The British Academy Film Awards Neverkissedagirl.Com Have a Go at Predicting the Results of This Year’S Baftas

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Reviews & Coverage The British Academy Film Awards NeverKissedAGirl.com Have a go at predicting the results of this year’s BAFTAs. Why not challenge your friends and family too. The awards will take place on Sunday April 11�� 2021. BEST FILM FILM NOT IN THE ENGLISH LANGUAGE BEST DIRECTOR The Mauritanian Minari Chloé Zhao (Nomadland) The Father Another Round Thomas Vinterberg (Another Round) Promising Young Woman Dear Comrades! Lee Isaac Chung (Minari) Nomadland Les Miserables Shannon Murphy (Babyteeth) The Trial of the Chicago 7 Quo Vadis, Aida? Jasmine Žbanić (Quo Vadis, Aida?) Sarah Gavron (Rocks) BEST LEADING ACTRESS BEST LEADING ACTOR Radha Blank (The Forty-Year-Old Version) Anthony Hopkins (The Father) Frances McDormand (Nomadland) Riz Ahmed (The Sound of Metal) Bukky Bakray (Rocks) Tahar Rahim (The Mauritanian) CASTING Calm With Vanessa Kirby (Pieces of a Woman) Mads Mikkelsen (Another Round) Horses Alfre Woodard (Clemency) Adarsh Gourav (The White Tiger) Judas and the Black Messiah Wunmi Mosaku (His House) Chadwick Boseman (Ma Rainey’s) Promising Black Bottom) Young Woman BEST SUPPORTING ACTRESS BEST SUPPORTING ACTOR Rocks Yuh-Jung Youn (Minari) Paul Raci (Sound of Metal) Minari Niamh Algar (Calm With Horses) Alan Kim (Minari) Kosar Ali (Rocks) Barry Keoghan (Calm With Horses) Dominique Fishback (Judas and the Black Messiah) Leslie Odom Jr. (One Night in Miami) Ashley Madekwe (County Lines) Daniel Kaluuya (Judas and the Black Messiah) Maria Bakalova (Borat Subsequent Moviefilm) Clarke Peters (Da 5 Bloods) BEST ADAPTED SCREENPLAY BEST ORIGINAL SCREENPLAY BEST ORIGINAL SCORE Nomadland Promising Young Woman Mank The Father The Trial of the Chicago 7 Minari The Dig Rocks News of the World The Mauritanian Mank Promising Young Woman The White Tiger Another Round Soul RISING STAR (PUBLIC VOTE) DOCUMENTARY Your Name: ANIMATED FILM Bukky Bakray Collective Soul Conrad Khan The Dissident Onward Kingsley Ben-Adir My Octopus Teacher Wolfwalkers Morfydd Clark The Social Dilemma ọpẹ́ Dìrísù David Attenborough: A Life on Our Planet NeverKissedAGirl.comPage 1 of 2 Reviews & Coverage The British Academy Film Awards NeverKissedAGirl.com Have a go at predicting the results of this year’s BAFTAs. Why not challenge your friends and family too. The awards will take place on Sunday April 11�� 2021. CINEMATOGRAPHY EDITING SOUND Judas and the Black Messiah The Father Greyhound Mank Nomadland News of the World The Mauritanian Promising Young Woman Nomadland News of the World Sound of Metal Soul Nomadland The Trial of the Chicago 7 Sound of Metal PRODUCTION DESIGN COSTUME DESIGN The Dig Ammonite The Father The Dig Mank Emma. News of the World Ma Rainey’s Black Bottom Rebecca Mank Technical Categories Technical SPECIAL VISUAL EFFECTS MAKE-UP & HAIR Tenet The Dig Greyhound Hillbilly Elegy The Midnight Sky Ma Rainey’s Black Bottom Mulan Mank The One and Only Ivan Pinocchio OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER His House - Remi Weekes (Writer/Director) OUTSTANDING BRITISH FILM Limbo - Ben Sharrock (Writer/Director), Irune Gurtubai (Producer) [also Calm With Horses produced by Angus Lamont] The Dig Moffie - Jack Sidey (Writer/Producer) [also written by Oliver Hermanus The Father and produced by Eric Abraham] His House Rocks - Theresa Ikoko, Claire Wilson (Writers) Limbo Saint Maud - Rose Glass (Writer/Director), Oliver Kassman (Producer) [also produced by Andrea Cornwell] The Mauritanian BRITISH SHORT FILM BRITISH SHORT Your Name: Mogul Mowgli ANIMATION Eyelash Promising Young Woman The Fire Next Lizard Time Rocks Your Score: Lucky Break The Owl and the Saint Maud British-Specific Categories British-Specific Miss Curvy Pussycat The Present The Song of a NeverKissedAGirl.comLost Boy Page 2 of 2.

