DOCSLIB.ORG

Magazine-Chat.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Magazine-Chat.Pdf MASTHEAD MAIN IMAGE MAIN COVER COVER LINES LINE COVER LINES BARCODE ADDITIONAL ELEMENTS (NOT SHOWN ABOVE) - SELLING LINE (AKA TAGLINE) - MODEL CREDIT TOC: TABLE OF CONTENTS OCTOBER everywhere pajamas 276 girl, interrupted spectacular Point OCTOBER view from her dream of An unsettling Reyes peninsula smug marrieds, a Paris apartment report shatters Model Cara delevingne 239 going solo 292 television wears Alexander Wang rogue gadgets, the myth that Embrace the power 260 style ethics PBS premieres and a Balenciaga and her nascent of one this season, youth is a defense bracelet. photographed Twitter feed The Green Carpet against breast the lush new says Lynn Yaeger, Challenge connects Shakespearean by Karim Sadli. with a single- cancer. By nostalgia top fashion houses miniseries The 194 strand necklace Jancee Dunn They were three with sustainable Hollow Crown the hot seat collaborators . 240 charmed, indeed resources 288 Ginny Graves on 294 books When Meg Ryan Aurélie Bidermann’s 262 the editor’s eye Donna Tartt’s recorded Delia new collection why sitting is not Sara Moonves always pretty The Goldfinch Ephron’s book, of fine jewelry centers on a the author found quintessential she was flooded 244 whisper campaign New York with memories of beauty teenager and Stefano Pilati’s people her late sister a missing debut at Agnona & health masterpiece was pretty are 264 tory in bloom quiet by fashion talking flash standards, says Tory Burch has Sally Singer, but the made a business about fashion 214 it girls clothes themselves of creating modern Kate Foley, Chelsea do the talking takes on the simple 290 talent & features Leyland, and luxuries she finds Adèle Kyleigh Kuhn 248 house proud indispensable. Exarchopoulos 301 point of view A new site lets Up next: fragrance stars in the Cannes 218 talking fashion you live it, shop and makeup hit Blue Is the 302 the other man Red-carpet denim; it, surf it, buy it Warmest Color Our tribute to contrasting collars 270 doc hollywood Harold Pinter’s (page 222) 252 woman on The man who 290 design Betrayal—soon the verge keeps L.A.’s most Decorator to be revived on 220 tnt Musician Hannah famous faces Paul Renwick Broadway—stars From Rocky Horror Cohen is the coolest glowing packages launches his model Karen Elson in Regensburg girl you’ve never his secrets to go own line of and actors Hugh to otherworldly heard of—until now bespoke textiles Dancy and Michael 272 the art of om artistry in London, Shannon in a 254 sleep no more 292 travel Elisabeth von Thurn A new exhibit boy-meets-girl- Raphaëlla Riboud opens this month A lovely inn meets-boy story und Taxis recaps her designs her wear- at the Smithsonian reopens on the inspired by fall’s summer swan song menswear-centric THE 224 flour girls collections Amirah Kassem 314 circus maximus PERFECT is one of many The mood in trading fashion Montauk is FALL for frosting—and festive—a riotous realizing just how happening with WARDROBE closely those two daytime pajamas depth of field, p. 362 worlds align and nighttime abandon 228 dispatch continued >94 96 vogue digital 162 up front Now she’s leading Deena Al-Juhani Kerry Diamond President Obama’s Abdulaziz in 102 vogue.com had a busy job in $100 million effort to southern Italy the beauty industry solve the mysteries WEEKEND 104, 106 when her boyfriend, of the human brain 230 book masthead a chef, suggested they Charles UPDATE start a joint venture 188 excerpt Churchward’s CirCuS MAxiMuS, p. 314 110 editor’s letter Bridget Jones is affectionate tribute Model Carolyn Murphy 178 lives back! Our favorite to Alexander (in a dries Van Noten coat) 126 talking back Cori Bargmann has hapless heroine Liberman and photographer lincoln pilcher. photographed Letters quietly become one returns after a by Bruce Weber. from readers of the country’s decade-plus hiatus, most respected juggling two kids, 232 the hamish files 148 contributors neuroscientists. potential boyfriends, continued >72 vogue.com 58 vogue october 2013 vogue.com SPECIAL FEATURE talking back letters from readers talking back letters from readers Health, July]. I do think, however, bread winner body and soul beauty and that the writer minimized this awful As a Bay Area resident, I can say with- I was absolutely blown away by Execu- the beat katy perry, in a gracing its cover. Bravo disorder—it’s slightly more than just out hesitation that crossing the bridge tive Fashion Editor Phyllis Posnick’s rodarte dress, for capturing the essence cold hands, after all. My mother suf- into San