Caroline Kipling
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1901 Diary of Sir Horace Curzon Plunkett (1854–1932) Transcribed, Annotated and Indexed by Kate Targett
1901 Diary of Sir Horace Curzon Plunkett (1854–1932) Transcribed, annotated and indexed by Kate Targett. December 2012 NOTES ‘There was nothing wrong with my head, but only with my handwriting, which has often caused difficulties.’ Horace Plunkett, Irish Homestead, 30 July 1910 Conventions In order to reflect the manuscript as completely and accurately as possible and to retain its original ‘flavour’, Plunkett’s spelling, punctuation, capitalisation and amendments have been reproduced unless otherwise indicated. The conventions adopted for transcription are outlined below. 1) Common titles (usually with an underscored superscript in the original) have been standardised with full stops: Archbp. (Archbishop), Bp. (Bishop), Capt./Capt’n., Col., Fr. (Father), Gen./Gen’l , Gov./Gov’r (Governor), Hon. (Honourable), Jr., Ld., Mr., Mrs., Mgr. (Monsignor), Dr., Prof./Prof’r., Rev’d. 2) Unclear words for which there is a ‘best guess’ are preceded by a query (e.g. ?battle) in transcription; alternative transcriptions are expressed as ?bond/band. 3) Illegible letters are represented, as nearly as possible, by hyphens (e.g. b----t) 4) Any query (?) that does not immediately precede a word appears in the original manuscript unless otherwise indicated. 5) Punctuation (or lack of) Commas have been inserted only to reduce ambiguity. ‘Best guess’ additions appear as [,]. Apostrophes have been inserted in: – surnames beginning with O (e.g. O’Hara) – negative contractions (e.g. can’t, don’t, won’t, didn’t) – possessives, to clarify context (e.g. Adams’ house; Adam’s house). However, Plunkett commonly indicates the plural of surnames ending in ‘s’ by an apostrophe (e.g. -
Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby
Out of Eden: Mapping Psychic Spaces in Rudyard Kipling's Fiction Elizabeth Welby Thesis submitted for the degree of Doctor of Philosophy School of Literature and Creative Writing University of East Anglia 30 June 2010 © This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. Part of Chapter 2 has been previously published in The Kipling Journal as ‘The Lords of Misrule and the Pleasant Isle of Aves’, June 2010. A version of part of Chapter 4 has been previously published as ‘Solar Midnight: Traversing the Abject Borderline State in Rudyard Kipling’s “The City of Dreadful Night”’, in The Domination of Fear, ed. by Mikko Canini (Amsterdam: Rodopi Press, 2010), pp. 147-177. Acknowledgements I owe debts of gratitude to many people. First and foremost, I would like to thank my supervisor, Professor John Thieme, whose dedication to my project coupled with his unfailing energy and tireless perseverance would have, I am certain, surprised even Kipling. John took over the project during the latter stages of my PhD and I am sincerely grateful for his unending enthusiasm and willingness to read, consider and constructively comment on my numerous drafts. I would also like to acknowledge The Kipling Society, both for its electronic research tool, ‘The Reader’s Guide’ and its warm human contact. Many thanks are due to, in particular, John Walker, David Page, John Radcliffe and John Lambert who replied to my frequent questions, large and small, about Kipling’s life and art with grace, good humour and speedy efficiency. -
Bibliography and References
