Revista Inclusiones Issn 0719-4706 Volumen 8 – Número Especial – Abril/Junio 2021

Total Page:16

File Type:pdf, Size:1020Kb

Revista Inclusiones Issn 0719-4706 Volumen 8 – Número Especial – Abril/Junio 2021 CUERPO DIRECTIVO Mg. Keri González Universidad Autónoma de la Ciudad de México, México Director Dr. Juan Guillermo Mansilla Sepúlveda Dr. Pablo Guadarrama González Universidad Católica de Temuco, Chile Universidad Central de Las Villas, Cuba Editor Mg. Amelia Herrera Lavanchy Dr. Alex Véliz Burgos Universidad de La Serena, Chile Obu-Chile, Chile Mg. Cecilia Jofré Muñoz Editores Científicos Universidad San Sebastián, Chile Dr. Luiz Alberto David Araujo Pontificia Universidade Católica de Sao Paulo, Brasil Mg. Mario Lagomarsino Montoya Drdo. Mario Lagomarsino Montoya Universidad Adventista de Chile, Chile Universidad de Valparaíso, Chile Universidad Adventista de Chile, Chile Dr. Claudio Llanos Reyes Pontificia Universidad Católica de Valparaíso, Chile Editor Europa del Este Dr. Aleksandar Ivanov Katrandzhiev Dr. Werner Mackenbach Universidad Suroeste "Neofit Rilski", Bulgaria Universidad de Potsdam, Alemania Universidad de Costa Rica, Costa Rica Soporte Técnico Lic. Rodrigo Arenas López Mg. Rocío del Pilar Martínez Marín Obu-Chulr, Chile Universidad de Santander, Colombia Cuerpo Asistente Ph. D. Natalia Milanesio Universidad de Houston, Estados Unidos Traductora: Inglés Lic. Pauline Corthorn Escudero Dra. Patricia Virginia Moggia Münchmeyer Editorial Cuadernos de Sofía, Chile Pontificia Universidad Católica de Valparaíso, Chile Portada Ph. D. Maritza Montero Lic. Graciela Pantigoso de Los Santos Universidad Central de Venezuela, Venezuela Editorial Cuadernos de Sofía, Chile Dra. Eleonora Pencheva COMITÉ EDITORIAL Universidad Suroeste Neofit Rilski, Bulgaria Dra. Carolina Aroca Toloza Dra. Rosa María Regueiro Ferreira Universidad de Chile, Chile Universidad de La Coruña, España Dr. Jaime Bassa Mercado Mg. David Ruete Zúñiga Universidad de Valparaíso, Chile Universidad Nacional Andrés Bello, Chile Dra. Heloísa Bellotto Dr. Andrés Saavedra Barahona Universidad de Sao Paulo, Brasil Universidad San Clemente de Ojrid de Sofía, Bulgaria Dra. Nidia Burgos Dr. Efraín Sánchez Cabra Universidad Nacional del Sur, Argentina Academia Colombiana de Historia, Colombia Mg. María Eugenia Campos Dra. Mirka Seitz Universidad Nacional Autónoma de México, México Universidad del Salvador, Argentina Dr. Francisco José Francisco Carrera Ph. D. Stefan Todorov Kapralov Universidad de Valladolid, España South West University, Bulgaria COMITÉ CIENTÍFICO INTERNACIONAL Dra. Manuela Garau Centro Studi Sea, Italia Comité Científico Internacional de Honor Dr. Carlo Ginzburg Ginzburg Dr. Adolfo A. Abadía Scuola Normale Superiore de Pisa, Italia Universidad ICESI, Colombia Universidad de California Los Ángeles, Estados Unidos Dr. Carlos Antonio Aguirre Rojas Dr. Francisco Luis Girardo Gutiérrez Universidad Nacional Autónoma de México, México Instituto Tecnológico Metropolitano, Colombia Dr. Martino Contu José Manuel González Freire Universidad de Sassari, Italia Universidad de Colima, México Dr. Luiz Alberto David Araujo Dra. Antonia Heredia Herrera Pontificia Universidad Católica de Sao Paulo, Brasil Universidad Internacional de