Youth, Modernism, and the Deferral of Maturity Jan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Postmemory, Post-Dependence, Post-Trauma: Negotiating Jewish Identity in Post-Communist Poland
Postmemory, Post-dependence, Post- trauma: Negotiating Jewish Identity 9 in Post-Communist Poland Aleksandra Szczepan In studies concerning identity practices in contemporary, post-communist Poland, three issues seem to be crucial: the memory strategies they involve, the previous state of dependency towards which they define themselves, and their relationship with the historical traumas they have to overcome. These are labeled by three catchy terms: postmemory, post-dependence, and post-trauma; these perspectives – similar to other “posts”, e.g. postmodernism or postsecularism – are characterized by several common features: specific belatedness, temporal shift, the practice of quoting and mediation, defining the present always in relation to a troubling past, oscillating between continuity and rupture. Secondly, all of them are a sort of loan-notion from Western memory, trauma and Holocaust studies, hastily adapted to Polish realities. Even post-dependence discourse – which is to be understood as a set of signifying and identity practices that have been undertaken after the situation of dependence came to an end – was introduced to the vocabulary of Polish humanities as a specific remedy and substitute for the postcolonial perspective, which turned out to be quite resistant to being convincingly applied to the Polish cultural situation. As I will try to show, adapting categories from the Western theoretical vocabulary or creating new ones in order to examine Polish culture and identity strategies may be fully legitimate only if we discern the basic differences this local perspective engages, and recognize the entanglement of several factors it always results in. To prove my point, I will examine a phenomenon in which these three perspectives – postmemory, post-trauma and post-dependence – creatively intertwine: the identity strategies of representatives of the second generation of Holocaust survivors; that is, Polish writers who started rendering their Jewish 9 This project was funded by the National Science Centre on the grounds of decision no. -
Wildlife and Countryside Act 1981 an Application to Register a Footpath on the Definitive Map, Dorothea Quarry, Community of Llanllyfni
ITEM MEETING PLANNING COMMITTEE DATE 9th July, 2012. TITLE Wildlife and Countryside Act 1981 An application to register a footpath on the Definitive Map, Dorothea Quarry, Community of Llanllyfni. PURPOSE To consider whether the Authority should make a Modification Order RECOMMENDATION That Gwynedd Council should make a Modification Order under Section 53(3)(c)(i), Wildlife and Countryside Act 1981 to register the claimed path on the Definitive Map of Public Rights of Way. If the Committee should decide to make the Order, it is recommended that no liability for maintenance of this path be accepted. AUTHOR Aled Davies Head of Regulatory Department 1.0 INTRODUCTION 1.1 This report refers to an application to register a public footpath at Dorothea Quarry, in the Community of Llanllyfni. 1.2 The application is made on the basis that the public have walked this path unhindered, continuously and as of right (that is without the landowner’s permission) over a period of more than twenty years. 2.0 BACKGROUND 2.1 In May 2005, an application was received from Mrs Shakespeare on behalf of Talysarn and Nantlle Environmental Group, under Section 53 of the Wildlife and Countryside Act 1981, to register on the Definitive Map a public footpath from Talysarn to Nantlle via Dorothea Quarry. 2.2 The claimed path starts from the existing gate near the roundabout at the eastern end of Talysarn and proceeds in a general easterly direction through an area of reclaimed slate tips, circling around the southern side of Dorothea Quarry and connecting to the unclassified road that leads into the village of Nantlle at the north eastern edge of the quarry hole. -
Samuel Ramey
welcome to LOS i\Ilgeles upera http://www.losangelesopera.comlproduction/index.asp?... •• PURCHASE TICKETS • 2003/2004 SEASON LA AMNATION DE FAD T La damnation de Faust The damnation of Faust / Hector Berlioz Nicholas and In French with English Supertitles Ticket Information Alexandra Lucia di Samuel Ramey, Synopsis Lammermoor r-----------.., Program Notes Denyce Graves and Photo Gallery Orfeo ed Euridice Paul Groves star in a spectacular new Recital: production by Achim Ask an Expert Hei-Kyung Hong Forward to a Freyer with Kent Friend Recital: Cecilia Nagano conducting. Bartoli Generously Madama Europe's master Underwritten by: Butterfly theatre artist Achim Freyer matches his New production Die Frau ohne made possible by a Schatten painterly visual imagery with Hector generous gift from Mr. and Mrs. Recital: Dmitri Berlioz's vivid musical imagination in the premiere of Hvorostovsky Milan