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Bibliography of Frank Cook's Early Library
Bibliography of Frank Cook’s Early Library Frank was a pack rat. He saved every book he ever owned. The following list represents Frank’s early readings, for the most part before his love of plants emerged. Frank gathered these books in a small library kept in his brother Ken’s basement shortly before his death. PHI provides this bibliography to friends interested in seeing some of Frank’s early influences. ALLEN, E. B. D. M. (1960). THE NEW AMERICAN POETRY (Reprint. Twelfth Printing.). GROVE PRESS. Amend, V. E. (1965). Ten Contemporary Thinkers. The Free Press. Anonymous. (1965). The Upanishads. Penguin Classics. Armstrong, G. (1969). Protest: Man against Society (2nd ed.). Bantam Books. Asimov, I. (1969). Words of Science. Signet. Atkinson, E. (1965). Johnny Appleseed. Harper & Row. Bach, R. (1989). A Gift of Wings. Dell. Baker, S. W. (1985). The Essayist (5th ed.). HarperCollins Publishers. Baricco, A. (2007). Silk. Vintage. Beavers, T. L. (1972). Feast: A Tribal Cookbook (First Edition.). Doubleday. Beck, W. F. (1976). The Holy Bible. Leader Publishing Company. Berger, T. (1982). Little Big Man. Fawcett. Bettelheim, B. (2001). The Children of the Dream. Simon & Schuster. Bolt, R. (1990). A Man for All Seasons (First Vintage International Edition.). Vintage. brautigan, R. (1981). Hawkline Monster. Pocket. Brautigan, R. (1973). A Confederate General from Big Sur (First Thus.). Ballantine. Brautigan, R. (1975). Willard and His Bowling Trophies (1st ed.). Simon & Schuster. Brautigan, R. (1976). Loading Mercury With a Pitchfork: [Poems] (First Edition.). Simon & Schuster. Brautigan, R. (1978). Dreaming of Babylon. Dell Publishing Co. Brautigan, R. (1979). Rommel Drives on Deep into Egypt. -
The Electric Kool-Aid Acid Test Free
FREE THE ELECTRIC KOOL-AID ACID TEST PDF Tom Wolfe | 416 pages | 10 Aug 2009 | St Martin's Press | 9780312427597 | English | New York, United States Merry Pranksters - Wikipedia In the summer and fall ofAmerica became aware of a growing movement of young people, based mainly out of California, called the "psychedelic movement. Kesey is a young, talented novelist who has just seen his first book, One Flew Over the Cuckoo's Nestpublished, and who is consequently on the receiving end of a great deal of fame and fortune. While living in Palo Alto and attending Stanford's creative writing program, Kesey signs up to participate in a drug study sponsored by the CIA. The drug they give him is a new experimental drug called LSD. Under the influence of LSD, Kesey begins to attract a band of followers. They are drawn to the transcendent states they can achieve while on the drug, but they are also drawn to Kesey, who is a charismatic leader. They call themselves the "Merry Pranksters" and begin to participate in wild experiments at Kesey's house in the woods of La Honda, California. These experiments, with lights and noise, are all engineered to create a wild psychedelic experience while on LSD. They paint everything in neon Day-Glo colors, and though the residents and authorities of La Honda are worried, there is little they can do, since LSD is not an illegal substance. The Pranksters first venture into the wider world by taking a trip east, to New York, for the publication of Kesey's newest novel. -
John Stuart Mill’Sworksare by Title, Followed by Volume and Pagenumber of the Collected Works of John Stuart Mill (CW), Edited by J.M
Roots of Respect Roots of Respect A Historic-Philosophical Itinerary Edited by Giovanni Giorgini and Elena Irrera An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-021808-4 e-ISBN (PDF) 978-3-11-021809-1 e-ISBN (EPUB) 978-3-11-021806-2 ISBN 978-3-11-044813-9 ISSN 0179-0986 e-ISBN (PDF) 978-3-11-052628-8 e-ISSN 0179-3256 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 License, For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. as of February 23, 2017. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Library of Congress Cataloging-in-Publication Data Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografic information published by the Deutsche Nationalbibliothek Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutschen Nationalbibliografie; Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- detailed bibliografic data are available on the Internet at http://dnb.dnb.de. fie; detaillierte bibliografische Daten sind im Internet über http://dnb.dnb.de abrufbar. -