Bibliography and References The Collected Letters of Thomas Hardy, ed. R. L. Purdy and M. Millgate, 7 vols (Oxford: Oxford University Press, 1978--88). Emma Hardy Diilries, ed. R. H. Taylor (Ashington, Northumberland: Mid Northumberland Arts Group and Carcanet New Press, 1985.) Friends of a Lifetime: Letters to Sydney Cockerell, ed. Viola Meynell (London: Jonathan Cape, 1940) pp. 274-316. R. Gittings, The Older Hardy (London: Heinemann, 1978). R. Gittings, Young Thomas Hardy (London: Heinemann, 1975). F. E. Hardy, The Life of Thomas Hardy (London: Macmillan, 1962). The Life and Works of Thomas Hardy, ed. M. Millgate (London: Macmillan, 1984). M. Millgate, Thomas Hardy: A Biography (Oxford: Oxford University Press, 1982). The Personal Notebooks of Thomas Hardy, ed. R. H. Taylor (London: Mac millan, 1978). R. L. Purdy, Thomas Hardy: A Bibliographical Study (Oxford: Oxford Univer sity Press, 1954). Thomas Hardy's Personal Writings, ed. H. Orel (Lawrence, Kan: University of Kansas, 1966; London: Macmillan, 1967). The Variorum Edition of the Complete Poems of Thomas Hardy, ed. J. Gibson (London: Macmillan, 1978). Additional chapter-by-chapter notes follow, chiefly bibliographical, giving sources for some of the more interesting items not obtained from the above or indicated in the text. Two abbreviations are used: monograph, followed by the number, refers to the two volumes of Thomas Hardy: Material for a Study of his Life, Times and Works, ed. J. Stevens Cox (St Peter Port, Guernsey: Toucan Press, 1968 and 1971); THYB, followed by the year, refers to The Thomas Hardy Year Book, ed. J. Stevens Cox and G. Stevens Cox (St Peter Port, Guernsey: Toucan Press). -
Kipling, the Story-Writer
UNIVERSITY OF CALIFO! AT LOS ANGELES SEMICENTENNIAL PUBLICATIONS OF THE UNIVERSITY OF CALIFORNIA 1868-1918 42 1 6 KIPLING THE STORY-WRITER BY WALTER MORRIS HART UNIVERSITY OF CALIFORNIA PRESS BERKELEY 1918 28412 TO A. B. H. VA PREFACE In the course of an attempt to trace the history of the Short- Story in English it came to seem desirable, three or four years ago, to examine with some thoroughness, as the terminus ad quern, the work of Rudyard Kipling. The results of this study were rather fully set forth in the form of notes intended for class-room lectures. Revision and publication of these notes was advised by Professor Bliss Perry of Harvard College and by Professor Charles Mills Gayley of the University of Califor- nia. To these good friends of the writer this little book owes its being. Without their criticisms and suggestions, moreover, it would have been even less worthy than it is of the author with whom it is concerned. To him, to Mr. Kipling himself, thanks are due for gracious permission to take from his works the many illustrative passages with which these pages are adorned. CONTENTS PAGE Introduction 1 PART ONE: THE INDIAN PERIOD CHAPTER I Settings 5 CHAPTER II Characters and Psychology 12 CHAPTER III Plots and Their Significance 33 CHAPTER IV General Characteristics of the First Period Ill PART TWO: THE PERIOD OF TRANSITION CHAPTER V The Transitional Technique 131 PART THREE: THE ENGLISH PERIOD CHAPTER VI Settings 160 CHAPTER VII Characters and Psychology 170 CHAPTER VIII Plots and Their Significance 192 CHAPTER IX Conclusion 2 1 7 KIPLING THE STORY WRITER 53-2./. -
HERE, MY SON Rudyard Kipling and the Battle of Loos
THIS IS THE CHAPEL: HERE, MY SON Rudyard Kipling and the Battle of Loos Dedicated to the Memory of Patrick Neafsy of Achadh Mór, Private 6534, 2nd Battalion Irish Guards, killed in action, 27 September 1915 Edward Neafcy, October 2008 After 93 years, my brother David has brought home to Mayo the story of Patrick Neafsy and his short life as a British soldier. He was in the 2nd Irish Guards. The Battle of Loos was fought from the 25 September to the 8 October, 1915. It was the biggest battle in British history up to then. Today if people know of it at all, it is generally because Rudyard Kipling’s son John was lost there. He was an officer in the Irish Guards. Patrick and John Kipling died in the same action. Patrick and John were among 32 Irish Guards who died on 27 September 1915 on a flat Flanders field exposed to German artillery, machine gun and rifle fire. Such was the slaughter that the Germans called it the Leichenfeld (Corpses Field) von Loos. Despite Remembrance Day having been so well observed in my lifetime, I had not been motivated to think too much about the Great War with its apparent senselessness. David’s and my trip to Loos made me wonder about the motivations of lads such as Patrick who responded to Kitchener’s ‘Your Country Needs You’ recruitment campaign, and the motivation of such a man as 1 Kipling deliversRudyard a recrui Kipting ling to support the war. The thoughts of the private soldiers are speech - Southporseldot, mLanc recoashire,rded – particularly as personal diaries were discouraged as they England. -
