Indus Civilization and Other Early State Level Societies and Oman Major Advances Have Been Made in Our Understanding of the Orig
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Volume-04 ISSN: 2455-3085 (Online) Issue-05 RESEARCH REVIEW International Journal of Multidisciplinary May-2019 www.rrjournals.com[UGC Listed Journal] Shakti Worship, Shaktipithas and Seats of Solanki Period in Gujarat Dr. Vanrajsinh Chavada (M.A , Ph.D.) ________________________________________________________________________________________________________ 1. Introduction The copperplate inscriptions of the Maitraka period When archaeological material was available only to a contain references to serveral temples of Goddesses such as small extent, the early scholars in Gujarat tried to trace Pandura and Kottammahika at Trisangamaka, the earliest antiquity of the prevalence of Shakti-worship in Gujarat mainly references belonging to the reign of King Dronsinha (circa 500 based on the traditional accounts. Many of them were given in to 520 A.D.). the purans or puran-khandas of late origin, while some others were transmited orally through generations. Thus, epographic references allude to the prevalence, of th goddess-temples in Gujarat since 6 cent.A.D. The prevalence of shakti-worship in Gujarat probably received an impetus from Devi-mahatmya given in The evidence of sculptural remains in the form of Markandeya Puran. The origin of the worship of the Goddeess goddesses leads us to trace the antiquity of Shakti worship in in Gujarat can be traced to the primitive tribe of the Bhils and Gujarat still earlier. Excavations at Amerli have yielded two nd that it received further impetus through the Nagars and Jadeja icons of goddesses. The earlier one dated to 2 cent.A.D., is a Rajputs. However, he could not trace any evidence for its fragmentary stone-bust of a goddess holdinga spear in her prevalence in Gujarat before 1000 A.D. -
NARTAMONGЖ 2013 Vol. Х, N 1, 2 F. R. ALLCHIN ARCHEOLOGICAL and LANGUAGE-HISTORICAL EVIDENCE for the MOVEMENT of INDO
NARTAMONGÆ 2013 Vol. Х, N 1, 2 F. R. ALLCHIN ARCHEOLOGICAL AND LANGUAGE-HISTORICAL EVIDENCE FOR THE MOVEMENT OF INDO-ARYAN SPEAKING PEOPLES INTO SOUTH ASIA The present Symposium serves a useful purpose in focusing our attention upon the difficulties encountered in recognising the movements of peoples from archeological evidence. One of the reassuring aspects of the broad inter- national approach which is experienced in such a gathering is that it serves to show the common nature of the problems that confront us in trying to re- construct the movements of the Indo-Aryans and Iranians, whether in the South-Russian steppes or the steppes of Kazakhstan; the Caucasus or the southern parts of Middle Asia properly speaking; or in Iran, Afghanistan, Pa- kistan or India. Perhaps this is why there were recurrent themes in several pa- pers, and why echoes of what I was trying to express appeared also in the pa- pers of others, notably in those of B. A. Litvinsky and Y. Y. Kuzmina. In particular, there seems to be a need for a general hypothesis or model for these movements. Such a model must be inter-disciplinary, combining the more limited models derivable from archeological, historical, linguistic, anth- ropological and other categories of data. Strictly speaking, the several hypo- theses derived from each of these categories should first be formulated inde- pendently, and then as a second stage they should be systematically compared to one another. Only when there do not appear to be serious contradictions be- tween them should they be regarded as ready for incorporation into the general model. -
Indus Civilization
r- Provided for non-commercial research and educational use. Not for reproduction, distribution or commercial use. This article was originally published in the Encyclopedia ofArchaeology, pUblished by Elsevier, and the attached copy is provided by Elsevier for the autl'\or's benefit and for the benefit ofthe author's institution, for non commercial research and educational use including use in instruction at your institution, posting on a secure network (not accessible to the public) within your institution, and providing a copy to your institution's administrator. All other uses, reproduction and distribution, including without limitation commercial reprints, selling or licensing copies or a"ccess, or posting on open internet sites are prohibited. For exceptions, permission may be sought for such use through Elsevier's permissions site at: http://www.elsevier.comllocate/permisslonusematerial Kenoyer Jonathan Mark, Indus Civilization. In: Encyclopedia of Archaeology, ed. by Deborah M. Pearsall. @ 2008, Academic Press, New York. Author's personal copy ASIA, WESTnndus Civili~tion 715 Further Reading Pakistan, and is one of the earliest sites with evidence of farming (wheat and barley) and herding (cattle, sheep and goats) in South Allchin B (1997) The "fuse of Civilization in India and Pakistan. Asia. Cambridge: Cambridge University Press. Great Bath The earliest public water tank in ancient South Asia Mishra S (1995) Chronology of the Indian stone age: the impact of is one of the most spectacular features of Mohenjo-daro. recent absolute and relative dating attempts. Man and Environlridus script (Harappan script) Refers to the undeciphered . ment XX(2): 11-16. writing system consisting of short strings of symbols found Misra VN (1989) Stone age India: An ecological perspective. -