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Rlg101h Film Paragraph – Instructions
RLG101H FILM PARAGRAPH – INSTRUCTIONS Submission • The deadline to submit this assignment is 11:59 pm on January 26. Your assignment will be penalized one mark (out of 20) per day late. • You must submit your assignment to both BLACKBOARD and TURNITIN.COM as a Microsoft Word (.doc or .docx) file. The version of your assignment on Turnitin.com will be the one graded. Paper copies will not be accepted. If you do not wish to submit your work to Turnitin.com, you must consult with the course instructor; for details see the course website: https://rlg101h.wordpress.com/grading/writing-assignments Purpose The main goal of this assignment is to demonstrate that theories of religion can be used to interpret phenomena that are often not understood or seen as “religious.” Also, we are asking you to submit just one paragraph at this stage so that you can receive detailed feedback on it, which will help you improve the work you produce for the full version of the film analysis assignment. Assignment Your task is to write a single paragraph analyzing a “non-religious” film using one of the following theories from chapter 5 of Nye’s Religion: The Basics: • Reductionism (p. 108–9) • Cognitive vs. affective beliefs (p. 117) • Habitus (p. 124–6) It is crucial that you choose a theory from the above list. If you use a different theory for this assignment, you may be penalized up to 10 marks (out of 20). Your analysis must show that, when the film is looked at using the theory you have chosen, it can be seen to promote a particular message.
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Clare Domenico Olsen T/RS 25 May 2020 Spirited Away Anime Has Been an Important Part of Many People's Culture. from Shows
Clare Domenico Olsen T/RS 25 May 2020 Spirited Away Anime has been an important part of many people’s culture. From shows like Pokemon and Naruto, to movies like Your Name and A Silent Voice. Personally, I do not watch a lot of anime in my time, but one of my favorite movies of all time is called Spirited Away, which is by the world famous director, Hayao Miyazaki, who owns the company Studio Ghibli. If i were to compare Miyazaki to somebody else, I would compare him to Walt Disney, since if you think about it, with his ratings and reviews, Miyazaki is basically the Walt Disney of Japan. His movies are filled with beautiful sceneries, music scores that will give you chills, and a story that will impact the viewer in every way, shape, and form. Every single one of the movies that this company brings out to the public is loved and cherished by many. Some, like the movie Totoro and Ponyo, are funny and light-hearted. Other movies by Miyazaki and Studio Ghibli, like Princess Mononoke and Howl’s Moving Castle, are more serious, and are better watched by an older audience so they can understand the main point and plot of the movie. One of my favorite movies by this company and director is called Spirited Away. Spirited Away was the first ever Studio Ghibli film I watched when I was a kid, and after watching it, I was hooked. The colors, sounds, and scenery were something at which I have never seen before in my life, and it drew me into the story and message it tries to obtain the viewer to have.