Francisco, searching end- work in the July issue [“Destination De- photographed by annie Leibovitz. of a young, burgeoning fered for years from a case of Ray- lessly for parking, and finally waiting tox,” by Plum Sykes, photographed by woman—she deserves naud’s phenomenon. It’s an ugly in a long line that more often than not Mario Testino]. The article was fasci- every success that has disease, and those that have it struggle stretches down the street is well worth nating, and Karlie Kloss was, as always, come her way. Not only daily. Let’s pray that someday soon it for a lemon tart, a morning bun, or beautiful, but the artistry and expres- did the piece highlight there will be a cure. a slice of quiche from Tartine [“Rising sion in the visuals conveyed an emotion her vibrant personality, N. J. Thomas Star,” by Oliver Strand, photographed far beyond the sum of the parts. it showcased the incred- Astoria, NY by Ralph Mecke, July]. The profile of Barbara Lancor ible city where she grew Chad Robertson was insightful and Cincinnati, OH up. As a Santa Barbara What a surprise to see Raynaud’s men- exciting given his ambitious plans for resident, I couldn’t be tioned in your July issue. My mother the future of the bakery. I loved reading about Plum Sykes’s spa more proud. died from a severe case of the disease, Julio Guzman adventure, but is there a book out there Catherine Gee even after we were promised that her San Francisco, CA for the mere mortals who can’t afford to Santa Barbara, CA symptoms would be uncomfortable but fly to Austria—let alone pay $4,500 for that “they wouldn’t kill her.” While she I was delighted to read the article on the experience—describing an at-home Although Katy Perry experienced the purple-and-white fin- baker Chad Robertson. Tartine is a detox diet? Regardless, I have never looked beautiful in the gers, Raynaud’s also dried up her tear treasure of San Francisco, a jewel of enjoyed an article so much as this one. July issue of Vogue, I ducts and salivary glands, as well as af- the Mission District. With so many Sykes did an extraordinary job describ- thought it took more fected proper blood flow to her heart places to choose from for a quick ing her trip—rich details and a sense than a pretty face to land and lungs. I would encourage all women snack or light meal, Tartine stands of humor to boot! She certainly has a the cover—talent, for in- with these symptoms to have an earnest out. Robertson is embarking on a fan in me. stance, or at least a sense discussion with their physician. revolution. Blandina Reneau of style. Perry? Not so Karen Kreamer Ashley Paul Guilford, CT much. Vogue might be Leawood, KS Los Angeles, CA talking back >146 capturing younger read- ers by placing pop acts rising star chad robertson, on the cover, but you’re photographed losing ones who have by raLph mecke. grown with you through the years. Riley Bardos Manila, Philippines heart on her sleeve I’ve subscribed to Vogue for only a year, but Alysia Abbott’s essay has been the most profound I’ve read in that time [“In- Between Days,” Nostal- gia, July]. Her writing is full of life—I could feel the fabric of her father’s skinny ties, the weight of his leather jacket on her strike a chord obstacle that life throws her way—a les- shoulders. It reminded me once again of Katy Perry has always seemed like the son that is not easy to appreciate in the the potential for fashion, how clothing type of woman who can overcome any- moment of struggle but, as Perry proves, can feel like an extension of the soul. thing, and indeed she has—from getting one that becomes clearer to us with time. Lydia Milano dropped by her record label when she Maggie Driver Philadelphia, PA started out to the more recent dissolu- Tucson, AZ tion of her marriage [“Beauty and the cold comfort Beat,” by Vicki Woods, photographed I picked up the July issue on my way Thank you for Ginny Graves’s thought- by Annie Leibovitz, July]. She has the back home to California after noticing ful piece on Raynaud’s [“Chilled power and drive to push through any Katy Perry, a Santa Barbara native, Out,” Beauty and talking back >142 126 vogue october 2013 vogue.com 142 vogue october 2013 vogue.com SPECIAL FEATURE up front up front FOOD FOR THOUGHT lampredotto. “You don’t want one, do you?” he asked as the It’s fair to say I started feeling panicky at this point. Noth- food-stall proprietor layered the meat on a roll and ladled cook- ing hammers home the finality of a project like handing over he hair-and-makeup test for TABLE TALK The auThor, in ing liquid over it. “Of course I do,” I answered, acting offended.