Panic this new production featuring a cast of more than Le nozze di 100 singers and dancers. The legend of Faust, which Figaro tells the story of the man who sold his soul to the II trovatol'"e Devil, has captivated great imaginations for centuries. Marlowe, Goethe, Gounod, Schumann, Liszt, Mahler and Stravinsky all found inspiration in SEASON G!J1]) the Faust tale, which continues to reverberate in SPONSOR Audt today's modern world. Originally conceived as an oratoriO, Hector Berlioz's dramatic La damnation de Faust is now a mainstay of opera houses around the world. Haunting melodies and startling orchestrations flood the score and illustrate the beWitching tale of Faust's desperate struggle for power, riches, youth and, ultimately, redemption. PRODUCTION DATES: Wednesday September 10, 20036:30 p.m. -
Modernist Permabulations Through Time and Space
Journal of the British Academy, 4, 197–219. DOI 10.5871/jba/004.197 Posted 18 October 2016. © The British Academy 2016 Modernist perambulations through time and space: From Enlightened walking to crawling, stalking, modelling and street-walking Lecture in Modern Languages read 19 May 2016 ANNE FUCHS Fellow of the Academy Abstract: Analysing diverse modes of walking across a wide range of texts from the Enlightenment period and beyond, this article explores how the practice of walking was discovered by philosophers, educators and writers as a rich discursive trope that stood for competing notions of the morally good life. The discussion proceeds to then investigate how psychological, philosophical and moral interpretations of bad prac- tices of walking in particular resurface in texts by Franz Kafka, Thomas Mann and the interwar writer Irmgard Keun. It is argued that literary modernism transformed walking from an Enlightenment trope signifying progress into the embodiment of moral and epistemological ambivalence. In this process, walking becomes an expression of the disconcerting experience of modernity. The paper concludes with a discussion of walking as a gendered performance: while the male walkers in the modernist texts under discussion suffer from a bad gait that leads to ruination, the new figure of the flâneuse manages to engage in pleasurable walking by abandoning the Enlightenment legacy of the good gait. Keywords: modes of walking, discursive trope, Enlightenment discourse, modernism, modernity, moral and epistemological ambivalence, gender, flâneuse. Walking on one’s two legs is an essential but ordinary skill that, unlike cycling, skate-boarding, roller-skating or ballroom dancing, does not require special proficiency, aptitude or thought—unless, of course, we are physically impaired. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Artxsr, Ml 48106-1346 USA 800-521-0600 UMI* NOTE TO USERS Page(s) missing in number only; text follows. Page(s) were microfilmed as received. 131,172 This reproduction is the best copy available UMI FRANK WEDEKIND’S FANTASY WORLD: A THEATER OF SEXUALITY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University Bv Stephanie E. -
Introduction Michael Hattaway
1 Introduction Michael Hattaway What does it mean to speak of ‘the English Renaissance’? Within the parts of this volume, defining historical contexts and perspectives, the next offering readings of particular texts along with accounts of genres and modes, and the last presenting engagements with a number of critical issues and debates, we approach the question in a variety of ways. The word ‘Renaissance’ designates ‘rebirth’, a metaphor applied, from its begin- nings, to a cultural vision that originated in Italy. For the nineteenth and twentieth centuries this was projected in a magnificent synthesis by Jacob Burckhardt, The Civ- ilization of the Renaissance in Italy (1860). Burckhardt retrospectively laid out a master proposal to revive the art and learning of the classical world, to emulate the grandeur of ancient cities, to stimulate science and geographical discovery, and to produce art and literature that imitated antique models, an undertaking which was dedicated as much to the profane as to the spiritual. Rival city states of Italy required monuments to enhance their fame, and thus ensured patronage for the writers and artists who duly bequeathed to posterity the texts and great architectural and visual exemplars with which we are all familiar. Burckhardt’s categories, which rest upon notions of ‘genius’, ‘individuality’ and secularization, have percolated into all too many derivative hand- books for the period: they may not, however, fit the English experience. England did enjoy a phenomenal energizing of literature: this is an age that, tra- ditionally, has at its centre, Spenser and Sidney, Marlowe and Nashe, Shakespeare, and Jonson. Ben Jonson, exceptionally, did publish his ‘works’ in a manner befitting an author of the Renaissance, although some of the dramatic genres he used have medieval origins. -
Introduction
