Mitsuyo Kakuta 角田光代publications List
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15.Ankara Filmleri Festivali
ANKARA JAPON FİLMLERİ FESTİVALİ 15.22-24 ŞUBAT 2019 FİLMLER TÜRKÇE ALTYAZILIDIR | GİRİŞ ÜCRETSİZDİR GÖSTERİMDEKİ FİLMLER KARA KEDİ RUDOLF OSHIN SAMURAYIN KEDİSİ USTANIN SESİ KÜÇÜK KIZ KARDEŞİM FIRTINADAN SONRA KELİME BAHÇESİ JAPONYA BÜYÜKELÇİLİĞİ ANKARA | TÜRKİYE www.tr.emb-japan.go.jp facebook.com/japonyabuyukelciligi Detaylı bilgiyi internet sitemizde bulabilirsiniz. KÜÇÜK KIZ KARDEŞİM Umimachi Diary Üç kız kardeş, vefat etmiş olan büyükannelerinin Kamakura kentindeki evinde birlikte yaşıyordur. Kardeşler, babaları başka bir kadın için evi terk ettiğinden ve anneleri de tıpkı kocası gibi başka bir erkekle gittiğinden beri birlikte yaşamaktadır. Yerel bir hastanede hemşire olan 29 yaşındaki Sachi Kouda, 22 yaşındaki Yoshino Kouda’ya ve 19 yaşındaki Chika Kouda’ya annelik etmektedir. Bir gün, üç kız kardeş babalarının ölümünü duyar ve isteksizce cenazesine katılırlar. Fakat Yamagata'da beklenmeyen bir şey olur: 13 yaşındaki kardeşleri Suzu'yla karşılaşırlar. Sachi, babasının dul eşi Yoko'nun uygun bir veli olmayacağını sezer ve Suzu'yu yanlarına taşınmaya davet eder. Bilgi: 2015 Cannes Film Festivali En İyi Film Adayı 22 ŞUBAT 2019 CUMA 19.00 Tür: Aile – Drama Yönetmen: Hirokazu Koreeda Senaryo: Hirokazu Koreeda Yapım: 2015 / 128 dk. / Renkli / Vista (1,85:1) Oyuncular: Haruka Ayase: Sachi Koda Masami Nagasawa: Yoshino Kôda Kaho: Chika Koda Suzu Hirose: Suzu Asano Ryo Kase: Yoshimi Sakashita Ryohei Suzuki: Dr. Yasuyuki Inoue Takafumi Ikeda: Sanzo Hamada Kentaro Sakaguchi: Tomoaki Fujii Ohshiro Maeda: Futa Ozaki Midoriko Kimura: Hideko Takano Yuko Nakamura: Yoko Asano Jun Fubuki: Sachiko Ninomiya Kazuaki Shimizu: Toshio Iida © 2015 "Our Little Sister" Film Partners FIRTINADAN SONRA Umi Yorimo Mada Fukaku Geçmişte ödül almış bir yazar olan Ryota, özel dedektif olarak kazandığı parayı kumara harcadığından dolayı çocuğunun nafakasını güçlükle ödeyebilmektedir. -
Célia Maki Tomimatsu.Pdf
PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PROGRAMA DE ESTUDOS PÓS-GRADUADOS EM COMUNICAÇÃO E SEMIÓTICA O cinema que convoca os sentidos da vida Uma análise do conceito de Ikigai (razão de viver) na filmografia de Hirokazu Koreeda Tese de Doutorado apresentada à Banca Examinadora da PUC de São Paulo como parte da exigência para a obtenção do título de Doutora em Comunicação e Semiótica. Orientadora: Profa. Dra. Christine Greiner CÉLIA MAKI TOMIMATSU São Paulo 2017 2 Banca Examinadora _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ São Paulo, ______ de _____________________ de 2017. 3 RESUMO O objetivo desta pesquisa é analisar como o cineasta japonês Hirokazu Koreeda transforma o conceito de ikigai (生きがい) em um recurso comunicacional que afeta o público japonês e as plateias internacionais, na medida em que convoca a vida na sua singularidade cotidiana e não necessariamente a partir de grandes acontecimentos. Embora ikigai seja um termo de difícil tradução, tem sido considerado por pesquisadores de áreas diversas como razão de viver. O corpus principal da tese é composto por quatro filmes: A luz da ilusão (1995), Depois da vida (1999), Tão distante (2001) e Seguindo em frente (2008). Em todos eles, há um destaque para os questionamentos sobre a vida, a morte e, sobretudo, a memória como interação humana entre dos personagens. Isso porque, além dos diálogos, o silêncio e as imagens das lembranças expressam a razão de viver de cada um deles. No que se refere ao quadro teórico, relacionamos bibliografias sobre ikigai de Mieko Kamiya (2004a, 2004b) com os escritos do próprio Hirokazu Koreeda (2001, 2004, 2008, 2016a, 2016d), bem como suas entrevistas, nas quais o autor interpreta ikigai de um modo complexo e elucida a sua inserção no cinema japonês contemporâneo. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