Load more

Recommended publications
  • Grin and Bear It
    AMERICAN ANTHEM MADE IN THE USA IS SEEING A RESURGENCE AND IT’S A KEY POLITICAL ISSUE. SECTION II MALE MAKEOVER BERGDORF GOODMAN UNVEILS A REMODELED MEN’S DEPARTMENT. PAGE 3 LUXURY LAWSUITS Hermès Sues LVMH, LVMH Sues Hermès By JOELLE DIDERICH PARIS — Let the hostilities resume. Hermès International and LVMH Moët Hennessy Louis Vuitton said Tuesday they were heading to court over their ongoing dispute regarding LVMH’s WEDNESDAY, SEPTEMBER 5, 2012 ■ $3.00 ■ WOMEN’S WEAR D acquisition of a 22.3 percent stake in the maker of Birkin bags and silk scarves. WWD Hermès confi rmed that on July 10, it lodged a com- plaint with a Paris court against LVMH, which sur- prised markets by revealing in October 2010 that it had amassed a 17.1 percent stake in Hermès via cash- settled equity swaps that allowed it to circumvent the usual market rules requiring fi rms to declare share Grin and purchases. The world’s biggest luxury group has since steadily increased its stake, a move seen by Hermès offi cials as an attempt at a creeping takeover, despite reassur- Bear It ances from LVMH chairman and chief executive offi - cer Bernard Arnault that he is not seeking full control. With more than 50 “This complaint concerns the terms of LVMH’s ac- quisition of stock in Hermès International,” Hermès collections under her low- said in a two-line statement. It is accusing LVMH of slung belt, Donna Karan, insider trading, collusion and manipulating stock shown here in her studio, prices, according to a source familiar with the issue, who declined to be named for confi dentiality reasons.
    [Show full text]
  • Fashioning Gender Fashioning Gender
    FASHIONING GENDER FASHIONING GENDER: A CASE STUDY OF THE FASHION INDUSTRY BY ALLYSON STOKES, B.A.(H), M.A. A THESIS SUBMITTED TO THE DEPARTMENT OF SOCIOLOGY AND THE SCHOOL OF GRADUATE STUDIES OF MCMASTER UNIVERSITY IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY c Copyright by Allyson Stokes, August 2013 All Rights Reserved Doctor of Philosophy (2013) McMaster University (Sociology) Hamilton, Ontario, Canada TITLE: Fashioning Gender: A Case Study of the Fashion Industry AUTHOR: Allyson Stokes BA.H., MA SUPERVISOR: Dr. Tina Fetner NUMBER OF PAGES: xii, 169 ii For Johnny. iii Abstract This dissertation uses the case of the fashion industry to explore gender inequality in cre- ative cultural work. Data come from 63 in-depth interviews, media texts, labor market statistics, and observation at Toronto’s fashion week. The three articles comprising this sandwich thesis address: (1) processes through which femininity and feminized labor are devalued; (2) the gendered distribution of symbolic capital among fashion designers; and (3) the gendered organization of the fashion industry and the “ideal creative worker.” In chapter two, I apply devaluation theory to the fashion industry in Canada. This chap- ter makes two contributions to literature on the devaluation of femininity and “women’s work.” First, while devaluation is typically used to explain the gender wage gap, I also address symbolic aspects of devaluation related to respect, prestige, and interpretations of worth. Second, this paper shows that processes of devaluation vary and are heavily shaped by the context in which work is performed. I address five processes of devaluation in fash- ion: (1) trivialization, (2) the privileging of men and masculinity, (3) the production of a smokescreen of glamour, (4) the use of free labor and “free stuff,” and (5) the construction of symbolic boundaries between “work horses” and “show ponies.” In chapter three, I use media analysis to investigate male advantage in the predomi- nantly female field of fashion design.