3-Art-Of-Indus-Valley.Pdf
Harappan civilization 2 Architecture 2 Drainage System 3 The planning of the residential houses were also meticulous. 4 Town Planning 4 Urban Culture 4 Occupation 5 Export import product of 5 Clothing 5 Important centres 6 Religious beliefs 6 Script 7 Authority and governance 7 Technology 8 Architecture Of Indus Valley Civilisation 9 The GAP 9 ARTS OF THE INDUS VALLEY 11 Stone Statues 12 MALE TORSO 12 Bust of a bearded priest 13 Male Dancer 14 Bronze Casting 14 DANCING GIRL 15 BULL 16 Terracotta 16 MOTHER GODDESS 17 Seals 18 Pashupati Seal 19 Copper tablets 19 Bull Seal 20 Pottery 21 PAINTED EARTHEN JAR 22 Beads and Ornaments 22 Toy Animal with moveable head 24 Page !1 of !26 Harappan civilization India has a continuous history covering a very long period. Evidence of neolithic habitation dating as far back as 7000 BC has been found in Mehrgarh in Baluchistan. However, the first notable civilization flourished in India around 2700 BC in the north western part of the Indian subcontinent, covering a large area. The civilization is referred to as the Harappan civilization. Most of the sites of this civilization developed on the banks of Indus, Ghaggar and its tributaries. Architecture The excavations at Harappa and Mohenjodaro and several other sites of the Indus Valley Civilisation revealed the existence of a very modern urban civilisation with expert town planning and engineering skills. The very advanced drainage system along with well planned roads and houses show that a sophisticated and highly evolved culture existed in India before the coming of the Aryans. -
Pre-Proto-Iranians of Afghanistan As Initiators of Sakta Tantrism: on the Scythian/Saka Affiliation of the Dasas, Nuristanis and Magadhans
Iranica Antiqua, vol. XXXVII, 2002 PRE-PROTO-IRANIANS OF AFGHANISTAN AS INITIATORS OF SAKTA TANTRISM: ON THE SCYTHIAN/SAKA AFFILIATION OF THE DASAS, NURISTANIS AND MAGADHANS BY Asko PARPOLA (Helsinki) 1. Introduction 1.1 Preliminary notice Professor C. C. Lamberg-Karlovsky is a scholar striving at integrated understanding of wide-ranging historical processes, extending from Mesopotamia and Elam to Central Asia and the Indus Valley (cf. Lamberg- Karlovsky 1985; 1996) and even further, to the Altai. The present study has similar ambitions and deals with much the same area, although the approach is from the opposite direction, north to south. I am grateful to Dan Potts for the opportunity to present the paper in Karl's Festschrift. It extends and complements another recent essay of mine, ‘From the dialects of Old Indo-Aryan to Proto-Indo-Aryan and Proto-Iranian', to appear in a volume in the memory of Sir Harold Bailey (Parpola in press a). To com- pensate for that wider framework which otherwise would be missing here, the main conclusions are summarized (with some further elaboration) below in section 1.2. Some fundamental ideas elaborated here were presented for the first time in 1988 in a paper entitled ‘The coming of the Aryans to Iran and India and the cultural and ethnic identity of the Dasas’ (Parpola 1988). Briefly stated, I suggested that the fortresses of the inimical Dasas raided by ¤gvedic Aryans in the Indo-Iranian borderlands have an archaeological counterpart in the Bronze Age ‘temple-fort’ of Dashly-3 in northern Afghanistan, and that those fortresses were the venue of the autumnal festival of the protoform of Durga, the feline-escorted Hindu goddess of war and victory, who appears to be of ancient Near Eastern origin. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder. -
Relation Between Harappan and Brahmi Scripts
