867, Monday 2 December and during the week Cattle and Dog Shows, Miss Adah Isaacs Menken, Paris & Back for £5, Mazeppa’s, equestrian act, Programme of Scenery and incidents, Sarah’s Young Man, Black type on off white background, Printed at the Theatre Royal Printing Office, Birmingham, 253mm x 753mm Circus Friends Association Collection 178R47.2 poster 1838 Madame Albertazzi, Mdlle. H. Elsler, Mr. Ducrow, Double stud of horses, Mr. Van Amburgh, animal trainer Grieve’s New Scenery, Charlemagne or the Fete of the Forest, Black type on off white backgound, W. Wright Printer, Theatre Royal, Drury Lane, 205mm x 335mm Circus Friends Association Collection 178R47.3 poster 19 October 1885 Berlin, Eln Mexikanermanöver, Mr. Charles Ducos, Horaz und Merkur, Mr. A. Wells, equestrian act, C. Godiewsky, clown, Borax, Mlle. Aguimoff, Das 3 fache Reck, gymnastics, Mlle. Anna Ducos, Damen-Jokey-Rennen, Kohinor, Mme. Bradbury, Adgar, 2 Black type on off white background with decorative border, Druck von H. G. -
Linguistic Variation of the American Circus
Abstract http://www.soa.ilstu.edu/anthropology/theses/burns/index.htm Through the "Front Door" to the "Backyard": Linguistic Variation of the American Circus Lisa Burns Illinois State University Anthropology Department Dr. James Stanlaw, Advisor May 1, 2003 Abstract The language of circus can be interpreted through two perspectives: the Traditional American Circus and the New American Circus. There is considerable anthropological importance and research within the study of spectacle and circus. However, there is a limited amount of academic literature pertaining to the linguistics and semiotics of circus. Through participant observation and interviewing, of both circus and non-circus individuals, data will be acquired and analyzed. Further research will provide background information of both types of circuses. Results indicate that an individual's preference can be determined based on the linguistic and semiotic terms used when describing the circus. Introduction Throughout my life, I have always been intrigued by the circus. As a result, I joined the Gamma Phi Circus, here at Illinois State University, in order to obtain a better understanding of circus in our culture. A brief explanation of the title is useful in understanding my paper. I chose the title "Through the 'Front Door' to the 'Backyard'" because "front door" is circus lingo for the doors that a person goes through on entering the tent. The word "backyard" refers to the area in which behind the tent where all the people in the production of the circus park their trailers. This title encompasses the range of information that I have gathered from performers, to directors, to audience members. -
2018 Was MAGNIFICENT and We Welcome 2019! Looking Back on Last Year Gets Me Lost with Everything We Accomplished