Andalucía, España Dra. Patricia Brogna Dr. Eduardo Gomes Onofre Universidad Nacional Autónoma de México, México Universidade Estadual da Paraíba, Brasil Dr. Horacio Capel Sáez + Dr. Miguel León-Portilla Universidad de Barcelona, España Universidad Nacional Autónoma de México, México Dr. Javier Carreón Guillén Dr. Miguel Ángel Mateo Saura Universidad Nacional Autónoma de México, México Instituto de Estudios Albacetenses “Don Juan Manuel”, España Dr. Lancelot Cowie Universidad West Indies, Trinidad y Tobago Dr. Carlos Tulio da Silva Medeiros Diálogos em MERCOSUR, Brasil Dra. Isabel Cruz Ovalle de Amenabar Universidad de Los Andes, Chile + Dr. Álvaro Márquez-Fernández Universidad del Zulia, Venezuela Dr. Rodolfo Cruz Vadillo Universidad Popular Autónoma del Estado de Puebla, Dr. Oscar Ortega Arango México Universidad Autónoma de Yucatán, México Dr. Adolfo Omar Cueto Dr. Antonio-Carlos Pereira Menaut Universidad Nacional de Cuyo, Argentina Universidad Santiago de Compostela, España Dr. Miguel Ángel de Marco Dr. José Sergio Puig Espinosa Universidad de Buenos Aires, Argentina Dilemas Contemporáneos, México Dra. Emma de Ramón Acevedo Dra. Francesca Randazzo Universidad de Chile, Chile Universidad Nacional Autónoma de Honduras, Honduras Dr. Gerardo Echeita Sarrionandia Universidad Autónoma de Madrid, España Dra. Yolando Ricardo Universidad de La Habana, Cuba Dr. Antonio Hermosa Andújar Universidad de Sevilla, España Dr. Manuel Alves da Rocha Universidade Católica de Angola Angola Dra. Patricia Galeana Universidad Nacional Autónoma de México, México Mg. Arnaldo Rodríguez Espinoza Universidad Estatal a Distancia, Costa Rica Dr. Miguel Rojas Mix Dra. Noemí Brenta Coordinador la Cumbre de Rectores Universidades Universidad de Buenos Aires, Argentina Estatales América Latina y el Caribe Ph. D. Juan R. Coca Dr. Luis Alberto Romero Universidad de Valladolid, España CONICET / Universidad de Buenos Aires, Argentina Dr. Antonio Colomer Vialdel Dra. Maura de la Caridad Salabarría Roig Universidad Politécnica de Valencia, España Dilemas Contemporáneos, México Dr. Christian Daniel Cwik Dr. Adalberto Santana Hernández Universidad de Colonia, Alemania Universidad Nacional Autónoma de México, México Dr. Eric de Léséulec Dr. Juan Antonio Seda INS HEA, Francia Universidad de Buenos Aires, Argentina Dr. Andrés Di Masso Tarditti Dr. Saulo Cesar Paulino e Silva Universidad de Barcelona, España Universidad de Sao Paulo, Brasil Ph. D. Mauricio Dimant Dr. Miguel Ángel Verdugo Alonso Universidad Hebrea de Jerusalén, Israel Universidad de Salamanca, España Dr. Jorge Enrique Elías Caro Dr. Josep Vives Rego Universidad de Magdalena, Colombia Universidad de Barcelona, España Dra. Claudia Lorena Fonseca Dr. Eugenio Raúl Zaffaroni Universidad Federal de Pelotas, Brasil Universidad de Buenos Aires, Argentina Dra. Ada Gallegos Ruiz Conejo Dra. Blanca Estela Zardel Jacobo Universidad Nacional Mayor de San Marcos, Perú Universidad Nacional Autónoma de México, México Dra. Carmen González y González de Mesa Comité Científico Internacional Universidad de Oviedo, España Mg. Paola Aceituno Ph. D. Valentin Kitanov Universidad Tecnológica Metropolitana, Chile Universidad Suroeste Neofit Rilski, Bulgaria Ph. D. María José Aguilar Idañez Mg. Luis Oporto