    [Show full text]
  • As Former Creative Director at Yves Saint Laurent, Stefano Pilati Is
    35 FASHION STEFANO PILATI As former creative director at Yves Saint RANDOM IDENTITIES Laurent, Stefano Pilati is fnally lying low, YVES SAINT LAURENT and loving it. “My experience gave me a lot, but it also took a lot away from me,” he says. “And that’s why I’m excited now. I don’t need those flters anymore.” Pilati’s passion for fashion design is undeniable, and he relishes the labor that goes into it. “When you work for a big company, you have less and less time to do your job efectively,” he explains. “Now I fnd myself doing more within the day-to-day design process.” Pilati exudes enthusiasm while discussing his current project, Random Identities, which he describes as “a combina- tion of technical advancements for a new and personal way to approach fashion.” Pilati is revered not only for his designs (like the highly sensational tulip skirt) but also for his unconventional yet elegant personal style. “People who don’t know me think that my style is a big efort, but it’s not an efort at all,” he muses. It is, he adds, always evolving based on his environment. His home and ofce ← share the same space, the two upper foors of Though he no longer lives in his hometown, Pilati a historical building in Berlin. (Pilati notes thinks fondly of the city. that the adjacency of his studio and living “Milan is beautiful,” he space is a conscious choice. “It allows me to says. “I recognize myself in its architecture, in isolate myself in my own creativity,” he says.) its colors.” Having moved to the German capital several The_Eye_FINAL_PASS_6-6.indd 34-35 6/11/18 5:10 PM The_Eye_FINAL_PASS_6-6.indd 36-37 6/11/18 5:10 PM 38 THE EYE → Pilati met Yves Saint Laurent only once, but treasures the letters he sent, signed with the word “amitié” (“friendship”).
    [Show full text]
  • Redefining the High Art of Couture: Fashion Illustration Goes Modern
    Redefining the High Art of Couture: Fashion Illustration Goes Modern exhibition curated by Decue Wu Tuesday, April 30, 2013 Fashion illustration has a long history and has played a critical role in the fashion industry. In the past, fashion illustrations were the main avenue for presenting the glamorous fashion concepts of designers. The illustrators added their own elements into their illustrations while showing the designerʼs vision. Meanwhile, fashion illustrators also documented the fashion show as editorial illustrations for magazines, newspapers and other publications. Yves Saint Laurent drawing designs. 1957 Tuesday, April 30, 2013 Cover illustration by Benito, 1921, for Vogue, February 15, 1921. Cover illustration by Benito, 1929, for Vogue, August 1929. Tuesday, April 30, 2013 Exhibition Précis: Redefining the High Art of Couture: Fashion Illustration Goes Modern is an exhibition that asserts that fashion illustration is a fine art. The focus is on the fashion illustrations of notable contemporary fashion illustrators, including David Downton (1959), Gladys Perint Palmer, Tanya Ling (1966), Francois Berthoud (1961), Mats Gustafson (1951), Zoë Taylor (1982), Jean-Philippe Delhomme (1959) and Howard Tangye (1979). Approximately two to four illustrations showcase the remarkable artistic talents of each artist. This exhibition is meaningful because it dispels the idea that fashion illustration is merely a functional tool for a fashion house— one used either to instruct tailors or to be manipulated as a marketing-and-sales device in fashion magazines or blogs. Instead, these exquisite drawings lift fashion illustration to its rightful place—as a high-art form worthy of acquisition by a museum or a private collector.
    [Show full text]
  • Yves Saint Laurent Brand Analysis Moriah Lutz-Tveite FASH 503 September 19, 2011
    Yves Saint Laurent Brand Analysis Moriah Lutz-Tveite FASH 503 September 19, 2011 Lutz-Tveite 2 Table of Contents Executive Summary p. 3 Brand Introduction p. 3 History of the Company p. 3 Brand Description p. 3 Mission Statement p. 4 Brand Portfolio p. 4 Products and Services Offered p. 4 Financial Statistics p. 4 Management Practices p. 5 Brand Portfolio and Map p. 6 Brand Portfolio p. 6 Brand Concept Board p. 7 Product Development p. 8 Retail Strategy p. 8 Marketing Analysis p. 9 4 P’s p. 9 Ideal Customers p. 10 Competitor Analysis p. 10 SWOT Analysis p. 11 Distribution and Supply Chain System p. 12 Distribution Channels p. 11 Vendors and Partners p. 12 Global Perspectives p. 12 Technologies and Innovation p. 12 Service p. 12 Future Direction of the Brand p. 13 Works Cited p. 14 Lutz-Tveite 3 Executive Summary Yves Saint Laurent or YSL is a 61 year-old French label currently owned by PPR as part of the Gucci Group. YSL is a luxury brand specializing in both men’s and women’s ready-to-wear in addition to handbags, shoes, accessories, sunglasses, fragrances and cosmetics. In 2010, YSL accounted for nearly €270 million of PPR’s €14.6 billion in revenues representing a 13.3% growth in revenue for YSL. YSL sells its products through 78 directly operated stores around the globe as well as on an e- commerce site. Additionally, the brand’s products are available for high-end luxury retailers. As part of the Gucci Group, YSL directly competes with LVMH’s French labels Louis Vuitton and Céline in addition to wide range of other luxury brands.