Chaos and Control: Reading Plato's Politicus1
Review Article Chaos and Control: Reading PlatoÕs Politicus1 MARY MARGARET M CCABE On rst reading, the Politicus appears a dismal dialogue (compared, for example, to the immediacy of both the philosophy and the drama of the Theaetetus). This conversation between the Eleatic Stranger and the hopelessly complaisant Young Socrates seems unlikely to capture our imagination; the lengthy discussion of col- lection and division may do little for our understanding of dialectic; and even the joke (at 266c, a pun on being a pig and coming last which is marginally more amusing in Greek) will leave us cold. It may be hardly surprising that Òthis weary dialogue,Ó as Gilbert Ryle called it, has been left alone by scholars. However a recent Symposium Platonicum has revived interest in the Politicus;2 this generated two volumes of papers given at the Symposium and, more impor- tantly, a new translation with commentary by Christopher Rowe. 3 The new OCT, moreover, gives a freshly edited text. 4 This material makes it immediately clear that the Politicus should not be dismissed out of hand – even although it stands revealed as an extremely complex composition, both from the literary and from the philosophical point of view. 1 Christopher Rowe, Bob Sharples and Tad Brennan were kind enough to read and criticise a draft of these comments; I am very grateful to them. 2 Old habits die hard; I prefer Politicus (Plt.) to Statesman, not least to avoid the dangers of archaism (and the impossibility of capturing an extinct species) in the English expression. In deference to Plato, however, I use the expression Òthe states- manÓ (rather than Òthe politicianÓ) to describe the person with political understanding. -
SHORT STORIES NEW TITLES • SHORT STORIES to View Tables of Contents, Visit: CLAIRE VAYE WATKINS JOHN O’HARA Battleborn the New York Stories PAID
NEW TITLES • SHORT STORIES NEW TITLES • SHORT STORIES To view tables of contents, visit: WWW.PENGUIN.COM/TOC CLAIRE VAYE WATKINS JOHN O’HARA Battleborn The New York Stories PAID Presort Std EDITED WITH AN INTRODUCTION BY STEVEN GOLDLEAF In ten stories reminiscent of the work of Cormac McCarthy, Richard Ford, and Annie U.S. Postage Permit No. 169 FOREWORD BY E. L. DOCTOROW Proulx, Watkins writes her way into the mythology of the American West, reimagining its Staten Island, NY vast, lonely spaces—from ghost towns to deserts to brothels—as redemptive territories. Collected for the first time, these unsparing stories present New York as observed by one “[These stories] tell the tale of a place, and of the population that thrives and perishes of the 20th century’s definitive chroniclers of the city and by a master of American realism. therein....Readers will share in the environs of the author and her characters, be taken “Superb....The 32 stories inhabit the Technicolor vernaculars of taxi drivers, barbers, into the hardship of a pitiless place and emerge on the other side—wiser, warier, and paper pushers and society matrons....Undoubtedly, between the 1930s and the 1970s, weathered like the landscape.”—The New York Times Book Review [O’Hara] was American fiction’s greatest eavesdropper, recording the everyday speech RIVERHEAD PAPERBACK • 304 PP. • 978-1-59463-145-0 • $16.00 and tone of all strata of mid-century society....What elevates O’Hara above slice-of-life Winner of the 2012 Story Prize and Recipient of the portraitists like Damon Runyon and Ring Lardner is the turmoil glimpsed beneath the 2012 American Academy of Arts and Letters Rosenthal Foundation Award vibrant surfaces.”—The Wall Street Journal PENGUIN CLASSICS PAPERBACK • 400 PP. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
About the Authors