Ordóñez Universidad Castilla-La Mancha, España Universidad Mayor San Andrés, Bolivia Dra. Elian Araujo Dr. Patricio Quiroga Universidad de Mackenzie, Brasil Universidad de Valparaíso, Chile Mg. Rumyana Atanasova Popova Dr. Gino Ríos Patio Universidad Suroeste Neofit Rilski, Bulgaria Universidad de San Martín de Porres, Perú Dra. Ana Bénard da Costa Dr. Carlos Manuel Rodríguez Arrechavaleta Instituto Universitario de Lisboa, Portugal Universidad Iberoamericana Ciudad de México, México Centro de Estudios Africanos, Portugal Dra. Vivian Romeu Dra. Alina Bestard Revilla Universidad Iberoamericana Ciudad de México, México Universidad de Ciencias de la Cultura Física y el Deporte, Cuba Dra. María Laura Salinas Universidad Nacional del Nordeste, Argentina Dr. Stefano Santasilia Dr. Evandro Viera Ouriques Universidad della Calabria, Italia Universidad Federal de Río de Janeiro, Brasil Mg. Silvia Laura Vargas López Dra. María Luisa Zagalaz Sánchez Universidad Autónoma del Estado de Morelos, México Universidad de Jaén, España Dra. Jaqueline Vassallo Dra. Maja Zawierzeniec Universidad Nacional de Córdoba, Argentina Universidad Wszechnica Polska, Polonia REVISTA INCLUSIONES ISSN 0719-4706 VOLUMEN 8 – NÚMERO ESPECIAL – ABRIL/JUNIO 2021 Indización, Repositorios Académicos/Universitarios y Bases de Datos Académicas Revista Inclusiones, se encuentra indizada en: CATÁLOGO DSC. JULIA ROMANENKOVA / PH. D. ANNA PALIYCHUK / PH. D. DENYS SHARYKOV / PH. D. IVAN BRATUS PH. D. HALYNA KUZMENKO / PH. D. ANNA GUNKA REVISTA INCLUSIONES ISSN 0719-4706 VOLUMEN 8 – NÚMERO ESPECIAL – ABRIL/JUNIO 2021 BIBLIOTECA UNIVERSIDAD DE CONCEPCIÓN DSC. JULIA ROMANENKOVA / PH. D. ANNA PALIYCHUK / PH. D. DENYS SHARYKOV / PH. D. IVAN BRATUS PH. D. HALYNA KUZMENKO / PH. D. ANNA GUNKA REVISTA INCLUSIONES ISSN 0719-4706 VOLUMEN 8 – NÚMERO ESPECIAL – ABRIL/JUNIO 2021 ISSN 0719-4706 - Volumen 8 / Número Especial / Abril – Junio 2021 pp. 571-581 CIRCUS ART IN MODERN REALITIES: FUNCTIONS, PROBLEMS, PROSPECTS DSc. Julia Romanenkova Kyiv Municipal Academy of Circus and Variety Arts, Kyiv, Ukraine ORCID: http://orcid.org/0000-0001-6741-7829 [email protected] Ph. D. Anna Paliychuk Kyiv Municipal Academy of Circus and Variety Arts, Kyiv, Ukraine [email protected] Ph. D. Denys Sharykov Kyiv Municipal Academy of Circus and Variety Arts, Kyiv, Ukraine ORCID: http://orcid.org/0000-0002-3757-5559 [email protected] Ph. D. Ivan Bratus Borys Grinchenko Kyiv University, Kyiv, Ukraine ORCID: http://orcid.org/0000-0002-8747-2611 [email protected] Ph. D. Halyna Kuzmenko Institute of Talented Child at National Academy of Educational Sciences of Ukraine, Kyiv, Ukraine ORCID: http://orcid.org/0000-0002-0613-3934 [email protected] Ph. D. Anna Gunka Borys Grinchenko Kyiv University, Kyiv, Ukraine ORCID: http://orcid.org/0000-0003-4455-1640 [email protected] Fecha de Recepción: 10 de enero de 2021 – Fecha Revisión: 19 de enero de 2021 Fecha de Aceptación: 03 de marzo de 2021 – Fecha de Publicación: 01 de abril de 2021 Abstract The circus has always been one of the most controversial culture branches for terminologisation. Even today this is a field to deal with cliches, stereotypes, a platform for discussions about this activity type independence and its role in modern society.