Relation Between Harappan And Brahmi Scripts Subhajit Ganguly Email: [email protected] Copyright © Subhajit Ganguly, 2012 Abstract: Around 45 odd signs out of the total number of Harappan signs found make up almost 100 percent of the inscriptions, in some form or other, as said earlier. Out of these 45 signs, around 40 are readily distinguishable. These form an almost exclusive and unique set. The primary signs are seen to have many variants, as in Brahmi. Many of these provide us with quite a vivid picture of their evolution, depending upon the factors of time, place and usefulness. Even minor adjustments in such signs, depending upon these factors, are noteworthy. Many of the signs in this list are the same as or are very similar to the corresponding Brahmi signs. These are similarities that simply cannot arise from mere chance. It is also to be noted that the most frequently used signs in the Brahmi look so similar to the most frequent Harappan symbols. The Harappan script transformed naturally into the Brahmi, depending upon the factors channelizing evolution of scripts. Brahmi Signs: hough a few variants of the Brahmi alphabet system have been known to exist, with the evolution of Brahmi characters, the core signs are seen to be quite consistent over T time. The syntax of their usage has also been found to be roughly consistent throughout this evolution process. Lists of Brahmi numerals, vowels and consonants are provided here in fig. 2and fig. 3 , respectively: 1 Fig. 2 : Brahmi numerals from 1-9. 2 Fig. 3 : Brahmi vowels and consonants. -
Painting Reckoner Session: 2020-21
SALWAN PUBLIC SCHOOL MAYUR VIHAR PAINTING RECKONER SESSION: 2020-21 NAME: CLASS: XI SECTION: Preface The course in Painting at Senior Secondary stage as an elective subject is aimed to develop aesthetic sense of the students through the understanding of various important well known aspects and modes of visual art expression in India’s rich cultural heritage from the period of Indus valley to the present time. It also encompasses practical exercises in drawing and painting to develop their mental faculties of observation, imagination, creation and physical skills required for its expressions. The Ready Reckoner for Class XI has been prepared in conformity with the National Curriculum Framework and latest CBSE syllabus and pattern. We believe, this text will make apparent the content and scope of the Subject and provide the foundation for further learning. With necessary assignments within each part, chapters are devoted to the subtopics, and the assignments are designed according to the lower and higher order thinking skills. Chapter- opening summary is intended to capture the reader's interest in preparation for the subject matter that follows. In short, every effort has been made to gain and retain student attention— the essential first step in the learning process. INDEX 1. Objectives 2. Important Art Terminologies 3. Syllabus and Division of Marks 4. Prehistoric Rock Paintings 5. Indus Valley Civilization 6. Mauryan Period 7. Art of Ajanta 8. Temple Architecture 9. Bronze Sculptures 10. Some Aspects of Indo-Islamic Architecture 11. Sample Papers Objectives A) Theory (History of Indian Art) The objective of including the history of Indian Art for the students is to familiarize them with the various styles and modes of art expressions from different parts of India. -
Autochthonous Aryans? the Evidence from Old Indian and Iranian Texts
Michael Witzel Harvard University Autochthonous Aryans? The Evidence from Old Indian and Iranian Texts. INTRODUCTION §1. Terminology § 2. Texts § 3. Dates §4. Indo-Aryans in the RV §5. Irano-Aryans in the Avesta §6. The Indo-Iranians §7. An ''Aryan'' Race? §8. Immigration §9. Remembrance of immigration §10. Linguistic and cultural acculturation THE AUTOCHTHONOUS ARYAN THEORY § 11. The ''Aryan Invasion'' and the "Out of India" theories LANGUAGE §12. Vedic, Iranian and Indo-European §13. Absence of Indian influences in Indo-Iranian §14. Date of Indo-Aryan innovations §15. Absence of retroflexes in Iranian §16. Absence of 'Indian' words in Iranian §17. Indo-European words in Indo-Iranian; Indo-European archaisms vs. Indian innovations §18. Absence of Indian influence in Mitanni Indo-Aryan Summary: Linguistics CHRONOLOGY §19. Lack of agreement of the autochthonous theory with the historical evidence: dating of kings and teachers ARCHAEOLOGY __________________________________________ Electronic Journal of Vedic Studies 7-3 (EJVS) 2001(1-115) Autochthonous Aryans? 2 §20. Archaeology and texts §21. RV and the Indus civilization: horses and chariots §22. Absence of towns in the RV §23. Absence of wheat and rice in the RV §24. RV class society and the Indus civilization §25. The Sarasvatī and dating of the RV and the Bråhmaas §26. Harappan fire rituals? §27. Cultural continuity: pottery and the Indus script VEDIC TEXTS AND SCIENCE §28. The ''astronomical code of the RV'' §29. Astronomy: the equinoxes in ŚB §30. Astronomy: Jyotia Vedåga and the -
Origin and Development of the Indus Script: Insights from Harappa and Other Sites, In: Lashari, K
