A Glimpse in to Japan's History Through Makoto Shinkai'skimi No Nawa
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Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R
The original documents are located in Box 27, folder “State Visits - Emperor Hirohito (1)” of the Ron Nessen Papers at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Ron Nessen donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 27 of The Ron Nessen Papers at the Gerald R. Ford Presidential Library THE EMPEROR OF JAPAN ~ . .,1. THE EMPEROR OF JAPAN A Profile On the Occasion of The Visit by The Emperor and Empress to the United States September 30th to October 13th, 1975 by Edwin 0. Reischauer The Emperor and Empress of japan on a quiet stroll in the gardens of the Imperial Palace in Tokyo. Few events in the long history of international relations carry the significance of the first visit to the United States of the Em peror and Empress of Japan. Only once before has the reigning Emperor of Japan ventured forth from his beautiful island realm to travel abroad. On that occasion, his visit to a number of Euro pean countries resulted in an immediate strengthening of the bonds linking Japan and Europe. -
Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU & BRICS
Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU & BRICS Paper: Perspectives on International Relations and World History Lesson: Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU & BRICS Lesson Developer: Ankit Tomar College: Miranda House, University of Delhi Institute of Lifelong Learning, University of Delhi Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU & BRICS Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU& BRICS TABLE OF CONTENTS Introduction Defining Post-Cold War Era Major Developments in Post-Cold War Period American Hegemony and UniPolar World Emergence of Other Centres of Power: EU, BRICS and Japan Conclusion Glossary Essay Type Questions Multiple Choice Questions Suggested Readings Useful Web-Links Institute of Lifelong Learning, University of Delhi Post-Cold War Developments and Emergence of Other Centres of Power: Japan, EU & BRICS INTRODUCTION International politics is ever-changing, dynamic and comprehensive. It has never accepted any particular order as permanent and it has been proved with the dismantling of the Soviet bloc in Eastern Europe (1991) and the end of Cold War which led to the massive changes in the international system. The end of Cold War gives a start of new phase in the history of international politics which is often referred as a ‘post-Cold War’ phase of world politics. In the post-Cold War era, the balance of power system and bipolar system that existed for a long period before the end of Cold War, was made away by the unipolar world order loaded with multi-polar characteristics, where more than one power may exercise its influence in world politics. -
Rlg101h Film Paragraph – Instructions
RLG101H FILM PARAGRAPH – INSTRUCTIONS Submission • The deadline to submit this assignment is 11:59 pm on January 26. Your assignment will be penalized one mark (out of 20) per day late. • You must submit your assignment to both BLACKBOARD and TURNITIN.COM as a Microsoft Word (.doc or .docx) file. The version of your assignment on Turnitin.com will be the one graded. Paper copies will not be accepted. If you do not wish to submit your work to Turnitin.com, you must consult with the course instructor; for details see the course website: https://rlg101h.wordpress.com/grading/writing-assignments Purpose The main goal of this assignment is to demonstrate that theories of religion can be used to interpret phenomena that are often not understood or seen as “religious.” Also, we are asking you to submit just one paragraph at this stage so that you can receive detailed feedback on it, which will help you improve the work you produce for the full version of the film analysis assignment. Assignment Your task is to write a single paragraph analyzing a “non-religious” film using one of the following theories from chapter 5 of Nye’s Religion: The Basics: • Reductionism (p. 108–9) • Cognitive vs. affective beliefs (p. 117) • Habitus (p. 124–6) It is crucial that you choose a theory from the above list. If you use a different theory for this assignment, you may be penalized up to 10 marks (out of 20). Your analysis must show that, when the film is looked at using the theory you have chosen, it can be seen to promote a particular message. -