Recommended publications
  • This Is the First Time I Ever Saw a Free Headstand with Part- He Perform
    NEWSLETTER MARCH 1973 Vol No 3 This Newsletter is the official publication of the International Jugglers Association^ Editors» Ken and Carol Benge, 1551 Hillcrest Avenue, Hanover Park, 111® 60103. FROM GAY Wc NG The HAI CHAI VARIETY SHOW was here in Chinatown for 13 days, and will start another two weeks in Los Angeles from February 26th0 After that they v/ill be in New York for-tv/o weeks* The show cbtoges some of the acts every three to five days* They do have at least the total of 28 different acts, consisting o^ singing, dancing, acrobatics, juggling, high wire, balancing, magic .strong men, trapeze, etc* Some of the juggling tricks were done by a fellow juggling three fire torches* He starts by placing one lit fire torch on his forehead in a balance* He then juggles the three torches over the left and right shoulders, under both legs and then he showers them. A FREE H.EADSTAND is done with the sister being the bear er, and the younger_brother on top. What really got me is this is the first time I ever saw a free headstand with part- ener WITHOUT ANY HEAD GRUMF/.ET OR HEAD DOUGHNUT! They balance for well over five minutes doing the cha-cha-cha dance and then later on they light up a cigarette. They also do some ^ugp-ling and the brother on top spins some rings with his feet. A great act indeed* I am happy to say that I saw the show 3 times, Mr. Hai Ken Hsin, Captain of the team, invited me two of the times* I was talking to him in his room and I just mentioned could he perform the free headvStand also? He hopped right into it -right on the rug, no rings, *nothirig.
    [Show full text]
  • Theatre Australia Historical & Cultural Collections
    University of Wollongong Research Online Theatre Australia Historical & Cultural Collections 11-1977 Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Robert Page Editor Lucy Wagner Editor Bruce Knappett Associate Editor Follow this and additional works at: https://ro.uow.edu.au/theatreaustralia Recommended Citation Page, Robert; Wagner, Lucy; and Knappett, Bruce, (1977), Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977, Theatre Publications Ltd., New Lambton Heights, 66p. https://ro.uow.edu.au/theatreaustralia/14 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Theatre Australia: Australia's magazine of the performing arts 2(6) November 1977 Description Contents: Departments 2 Comments 4 Quotes and Queries 5 Letters 6 Whispers, Rumours and Facts 62 Guide, Theatre, Opera, Dance 3 Spotlight Peter Hemmings Features 7 Tracks and Ways - Robin Ramsay talks to Theatre Australia 16 The Edgleys: A Theatre Family Raymond Stanley 22 Sydney’s Theatre - the Theatre Royal Ross Thorne 14 The Role of the Critic - Frances Kelly and Robert Page Playscript 41 Jack by Jim O’Neill Studyguide 10 Louis Esson Jess Wilkins Regional Theatre 12 The Armidale Experience Ray Omodei and Diana Sharpe Opera 53 Sydney Comes Second best David Gyger 18 The Two Macbeths David Gyger Ballet 58 Two Conservative Managements William Shoubridge Theatre Reviews 25 Western Australia King Edward the Second Long Day’s Journey into Night Of Mice and Men 28 South Australia Annie Get Your Gun HMS Pinafore City Sugar 31 A.C.T.