Guston, Philip Guston 9/8/10 6:04 PM Page 1 INTRODUCTION DORE ASHTON “Create, artist! Don’t talk!” the aging Goethe counseled his contemporaries in 1815. The painter Degas seconded the old sage when he told the young poet Paul Valéry that when the muses finished their day’s work they didn’t talk, they danced. But then, as Valéry vividly recalled, Degas went on to talk of his own art for hours on end. Painters have always talked, and some, such as Delacroix, Mondrian, Kandinsky, Malevich, and Motherwell, also wrote. Certain painters, Goya, for example, also deftly used language to augment their imagery. Like Degas, who liked to talk with poets and even engaged the inscrutable Mallarmé, Guston liked talking with poets, and they with him. Among his most attentive listeners was his friend the poet Clark Coolidge, whose ear was well attuned to Guston’s sometimes arcane utterances and who has selected some of the painter’s most eloquent sessions of writing and talking, resulting in a mosaic of a life - time of thought. I was also one of Guston’s interlocutors for almost thirty years. I recognize with pleasure Coolidge’s unfurling of Guston’s cycles of talk and non-talk; his amusing feints and dodges when confronted with obtuse questioners, his wondrous bursts of language when he felt inspired, his sometimes playful contrariness, his satisfaction in being a provocateur, and his consistent preoccupation with serious aesthetic ques - tions through out his working life as a painter. Above all, I recognize Guston’s funda - mental rebelliousness, which manifested itself not only in his artistic preferences but in his politics, his choice of artistic battlefields, and his intimate studio life. -
Caroline Kipling
The Rees and Carrington Extracts From the diaries of ` Caroline Kipling 1910 1910 Jan. Engelberg. No entries till John leaves for school with Ellen, 26 Jan. Their first week at Engelberg (they left Bateman’s on 30 December 1909) was not much fun: Carrie had been ill at home – it had been a very wet autumn – and remained ill for at least the first week of their stay at Engelberg. Kipling wrote to his mother-in-law describing their tribulations (PINNEY, Letters, Vol. 3, p. 404-5). Ellen was evidently one of the maids at Bateman’s. LYCETT, (p. 404) lists a maid named Ellen among the Bateman’s staff who attended a parish memorial service for King Edward VII later that summer. It must have been quite an adventure for her to travel out to Switzerland at her employer’s expense, and something of a responsibility to take charge of his 12-year-old son to take back to England, though John was quite a seasoned traveller. Jan. The only entry between December 19h 1909 and February 20th 1910 is on Jan. 26 stating that John left for school with Ellen. Letters, however show that the Ks left home for Engelberg on 30 Dec. `09. 16 Feb. (An allusion to the Baldwins – with them.) There’s a further confirmation of the presence of the Baldwins at Engelberg in the letter to John cited immediately below. 26 Feb. To Geneva. Saw Mr . Feb. 26 Leave Engelberg 10 a.m. Arrive Geneva 7.30 p.m. They were on the first leg of a long cross-country journey from Engelberg to Vernet-les-Bains (see below). -
\~~A L BEC~US Tes OUR LAND
Palestinian struggle: the real facts -see story page 6- • The following letter of protest was sent to President Nixon have been ordered to the coast of Lebanon, and that you on behalf of the 75 Socialist \Vorkers Party candidates for have placed on alert troops from the Eighth Infantry Division public office in 15 states. It was written by Paul Boutelle, in West Germany and the 82nd Airborne Division at Fort SWP vice-presidential candidate in 1968 and currently the Bragg, N. C. I remember the 82nd Airborne as the same SWP candidate for Congress from Harlem. Paul Boutelle division that President Johnson sent to Santo Domingo to has just returned from a fact-finding trip to the Middle East. crush the uprising there in 1965, and into Detroit in 1967 * * * to crush the revolt of the Black community. President Nixon: This is not a coincidence. The struggles of the Dominicans The Socialist Workers Party demands the immediate halt and Afro-Americans, like those of the Palestinians, are strug to all steps toward U.S. military intervention in the Jor gles of oppressed peoples to control their own affairs. danian civil war. The U.S. has no right whatsoever in The United States government's support for the reactionary, Jordan. Zionist regime in Israel and its support for King Hussein's People throughout the world are just beginning to learn slaughter of the Palestinian refugees is consistent with its the scope of the wholesale slaughter that is occurring in support to reactionary dictatorships throughout the world Jordan right now. We hold your administration and its from Cambodia and Vietnam to South Africa, Greece and imperialist policies responsible for the bloodbath being per Iran. -
BSAC Incident Report 2008