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Tesi Di Laurea
Corso di Laurea magistrale in LINGUE E ISTITUZIONI ECONOMICHE E GIURIDICHE DELL’ASIA E DELL’AFRICA MEDITERRANEA [LM4-12] Tesi di Laurea L’arte del silenzio Il simbolismo nel cinema di Shinkai Makoto Relatore Ch. Prof.ssa Roberta Maria Novielli Correlatore Ch. Prof. Davide Giurlando Laureando Carlotta Noè Matricola 838622 Anno Accademico 2016 / 2017 要旨要旨要旨この論文の目的は新海誠というアニメーターの映画的手法を検討することである。近年日本のアニメーション業界に出現した新海誠は、写実的なスタイルで風景肖像を描くことと流麗なアニメーションを創作することと憂鬱な物語で有名である。特に、この検討は彼の作品の中にある自分自身の人生、愛情、人間関係の見方を伝えるための記号型言語に集中するつもりである。第一章には新海誠の伝記、フィルモグラフィとその背景にある経験に焦点を当たっている。第二章は監督の映画のテーマに着目する。なかでも人は互いに感情を言い表せないこと、離れていること、そして愛のことが一番大切である。確かに、彼の映画の物語は愛情を中心に回るにもかかわらず、結局ハッピーエンドの映画ではない。換言すれば、新海誠の見方によると、愛は勝つはずではない。新海誠は別の日本のアニメーターや作家から着想を得ている。そのため、次はそれに関係があるテクニックとスタイルを検討するつもりである。第三章には新海誠の作品の分析を通して視覚言語と記号型言語が発表される。一般的な象徴以外に、伝統、神話というふうに、日本文化につながる具体的なシンボルがある。一方、西洋文化に触れる言及もある。例えば、音楽や学術研究に言及する。こうして、新海誠は異なる文化を背景を問わず観客の皆に同じような感情を感じさせることができる。最後に、後付けが二つある。第一に、新海誠が演出したテレビコマーシャルとプロモーションビデオが分析する。第二に、新海誠と宮崎駿というアニメーターを比較する。新海誠の芸術様式は日本のアニメーションを革新したから、“新宮崎”とよく呼ばれている。にもかかわらず、この呼び名を離れる芸術様式の分野にも、筋の分野にも様々な差がある。特に、宮崎駿のアニメーションに似ている新海誠の「星を追うこども」という映画を検討する。 1 L’ARTE DEL SILENZIO Il simbolismo nel cinema di Shinkai Makoto 要旨要旨要旨 …………………………………………………………………………………………………………….Pg.1 INTRODUZIONE …………………………………………………………………………………………..Pg.4 CAPITOLO PRIMO: Shinkai Makoto……………………………………………………………………………………………Pg.6 1.1 Shinkai Makoto, animatore per caso 1.2 Filmografia, sinossi e riconoscimenti CAPITOLO SECONDO : L’arte di Shinkai Makoto……………………………………………………………………………..Pg.18
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Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of All Ages
ACT I Announcer Session: Speaker 1: Ladies and Gentlemen. Speaker 2: Moms and Dads, Speaker 3: Children of all Ages. Speaker 1: Welcome to the wonderful world of Walt Disney! Speaker 2: A magical kingdom where elephants fly, Chimney sweeps dance Speaker 3: And every wish you make comes true. Speaker 1,2, &3: Welcome one and all to the happiest place on earth! Zip-a-dee-doo-dah Zip-a-dee-doo-dah, Zip-a-dee-ay, my oh my, what a wonderful day, Plenty of sunshine headin’ my way, Zip-a-dee-doo-dah, Zip-a-dee-ay. Mister Bluebird on my shoulder, it’s the truth! It’s act’chill’! Everything is satisfactich’ll! Zip-a-dee-doo-dah, Zip-a-dee-ay wonderful feelin’ wonderful day. Wonderful feelin’ it’s a Disney Day. Wonderful Day. How d’ya do and shake hands How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands; state your name and business Twiddle Dee: You go thru life and never know the day when fate may bring, a situation that will prove to be embarrassing Twiddle Dum: Your face gets red; you hide your head, and wish that you could die. But that’s old fashioned, here’s a new thing you should really try: How d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Say how d’ya do and shake hands, shake hands, shake hands, Say how d’ya do and shake hands, state your name and business Bibbidi Bobbidi Boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di-boo Fairy Godmother: Sa-la-ga-doo-la means men-chic-ka-boo-la-roo, but the thing –a-ma-bob that does the job is bib-bi-di-bob-bi-di-boo Sa-la-ga-doo-la, men-chic-ka-boo-la, bib-bi-di-bob-bi-di-boo Put ‘em together and what have you got? bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di, bib-bi-di-bob-bi-di-boo.