    [Show full text]
  • 2020 Program Book
    1 TheEastman 3 Experience Learn from a dedicated Photo Courtesy of SueB. Photography residential faculty PHILADELPHIA INTERNATIONAL Belong MUSIC CAMP & FESTIVAL to a vibrant community Study With Members Of The Philadelphia Orchestra Discover Directed by Kimberly Fisher, Principal Second Violin, Philadelphia Orchestra your own path Choose: Orchestra, Chamber Music, Solo Performance, Piano, Opera Theater or College Audition Preparation Sessions in June and July | All Skill Levels | Ages 11-19 Apply online today at PIMF.org | 856-875-6816 For more information visit esm.rochester.edu/admissions 2 3 Fairfield county’s most convenient instrument shop with 3 violin makers and 2 band technicians working 6 days a week INTERCONNECTED LIMIT ONE PER FAMILY Interlochen Deep in the woods of northern Michigan, arts collide and unbreakable bonds form. An experience at Interlochen Arts Camp won’t just make you a better artist—it will transform the course of your future. Programs for every young artist grades 3-12. CAMP.INTERLOCHEN.ORG www.rentalinstrument.com email: [email protected] 4 5 Strings. Piano. Woodwinds. French Horn. Summer 2020 Chamber Music Programs in Fairfield, Connecticut Duos. Two Action-packed 2-week Sessions Trios. intermediate to advanced students ages 8-18 Session 1: July 13-24, Session 2: July 27- August 7 Quartets. and Serious Fun! Amici Ensembles Exhilarating 1-week Chamber Music Boot Camp for advanced high school and college students ages 14-22 August 10-15 Placement Auditions March/April College Internships Registration opensMusic January/February Majors-Minors - Apply Online Tuition Assistance Available www.ChamberMusicCentral.org Chamber Music Central, Inc. admits students of any race, color, and national or ethnic origin.
    [Show full text]
  • Circus Report, February 15, 1982, Vol. 11, No. 7
    February 15, 1982 SABO'S CHIMPS on TV's "Saturday Night Live" Show Adriatic Animal Attractions, Inc. Josip Marcan - President For the 1981 and 1982 season, my new mixed act of lions and tigers has been exclusively contracted by the Hawthorn Circus Corp. for bookings. But the ani- mals and equipment remain solely owned by me. However, I have trained and added to my act - 8 ti- gers belonging to the Hawthorn Circus Corp., enlarg- ing my act to 19 animals. My enlarged act shall be re- ferred to as: Marcan's Mixed Lions and Tigers Com- bined with the Hawthorn Tigers. Due to the fact that the Hawthorn Circus Corp. al- ready owns an act referred to as the "Hawthorn Ti- gers", it has become necessary to distinguish the dif- ference of the act which I own and the Hawthorn act. I hope this will clarify the ownership and billing of my act. Sincerely, Josip Marcan Page 4 SHOW DATES ', Mail room Ringling-Barnum - Blue The Post Office recent- Feb 17-21 Richmond, Va ly returned Circus Reports Ringling-Barnum • Red addressed to the following Feb 10-21 Atlanta, Ga, people. Robin Heisinger -•-OTHER DATES--- James R. Decker Auto Show Jack Miller Feb 19-21 Oakland, Ca. Elmer Wilson Byran's Clowns, Inc. Hedy Thomason Feb 6 W.Middlesex, Pa. Kandy the Clown 12 Newcastle Amel Zaciial Disney World on Ice Scott Taylor Feb 9-21 Boston, Mass. Harry Thomas Holiday on Ice Feb 16-21 Reno, Nev. The Ptunketts Feb 19-21 Albuquerque, N. M. -•MAGIC--- Abbott's Magic Exhibit Feb 19-21 Hollywood, Calif.
    [Show full text]
  • Rs .0 Destinations Overview Tour Highlights Itinerary
    0484 4020030, 8129114245 [email protected] GLORIOUS RUSSIA Rs .0 6 Nights 7 Days Destinations Russia Overview Places Covered : Moscow City Tour, Russian Circus, Moscow River Cruise, Red Square , Lenin Mausoleum, Moscow Metro, Kremlin Cathedrals, World War Museum in Poklonya Gora, Tretyakov Art Gallery, Saint Petersburg City Tour, Grand Palace in Peterhof, Peter & Paul Fortress, Hermitage Museum, Nickolayvesky Palace and Traditional Russian Folk Show. Russian Ballet Dance-(optional). Tour Highlights Moscow City Tour Russian Circus Show Moscow River Cruise Red Square Tour Visit Lenin Mausoleum Moscow Metro Tour Visit Kremlin With Cathedrals World War Museum in Poklonya Gora Entrance to Tretyakov Gallery City Tour of Saint Petersburg Entrance to Grand Palace in Peterhof Entrance to Peter & Paul Fortress Entrance to Hermitage Museum Nickolayvesky Palace and Traditional Russian Folk Show Russian Ballet Dance-(optional). Itinerary Day 1 : COCHIN – MOSCOW Assemble at Kochi International Airport at 01.20 hrs. Check in starts at 01.40 hrs. After emigration and customs formalities Gulf Air Flight GF 271W depart to Bahrain at 04.20 hrs. Connect Gulf Air Flight GF 14W to Moscow at 09.00 hrs and arrive Domodedovo International Airport, Moscow at 15.00 hrs. Welcome to Moscow, Russia. Moscow is the capital and most populous city of the Russian Federation, with 12.2 million residents. According to Forbes 2013, Moscow has been ranked as the ninth most expensive city in the world. Upon arrival you will meet your airport assistant and transfer to hotel. MOSCOW STATE CIRCUS SHOW Evening we take you to Moscow State Circus. It is used for a variety of circuses.