Yoshioka, Shiro. "Princess Mononoke: a Game Changer." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
Yoshioka, Shiro. "Princess Mononoke: A Game Changer." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison. London: Bloomsbury Academic, 2017. 25–40. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781501329753.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 01:01 UTC. Copyright © Rayna Denison 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 25 Chapter 1 P RINCESS MONONOKE : A GAME CHANGER Shiro Yoshioka If we were to do an overview of the life and works of Hayao Miyazaki, there would be several decisive moments where his agenda for fi lmmaking changed signifi cantly, along with how his fi lms and himself have been treated by the general public and critics in Japan. Among these, Mononokehime ( Princess Mononoke , 1997) and the period leading up to it from the early 1990s, as I argue in this chapter, had a great impact on the rest of Miyazaki’s career. In the fi rst section of this chapter, I discuss how Miyazaki grew sceptical about the style of his fi lmmaking as a result of cataclysmic changes in the political and social situation both in and outside Japan; in essence, he questioned his production of entertainment fi lms featuring adventures with (pseudo- )European settings, and began to look for something more ‘substantial’. Th e result was a grave and complex story about civilization set in medieval Japan, which was based on aca- demic discourses on Japanese history, culture and identity. -
Zeughauskino: Kinematografie Heute: Japan
KINEMATOGRAFIE HEUTE: JAPAN Seit Jahren eine der größten Filmproduktionen der Welt ist dem japanischen Kino eine einzigartige Vielfalt und Kraft eigen: ein Reichtum fiktionaler Formen, der aus der Geschichte des japani- schen Films wie auch aus den gesellschaftlichen Verwerfungen der Gegenwart schöpft; eine lebendige Dokumentarfilmkultur, die klas- sischen Anliegen und Arbeitsweisen folgen kann, die aber auch moderne und hybride Formen kennt, und schließlich natürlich ein Kino des animierten Films, das weltweit einzigartig ist. In mancher Hinsicht dem europäischen oder westlichen Kino ähnlich, hat das japanische Filmschaffen auch Filmsprachen und Bilderwelten her- vorgebracht, die hierzulande nicht entstehen: Die Vorführung eines japanischen Films kann zu einem atemberaubenden Erlebnis werden. Die Filmreihe KINEMATOGRAFIE HEUTE: JAPAN, die das zeitgenössi- sche japanische Kino der letzten vier Jahre vorstellt, ermöglicht eine Vielzahl dieser Erlebnisse. Eine Filmreihe anlässlich des Jubiläums »150 Jahre Japan – Deutsch- land«, mit freundlicher Unterstützung der Botschaft von Japan. Kūki Ningyō Air Doll J 2009, R: Hirokazu Koreeda, D: Doona Bae, Arata, Itsuji Itao, Jō Odagiri, 125’ | 35 mm, OmeU Das Kino kann beschrieben werden als eine Apparatur, die tote, erstarrte Bilder durch Bewegung dynamisiert und zum Leben erweckt. Vielleicht sind auch deshalb Erzählungen über künstliches Leben seit jeher ein privilegier- tes Sujet des Mediums. Hirokazu Koreeda schließt an diese Tradition an, bedient sich insbesondere bei Ernst Lubitschs Stummfilmklassiker Die Pup- pe und fügt ihr eine eigenwillige Variante hinzu: Zum Leben erweckt wird hier eine Sexpuppe. Koreeda nimmt diese absurde Prämisse wortwörtlich, ohne dass Air Doll deswegen zum Exploitationfilm werden würde. Statt des- sen erzählt der Film die Subjektkonstitution eines sich seiner eigenen Funk- tion bewussten Sexspielzeugs als modernes Märchen. -
JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres
Media Contacts: Emma Myers, [email protected], 917-499-3339 Shannon Jowett, [email protected], 212-715-1205 Asako Sugiyama, [email protected], 212-715-1249 JAPAN CUTS: Festival of New Japanese Film Announces Full Slate of NY Premieres Dynamic 10th Edition Bursting with Nearly 30 Features, Over 20 Shorts, Special Sections, Industry Panel and Unprecedented Number of Special Guests July 14-24, 2016, at Japan Society "No other film showcase on Earth can compete with its culture-specific authority—or the quality of its titles." –Time Out New York “[A] cinematic cornucopia.” "Interest clearly lies with the idiosyncratic, the eccentric, the experimental and the weird, a taste that Japan rewards as richly as any country, even the United States." –The New York Times “JAPAN CUTS stands apart from film festivals that pander to contemporary trends, encouraging attendees to revisit the past through an eclectic slate of both new and repertory titles.” –The Village Voice New York, NY — JAPAN CUTS, North America’s largest festival of new Japanese film, returns for its 10th anniversary edition July 14-24, offering eleven days of impossible-to- see-anywhere-else screenings of the best new movies made in and around Japan, with special guest filmmakers and stars, post-screening Q&As, parties, giveaways and much more. This year’s expansive and eclectic slate of never before seen in NYC titles boasts 29 features (1 World Premiere, 1 International, 14 North American, 2 U.S., 6 New York, 1 NYC, and 1 Special Sneak Preview), 21 shorts (4 International Premieres, 9 North American, 1 U.S., 1 East Coast, 6 New York, plus a World Premiere of approximately 12 works produced in our Animation Film Workshop), and over 20 special guests—the most in the festival’s history. -
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY MAMMA MIA! ISLE OF DOGS MAMMA MIA! DISOBEDIENCE HACHI: A DOG'S TALE (2008-US/UK/Germany) (2018-Germany/US) (2008-US/UK/Germany) (2017-UK/Ireland/US) (2009-US/UK) in widescreen in widescreen animation in widescreen in widescreen in widescreen with Richard Gere Meryl Streep, Colin Firth, voiced by Bryan Cranston, Meryl Streep, Colin Firth, with Rachel Weisz, Directed by Lasse Hallström Pierce Brosnan Koyu Rankin, Edward Norton Pierce Brosnan Rachel McAdams 12:00, 3:30 & 7:00pm 11am, 3 & 7pm 12:00 & 7:00pm 11am, 3:15, 5:15 & 7:15pm 11:30am, 3:15 & 7:00pm ------------------------------------ ------------------------------------ ------------------------------------ ---------------------------------- ---------------------------------- THE FACE OF JIZO DISOBEDIENCE HACHI: A DOG'S TALE AT THE END OF THE ISLE OF DOGS (2004-Japan) (2017-UK/Ireland/US) (2009-US/UK) in widescreen TUNNEL (2018-Germany/US) Japanese w/Eng subtitles ws in widescreen with Richard Gere (2016-Argentina/Spain) animation in widescreen with Rie Miyazawa, Yoshio with Rachel Weisz Directed by Lasse Hallström Spanish w/Eng subtitles ws Directed by Wes Anderson Harada, Tadanobu Asano 1, 5 & 9pm 2 1:45, 3:30, 5:15, 8:45pm 3 1:00 & 9:15pm 4 1:30, 5:15pm & 9:00pm 5 1:45, 5:15 & 8:45pm 6 NAGASAKI: AT THE END OF THE Hawaii Premiere! TULLY 2 Hawaii Premieres! MEMORIES OF MY SON TUNNEL HOTEL HIBISCUS (2018-US) KAFOO: WAITING (2015-Japan) (2016-Argentina/Spain) (2002-Japan) in widescreen FOR HAPPINESS Japanese -