Works in the Kipling Collection "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After"
Works in the Kipling Collection Title Main Author Publication Year Material Type Call Number "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "After" : Kipling, Rudyard, 1865-1936. 1924 BOOK PR 4854 R4 1924 "Collectanea" Rudyard Kipling. Kipling, Rudyard, 1865-1936. 1908 BOOK PR 4851 1908 "Curry & rice," on forty plates ; or, The ingredients of social life at Atkinson, George Francklin. 1859 BOOK DS 428 A76 1859 "our station" in India / : "Echoes" by two writers. Kipling, Rudyard, 1865-1936. 1884 BOOK PR 4854 E42 1884 "Kipling and the doctors" : Bateson, Vaughan. 1929 BOOK PR 4856 B3 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1935 BOOK PR 4854 T26 1935 "Teem"--a treasure-hunter / Kipling, Rudyard, 1865-1936. 1938 BOOK PR 4854 T26 1938 "The Times" and the publishers. Publishers' Association. 1906 BOOK Z 323 T59 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905a "They" / Kipling, Rudyard, 1865-1936. 1906 BOOK PR 4854 T35 1906 "They" / Kipling, Rudyard, 1865-1936. 1905 BOOK PR 4854 T35 1905 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1925 BOOK PR 4854 T352 1925 "They"; and, The brushwood boy / Kipling, Rudyard, 1865-1936. 1926 BOOK PR 4854 T352 1926 [Autograph letter from Stephen Wheeler, editor of the Civil & Wheeler, Stephen, 1854-1937. 1882 BOOK PR 4856 A42 1882 military gazette, reporting his deputy [Diary, 1882]. -
Adventures and Letters by Richard Harding Davis
Adventures and Letters by Richard Harding Davis Adventures and Letters by Richard Harding Davis This etext was prepared with the use of Calera WordScan Plus 2.0 ADVENTURES AND LETTERS OF RICHARD HARDING DAVIS EDITED BY CHARLES BELMONT DAVIS CONTENTS CHAPTER I. THE EARLY DAYS II. COLLEGE DAYS III. FIRST NEWSPAPER EXPERIENCES IV. NEW YORK V. FIRST TRAVEL ARTICLES VI. THE MEDITERRANEAN AND PARIS page 1 / 485 VII. FIRST PLAYS VIII. CENTRAL AND SOUTH AMERICA IX. MOSCOW, BUDAPEST, LONDON X. CAMPAIGNING IN CUBA, AND GREECE XI. THE SPANISH-AMERICAN WAR XII. THE BOER WAR XIII. THE SPANISH AND ENGLISH CORONATIONS XIV. THE JAPANESE-RUSSIAN WAR XV. MOUNT KISCO XVI. THE CONGO XVII. A LONDON WINTER XVIII. MILITARY MANOEUVRES XIX. VERA CRUZ AND THE GREAT WAR XX. THE LAST DAYS CHAPTER I THE EARLY DAYS Richard Harding Davis was born in Philadelphia on April 18, 1864, but, so far as memory serves me, his life and mine began together several years later in the three-story brick house on South Twenty-first Street, to which we had just moved. For more than forty years this was our home in all that the word implies, and I do not believe that there was ever a moment when it was not the predominating influence in page 2 / 485 Richard's life and in his work. As I learned in later years, the house had come into the possession of my father and mother after a period on their part of hard endeavor and unusual sacrifice. It was their ambition to add to this home not only the comforts and the beautiful inanimate things of life, but to create an atmosphere which would prove a constant help to those who lived under its roof--an inspiration to their children that should endure so long as they lived. -
Introduction