    [Show full text]
  • Katrina Carter Phd 2015
    Suspending Conventions: How ‘disabled aerialists’ are challenging aesthetic and methodological practices in 21st Century aerial(ism) Katrina Carter Royal Holloway University London PhD Thesis 2014 1 DECLARATION OF AUTHORSHIP I, Katrina Carter, hereby declare that this thesis and the work presented in it is entirely my own. Where I consult the work of others, this is always clearly stated. Signed: _________________________ Dated: _________________________ 2 Acknowledgements I would like to thank my supervisor Libby Worth, secondary supervisor Jacky Bratton and advisor Colette Conroy for their astute and generous guidance throughout my research. I have received financial support at different stages so gratitude goes to: RHUL for travel grants to Barcelona and the USA; the Headley Pitt Trust for a new computer; Canterbury City Council and the Circus Space for co-funding Hang-ups! and Arts Council England for enabling my attendance at the Circus Educators Conference, 2014. I am indebted to Steve Gossard, Maureen Brunsdale and Mark Schmitt of the Bloomington Circus Archive, Milner Gallery at the Illinois State University; to Fred Dahlinger of the John and Mable Ringling Museum of Art in Sarasota, and to Anna-Karyna Barlati at Montréal’s National Circus School library. All offered me extensive support in my search for historical ‘disabled aerialists’. Appreciation goes to my generous aerial friends and colleagues who were happy to share their aerial journeys with me. In addition I thank Jean-Marie Akkerman, Lyndsay Adams, Amelia Cavallo, Claire Cunningham, Penny Clapcott, Tiiu Mortley and Jenny Sealey as well as the aerialists I worked with in the Paralympic Opening Ceremony and Graeae’s productions.
    [Show full text]
  • “ Cirque in Transition”
    AArrttiissaannss ddee LL’’IImmaaggiinnaaiirree 30 ans du Cirque du Soleil ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 155 ““ CCiirrqquuee iinn TTrraannssiittiioonn”” PART FOUR: 1999 - 2004 Can Cirque du Soleil go on without Dragone? "There's no reason why the circus can't change with the times." – Guy Caron At the end of 1998, the creative team behind so many of Cirque du Soleil's productions in the 1990s - Franco Dragone, Michel Crete and Dominique Lemieux - concluded their remarkable run of artistic and professional development with the company, leaving the creative reins to future shows in the hands of others and giving Cirque du Soleil an interesting dilemma to overcome during the first-half of the new millennium: how to move on from a very successful run of productions under the helm of Franco Dragone and his team of conceptors and show the world it could still re-invent the circus. Faced with the challenge of mounting a new show, with a new team, in a compressed period of time, Guy Laliberté turned to an old friend: Guy Caron. Since he had left Cirque in 1988, Caron had maintained friendly relations with Laliberté. In 1992, he had even directed a show called “Cirque Knie Presents Cirque du Soleil” for the Swiss National Circus, produced in collaboration with Cirque. Caron's job wasn't easy, though. He'd have to pick up the creative pieces and attempt to meet or exceed the expectations laid down by the likes of Quidam, “O” and La Nouba. Despite the challenges - or perhaps because of them - Laliberté and Caron were able to show that it was the creative juices of the whole rather than just one man that drove the company, and it was during this period of transition that Cirque du Soleil began to branch out beyond theatrical productions; Cirque would dive into the realm of motion pictures and television full-force with Journey of Man (IMAX film), Fire Within (reality series) and Solstrom (variety series).