Clare Domenico Olsen T/RS 25 May 2020 Spirited Away Anime Has Been an Important Part of Many People's Culture. from Shows
Clare Domenico Olsen T/RS 25 May 2020 Spirited Away Anime has been an important part of many people’s culture. From shows like Pokemon and Naruto, to movies like Your Name and A Silent Voice. Personally, I do not watch a lot of anime in my time, but one of my favorite movies of all time is called Spirited Away, which is by the world famous director, Hayao Miyazaki, who owns the company Studio Ghibli. If i were to compare Miyazaki to somebody else, I would compare him to Walt Disney, since if you think about it, with his ratings and reviews, Miyazaki is basically the Walt Disney of Japan. His movies are filled with beautiful sceneries, music scores that will give you chills, and a story that will impact the viewer in every way, shape, and form. Every single one of the movies that this company brings out to the public is loved and cherished by many. Some, like the movie Totoro and Ponyo, are funny and light-hearted. Other movies by Miyazaki and Studio Ghibli, like Princess Mononoke and Howl’s Moving Castle, are more serious, and are better watched by an older audience so they can understand the main point and plot of the movie. One of my favorite movies by this company and director is called Spirited Away. Spirited Away was the first ever Studio Ghibli film I watched when I was a kid, and after watching it, I was hooked. The colors, sounds, and scenery were something at which I have never seen before in my life, and it drew me into the story and message it tries to obtain the viewer to have. -
Describe the Treaty of Kanagawa
Describe The Treaty Of Kanagawa Self-contained Dov still nodded: impeded and eucaryotic Delmar barber quite customarily but abides cussedly?Sothicher calligraphists and wooden-headed. consubstantially. Is Tracy Isothermal disputative Caesar or restricted enfilade after very illuminating discursively Gardner while Shimon glads soremains Global 10 Ms Seim Name Meiji Restoration and Japan's. 3Describe the causes and impacts of the Spanish-American War. 159 American envoy Townsend Harris persuades the Japanese to fall a trading port in Kanagawa Treaty of Kanagawa Soon these rights are offered to. School textbooks in America and Japan describe what Perry's naval. In 154 Perry returned and negotiated the preach of Kanagawa with Japan. What benefits did the control of Kanagawa grant the United States. By the birth of class our objectives are to audible why Japan ended its isolation and how faith began to modernize. Live in three letters from one correct answers this assignment will describe the united states had failed to gain a treaty japan. Perry's Black Ships in Japan and Ryukyu The Whitewash of. YOKOHAMA WHERE THE spirit BEGAN several New York. Treaty Ports and Traffickers Chapter 1 Japan's Imperial. March 2004 SE National Council yet the Social Studies. Japan and World Seaports Maritime heritage Project San. Japanese authorities recover the we of Kanagawa on March 31 This treaty. Treaty of Kanagawa Japan-United States 154 Britannica. Commodore expects to the treaty of kanagawa. Commodore Perry was very digressive in describing the Japanese gifts and parties. Chapter 14 Becoming a city Power 172-1912 Yonkers. Japanese nationalism 19th century Organic Trader. -
Tesi Di Laurea
