Introduction: Modernist Mythopoeia – the Language of the In-Between and of Beyond
Notes Introduction: Modernist Mythopoeia – The Language of the In-Between and of Beyond 1. Ulysses (Oxford: Oxford University Press, 2008), p. 3. 2. Ulysses, p. 22. 3. Thus Spoke Zarathustra: A Book for Everyone and Nobody, trans. Graham Parkes (Oxford: Oxford University Press, 2005), p. 11. 4. A Portrait of an Artist as a Young Man (London: Minerva, 1992), p. 266. 5. Ibid., p. 258. 6. Ulysses, p. 37. 7. The Gay Science, trans. Walter Kaufmann (New York: Vintage Books, 1974), p. 167. 8. The Will to Power, trans. Walter Kaufmann & R. J. Hollingdale (New York: Vintage Books, 1968), p. 54. 9. Shadow of Spirit: Postmodernism and Religion, eds. Philippa Berry & Andrew Wernick (London: Routledge, 1992), p. 1. 10. Phillip Blond (ed.), Post-Secular Philosophy: Between Philosophy and Theology (London: Routledge, 1998), p. 1. 11. Shadow of Spirit, p. 1. 12. Jürgen Habermas, An Awareness of What is Missing: Faith and Reason in a Post- Secular Age, trans. Ciaran Cronin (Cambridge: Polity Press, 2010), p. 19. 13. Suzanne Hobson, Angels of Modernism: Religion, Culture and Aesthetics 1910–60 (Basingstoke: Palgrave Macmillan, 2014), p. 5. 14. Erik Tonning, Modernism and Christianity (Basingstoke: Palgrave Macmillan, 2014), p. 1. 15. Michael Bell, Literature, Modernism and Myth: Belief and Responsibility in the Twentieth Century (Cambridge: Cambridge University Press, 1997), p. 2. 16. Ibid., p. 1. 17. Hans Blumenberg, Work on Myth, trans. Robert M. Wallace (Cambridge, Massachusetts: The MIT Press, 1985), p. 27. ‘The historical power of myth is not founded in the origins of its contents, in the zone which draws its materials and its stories, but rather in the fact that, in its procedure and its “form,” it is no longer something else’ (p.
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