1 Introduction JAN MONTEFIORE Cities and Th rones and Powers Stand in Time’s eye Almost as long as fl owers 1 Which daily die. ipling’s brief elegy for the vanity of human deeds brings together three K themes of this collection of essays: the subjection of his own work and reputation to those processes of time and change of which his poem warns; his relationship to historical institutions of rule and dominance named as ‘Th rones and Powers’; and his many-sided artistry, manifested in this ironic vision of the fall of ancient empires mediated through echoes of Milton and Herrick.2 An account of Kipling ‘in Time’s eye’ necessarily begins with the changes in his reception, here represented in capsule form by the fi rst three essays from G.K. Chesterton (1905), George Orwell (1942) and Randall Jarrell (1961). His reputation has been notoriously changeable since he arrived in London in 1890 as the young genius from India who in one year had had ‘more said about his work, over a wider extent of the world’s surface, than some of the greatest of England’s writers in their whole lives’,3 in 1895 was sounded out as a possible successor to Tennyson as Poet Laureate,4 and whose near-death from pneumonia in 1899 was headline news in three continents. Praise was never undiluted: his ‘vulgarity’ was mocked by Oscar Wilde and attacked by Robert Buchanan and, more devastatingly, Max Beerbohm;5 and as Kipling’s imperialist opinions became more strident after the Boer War he lost the 9780719090172_C01.indd 1 11/10/13 12:02 PM 2 In Time’s eye esteem of British literary intellectuals, whom he in turn despised (his close friends included no fellow writer except Rider Haggard, author of thrillingly mythopoeic imperialist fantasy novels). -
A Most Thankless Job: Augustine Birrell As Irish
A MOST THANKLESS JOB: AUGUSTINE BIRRELL AS IRISH CHIEF SECRETARY, 1907-1916 A Dissertation by KEVIN JOSEPH MCGLONE Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, R. J. Q. Adams Committee Members, David Hudson Adam Seipp Brian Rouleau Peter Hugill Head of Department, David Vaught December 2016 Major Subject: History Copyright 2016 Kevin McGlone ABSTRACT Augustine Birrell was a man who held dear the classical liberal principles of representative democracy, political freedom and civil liberties. During his time as Irish Chief Secretary from 1907-1916, he fostered a friendly working relationship with the leaders of the Irish Party, whom he believed would be the men to lead the country once it was conferred with the responsibility of self-government. Hundreds of years of religious and political strife between Ireland’s Nationalist and Unionist communities meant that Birrell, like his predecessors, took administrative charge of a deeply polarized country. His friendship with Irish Party leader John Redmond quickly alienated him from the Irish Unionist community, which was adamantly opposed to a Dublin parliament under Nationalist control. Augustine Birrell’s legacy has been both tarnished and neglected because of the watershed Easter Rising of 1916, which shifted the focus of the historiography of the period towards militant nationalism at the expense of constitutional politics. Although Birrell’s flaws as Irish Chief Secretary have been well-documented, this paper helps to rehabilitate his image by underscoring the importance of his economic, social and political reforms for a country he grew to love. -
"The Little Stop Before the Words": Bildungsroman and the Building of a Colonial Discourse in Rudyard Kipling's "Kim"
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2001 "The Little Stop Before the Words": Bildungsroman and the Building of a Colonial Discourse in Rudyard Kipling's "Kim" Adam Keith Pfeffer College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Pfeffer, Adam Keith, ""The Little Stop Before the Words": Bildungsroman and the Building of a Colonial Discourse in Rudyard Kipling's "Kim"" (2001). Dissertations, Theses, and Masters Projects. Paper 1539626314. https://dx.doi.org/doi:10.21220/s2-pr3f-jm10 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. “THE LITTLE STOP BEFORE THE WORDS”: BILDUNGSROMAN AND THE BUILDING OF A COLONIAL DISCOURSE IN RUDYARD KIPLING’S KJM A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Adam Keith Pfeffer 2001 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Adam Keith Pfeffer Approved, April 2001 Chris Bongie l/l Walter P. Wenska Christy L. Burns ACKNOWLEDGEMENTS The author is indebted to Professor Chris Bongie for his encouragement, guidance, infinite patience and careful insight in supervising this study; he deserves much credit for any merits of this essay and none for its faults. -