    [Show full text]
  • Cirque De La Symphonie
    23 Season 2018-2019 Thursday, June 13, at 7:00 Friday, June 14, at 7:00 The Philadelphia Orchestra Cirque de la Symphonie Kensho Watanabe Conductor Falla “Final Dance (Jota),” from Suite No. 2 (Three Dances) from The Three-Cornered Hat Piazzolla “Libertango” Bizet/arr. Hoffmann “Bohemian Dance,” from Suite No. 2 from Carmen Falla Spanish Dance No. 1, from La vida breve Chabrier España Márquez Danzón No. 2 Giménez Intermezzo, from The Wedding of Luis Alonso Intermission 24 Abreu/arr. Dragon “Tico-Tico no Fubá” Ginastera “Final Dance: Malambo,” from Suite from Estancia, Op. 8a Frank “Tarquecada,” from Walkabout: Concerto for Orchestra First Philadelphia Orchestra performance Falla “Ritual Fire Dance,” from El amor brujo Rimsky-Korsakov “Scene and Gypsy Song” and “Asturian Fandango,” from Capriccio espagnol, Op. 34 Bizet/arr. Hoffmann “The Toreadors,” from Suite No. 1 from Carmen Benzecry from Symphony No. 1 (“El compendio de la vida”): IV. El compendio de las culturas First Philadelphia Orchestra performance This program runs approximately 2 hours. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s award- renowned for its distinctive inventive ways to nurture winning Collaborative sound, desired for its its relationship with its Learning programs engage keen ability to capture the loyal patrons at its home over 50,000 students, hearts and imaginations of in the Kimmel Center, families, and community audiences, and admired for and also with those who members through programs a legacy of imagination and enjoy the Orchestra’s area such as PlayINs, side-by- innovation on and off the performances at the Mann sides, PopUP concerts, concert stage.
    [Show full text]
  • America's News English
    America's News English It's a Toss Up Catch the juggling craze at annual festival - in Lincolnshire Daily Herald - Thursday, April 22, 2004 Author: Abby Scalf Daily Herald Staff Writer Every month, festivals are planned around the country to bring people together to toss around a few balls or clubs or other props. This weekend, Stevenson High School in Lincolnshire is the location for Toss Up, a juggling festival that attracts the best jugglers from every state. The eighth annual event is sponsored by the school's community juggling club, said club sponsor Larry Scalzitti. The club is made up of students and area residents. "Once you get the juggling bug, it is hard to put things down," he said. Every day, spectators can either juggle or watch others in the school's field house. Open juggling will run from 6 p.m. to midnight Friday and 10 a.m. to 5 p.m. Saturday and Sunday. The event attracted 500 people last year. Scalzitti said juggling is a great hobby because the list of props and tricks for each prop is endless. Toss Up attracts some of the greatest jugglers, not only to meet and greet visitors, but also to lead workshops. Workshops from 11 a.m. to 3 p.m. Saturday and Sunday are geared for beginners to advanced jugglers. Instructors will cover all types of props, such as balls, clubs, cigar boxes and devil sticks. The festival also will feature vendors around the country who will sell props and juggling games and offer a free raffle Sunday.
    [Show full text]
  • NED Report—Sharp Power: Rising Authoritarian Influence
    SHARP POWER Rising Authoritarian Influence About the Forum The International Forum for Democratic Studies at the National Endowment for Democracy (NED) is a leading center for analysis and discussion of the theory and practice of democracy around the world. The Forum complements NED’s core mission—assisting civil society groups abroad in their efforts to foster and strengthen democracy—by linking the academic community with activists from across the globe. Through its multifaceted activities, the Forum responds to challenges facing countries around the world by analyzing opportunities for democratic transi- tion, reform, and consolidation. The Forum pursues its goals through several interrelated initia- tives: publishing the Journal of Democracy, the world’s leading publication on the theory and practice of democracy; hosting fellowship programs for international democracy activists, jour- nalists, and scholars; coordinating a global network of think tanks; and undertaking a diverse range of analytical initiatives to explore critical themes relating to democratic development. About the National Endowment for Democracy The National Endowment for Democracy (NED) is a private, nonprofit foundation dedicated to the growth and strengthening of democratic institutions around the world. Each year, NED makes more than 1,700 grants to support the projects of non-governmental groups abroad who are working for democratic goals in more than 90 countries. Since its founding in 1983, the Endowment has remained on the leading edge of democratic struggles everywhere, while evolv- ing into a multifaceted institution that is a hub of activity, resources, and intellectual exchange for activists, practitioners, and scholars of democracy the world over. About the Network of Democracy Research Institutes (NDRI) The Network of Democracy Research Institutes (NDRI) is a global network of think tanks that conduct research and analysis on democracy, democratization, and related topics in compara- tive government and international affairs.