Corso di Laurea magistrale in LINGUE E ISTITUZIONI ECONOMICHE E GIURIDICHE DELL’ASIA E DELL’AFRICA MEDITERRANEA [LM4-12] Tesi di Laurea L’arte del silenzio Il simbolismo nel cinema di Shinkai Makoto Relatore Ch. Prof.ssa Roberta Maria Novielli Correlatore Ch. Prof. Davide Giurlando Laureando Carlotta Noè Matricola 838622 Anno Accademico 2016 / 2017 要旨要旨要旨 この論文の目的は新海誠というアニメーターの映画的手法を検討する ことである。近年日本のアニメーション業界に出現した新海誠は、写実的な スタイルで風景肖像を描くことと流麗なアニメーションを創作することと憂 鬱な物語で有名である。特に、この検討は彼の作品の中にある自分自身の人 生、愛情、人間関係の見方を伝えるための記号型言語に集中するつもりであ る。 第一章には新海誠の伝記、フィルモグラフィとその背景にある経験に 焦点を当たっている。 第二章は監督の映画のテーマに着目する。なかでも人は互いに感情を 言い表せないこと、離れていること、そして愛のことが一番大切である。確 かに、彼の映画の物語は愛情を中心に回るにもかかわらず、結局ハッピーエ ンドの映画ではない。換言すれば、新海誠の見方によると、愛は勝つはずで はない。新海誠は別の日本のアニメーターや作家から着想を得ている。その ため、次はそれに関係があるテクニックとスタイルを検討するつもりである。 第三章には新海誠の作品の分析を通して視覚言語と記号型言語が発表 される。一般的な象徴以外に、伝統、神話というふうに、日本文化につなが る具体的なシンボルがある。一方、西洋文化に触れる言及もある。例えば、 音楽や学術研究に言及する。 こうして、新海誠は異なる文化を背景を問わず観客の皆に同じような感情を 感じさせることができる。 最後に、後付けが二つある。第一に、新海誠が演出したテレビコマー シャルとプロモーションビデオが分析する。第二に、新海誠と宮崎駿という アニメーターを比較する。新海誠の芸術様式は日本のアニメーションを革新 したから、“新宮崎”とよく呼ばれている。にもかかわらず、この呼び名を 離れる芸術様式の分野にも、筋の分野にも様々な差がある。特に、宮崎駿の アニメーションに似ている新海誠の「星を追うこども」という映画を検討す る。 1 L’ARTE DEL SILENZIO Il simbolismo nel cinema di Shinkai Makoto 要旨要旨要旨 …………………………………………………………………………………………………………….Pg.1 INTRODUZIONE …………………………………………………………………………………………..Pg.4 CAPITOLO PRIMO: Shinkai Makoto……………………………………………………………………………………………Pg.6 1.1 Shinkai Makoto, animatore per caso 1.2 Filmografia, sinossi e riconoscimenti CAPITOLO SECONDO : L’arte di Shinkai Makoto……………………………………………………………………………..Pg.18 -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
Japan Has Always Held an Important Place in Modern World Affairs, Switching Sides From
Japan has always held an important place in modern world affairs, switching sides from WWI to WWII and always being at the forefront of technology. Yet, Japan never came up as much as China, Mongolia, and other East Asian kingdoms as we studied history at school. Why was that? Delving into Japanese history we found the reason; much of Japan’s history was comprised of sakoku, a barrier between it and the Western world, which wrote most of its history. How did this barrier break and Japan leap to power? This was the question we set out on an expedition to answer. With preliminary knowledge on Matthew Perry, we began research on sakoku’s history. We worked towards a middle; researching sakoku’s implementation, the West’s attempt to break it, and the impacts of Japan’s globalization. These three topics converged at the pivotal moment when Commodore Perry arrived in Japan and opened two of its ports through the Convention of Kanagawa. To further our knowledge on Perry’s arrival and the fall of the Tokugawa in particular, we borrowed several books from our local library and reached out to several professors. Rhoda Blumberg’s Commodore Perry in the Land of the Shogun presented rich detail into Perry’s arrival in Japan, while Professor Emi Foulk Bushelle of WWU answered several of our queries and gave us a valuable document with letters written by two Japanese officials. Professor John W. Dower’s website on MIT Visualizing Cultures offered analysis of several primary sources, including images and illustrations that represented the US and Japan’s perceptions of each other. -
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ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
番号 曲名 Name インデックス 作曲者 Composer 編曲者 Arranger作詞
番号 曲名 Name インデックス作曲者 Composer編曲者 Arranger作詞 Words出版社 備考 備考2 備考3 備考4 595 1 2 3 ~恋がはじまる~ 123Koigahajimaru水野 良樹 Yoshiki鄕間 幹男 Mizuno Mikio Gouma ウィンズスコアWSJ-13-020「カルピスウォーター」CMソングいきものがかり 1030 17世紀の古いハンガリー舞曲(クラリネット4重奏)Early Hungarian 17thDances フェレンク・ファルカシュcentury from EarlytheFerenc 17th Hungarian century Farkas Dances from the Musica 取次店:HalBudapest/ミュージカ・ブダペスト Leonard/ハル・レナード編成:E♭Cl./B♭Cl.