01 2019 WINTER/SPRING WWW.SANDIEGOCIRCUSCENTER.ORG FROM THE RINGMASTER UPCOMING EVENTS GET TO KNOW WHAT’S NEW FROM THE RINGMASTER 2018 was MAGNIFICENT and we welcome 2019! Looking back on last year gets me lost with everything we accomplished. We produced two successful shows, Jubilee and ParaSoul, and offered amazing summer camps and intensives. We also had to say goodbye to some of our preparatory students as they continue their circus journey, but we also welcomed new students, new talents and new prospects. Moving into 2019 is a big step, with our plans for this year, but with the continued community support we feel that SDCC will continue to thrive and push the bar. We are excited to announce our relationship with Cirque du Soleil and their support to assist us in furthering our circus artistry. This summer will be the start of that relationship! All of our success could not happen without the community, students, support staff and teachers. Thank you for your continued trust and forward thinking. ONWARD! UPCOMING EVENTS UPCOMING STUDENT SHOUT OUTS PARASOUL RECAP Matt and Liz performed in Vancouver : Hosting SeaWorld Auditions Jan 11 Russian Bar and H2H w/ Blink Acro BIG THANK YOU TO THE CAST AND CREW Viva Festival : April 17th to 21st Elijah, Nikki, John, & Derrick OF PARASOUL. WHAT AN AMAZING performed collaboratively in Colorado RUN OF SOLD OUT SHOWS! Jubilee : May 24th, 25th & 26th Mark, Ava & Lindsey performed at a corporate event for HOSTING AYCO BIENNIAL FESTIVAL Feeding San Diego (AUG 14TH - 18TH) SUMMER CAMPS Kelsi doubled for Susan Graham 1ST SAN DIEGO CIRCUS FESTIVAL June 17 – 21 in the LA Opera’s production (AUG 18TH TO 24TH) June 24 – 29 of Hansel & Gretel July 8 – 12 July 15 – 19 Garrett performed for Cirque July 22 – 27 Mechanics, Santa’s Circus and July 29 – Aug 2 Fern Street Circus Aug 5 – 9 2050 HANCOCK STREET SUITE A. -
Monday Tuesday Wednesday Thursday Friday Saturday Cloud
Monday Tuesday Wednesday Thursday Friday Saturday Cloud Swing 1000-01 2:30-3:00PM Swinging Trapeze 1000-01 2:00-3:00PM Hammock 0200-02 3:00-3:30PM Double Trapeze 0100-04 3:30-4:15PM Swinging Trapeze 1000-02 2:45-3:30PM 9:00 AM Wings 0000-01 2:30-3:45PM Pas de Deux 0000-01 3:00-4:00PM Revolving Ladder 1000-01 3:15-4:00PM Handstands 1000-01 3:30-4:15PM 4-Girl Spinning Cube 0000-01 3:15-4:00PM Flying Trapeze 0000-02 3:00 PM Swinging Trapeze 1000-02 2:45-3:30PM Double Trapeze 0100-02 3:15-4:00PM Swinging Trapeze 0100-02 3:15-4:00PM Chair Stacking 1000-01 Duo Trapeze 0100-01 3:15-4:00PM Globes 0000-01 Swinging Trapeze 0100-01 3:30-4:15PM Duo Trapeze 0100-02 3:30-4:15PM Double Trapeze 0100-04 3:30-4:00PM Static Trapeze 1000-01 Triangle Trapeze 0100-02 3:15-4:00PM Low Casting Fun 0000-04 4-Girl Spinning Cube 1000-01 3:45-4:30PM Handstands 1000-01 Triangle Trapeze 1000-01 3:30-4:15PM Duo Trapeze 0100-03 3:30-4:15PM Mini Hammock 0000-02 High Wire 1000-01 Manipulation Cube 0000-01 3:30-4:00PM Star 0100-01 Pas de Deux 0100-01 Toddlers 0200-03 ages 3-4 Swinging Trapeze 0100-01 3:30-4:15PM Acrobatics 0205-01 ages 10+ Triangle Trapeze 1000-01 3:30-4:15PM Double Trapeze 0100-04 3:30-4:15PM Duo Hoops 1000-01 4:00-4:30PM Trampoline 0000-04 ages 6-9 4-Girl Spinning Cube 1000-01 3:45-4:30PM Bungee Trapeze 0300-01 Cloud Swing 0100-02 4:00-4:30PM Handstands 1000-01 3:30-4:15PM Swinging Trapeze 1000-01 4:15-5:00PM 4:00 PM Swinging Trapeze 0000-01 4:15-5:00PM Girls' Master Intensive 0000-01 Pas de Deux 0000-01 4:15-5:15PM Manipulation Cube 0000-01 4:15-5:00PM -
Der Zirkus-Event Des Monats / Le Cirque Du Mois Diese Woche
