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Don Quichotte Carlos Acosta - Marianela Nuñez Clic Musique ! CLICMAG N° 17 Votre disquaire classique, jazz, world JUIN 2014 DON QUICHOTTE Carlos Acosta - Marianela Nuñez © ROHManfred 2013 EsserJohan Persson Retrouvez les 15 000 références de notre catalogue sur www.clicmusique.com ! Sélection Raumklang H. von Bingen : Les Vêpres de la D. Buxtehude : Membra Jesu Nostri, J.M.C. dall’Abaco : Onze caprices Mélodies pour la harpe de la J.G. Graun : Trios Vierge BuxWV75 pour violoncelle seul Renaissance et du baroque (Dowland, Ensemble Les Récréations (violon, alto, Maria Jonas, mezzo-soprano; Ars Choralis Capella Angelica; Lautten Compagney; Kristin von der Goltz, violoncelle Reusner, Bach) violoncelle, clavecin, viole de gambe) Coeln Wolfgang Katschner Tom Daun, harpe RK2806 • 1 CD • 15,36 € RK2403 • 1 CD • 15,36 € RK2503 • 1 CD • 15,36 € RK3006 • 1 CD • 15,36 € RK3008 • 1 CD • 15,36 € J.A. Hasse : Miserere en do mineur; J.V. Meder : Passion-oratorio selon Concertos pour violon de Dresde de G. P. Telemann : La Passion selon O. von Wolkenstein : Frolich, zärtlich, J.D. Zelenka : Missa Dei Filii Saint Matthieu Pisendel et ses contemporains Fasch, Saint-Matthieu, TV 5 n° 35 lieplich … Chansons d’amour Wessel, Hallaschka, Schiller, Ullmann; Morrison; Hilz; Kennedy; Merkel; Türk; Heinichen, Haendel et Telemann Dresden Baroque Orchestra; Magdeburg Ensemble Unicorn; Michael Posch, direction Hans-Christoph Rademann Cologne Academy; Michael Willens Johannes Pramsohler; Int. Baroque Players Chamber Choir; Hans-Christoph Rademann RK9702 • 1 CD • 15,36 € RK2506 • 1 CD • 15,36 € RK3105 • 1 CD • 15,36 € RK2002 • 2 CD • 21,12 € RK2901 • 1 CD • 15,36 € Fiesta española : Chansons et danses Rosenmond und Lindentraum. Chan- Musikalische Morgenunterhaltung. Les Trésors d’Uppsala : Musique du Tromba Hispanica : Musique espagnoles du XVI et XVIIe siècle sons d’amour et de vie Musique de chambre romantique. XVIIè de la collection Düben espagnole du XVIIe siècle pour les Mercredes Hernandez; Elva La Guardia; Christine Maria Rembeck, chant, piano; Leipziger Concert et invités Wolf Matthias Friedrich, basse; Ensemble trompettes de la cour Ensemble United Continuo Emilia Gliozzi, violoncelle Les Cornets Noirs Barocktrompeten Ensemble Berlin RK2408 • 1 CD • 15,36 € RK3002 • 1 CD • 15,36 € RK3107 • 1 CD • 15,36 € RK3101 • 1 CD • 15,36 € RK2906 • 1 CD • 15,36 € Carmina Helvetica. Conductus et Sacer Nidus. Le nid sacré. Musique Cantrix. Musique médiévale pour Désirs Voilés. Vie et amour de Sozlar Navosi : Musique tradition- rondelli des abbayes et bibliothèques médiévale polonaise Saint Jean-Baptiste nonnes au Moyen-Âge nelle d’Ouzbékistan suisses du XIIe au XIVe siècle Ensemble Peregrina; Agnieszka Budzinska- Ensemble Peregrina; Agnieszka Budzinska- Ensemble Peregrina; Agnieszka Budzinska- Ensemble Sogdiana Ensemble Labyrinthus Bennett Bennett, voix, harpe, direction Bennett RK3102 • 1 CD • 15,36 € RK3106 • 1 CD • 15,36 € RK3204 • 1 CD • 15,36 € RK3109 • 1 CD • 15,36 € RK9505 • 1 CD • 15,36 € Le Jardin de Plaisance. Ockeghem, Triste Plaisir. Dufay, Binchois : Motets et Madrigaux de Schütz, Messes en chant grégorien tirées du Folks & Tales. Chansons populaires Dufay, Binchois : Chansons françaises Musique à la cour de Bourgogne. Gabrieli, Praetorius, Monteverdi, Graduel de Saint-Thomas de Leipzig, autour du monde de la fin du XVè siècle Randall Cook, Susanne Ansorg, fiddle; Lena Pallavicino, Peranda vers 1300 Ensemble amarcord; The Vocal Octet Ensemble La Morra Norin, alto; Randall Cook, viole de gambe Amarcord; Cappella Sagittariana Dresden Ensemble amarcord RK2301 • 1 CD • 15,36 € RK2208 • 1 CD • 15,36 € RKAP10110 • 1 CD • 15,36 € RKAP10112 • 1 CD • 15,36 € RKAP10213 • 1 CD • 15,36 € Retrouvez l’ensemble des références du catalogue Raumklang sur notre site Internet www.clicmusique.com et bénéfi- ciez de 15% de réduction supplémentaire* en saisissant le code RMKJUN14 lors du passage de votre commande. * Offre valable jusqu’au 30 juin 2014, dans la limite des stocks disponibles. 2 ClicMag juin 2014 www.clicmusique.com Alphabétique Raumklang Musique au château de Goseck e label Raumklang a été fondé en Depuis 1998, le siège du label est situé sous l’égide d’un autre producteur et L1993 par Sebastian Pank à Leipzig. en Saxe-Anhalt, au château de Goseck, élargit ainsi la diversité du répertoire Le nom de Raumklang est toujours dans lequel se sont établis au cours des du label. Outre edition raumklang de synonyme d’une expérience sonore dernières années le « Centre musical Sebastian Pank (Schloss Goseck), authentique, la majeure partie des enre- et culturel européen » (Europäisches paraît edition marc aurel, fondée par gistrements ayant été effectués grâce Musik- und Kulturzentrum), ainsi qu’un Aurelius Donath à Cologne. Grâce aux à un microphone omnidirectionnel de centre