The British Sub-Aqua Club National Diving Committee Diving Incidents Report 2008 Compiled by Brian Cumming Diving Safety and Incidents Advisor Published by The British Sub-Aqua Club in the interests of diving safety ` NDC Diving Incidents Report - 2008 Introduction This booklet contains the 2008 Diving Incidents Report, produced by The British Sub-Aqua Club (BSAC) in the interest of promoting diving safety. It is important to note that it contains details of UK sports diving incidents occurring to divers of all affiliations, plus incidents occurring worldwide involving BSAC members. Report Format The majority of statistical information contained within this report is also shown in graphical form. Please note that all statistical information is produced from UK data only and does not include Overseas Incidents unless noted as ‘All Incidents’. The contents of this report are split into an overview of the year, and then the details of nine incident categories plus some historical analyses. The various sections can be found as shown below:- i) Overview Page 1 ii) Fatalities Page 5 iii) Decompression Incidents Page 8 iv) Injury / illness Page 20 v) Boating & Surface Incidents Page 25 vi) Ascent Incidents Page 29 vii) Technique Incidents Page 35 viii) Equipment Incidents Page 36 ix) Miscellaneous Incidents Page 38 x) Overseas Incidents Page 40 xi) Numerical & Statistical Analyses Page 44 xii) List of Abbreviations Page 46 Within each category the incidents are listed in the order of their occurrence, not necessarily that of Incident Reference. They are laid out in the following form: MONTH/YEAR OF INCIDENT INCIDENT REF. Brief Narrative of Incident................................................................................... -
HERE, MY SON Rudyard Kipling and the Battle of Loos
THIS IS THE CHAPEL: HERE, MY SON Rudyard Kipling and the Battle of Loos Dedicated to the Memory of Patrick Neafsy of Achadh Mór, Private 6534, 2nd Battalion Irish Guards, killed in action, 27 September 1915 Edward Neafcy, October 2008 After 93 years, my brother David has brought home to Mayo the story of Patrick Neafsy and his short life as a British soldier. He was in the 2nd Irish Guards. The Battle of Loos was fought from the 25 September to the 8 October, 1915. It was the biggest battle in British history up to then. Today if people know of it at all, it is generally because Rudyard Kipling’s son John was lost there. He was an officer in the Irish Guards. Patrick and John Kipling died in the same action. Patrick and John were among 32 Irish Guards who died on 27 September 1915 on a flat Flanders field exposed to German artillery, machine gun and rifle fire. Such was the slaughter that the Germans called it the Leichenfeld (Corpses Field) von Loos. Despite Remembrance Day having been so well observed in my lifetime, I had not been motivated to think too much about the Great War with its apparent senselessness. David’s and my trip to Loos made me wonder about the motivations of lads such as Patrick who responded to Kitchener’s ‘Your Country Needs You’ recruitment campaign, and the motivation of such a man as 1 Kipling deliversRudyard a recrui Kipting ling to support the war. The thoughts of the private soldiers are speech - Southporseldot, mLanc recoashire,rded – particularly as personal diaries were discouraged as they England. -
1 4 Henry Stead Swinish Classics
Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). 4 Henry Stead Swinish classics; or a conservative clash with Cockney culture On 1 November 1790 Edmund Burke’s Reflections on the Revolution in France was published in England. The counter-revolutionary intervention of a Whig politician who had previously championed numerous progressive causes provided an important rallying point for traditionalist thinkers by expressing in plain language their concerns 1 Pre-print version of chapter 4 in Stead & Hall eds. (2015) Greek and Roman Classics and the British Struggle for Social Reform (Bloomsbury). about the social upheaval across the channel. From the viewpoint of pro- revolutionaries, Burke’s Reflections gave shape to the conservative forces they were up against; its publication provoked a ‘pamphlet war’, which included such key radical responses to the Reflections as Mary Wollstonecraft’s A Vindication of the Rights of Man (1790) and Tom Paine’s The Rights of Man (1791).1 In Burke’s treatise, he expressed a concern for the fate of French civilisation and its culture, and in so doing coined a term that would haunt his counter-revolutionary campaign. Capping his deliberation about what would happen to French civilisation following the overthrow of its nobility and clergy, which he viewed as the twin guardians of European culture, he wrote, ‘learning will be cast into the mire, and trodden down under the hoofs of a swinish multitude’. This chapter asks what part the Greek and Roman classics played in the cultural war between British reformists and conservatives in the periodical press of the late 1810s and early 1820s.