ll DIE GRÖSSTE ZEITUNG LE PLUS GRAND JOURNAL DER REGION DE LA RÉGION AUFLAGE: 100 500 TIRAGE: 100 500 ERSCHEINT JEDEN PARAÎT CHAQUE MERCREDI/JEUDI MITTWOCH/DONNERSTAG DANS TOUS LES MÉNAGES IN ALLEN HAUSHALTEN BIELS UND DES DE LA RÉGION BIENNE- SEELANDES UND DES BERNER JURAS. JURA BERNOIS-SEELAND. HERAUSGEBER: CORTEPRESS BIEL ÉDITEUR: CORTEPRESS BIENNE 032 327 09 11 / FAX 032 327 09 12 032 327 09 11 / FAX 032 327 09 12 INSERATE: BURGGASSE 14 E ANNONCES: RUE DU BOURG 14 032 329 39 39 / FAX 032 329 39 38 11./12. SEPTEMBER 2019 WOCHE 37 42. JAHRGANG / NUMMER 37 11/12 SEPTEMBRE 2019 SEMAINE 37 42 ANNÉE / NUMÉRO 37 032 329 39 39 / FAX 032 329 39 38 INTERNET: http://www.bielbienne.com KIOSKPREIS FR. 2.– INTERNET: http://www.bielbienne.com Die andere Zeitung L’autre journal DIESE WOCHE: CETTE SEMAINE: Bieler Guggenmusigen nin Festlaune: Die Harlekin (Bild) feiert ihr 50-Jahr- und die Lämpe ihr 40-Jahr-Jubiläum. Die Ge- burtstagsparty steigt in der «Dispo» in Nidau. Seite 2. Les cliques n «Harlekin» et «Lämpe» fêtent leurs 50 et 40 ans ensemble à la Dispo de Nidau. Page 2. Für die ehemalige n Bieler Stadtratspräsi- dentin Monique Esseiva Unaufhaltsamer Aufstieg: Rolf Schädeli et Enrico Brogini steht fest: Minderheiten Rolf Schädeli und Enrico Brogini muss Respekt entgegenge- ont à nouveau attiré des artistes bracht werden. Seite 9. gelang es erneut, für das populaires et légendaires aux Festival «Christmas Sessions» prochaines Christmas Sessions Monique Esseiva, in Biel hochkarätige Stars à Bienne. Page 3. n ancienne parlemen- zu verpfl ichten. -
Contents About the Performers the National Acrobats of the People's
The National Acrobats of the People's Republic of China Teacher Guide October 21, 2011 http://www.cami.com/?webid=1928 Contents About the Performers About the Art Form History of Chinese Acrobatics Facts About China Learning Activities Resources About the Performers ŝƌĞĐƚĨƌŽŵĞŝũŝŶŐ͕dŚĞEĂƚŝŽŶĂůĐƌŽďĂƚƐŽĨdŚĞWĞŽƉůĞ͛ƐZĞƉƵďůŝĐŽĨŚŝŶĂ;ŚŝŶĂEĂƚŝŽŶĂůĐƌŽďĂƚŝĐdƌŽƵƉĞͿǁĂƐƚŚĞĨŝƌƐƚ EĂƚŝŽŶĂůWĞƌĨŽƌŵŝŶŐƌƚƐdƌŽƵƉĞĞƐƚĂďůŝƐŚĞĚďLJƚŚĞŐŽǀĞƌŶŵĞŶƚŽĨƚŚĞWĞŽƉůĞ͛ƐZĞƉƵďůŝĐŽĨŚŝŶĂŝŶϭϵϱϬ͘/ƚŚĂƐƉĞƌĨŽƌŵĞĚ intensively throughout the world annually around the globe. The Company's repertoire includes a myriad of International and National Gold Prize winning Acts, such as "Slack Wire" (Presidential Gold Award at the 24th Cirque de Demain Festival in Paris), "Diabolo" (Presidential Gold Award at the 26th Cirque de Demain Festival in Paris), "Pagoda of Bowls" (Golden Clown Award at ƚŚĞϮϴƚŚDŽŶƚĞĂƌůŽ/ŶƚĞƌŶĂƚŝŽŶĂůŝƌĐƵƐ&ĞƐƚŝǀĂůͿĂŶĚĂŵŽŶŐŽƚŚĞƌƐ͘dŚĞŽŵƉĂŶLJ͛ƐĐƚƐŚĂǀĞƌĞĐĞŝǀĞĚƐĞŶƐĂƚŝŽŶĂůƌĞŝǀŝĞǁƐ ďŽƚŚĂƚŚŽŵĞĂŶĚĂďƌŽĂĚĨŽƌŶƵŵďĞƌƐƐƵĐŚĂƐ͞ŚŝŶĂ^ŽƵů͕͟͞ZĞǀĞƌŝĞ͕͟͞ĐƌŽďĂƚŝĐ^ƉĞĐƚĂĐƵůĂƌ͟ĂŶĚ͞^ƉůĞŶĚŝĚ͘͟ Based in Beijing, China, the Company owns a large Institution for Acrobatic Schooling, Training and Repertoire. The Institution has over 150 Acrobatic resident performers and over 500 Acrobatic Students of all ages. Funded by a special grant from the Beijing Municipality, the Company invests each year in new productions as well as acrobatic science research and creation in addition to the training facilities of the center, which with its dedication to improvement of and renewing of Acrobatic standards has become -
Dust Palace Roving and Installation Price List 2017