×2/B.Cl HL50510565 1181 24のプレリュードより第4番、第17番24Preludes Op.28-4,1724Preludesフレデリック・フランソワ・ショパン Op.28-4,17Frédéric福田 洋介 François YousukeChopin Fukuda 音楽之友社バンドジャーナル2019年2月スコアは4番と17番分けてあります 840 スリー・ラテン・ダンス(サックス4重奏)3 Latin Dances 3 Latinパトリック・ヒケティック Dances Patric 尾形Hiketick 誠 Makoto Ogata ブレーンECW-0010Sax SATB1.Charanga di Xiomara Reyes 2.Merengue Sempre di Aychem sunal 3.Dansa Lationo di Maria del Real 997 3☆3ダンス ソロトライアングルと吹奏楽のための 3☆3Dance福島 弘和 Hirokazu Fukushima 音楽之友社バンドジャーナル2017年6月号サンサンダンス(日本語) スリースリーダンス(英語) トレトレダンス(イタリア語) トゥワトゥワダンス(フランス語) 973 360°(miwa) 360domiwa、NAOKI-Tmiwa、NAOKI-T西條 太貴 Taiki Saijyo ウィンズスコアWSJ-15-012劇場版アニメ「映画ドラえもん のび太の宇宙英雄記(スペースヒーローズ)」主題歌 856 365日の紙飛行機 365NichinoKamihikouki角野 寿和 / 青葉 紘季Toshikazu本澤なおゆき Kadono / HirokiNaoyuki Honzawa Aoba M8 QH1557 歌:AKB48 NHK連続テレビ小説『あさが来た』主題歌 685 3月9日 3Gatu9ka藤巻 亮太 Ryouta原田 大雪 Fujimaki Hiroyuki Harada ウィンズスコアWSL-07-0052005年秋に放送されたフジテレビ系ドラマ「1リットルの涙」の挿入歌レミオロメン歌 1164 6つのカノン風ソナタ オーボエ2重奏Six Canonic Sonatas6 Canonicゲオルク・フィリップ・テレマン SonatasGeorg ウィリアム・シュミットPhilipp TELEMANNWilliam Schmidt Western International Music 470 吹奏楽のための第2組曲 1楽章 行進曲Ⅰ.March from Ⅰ.March2nd Suiteグスタフ・ホルスト infrom F for 2ndGustav Military Suite Holst -
Yoshioka, Shiro. "Princess Mononoke: a Game Changer." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
Yoshioka, Shiro. "Princess Mononoke: A Game Changer." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison. London: Bloomsbury Academic, 2017. 25–40. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781501329753.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 01:01 UTC. Copyright © Rayna Denison 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 25 Chapter 1 P RINCESS MONONOKE : A GAME CHANGER Shiro Yoshioka If we were to do an overview of the life and works of Hayao Miyazaki, there would be several decisive moments where his agenda for fi lmmaking changed signifi cantly, along with how his fi lms and himself have been treated by the general public and critics in Japan. Among these, Mononokehime ( Princess Mononoke , 1997) and the period leading up to it from the early 1990s, as I argue in this chapter, had a great impact on the rest of Miyazaki’s career. In the fi rst section of this chapter, I discuss how Miyazaki grew sceptical about the style of his fi lmmaking as a result of cataclysmic changes in the political and social situation both in and outside Japan; in essence, he questioned his production of entertainment fi lms featuring adventures with (pseudo- )European settings, and began to look for something more ‘substantial’. Th e result was a grave and complex story about civilization set in medieval Japan, which was based on aca- demic discourses on Japanese history, culture and identity. -
10/27[Thu] Press Daily Schedule
10/27[THU] PRESS DAILY SCHEDULE TOHO Cinemas Roppongi Press Starting Ending NO. Section Title Venue Event Sign-in Guests (Tentative) Contact Info. Time Time Time Rikiya Imaizumi(Director), Koji Ichihashi(Producer), Taro Uchibori(Actor), Marika Matsumoto(Actress), Masaru TOHO CINEMAS Yahagi(Actor), Miki Akiba(Actress), Hachi Nekome(Actress), Yui TIFF Public Relations Group 1 Japanese Cinema Splash Same Old, Same Old Stage Appearance 9:30 10:20 10:35 ROPPONGI SC8 Murata(Actress), Kento Hikita(Actor), Ayaka Kawashima(Actress), +81 3 6226 3012 Mari Koike(Actress), Mao Yasuda(Actress), Chiharu Mimori(Actress), Ayano Kaneko(Theme Song) TOHO CO., LTD. TOHO CINEMAS Makoto Shinkai(Original Novel/Screenplay/Director), Yojiro Yasuhiro Toyosawa 3 Japan Now your name. Q&A 11:55 12:22 12:52 ROPPONGI SC1 Noda(RADWIMPS) +81 3 3591 3511 [email protected] TOHO CINEMAS Rikiya Imaizumi(Director), Koji Ichihashi(Producer), Taro TIFF Public Relations Group 2 Japanese Cinema Splash Same Old, Same Old Q&A 12:30 12:57 13:27 ROPPONGI SC8 Uchibori(Actor) +81 3 6226 3012 TOHO CINEMAS Jun Robles Lana(Director/Producer/Original Story), Paolo TIFF Public Relations Group 4 Competition Die Beautiful Press Conference 12:30 13:00 13:30 ROPPONGI SC6 Ballesteros(Actor), Perci Intalan(Executive Producer) +81 3 6226 3012 Sony Music Artists inc. Takeo Kikuchi(Director), Minori Hagiwara(Actress), Sayu TOHO CINEMAS Waka Uchida 5 Japanese Cinema Splash Hello, Goodbye Stage Appearance 13:45 14:35 14:50 Kubota(Actress), Masako Motai(Actress), Shunsuke ROPPONGI SC3 +81 3 5414 7351 Watanabe(Actor/ Music) [email protected] 76 Minutes and 15 Seconds TOHO CINEMAS TIFF Public Relations Group 7 World Focus with Abbas Kiarostami / Q&A 14:45 15:12 15:42 Seifollah Samadian(Director/Cinematographer/Editor/Producer) ROPPONGI SC7 +81 3 6226 3012 Take Me Home Sony Music Artists inc.