Kenoyer, J.M., 2020. The Origin and Development of the Indus Script: Insights from Harappa and other Sites, in: Lashari, K. (Ed.), Studies on Indus Script, National Fund for Mohenjodaro, Karachi, pp. 217-236. Origin and Development of the Indus Script: Insights from Harappa and other sites Jonathan Mark Kenoyer Origin and Development of the Indus Script: Insights from Harappa and other sites Introduction The origin of the Indus script has been a source of considerable discussion ever since the discovery and excavation of the Indus cities of Mohenjo-daro and Harappa in the 1920s to 1930s (Marshall 1931; Vats 1940). When the Indus civilization was discovered the only other early civilizations known to have writing in the Old World were the ancient Sumerians along the Tigris and Euphrates Rivers in southern Mesopotamia (Nissen 1993), the ancient Egyptians along the Nile (Baines 2004) and the ancient Chinese along the Huang He (Yellow) River in north central China (Haicheng 2015). The oracle bone inscriptions at the site of Yinxu in Anyang were being discovered around the same time that Mohenjo-Daro and Harappa were being excavated (Bagley 1999, 127). Although at first some scholars thought that there might be some influence from Mesopotamian writing systems, in the first major report on the excavations at Mohenjo Daro in 1931, Gadd clearly states that there was no connection between the Indus script and the writing of Sumer or for that matter Egypt (Gadd 1931, 411). Surveys and test excavations in Baluchistan (Stein 1929; Hargreaves and Sewell 1929 (reprint 1981); Stein 1931) and Sindh (Majumdar 1934; Stein 1942) had recovered pottery that appeared to be older than that found at Mohenjo Daro, but little attention was paid to the presence of potter’s marks or graffiti on these different types of pottery. -
Ancient Civilizations
1 Chapter – 1 Ancient Civilizations Introduction - The study of ancient history is very interesting. Through it we know how the origin and evolution of human civilization, which the cultures prevailed in different times, how different empires rose uplifted and declined how the social and economic system developed and what were their characteristics what was the nature and effect of religion, what literary, scientific and artistic achievements occrued and thease elements influenced human civilization. Since the initial presence of the human community, many civilizations have developed and declined in the world till date. The history of these civilizations is a history of humanity in a way, so the study of these ancient developed civilizations for an advanced social life. Objective - After teaching this lesson you will be able to: Get information about the ancient civilizations of the world. Know the causes of development along the bank of rivers of ancient civilizations. Describe the features of social and political life in ancient civilizations. Mention the achievements of the religious and cultural life of ancient civilizations. Know the reasons for the decline of various civilizations. Meaning of civilization The resources and art skills from which man fulfills all the necessities of his life, are called civilization. I.e. the various activities of the human being that provide opportunities for sustenance and safe living. The word 'civilization' literally means the rules of those discipline or discipline of those human behaviors which lead to collective life in human society. So civilization may be called a social discipline by which man fulfills all his human needs. -
A Study of Burial Patterns and Symbolism with Reference to Harappan Sites in India
Cultural and Religious Studies, October 2017, Vol. 5, No. 10, 599-606 doi: 10.17265/2328-2177/2017.10.003 D DAVID PUBLISHING A Study of Burial Patterns and Symbolism With Reference to Harappan Sites in India Satarupa Bal Antiquity and Museums Section, Archaeological Survey of India, New Delhi, India Since time and beyond, when humans first developed the understanding of staying in communities, a sense of affection and adoration grew towards fellow beings. The law of nature of the cycle of life gave rise to the belief in life after death and a sense of intimidation for the same, gave way to supernatural beliefs. Such beliefs gave rise to multifarious customary activities. A study to understand them on the basis of symbolism has paved the way for simplification of the complex rituals, and hence, perceive the prevalent socio-cultural aspects of those times. Keywords: Burial patterns, Harappa, Harappan burials in India, Burial analysis, Mortuary practices, Pre/Early Harappan Burial, Mature Harappan Burial, Social aspects of Harappan Burials Introduction Burial may be defined as “to bury,” “grave or tomb,” “the act or process of burying,” “the act or ceremony of burying” etc., while a burial ground is defined in different terms, such as, burying ground, graveyard, necropolis etc. in the archaeological context. Since the earliest times, the disposal of the dead has been given much importance by the humans. Often, the dead ones were accompanied with food and personal belongings indicating a belief of life after death. The humans attempted to relive the memory of the departed souls and tried to erect a tomb or a memorial stone to remember their close relatives, kith and kin, etc.