ROVING AND INSTALLATION CIRQUE ENTERTAINMENT HAND BALANCE AND CONTORTION One of our most common performance installations is Hand Balance Contortion. Beautiful and graceful this incredible art is mastered by very few, highly skilled performers. Roving or installation spots are only possible for 30 mins at a time and are priced at $950+gst per performer. ADAGIO AND ACROBATICS Adagio, hand to hand, balance acrobatics and trio acro are all ways to describe the art of balancing people on people. Usually performed as a couple this is the same as hand balance contortion in that it’s only possible for 30 minute stints. Roving or installation can be performed in any style and we’re always happy to incorporate your events theme or branding into the theatrics around the skill. Performers are valued at $950+gst per 30 minute slot. MANIPULATION SKILLS Manipulation skills include; Hula Hoops, Juggling, Cigar boxes, Diabolo, Chin Balancing, Poi Twirling, Plate Spinning and Crystal Ball. As a roving or installation act these are fun and lively, bringing some nice speedy movement to the room. All are priced by the ‘performance hour’ which includes 15 minutes break and range between $400+gst and $700+gst depending on the performer and the skill. Some performers are capable of character work and audience interaction. Working these skills in synchronisation with multiple performers is a super cool look. Most of these skills can be performed with LED props. EQUILIBRISTICS aka balance skills The art of balancing on things takes many long hours of dedication to achieve even the most basic result. -
Fedec Fédération Européenne Des Écoles De Cirque Professionnelles the Fedec 3
THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB FEDEC FÉDÉRATION EUROPÉENNE DES ÉCOLES DE CIRQUE PROFESSIONNELLES THE FEDEC 3 PREAMBLE 4 OBJECTIVES AND FINDINGS OF SURVEY 6 INTRODUCTION 7 The landscape – requirements and resources 7 Sources? 8 Methodological issues 9 FIRST PART 10 SOME REFERENCE POINTS 11 QUESTIONS OF PRINCIPLE 15 SECOND PART 18 TYPOLOGIES OF SETTINGS 19 QUESTIONNAIRE 25 - Inventory 25 - Objectives 26 - Analysis 26 - Expectations 27 THIRD PART 34 Transmission and validation 35 CONCLUSION 39 RECOMMENDATIONS 41 APPENDIX 45 Questionnaire used in survey 45 Students from the schools of the European Federation under contract in classic or contemporary circus businesses 47 ACKNOWLEDGEMENTS 49 This project has been funded with support from the European Commission. This publication refl ects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. THE CIRCUS ARTIST TODAY ANALYSIS OF THE KEY COMPETENCES PERFORMANCE WITHOUT SPIRIT OR SPIRIT WITHOUT PERFORMANCE? WHAT TYPE OF TRAINING IS NEEDED TODAY FOR WHAT TYPE OF ARTIST AND IN WHAT FIELD OF ACTIVITY? PASCAL JACOB 1 2 THE FEDEC Created in 1998, the European Federation of Professional Circus Schools (FEDEC) is a network that is comprised of 38 professional circus schools located in 20 different countries (Albania, Australia, Belgium, Canada, Chile, Colombia, Denmark, Finland, France, -
Tuesday and Wednesday, February 6 & 7, 2007