    [Show full text]
  • FALL / WINTER 2012 Why, During These Iffy Times, Do Designers Want
    THE FASHION GROUP FOUNDATION PRESENTS FALL / WINTER 2012 TREND OVERVIEW BY MARYLOU LUTHER NEW YORK • LONDON • MILAN • PARIS Why, during these iffy times, do designers want us to dress like the 1 Percenters? Why do so many of the new fall collections feature jewel- laden, fur-bearing, gold-gilded, paparazzi-rousing clothes? Answer: It’s the economy, stupid. The economy in China, Brazil, Russia, Dubai and other outposts of abundance, where women actually want to look rich. They’ve got it and they want to flaunt it. Serving these customers is, of course, essential to the future of five-figure designer clothes. And it becomes even more pertinent as more and more designers build stores in these enclaves of wealth and status. LANVIN For those who prefer a more discreet way of dressing, there is not only hope, there are options. In fact, there is a new sense of neck-to-toe coverup—one that borders on body armor. It’s the modern expression of protective coloration, identified by high necklines, long, tattoo-hiding sleeves and a circumspect hemline that registers just below the knees, sometimes a little shorter, sometimes longer. (Yes, minis and short skirts are still offered, but they look dated—unless worn over pants.) Said pants are definitely narrow, many with raised waistlines. Pants are also integral to defining a truly new look: A tri-level, three-piece suit that consists of jacket/skirt/pant or jacket/dress/pant. This new pant-involved trilogy is shown by Marc Jacobs, Dries Van Noten, Aquilano Rimondi, Jean Paul Gaultier, Hussein Chalayan, Tess Giberson, Rag & Bone, Louis Vuitton and especially by Chanel, where Karl Lagerfeld takes the look into night, posing above-the-ankle evening dresses CALVIN-KLEIN over cropped, ankle-hovering pants.
    [Show full text]
  • Chapter 1 1850-1890: the Dawn of Modern Clothing
    Chapter 1 1850-1890: The Dawn of Modern Clothing This Teacher’s Guide, compiled with the assistance of Stephanie Kramer, is designed to provide you with a summary of the key points in the development of fashion during the period/decade covered in this chapter. It also provides a concise survey of the significant designers of the time, essay and discussion questions, and further reading and research suggestions. Objective The main objective of this chapter is to study the development of fashion during the second half of the 19th century, particularly the establishment of those aspects of the fashion system that are still in place today. Fashion in this period reflected the latest developments in engineering, chemistry, and communication and witnessed development of the role of the “fashion designer.” Key Teaching Points The following teaching points have been arranged thematically and highlight the important topics that need to be covered in order to meet the main objective of the chapter. Social and Economic Background • Britain o reign of Queen Victoria (1837-1901); stress on propriety and etiquette o rapid industrialization o expanding overseas empire • United States o impact of Civil War (1861-1865) on global trade o emergence as industrial power • France o reestablishment of court during Second Empire (begins 1852, ends with Franco-Prussian war 1870) o transformation of Paris into fashionable modern city • Japan o opens borders (1853-1854) o goods enter the Western market and impact Western tastes The Arts • Orientalism and Academic
    [Show full text]
  • Stefano Pilati
    Style Icon: Stefano Pilati mensfashionmagazine.com /style-icon-stefano-pilati Choosing Stefano Pilati as a style icon is a bit like calling Prince Charles posh. He may seem like an obvious candidate but then again, ask the average man on the street if they’ve ever heard of the stylish Italian and we, here at MFM, think you’re just as likely to have had tea with Charlie round at Buckingham Palace. Ask the man on the street if they have heard of YSL, Zenga, Armani or Prada however and the likelihood is you will get plenty of nodding heads. And what do said brands have in common? Stefano Pilati, that’s what. Pilati has a way of dressing in a way that is in keeping with the fashion bubble which he works within. He retains a sense of style, more associated with Italian men and their penchant for suits. While the blazer and trousers are there in name, however, the cut and shape are all of Pilati’s own making. He has a way of wearing clothes like no one else, they appear to move with his frame, following his every step like an extra shadow. Look at still photos of him snapped at fashion events and the clothes still appear to move in those moments caught in time. It’s not just the clothes either, the face is half Greek God, half caveman; those piercing eyes, big black beard and hair cropped close to his furrowed brow all come together to create a look that play as integral part to his appearance as the clothes upon his back.