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Download the Program (PDF)
ヴィボー・アニメーシカョワンイフイェとスエピテッィ Viborg クーバ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P.
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'CRAZY RICH ASIANS' Presented As a Particu
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Yoshioka, Shiro. "Princess Mononoke: a Game Changer." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
Yoshioka, Shiro. "Princess Mononoke: A Game Changer." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison. London: Bloomsbury Academic, 2017. 25–40. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781501329753.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 01:01 UTC. Copyright © Rayna Denison 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 25 Chapter 1 P RINCESS MONONOKE : A GAME CHANGER Shiro Yoshioka If we were to do an overview of the life and works of Hayao Miyazaki, there would be several decisive moments where his agenda for fi lmmaking changed signifi cantly, along with how his fi lms and himself have been treated by the general public and critics in Japan. Among these, Mononokehime ( Princess Mononoke , 1997) and the period leading up to it from the early 1990s, as I argue in this chapter, had a great impact on the rest of Miyazaki’s career. In the fi rst section of this chapter, I discuss how Miyazaki grew sceptical about the style of his fi lmmaking as a result of cataclysmic changes in the political and social situation both in and outside Japan; in essence, he questioned his production of entertainment fi lms featuring adventures with (pseudo- )European settings, and began to look for something more ‘substantial’. Th e result was a grave and complex story about civilization set in medieval Japan, which was based on aca- demic discourses on Japanese history, culture and identity.
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YOUR NAME Af MAKOTO SHINKAI
YOUR NAME af MAKOTO SHINKAI Undervisningsmateriale Fag: Mediefag og dansk (filmkundskab og medier – folkeskolen) (Der er aspekter af filmen, man også vil kunne arbejde med i naturfag og geografi) Niveau: 9. og 10. klasse samt gymnasiale uddannelser Forfatter: Katrine Sommer Boysen Bag om filmen Makoto Shinkai er et af japansk animationsfilms allerstærkeste navne netop nu. Hans fantastisk flotte tidsrejseeventyr, ’Your Name’, der havde premiere i hjemlandet i 2016, har allerede vist sig at være en af de mest populære japanske film nogensinde; faktisk er det ikke siden den ukronede animartionskonge Hayao Miyazakis mesterværk ’Chihiro og heksene’ fra 2001, at en japansk film har nydt så stor succes. Makoto Shinkai spås da også at blive Miyazakis arvtager. Makoto besidder samme særlige evne som Miyazaki til at bruge animationsfilmens potentiale til at søge nye veje og fortælle historier, der bryder med gængse genrekonventioner. Miyazaki er kendt for sin karakteristiske æstetik og fabulerende evne til at blande realisme og overjordiske universer i film som ’Min nabo Totoro’ (1988), ’Det levende slot’ (2004) og ’Ponyo på klippen ved havet’ (2008). De fleste af Miyazakis spillefilm har været i dansk distribution (nogle flere år efter deres japanske premiere), mens ’Your Name’ er den første af Shinkais film, der kan opleves i de danske biografer. Synopsis I den provinsielle bjergby, Itomori bor teenagepigen Mitsuha (stemme af Mone Kamishiraishi) sammen med sin lillesøster og overtroiske bedstemor, der fortæller historier om tusmørkets kræfter og en ganske særlig sake. Hendes far er politiker, men ham ser hun ikke meget til. Mitsuha drømmer om storbyen og ønsker at flytte til Tokyo straks efter endt studentereksamen.