About the Authors Moira Ferguson was born in Glasgow, Scotland, and took a B.A. at the University of London and a Ph.D. at the University of Washing- ton. She is an associate professor of English at the University of Nebraska-Lincoln and former chairwoman of women's studies. She has been a fellow of the Henry E. Huntington Library and has received an American Council of Learned Societies Award and an American Association of University Women Founders Fellowship. Her scholarly articles and reviews have appeared in such journals as Philological Quarterly, Minnesota Review, Signs, English Language Notes, Romantic Movement, Wordsworth Circle, Victorian Studies^ and Women's Studies International Forum. She is the compiler and editor of First Feminists: British Women Writers 1578-1799 (1983). She is currently preparing a study of women's protest writings in the seventeenth and eighteenth centuries. Janet Todd, fellow of Sidney Sussex College, Cambridge, was born in Llandrindod-Wells, Wales. She took a B.A. at the University of Cambridge and a Ph.D. at the University of Florida. From 1964 to 1967 she taught in Ghana, mainly at the University of Cape Coast, and from 1972 to 1974 at the University of Puerto Rico. Since then, until 1983, she was professor of English at Rutgers University. She has been the recipient of NEH and ACLS awards and of a Guggen- heim Fellowship. Her books include In Adam's Garden: A Study of John Clare's Pre-Asylum Poetry (1973), A Wollstonecraft Anthology (1977), Women's Friendship in Literature (1980), and, with M. -
Farmerfan Volume 1 | Issue 1 |July 2018
FarmerFan Volume 1 | Issue 1 |July 2018 FarmerCon 100 / PulpFest 2018 Debut Issue Parables in Parabolas: The Role of Mainstream Fiction in the Wold Newton Mythos by Sean Lee Levin The Wold Newton Family is best known for its crimefighters, detectives, and explorers, but less attention has been given to the characters from mainstream fiction Farmer included in his groundbreaking genealogical research. The Swordsmen of Khokarsa by Jason Scott Aiken An in-depth examination of the numatenu from Farmer’s Ancient Opar series, including speculations on their origins. The Dark Heart of Tiznak by William H. Emmons The extraterrestrial origin of Philip José Farmer's Magic Filing Cabinet revealed. Philip José Farmer Bingo Card by William H. Emmons Philip José Farmer Pulp Magazine Bibliography by Jason Scott Aiken About the Fans/Writers Visit us online at FarmerFan.com FarmerFan is a fanzine only All articles and material are copyright 2018 their respective authors. Cover photo by Zacharias L.A. Nuninga (October 8, 2002) (Source: Wikimedia Commons) Parables in Parabolas The Role of Mainstream Fiction in the Wold Newton Mythos By Sean Lee Levin The covers to the 2006 edition of Tarzan: Alive and the 2013 edition of Doc Savage: His Apocalyptic Life Parables travel in parabolas. And thus present us with our theme, which is that science fiction and fantasy not only may be as valuable as the so-called mainstream of literature but may even do things that are forbidden to it. –Philip José Farmer, “White Whales, Raintrees, Flying Saucers” Of all the magnificent concepts put to paper by Philip José Farmer, few are as ambitious as his writings about the Wold Newton Family. -
Gcrcbooks 4.Xls Page 1 of 5 15:58 on 22/06/2012 D19 the Cambridge Modern History Volume 02
This is a list of mostly history books from the library of Gervas Clay, who died 18 th April 2009 ( www.spanglefish.com/gervasclay ). Most of them have his bookplate; few have a dust cover. In general they are in good condition, though many covers are faded. Most are hardback; many are first editions. There is another catalogue of his modern books (mostly fiction) which you will find as a WORD document called "Books.doc" in the For Sale section of the Library at http://www.spanglefish.com/gervasclay/library.asp Alas! Though we have only read a few of these, and would love to read more, we just do not have the time. Nor do we have the space to store them. So all of these are BOOKS FOR SALE Box Title Author Publisher Original Publisher Date Edition Comment The Cambridge Ancient History, Volume 1 Cambridge UP 1934 Vols. 1 to 10 The Cambridge Ancient History, Volume 2 The Cambridge Ancient History, Volume 3 The Cambridge Ancient History, Volume 4 The Cambridge Ancient History, Volume 5 The Cambridge Ancient History, Volume 6 D24 The Cambridge Ancient History, Volume 7 D23 The Cambridge Ancient History, Volume 8 D23 The Cambridge Ancient History, Volume 9 D25 The Cambridge Ancient History, Volume 10 D24 The Cambridge Ancient History, Volume 11 D25 The Cambridge Ancient History, Volume 12 D22 Queen Victoria Roger Pulford Collins 1951 No. 2 D21 The Age of Catherine de Medici J.E. Neale Jonathan Cape 1943 1st Edition D22 The two Marshalls, Bezaine & Petain Philip Guedalla Hodder & Stoughton 1943 1st Edition D22 Napoleon and his Marshalls A.G. -