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of -
Productlistings
02-05 Berlin listings_lg_edit c:L02THR_Fri020510_EW 2/4/10 11:55 AM Page L-2 NuImage/Millennium Films’ “The Mechanic” ProductListi ngs On Offer: THE BOXER (U.S.A./ On Offer: THE BAIT (U.S.A./Poland; 27 FILMS PRODUCTION LISTINGS NOTE Germany; action-adventure) Director: thriller) Director: Dariusz Zawislak; cast: Phone: 49-30-847-116-60 Thomas Jahn; cast: Stacy Keach, Joshua Faye Dyaway, Sonia Bohosiewicz. (90 On Offer: FRANCUSKI (Germany/ Dallas. (90 mins.; screening; debuting) mins.; screening; debuting) Listings represent product Austria/Poland; drama) Director: Goran THE LOST SAMARITAN (U.S.A./ THE MAGIC STONE (family) Director: on offer by companies that Rebic; cast: Samuel Finzi, Lars Rudolph. Germany; action-adventure) Director: Jowita Gondek; cast: Faye Dunaway, submitted titles to (development; presales; debuting) Thomas Jahn; cast: Ian Somerhalder, Majka Jezowska. (postproduction; prod - MR. LU’S BLUES (Germany/Sweden/ THR.com/listings. Ruta Gedmintas. (90 mins.; screener uct reel/trailer; debuting) China; romance) Director: Maria Von Submissions were limited cassette/DVD; debuting) Heland (development; presales; debuting) to two of the following: AFFINITY INTL. attending executives, 6 SALES ADRIANA CHIESA Berlin Office: Ritz Carlton Suite 550 ENTERPRISES Office Phone: 49-03-033-777-56 projects and cast members Berlin Office: Marriott Hotel, 1st Floor, Berlin Office: MGB 135 Attending: Bill Lischak, COO; Brian per project. Participating Office #100 Office Phone: 49-30-22000-1127 Office Phone: 49-03-024-649-7400 O’shea, president, worldwide distribution companies may have Attending: Mar Abadin, head of sales; Attending: Adriana Chiesa Di Palma, Phone: 310-652-0999 additional films on offer. Marina Fuentes, partner president; Rossella Gori, head of interna - On Offer: FROM PRADA TO NADA Phone: -34-91-636-10-54 tional sales (U.S.A.; romance) Director: Angel Gracia; On Offer: THE DANCER & THE THIEF Phone: -39-06-808-6052 cast: Adriana Barraza, Camilla Belle. -
Sega Dreamcast
Sega Dreamcast Last Updated on September 24, 2021 Title Publisher Qty Box Man Comments 18 Wheeler: American Pro Trucker Sega 18 Wheeler: American Pro Trucker: Dreamcast Collection Sega 21: Two One Princess Soft 21: Two One: Limited Edition Princess Soft 21: Two One: Dreamcast Collection Princess Soft 3D Adventure Construction: Dreamstud!o Sega Advanced Daisenryaku 2001 Sega Advanced Daisenryaku: Europe no Arashi - Doitsu Dengeki Sakusen Sega Advanced Daisenryaku: Sturm uber Europa - Der deutsche Blitzkrieg Sega Aero Dancing CSK Aero Dancing F CSK (CRI) Aero Dancing F: Dreamcast Collection CSK (CRI) Aero Dancing F: Todoroki Tsubasa no Hatsu Hikou CSK (CRI) Aero Dancing featuring Blue Impulse CSK (CRI) Aero Dancing i CSK (CRI) Aero Dancing i: Jikai Saku Made Matemasen CSK (CRI) Aero Dancing: Todoroki Taichoo no Himitsu Disc CSK (CRI) After… ~Wasureenu Kizuna~ Pionesoft (Kaga Tech) After… ~Wasureenu Kizuna~: Limited Edition Pionesoft (Kaga Tech) Aikagi: ~Hidamari to Kanojo no Heyagi~ NEC Interchannel Aikagi: ~Hidamari to Kanojo no Heyagi~: Limited Edition NEC Interchannel Air NEC Interchannel Airforce Delta Konami Airforce Delta: Dreamcast Collection Konami Akihabara Dennou-gumi Pata Pies! Sega Angel Present NEC Interchannel Angel Wish: Kimi no Egao ni Chu! Pionesoft (Kaga Tech) Angel Wish: Kimi no Egao ni Chu!: Special Pack Pionesoft (Kaga Tech) Animastar AKI Ao no 6-gou: Saigetsu Fumachibito ~Time and Tide~ Sega Aoi Hagane no Kihei: Space Griffon Panther Software Armed Seven JoshProd, Play Asia Atelier Marie & Elie: Salburg no Renkinjutsushi -