    [Show full text]
  • HANDBAGS-Sample-Spreads.Pdf
    legendary designs from azzedine alaïa to yves saint laurent HANDBAGS A Love Story monica botkier Handbags_5p_hires.indd 2-3 5/24/17 11:06 AM INTRODUCTION remember the first time I fell in love . with a bag. It was locked away inside a glass tower at Bergdorf Goodman on the main floor. I strolled through, as I usually do every time the seasons and the collections change, and noticed this buttery soft brown hobo with impeccable stitching, a confident slouch, and the most alluring antique-like horn handle attached by simple rings on each side. It was everything I wanted to be: sophisticated, well traveled, exotic. That bag represented all my dreams. I had to have it. The bag was Yves Saint Laurent’s Mombasa, designed by the sexiest of designers, Tom Ford. I went to visit it every day for a week until I finally convinced myself that buying it was more important than paying the rent. Once I was the proud owner of my first designer bag, I began to notice how many otherI women had one. I also started to see bags for their color, size, condition, and brand. Designer bags had become my addiction, and I was inducted into a secret society that came with its own silent language spoken between members in knowing nods and glances of approval—in the streets, on the subway, at restaurants. Men have various trophies—cars, watches—and women have bags. It’s true that bags are practical—they protect our belongings and carry us through the day—but they also reveal taste, power, and status.
    [Show full text]
  • 100 Contemporary Fashion Designers Edited by Terry Jones
    100 Contemporary FasHion DesiGners Edited by Terry Jones 16 Haider Ackermann 202 JoHn galliano + cHristian Dior/ 20 azzedine AlaÏa MAISON MARTIN MARGiela 26 GiorGio Armani 216 Jean Paul Gaultier + hermÈs 42 kris Van AsscHe + Dior Homme 228 nicolas GHesquiÈre • BalenciaGa/ 50 aGnÈs B. louis Vuitton 54 cHristopHer Bailey • BurBerry 242 frida Giannini • Gucci 62 neil Barrett 252 katHarine Hamnett 66 luella Bartley • LUELLA/ 256 ann Valérie HasH marc BY MARC JacoBs 260 desirée heiss & ines kaaG • bless 70 Walter Van Beirendonck 264 lazaro hernandez & 76 Véronique BranquinHo Jack mccollouGH • proenza scHouler 84 Thom BroWne 270 tommy HilfiGer 90 consuelo castiGlioni • Marni 278 VIKTOR HorstinG & 94 dean & Dan Caten • DSquared ROLF SNOEREN • Viktor & Rolf 100 roBerto CaValli 288 marGaret hoWell 108 Hussein Chalayan 292 marc jacoBs + louis vuitton/ 116 maria CorneJo • Zero marc JacoBs 120 francisco costa • calVin klein 308 rossella Jardini • MoscHino 124 Giles Deacon 314 WOLFGANG Joop • Wunderkind 130 ChristopHe Decarnin • Balmain 318 cHristopHer kane 136 ann Demeulemeester 324 donna Karan 146 domenico Dolce & Stefano GaBBana 330 rei KaWakuBo • Comme des Garçons dolce & GaBBana 344 adam Kimmel 160 alBer ElBaz • LanVin 350 sopHia Kokosalaki 166 silVia Venturini fendi • fendi 354 micHael Kors 174 alBerta Ferretti 358 tao KuriHara 184 limi Feu 362 cHristian Lacroix 188 tom Ford 366 karl LaGerfeld + cHanel 196 dai FuJiWara • Issey Miyake 382 ralph Lauren 001-165_BU_Fashion_litho_CS5_5.indd001-165_100_CONT_FASHION_DESIGNERS_HC_BU_INT_45476.IND75
    [Show full text]
  • Special Edition