Selected Contemporary Allusions
Appendix A Selected Contemporary Allusions 1. Robert Greene, Groats- Worth of Witte ( 1592). Quoted and discussed above, pp. 1-6, 53-4. See also Appendix B. 2. Henry Chettle, Kind-Harts Dreame (1592; SR 8 Dec. 1592), from the Epistle, 'To the Gentlemen Readers'. Discussed pp. 7, 21. he that offendes being forst, is more excusable than the wilfull faultie ... lie shew reason for my present writing, and after proceed to sue for pardon. About three moneths since died M. Robert Greene, leauing many papers in sundry Booke sellers hands, among other his Groats worth of wit, in which a letter written to diuers play-makers, is offensiuely by one or two of them taken, and because on the dead they cannot be auenged, they wilfully forge in their conceites a liuing Author: and after tossing it two and fro, no remedy, but it must light on me. How I haue all the time of my conuersing in printing hindred the bitter inueying against schollers, it hath been very well knowne, and how in that I dealt I can sufficiently prooue. With neither of them that take offence was I acquainted, and with one of them I care not if I neuer be: The other (i.e. Shakespeare], whome at that time I did not so much spare, as since I wish I had, for that as I haue moderated the heate of liuing writers, and might haue vsde my owne discretion (especially in such a case) the Author beeing dead, that I did not, I am as sory, as if the originall fault had beene my fault, because my selfe haue seene his demeanor no !esse ciuill than he exelent in the qualitie he professes: Besides, diuers of worship haue reported, his vprightnes of dealing, which argues his honesty, and his facetious grace in writting, that aprooues his Art. -
Further Reading
Further reading Which edition if Shakespeare should I buy? This is not usually a problem as most often you will be told which par ticular edition of an individual play you should use. If you are free to choose your edition, you will obviously want to ensure that it is both reliable and as helpful as possible. The following series all have good notes, sound critical introductions, and are fully annotated: the Arden Shakespeare (a new, revised series will start appearing in 1995), the New Cambridge Shakespeare, the New O'fford Shakespeare (being published in paperback by World's Classics), and the New Penguin Shakespeare. In addition, you will find it useful to have a copy of Shakespeare's com plete works both for further reading and for reference. The standard Complete Works is that edited by Peter Alexander for Collins (we have taken our quotations from this); the Oxford edition of the Complete Works edited by Gary Taylor and Stanley Wells has many non-standard features; the Riverside Shakespeare (edited by G.B. Evans) has useful intro ductions to the plays. What critical books should I read? If you have read the play you have been set to study, but cannot see what it is about, what you need is a book that gives you an idea of the significance of the play. An introductory volume in this respect is Mar guerite Alexander's An Introduction to Shakespeare and his Contemporaries (1979). Similarly Philip Edwards's Shakespeare: A Writer's Progress (1986) will provide some starting-points, as will Richard Dutton's William Sha kespeare: A Literary Lifo (1989). -
A University of Sussex Phd Thesis Available Online Via Sussex
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 The reconnoiter inward: interiority and spatial aesthetics in the novels of Don DeLillo and J. M. Coetzee Doctor of Philosophy Katherine Da Cunha Lewin University of Sussex May 2017 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another University for the award of any other degree. Signature:……………………………………… UNIVERSITY OF SUSSEX KATHERINE DA CUNHA LEWIN DOCTOR OF PHILOSOPHY The reconnoiter inward: ‘The reconnoiter inward: interiority and spatial aesthetics in the novels of Don DeLillo and J.M. Coetzee. The novel, as I will show, has an historic association with the interior. In its emergence through what Ian Watt refers to as ‘realist particularity,’ the novel allowed new access to the interior lives of human beings. As I discuss, this interiority is both real and imagined, a means of giving shape to life in modernity.