Tuesday and Wednesday, February 6 & 7, 2007 Fine Arts Center Concert Hall PRODUCTIONS ÉLOIZE, COLUMBIA ARTISTS MANAGEMENT LLC AND NEDERLANDER PRESENTATIONS, INC.. present Starring artists-acrobats-singers-dancers Jocelyn Bigras, Oksana Burliy, Jean-Philippe Cuerrier, Stéphane Gentilini, Catherine Girard, Krin Maren Haglund, Sandrine Merette, Nadine Louis, Bartlomiej Pankau, Jonas Woolverton, Jacek Wyskup Set Design Dolores Heredia Guillaume Lord Moving lights programming Costume Design Nicolas Descoteaux Mérédith Caron Make up Design Lighting Design Suzanne Trépanier Martin Labrecque Assistant Director Head Trainer Roch Jutras Krzysztof Soroczynski Assistant Director & Stage Manager Music Composer & arrangements on recorded Patrick Loubert soundtrack Creative Producer Maria Bonzanigo Julie Hamelin Music Composer & arrangements for live music General Manager Lucie Cauchon Jeffrey M. Markowitz Lyrics Executive Producers Daniele Finzi Pasca Jean-Jacques Cesbron Creator & Trainer for “Roue Cyr” act Julie Hamelin Daniel Cyr Cirque Éloize’s artistic direction Acting Preparation Jeannot Painchaud The duration of the performance is two hours including intermission. The use of any recording device, either video or audio, and the taking of photographs, either with or without flash, is strictly prohibited Sponsored by Bank of America, El Dialogo, WRNX 100.9 and Hampshire Hospitality Group SCENES Cirque Éloize Rain Prologue Tumbling Juggling Banquine & Russian Bar Strong Women Shoes Strong Men Duo Trapeze Juggling Bottles Roue Cyr Teeterboard INTERMISSION -
2009-2010 Circus Classes Pre-Requisites
THE GREAT ALL-AMERICAN YOUTH CIRCUS 2017-2018 Circus Class Pre-Requisites Guide Beginning Level Ground Acts Mini Acro (class max:16) Level I Group: 3-4 years of age Able to follow directions & is comfortable in a large group Potty trained Parent participation is highly encouraged in this class Level II Group: 4-5 years of age Encouraged to have 1 year previous Mini Acro experience Able to follow direction & is comfortable in a large group Able to perform forward roll with good form (w/o help) Able to support own body weight on hands with help Comfortable with having parents out of the room Level III Group:5-6 years of age (in transitional kindergarten or kindergarten) Must have 1 or 2 years of previous experience in Mini Acro or be invited by a trainer Able to follow direction & is comfortable in a large group Able to perform forward roll with good form (w/o help) Must have a good start on a backward roll, cartwheel and bridge Able to support own body weight on hands with help Able to follow direction & is courteous & respectful Comfortable with parents out of the room Circus Essentials (class max: 35) Classes include Beginning Levels of Balance Skills, Mini Trampoline, Tumbling, & Acro. Classes will focus on strength, endurance, and skill building. Essentials 1 = 1st – 5th grade participants Essentials 2 = 6th – 12th grade participants Participants should be comfortable in a large group of mixed ages as CE1 & CE2 will be one class Be able to demonstrate self-control and good behavior Must be able to move from one activity to the next with ease Parent participation is highly encourage Pyramid Acro Level I (class max: 30) Minimum age 7 Previous Essentials acro or tumbling preferred Able to follow direction Strength Requirements Able to do 15 v-ups Able to do 10 push-ups Able to hold a 20 sec.