The Edwardian Golden Age and Nostalgic Truth
D. Paul Farr THE EDWARDIAN GOLDEN AGE AND NOSTALGIC TRUTH NosTALGIA Is ONE of the gentler emotions. In sheer power of effect it cannot compete with the terrible pity of King Lear, the ribald laughter of Rabelais, or the primeval passion of Wuthering Heights. Yet it is no less pervasive for all that, for it fixes its subtle hold over individual men and over entire genera tions. Man is given to looking to the past as well as to the future. And when he turns his gaze on the past, more often than not he finds that nostalgia has sweetened the bitter, smoothed away the troubled, made the lovely beautiful and the good better. Then the past appears as a kind of golden age, as a time of peace, security, and bliss. The Greeks looked back past the reign of the Olympian Gods and placed their golden age in the time of Father Saturn; generation after generation of Englishmen have located theirs in Merrie Old England. But for many modems, the period preceding the Great War-the period of Edwardian peace, progress, and prosperity-is regarded with a sweetly aching nostalgia. The Edwardian period has assumed the dimensions of a great and significant golden age.1 This view of the Edwardian period as a golden age did not frequently appear until the latter half of the 1920s. It took time for people to digest and evaluate their experiences. But by the time Siegfried Sassoon published his nostalgic re-creation of the pre-war world in Memoirs of a Fox-Hunting Man (1928), the Edwardian era had already begun to represent those qualities which later ages have remembered and for which they have longed.2 In 1931, Arthur W augh, recalling his life in an Edwardian villa, sighed: "manners have changed and standards with them. -
Press Release Pre-Raphaelites on Paper, Leighton House Museum
PRESS RELEASE Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection An exhibition at Leighton House Museum organised by the National Gallery of Canada, Ottawa 12 Feb 2016 – 29 May 2016 Press Preview 11 Feb 2016 Pre-Raphaelites on Paper: Victorian Drawings from the Lanigan Collection will be the first exhibition opening at Leighton House Museum in 2016, presenting an exceptional, privately- assembled collection to the UK public for the first time. Featuring over 100 drawings and sketches by the Pre- Raphaelites and their contemporaries, the exhibition is organised by the National Gallery of Canada (NGC). It expresses the richness and flair of British draftsmanship during the Victorian era displayed in the unique setting of the opulent home and studio of artist and President of the Royal Academy (PRA) Frederic, Lord Leighton. From preparatory sketches to highly finished drawings intended as works of art in themselves, visitors will discover the diverse ways that Victorian artists used drawing to further their artistic practice, creating, as they did so, images of great beauty and accomplishment. Portraits, landscapes, allegories and scenes from religious and literary works are all represented in the exhibition including studies for some of the most well-known paintings of the era such as Edward Burne- Jones’ The Wheel of Fortune (1883), Holman Hunt’s Eve of St Agnes (1848) and Leighton’s Cymon and Iphigenia (1884). With the exception of Leighton’s painting studio, the permanent collection will be cleared from Leighton House and the drawings hung throughout the historic interiors. This outstanding collection, brought together over a 30-year period by Canadian Dr.