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Ar-Diaz C.Pdf (3.027Mb) UNIVERSIDAD DE CHILE Facultad de Artes Departamento Teoría e Historia de las Artes LAS AVENTURAS DEL BARÓN DE MUNCHHAUSEN: Visualidad y cine alemán durante el Tercer Reich Tesis para optar al grado de Licenciada en Artes con mención en Teoría e Historia del Arte Alumna: CATALINA BEATRIZ DIAZ CISTERNAS Profesor guía: JAIME CORDERO GARCÍA Santiago, Chile Junio 2010 ÍNDICE INTRODUCCIÓN................................................................................................................................................. 1 CAPÍTULO 1 CINE ALEMÁN.................................................................................................................................................... 5 1.1 Prehistoria (1895-1914)............................................................................................................................. 5 1.2 Primera Guerra Mundial (1914-1918)....................................................................................................... 8 1.3 Posguerra (1918-1924).............................................................................................................................. 9 1.4 Periodo estabilizado (1924-1929)............................................................................................................ 13 1.5 Periodo pre-hitlerista (1929-1933)........................................................................................................... 17 1.6 Tercer Reich (1933-1945)........................................................................................................................ 19 1.6.1 Ministerio de Educación Popular y Propaganda.............................................................................. 19 1.6.2 Los siete puntos del cine de Goebbels............................................................................................. 20 1.6.3 El manejo de la producción cinematográfica................................................................................... 22 1.6.4 Las producciones............................................................................................................................. 23 CAPÍTULO 2 EL CASO DEL BARON DE MUNCHHAUSEN................................................................................................ 26 2.1 Orígenes................................................................................................................................................... 26 2.1.1 El guión........................................................................................................................................... 26 2.1.2 El director........................................................................................................................................ 26 2.1.3 Hans Albers..................................................................................................................................... 27 2.1.4 La ocasión........................................................................................................................................ 27 2.2 Realización.............................................................................................................................................. 28 2.2.1 Agfacolor..........................................................................................................................................29 2.2.2 Ostentación en tiempos de guerra.................................................................................................... 29 2.2.3 Trucos y efectos especiales.............................................................................................................. 31 2.3 Descripción:............................................................................................................................................. 30 2.4 Reflejos del pensamiento nazi................................................................................................................. 34 2.4.1 Nacionalismo................................................................................................................................... 34 2.4.2 La mujer.......................................................................................................................................... 37 2.4.3 Glorificación del Volk...................................................................................................................... 37 2.4.4 Anti-semitismo................................................................................................................................. 38 2.4.5 Anti-intelectualismo......................................................................................................................... 39 2.4.6 La creación de un héroe................................................................................................................... 39 2.5 El guión y la crítica al nazismo................................................................................................................ 42 CONCLUSIÓN….................................................................................................................................................. 43 BIBLIOGRAFÍA…................................................................................................................................................ 46 ANEXO N° 1 LA PROPAGANDA.….......................................................................................................................................... 48 A. Orígenes, etimología.…....................................................................................................................... 48 B. Definición y función............................................................................................................................ 48 C. Propaganda en tiempos de guerra........................................................................................................ 50 D. Joseph Goebbels................................................................................................................................... 52 ANEXO N° 2 CULTURA Y ARTE NAZI.................................................................................................................................... 53 A. Definición de cultura en el Tercer Reich.............................................................................................. 53 B. El verdadero arte visual alemán........................................................................................................... 55 C. Arte popular nazi.................................................................................................................................. 56 D. El arte degenerado................................................................................................................................ 57 ANEXO N° 3 FICHAS 01. El estudiante de Praga (1913) ............................................................................................................. 58 02. El gabinete del doctor Caligari (1920) ............................................................................................... 61 03. El Golem (1922)................................................................................................................................. 64 04. Las tres luces (1922) .......................................................................................................................... 67 05. Nosferatu (1922) ................................................................................................................................ 71 06. Dr. Mabuse, el jugador (2 partes) (1922) ........................................................................................... 74 07. Los Nibelungos (2 partes) (1924) .................................................................................................... 77 08. Tartufo (1925) ..................................................................................................................................... 81 09. Fausto (1926) ….................................................................................................................................. 84 10. La montaña del destino (1926) …....................................................................................................... 87 11. Metrópolis (1927) ............................................................................................................................... 90 12. La caja de Pandora / Lulú (1929) ....................................................................................................... 93 13. M (1931) ............................................................................................................................................. 96 14. El testamento del Dr. Mabuse (1933) ................................................................................................. 98 15. El triunfo de la voluntad (1935) …................................................................................................... 100 16. Días de libertad (1935) …................................................................................................................. 103 17. Olimpiada (2 partes) (1938) …......................................................................................................... 105 18. El judío errante (1940) …................................................................................................................. 108 19. El judío
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