Your Name Screenplay.Fdx
君の名は [Your Name] "Fan-made Screenplay" Original Story and Film by Makoto Shinkai Rewritten in English by Jake Gao gaojake.com [email protected] ii. I want to make it clear that I wrote this with my own time, and without permission from the original filmmakers and producers. As a screenwriting major in Los Angeles, I really wanted to read the screenplay to my favorite movie, Your Name, but I couldn't a copy of it anywhere (Japanese or English). So I came up with the bright idea to write my own! This project was super fun for me as I was able to really study the movie and its details. It also serves as fun writing practice, a way to force myself to write everyday, and something to serve up as a sample of my writing style. I hope that you all enjoy the read, and please feel free to critique me and point out any mistakes-- format, spelling, or grammatical-- as it'll help me improve my future projects! Thank you so much and keep dreaming! -Jake. Original story by Makoto Shinkai 1. EXT. ITOMORI - SKY - NIGHT We are so high sky that sunlight still peaks over the horizon, bouncing off the tops of clouds. Meteorites glow red as they fall towards Earth. Many fragments disintegrate in the atmosphere, but the largest piece dives into the clouds. The sound of wind whistles as the camera tracks the falling comet. The comet bursts through the cloud cover, revealing a darkened prefecture surrounding a large lake. We watch as the comet descends onto Itomori. -
America's Largest Japanese Film Fest Announces 27 NYC Premieres For
Media Contacts: Shannon Jowett, [email protected], 212-715-1205 Kuniko Shiobara, [email protected], 212-715-1249 America’s Largest Japanese Film Fest Announces 27 NYC Premieres for 8th Installment JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema July 10-20, 2014 at Japan Society New York, NY -- North America’s largest showcase of Japanese film and “One of the loopiest… and least predictable of New York’s film festivals” (New York Magazine), JAPAN CUTS: The New York Festival of Contemporary Japanese Cinema returns for its eighth annual installment. Running July 10-20 and screening 27 features with 8 special guests, JAPAN CUTS 2014 encompasses a thrilling cross section of cinephilic genre oddities, sword-swinging period action, profound documentaries, cathartic melodramas, warped comedies and cutting-edge arthouse cinema made in and around Japan. Guests include superstar performers and independent auteurs opening up in rare Q&As and dynamic parties rocking Japan Society’s historic theater and waterfall atrium. As in past years, the festival dovetails with the 13th New York Asian Film Festival (NYAFF), co-presenting 13 titles in the JAPAN CUTS lineup July 10-13. JAPAN CUTS 2014 again earns the distinction as “New York’s premiere Japanese cinema event,” every title never before screened in New York City, “unspooling across a kaleidoscopic range of taste and aesthetics” (The Wall Street Journal). Boasting 1 World Premiere, 3 International Premieres, 7 North American Premieres, 6 U.S. Premieres, 5 East Coast Premieres, and 4 New York Premieres, every day of the festival provides a must-see event for the NYC cinephile, follower of Japanese art and culture, and devoted world cinema aficionado alike.