    [Show full text]
  • Film 178D Please Note That Some Items May Not Be Available to View Due to the Age and Condition of the Film and Equipment Needed to View Material
    Film 178D Please note that some items may not be available to view due to the age and condition of the film and equipment needed to view material. All requests for access must be made to the NFA prior to visit. 178D1 – Dave Homer Collection 178D2 – Liz Gray Collection 178D3 – Dick Price Collection 178D4 – Geoff Stevens Collection 178D5 – Noel Drewe Collection 178D6 – NFA Collection 178D7 – David Braithwait Collection 178D8 – George Bolesworth Collection 178D9 – Cyril Critchlow Collection 178D10 – BBC Timeshift Series Collection 178D11 – Peter Wellen Collection 178D12 – George Williams Collection 178D13 – Circus Friends Association Collection 178D14 – Smart Family Collection 178D15 – Birt Acres Collection 178D16 – Harry Paulo Family Collection 178D17 – Christopher Palmer Collection 178D18 – O’Beirne Collection 178D19 – Circus250 Archive Collection 178D20 – Vic King Fairground Film Collection 178D21 – Sanger Family Collection 178D22 – Skinning the Cat Collection 178D23 – WGH Rides Collection Dave Homer Collection 178D1 178D1.1 Roundabouts Volume Three Dave Homer Video 1993 180 mins VHS PAL Fairs England Schofield, Jack Locations iclude Glasgow, Sheffield Owlerton, Meadowhall, Stoke-on- Trent, Retford, Grantham, Daisy Nook, Hampstead Heath, kingsbury, Hazel Grove, Cranleigh, Harrogate and Glossop Dave Homer Collection 178D1.2 Roundabouts Volume Four Dave Homer Video 1993 1 160 mins VHS PAL Fairs England Shaw, John Locations include Manchester, Hull, Torquay, Edinburgh, Glasgow, Leeds, Dave Homer Collection 178D1.3 Roundabouts Volume One Dave
    [Show full text]
  • THE HISTORY of ACROBATIC ARTS Ebook
    THE HISTORY OF ACROBATIC ARTS OO O O O www.PrimordialPlayground.com The History of Acrobatic Arts - 1 THE HISTORY OF ACROBATIC ARTS brought to you by Primordial Playground The word acro-batics comes from the Greek words for Akros meaning "high" and bat meaning, "walking". Thus a direct translation can be interpreted as "high walking." It modern times, acrobatics refers to the demonstration of a practitioner’s physical ability for controlled movement through space. This demonstration includes feats of balance, agility and motor coordination. One of Acrobatics most popular subdivisions is gymnastics, which often relates to the methods at which acrobatic prowess is achieved. From the dawn of history to present times we can see how this "high walking" transcends the mundane and shines light on the glory of human potential. Acrobatics in the Ancient World It is difficult to say who the first acrobats were. The origin of acrobatics most likely pre-dates any historical accounts. It is undoubtedly an art form that spawns from the functional movements of everyday life. When individuals within a group demonstrated physical movements with an unusual degree of efficiency or skill, it would have been noticed and admired by his or her peers. Later, these feats of virtuosity would have been given an aesthetic flavor to display an acrobat's superior agility. www.PrimordialPlayground.com The History of Acrobatic Arts - 2 Chinese culture is steeped in a long gymnastic and acrobatic tradition. Acrobatics are the oldest performing art in China. Early records show that the ancient Chinese used gymnastic-type exercises for healing the body and keeping it strong.
    [Show full text]