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Allusion As a Cinematic Device
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Hayao Miyazaki and His Anime Movies
Hayao Miyazaki And His Anime Movies Radin-Mačukat, Lucija Undergraduate thesis / Završni rad 2018 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Zadar / Sveučilište u Zadru Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:162:982522 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-30 Repository / Repozitorij: University of Zadar Institutional Repository of evaluation works Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Lucija Radin-Mačukat Hayao Miyazaki And His Anime Movies Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Hayao Miyazaki And His Anime Movies Završni rad Student/ica: Mentor/ica: Lucija Radin-Mačukat Dr.sc. Mario Vrbančić Zadar, 2018. Izjava o akademskoj čestitosti Ja, Lucija Radin-Mačukat, ovime izjavljujem da je moj završni rad pod naslovom Hayao Miyazaki And His Anime Movies rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 2018. Radin – Mačukat 4 Table of contents: 1. Introduction ………………………………………………………………………………..7 2. What is anime? ………………………………………………………………………….....8 3. Anime genres ……………………………………………………………………………...12 3.1. Action ………………………………………………………………………………….12 3.2. Adventure ……………………………………………………………………………...12 3.3.
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The Walt Disney Company: a Corporate Strategy Analysis
The Walt Disney Company: A Corporate Strategy Analysis November 2012 Written by Carlos Carillo, Jeremy Crumley, Kendree Thieringer and Jeffrey S. Harrison at the Robins School of Business, University of Richmond. Copyright © Jeffrey S. Harrison. This case was written for the purpose of classroom discussion. It is not to be duplicated or cited in any form without the copyright holder’s express permission. For permission to reproduce or cite this case, contact Jeff Harrison at [email protected]. In your message, state your name, affiliation and the intended use of the case. Permission for classroom use will be granted free of charge. Other cases are available at: http://robins.richmond.edu/centers/case-network.html "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible dreams, because they really can come true. Sure, it takes work, focus and perseverance. But anything is possible. Walt proved it with the impossible things he accomplished."1 It is well documented that Walt Disney had big dreams and made several large gambles to propel his visions. From the creation of Steamboat Willie in 1928 to the first color feature film, “Snow White and the Seven Dwarves” in 1937, and the creation of Disneyland in Anaheim, CA during the 1950’s, Disney risked his personal assets as well as his studio to build a reality from his dreams. While Walt Disney passed away in the mid 1960’s, his quote, “If you can dream it, you can do it,”2 still resonates in the corporate world and operations of The Walt Disney Company.
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Early Education Explorations
Week of the Young Child: April 13 - 17, 2020 Early Education Explorations Vol. 19 Issue I In conjunction with the City of Asheboro’s current work through the NC Main January – March 2020 Street and Rural Planning Initiative, we invite our early childhood community along with the Partnership for Children to once again celebrate, create and share in the Discovery, Investigation & Experiences in vision on connecting downtown Asheboro as the gateway to the world’s largest zoo, Randolph County’s Quality A monthly publication of the North Carolina Zoo, with a Zootopia themed Week of the Young Child! As last the Randolph Partnership year, we plan to host a variety of events during April and May that support and Early Care & Education for Children, providing draws attention to our young learners, their teachers, families and community. resources for the early childhood community. The Week of the Young Child is designed to share the importance of high-quality early learning, and the critical role early childhood educators play in a child’s development and learning. Please join us during our two month display in making our work visible by participating in any or all of the eclectic mix of activities. Projected programming: Art Explosion: April 1 - 30, 2020 Zootopia art display throughout Randolph County using various art mediums and creating a forum for children to express and interpret zoo animals in their own unique way. Children’s Puppet Parade: Friday, April 24, 2020: Transforming Bicentennial Park and Sunset Avenue into a Zootopia wonderland filled with small and large puppets and lots of animal related fun activities! Zootopia Project Exhibit: May 4 - 15, 2020: A display of animal projects created by our children and teachers.
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