archéologique. Notamment étroits contacts avec la ville musicale pression (One-Point-Recording). de ces liens naissent de nombreux C’est la musique ancienne qui forme contacts avec des artistes renommés de Leipzig, une nouvelle édition a vu le l’essentiel des parutions du label et de musique ancienne, autant en Alle- jour : « amarcord », l’ensemble vocal de nombreuses récompenses ont été magne qu’à l’étranger. internationalement reconnu, publie décernées pour ses disques produits Depuis 2003, Raumklang fait paraître maintenant ses enregistrements sous le Sebastian Pank avec un soin et une exigence extrêmes. différentes éditions. Chacune paraît nom edition apollon. térieuse, l’authenticité de la troisième Johann Sebastian Bach (1685-1750) la musique en trio italienne et française sonate en particulier étant fortement Concertos pour piano, BWV 1052, BWV (Vivaldi, Couperin, Grigny) ces sonates sujette à caution… S’il est vrai qu’on ne 1055, BWV 1056. Joseph Haydn : Sonates, réalisent un équilibre miraculeux entre retrouve ici que très peu l’enjouement Hob. XIV-48 et Hob. XVI-50 rythmique et mélodique albinonien, András Schiff, piano; English Chamber Orchestra; effusion lyrique et densité formelle, mé- ce recueil fut un succès commercial à George Malcolm, direction lodie et danse réunies dans des mou- l’époque. Malgré un ton assez grave (5 DS042 • 1 CD Dal Segno vements à la pulsation irrésistible. Du sonates en tonalité mineure sur 6 ), qui justifie l’appellation de sonates d’église, grand Bach ! Il en existe de nombreuses (1671-1750) Tomaso Albinoni ces sonates gagnent ici en luminosité versions, pour orgue mais aussi trans- Sonate da chiesa, op. 4 grâce au timbre agreste et champêtre crites (2 pianos, trios d’instruments). J. Conzález, hautbois; Å. Åkerberg, violoncelle; T. du hautbois substitué au violon que La version enregistrée en 2010 par C. Boysen, luth; M. Müller, clavecin prévoit l’édition originale. Cette variante GEN10184 • 1 CD Genuin totalement conforme à l’usage baroque Lorenzo Ghielmi (musicologue et ensei- ans les années 1710, le célèbre édi- (Albinoni devait par la suite consa- gnant spécialiste de la musique renais- Dteur français établi à Amsterdam crer au hautbois plusieurs brillants sance et baroque) sur l’orgue Ahrend Estienne Roger convainquit Albinoni concertos) présente une alternative (1991) dont il est titulaire à Milan res- de lui confier dorénavant l’édition de intéressante aux deux enregistrements Johann Sebastian Bach (1685-1750) précédemment disponibles, grâce à titue avec un bonheur évident l’aspect sa musique, inaugurant ce partenariat Sonate en trio pour orgue, BWV 525-530 des interprètes très impliqués dans ce avec les Trattenimenti Armonici op. 6 Lorenzo Ghielmi, orgue solaire de cette œuvre. Interprétation en 1712. Il réédita dans la foulée les répertoire qu’ils maîtrisent avec brio. PAS967 • 1 CD Passacaille lumineuse de simplicité et de clarté, recueils précédemment parus dans les (Jean-Michel Babin-Goasdoué) piètres éditions vénitiennes de Sala. uperbe interprétation des 6 sonates tempos raisonnables, registrations La musique vocale se vendant beau- Sen trio de JS Bach, œuvre profane subtiles, le cliquetis parfois perceptible coup moins bien au nord des Alpes destinée à la formation du fils aîné des vergettes ajoutant à l’authenticité de que l’instrumentale, Roger décida de ne Wilhelm Friedmann. Cheval de bataille pas rééditer le « vrai » op. 4 d’Albinoni, des organistes, ces sonates requièrent cette version « gourmande » bénéficiant constitué de 12 cantates, et « fabri- une excellente maîtrise de l’instrument d’une magnifique prise de son. Pour les (technique virtuose, indépendance des qua » un deuxième Opus 4 d’Albinoni, connaisseurs, livret détaillant les jeux en rassemblant non sans mal 6 sonates trois voix sur les claviers et le pédalier, d’église pour violon et continuo. La registration intelligente des jeux). Nour- et les registrations. A déguster sans provenance de ces sonates reste mys- ries de la connaissance qu’avait Bach de modération... (Benoît Desouches) www.clicmusique.com ClicMag juin 2014 3 Alphabétique dèrent le piano moderne comme le véhi- d’artistes complices en nous faisant cule universel de toute musique, et qui partager son bonheur de jouer sur ins- aiment leur baroque repeint à la sauce truments d’époque (en fait d’excellentes 20ème siècle. L’utilisation d’un piano copies) les 5 premières sonates (1798 moderne dans ce disque semble telle- et 1800), œuvres lumineuses d’un jeune ment (pour les interprètes et l’éditeur) Beethoven à qui la vie sourit encore. La aller de soi que l’impasse est totalement violoniste joue une copie d’un Guarne- faite sur les raisons de ce choix, à priori rius del Gesu avec un archet d’époque discutable après plusieurs interpréta- Johann Sebastian
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