    SPECIAL!EDITION Fashion. Beauty. Business. MILAN20 JUNE 2015 ! This draped blouson in Japanese double-face wool over an unconstructed single-breasted jacket in cotton madras crepe is paired with classic pants in lightweight Lanificio Zegna wool. Collections Milan 2016 The LIGHTNESS of BEING Stefano Pilati channels airy transparency in muted tones for Zegna’s spring collection. For more on the Milan shows, see pages 6 to 14. Photograph by PAOLA PANSINI 0619DAILY_Cover.indd 2 6/18/15 5:38 PM C2 20 JUNE 2015 20 JUNE 2015 3 4 20 JUNE 2015 20 JUNE 2015 5 BUSINESS BEAUTY TOP 5 House OKs TPA Bill, TRENDING Dior and Tom Ford Score Big at ON WWD.COM Fragrance Foundation Awards Next Stop Senate A glittering night of scents and THE 2015 FRAGRANCE The bill passed in the House President Obama celebrities at Alice Tully Hall. FOUNDATION on a vote of 218 to 208. BY PETE BORN AND JULIE NAUGHTON AWARD WINNERS BY BY KRISTI ELLIS With a dramatic flourish, Fragrance FRAGRANCE OF THE YEAR: Foundation Awards emcee Alec Baldwin MEN’S POPULAR WASHINGTON — The House voted to held up his wrist, showing a plastic brace- Banana Republic Modern Man — give President Obama Trade Promotion let, as he opened the 43rd annual show Inter Parfums USA, LLC Authority on Thursday nearly a week at Lincoln Center’s Alice Tully Hall on after Democrats derailed it, but a looming Wednesday evening. But the simple plastic WOMEN’S POPULAR vote in the Senate is expected to put it to bracelet was not a trinket bought from an Taylor Swift Incredible Things — Elizabeth Arden the test once again.
    [Show full text]
  • DM 10 Talks Release
    DESIGN MIAMI/ CONTINUES ITS TRADITION OF BOLD PROGRAMMING WITH 2010 DESIGN TALKS MODERATED BY STEFANO TONCHI, EDITOR-IN-CHIEF OF W MAGAZINE Panelists for Design Talks include Ron Arad, Konstantin Grcic, Pharrell Williams, and David Adjaye This December, Design Miami/, the global forum for design, will continue its tradition of cutting edge programming with the 2010 Design Talks. Since its inception, the Design Talks programme has offered an intimate and forward-looking exploration into topics at the intersection of art, architecture, design, and fashion. Held at Design Miami/ shows biannually in Basel, Switzerland and Miami, the highly anticipated Talks programme is comprised of industry leaders, artists, and experts exploring a series of timely and provocative topics. This year, Design Miami/ is pleased to partner with W Magazine and W Magazine’s Editor-in-Chief, Stefano Tonchi for three Talks: “Craft and Craftsmanship,” “Romantic Minimalism,” and “Heritage and Identity.” Starting Wednesday, December 1, Tonchi will moderate this year’s Talks with participants including Silvia Venturini Fendi, Ron Arad, Pharrell Williams, Konstantin Grcic, John Pawson, Francisco Costa, Stefano Pilati, Louise Neri, and David Adjaye. The Design Talks will take place over three days from 6 to 7 PM at Design Miami/ in the ASSOULINE Culture Lounge, sponsored by ASSOULINE Publishing and furnished by Poltrona Frau, Cappellini, and Alias. “At each show, the Talks programme brings together a small yet highly influential group of people who are changing the worlds of design, art, architecture, and fashion,” says Ambra Medda, Co-Founder and Creative Consultant for Design Miami/. “What each of these people share is the vision and ability to not only push the boundaries of their chosen fields but to do so in a way that enriches our understanding of the role of creativity in contemporary culture.” Design Miami/ selected W Magazine Editor-in-Chief Stefano Tonchi to moderate the 2010 Design Talks for his long history of actively engaging with the creative industries.
    [Show full text]