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The Don Lee-Columbia System
THE DON LEE-COLUMBIA SYSTEM: By Mike Adams 111 Sutter Street was not the only network broadcast address during the thirties. The other was 1000 Van Ness Avenue, the Don Lee Cadillac Building, headquarters for KFRC and the Don Lee-Columbia Network. It was there that another radio legend was born. Don Lee was a prominent Los Angeles automobile dealer, who had owned all the Cadillac and LaSalle dealerships in the State of California for over 20 years. After making a substantial fortune in the auto business, he decided to try his hand at broadcasting.1 In 1926, he purchased KFRC in San Francisco from the City of Paris department store. The following year he bought KHJ in Los Angeles and connected the two stations by telephone line to establish the Don Lee Broadcasting System. From the beginning, Lee spared no expense to make these two stations among the finest in the nation, as a 1929 article from Broadcast Weekly attests: Both KHJ and KFRC have large complete staffs of artists, singers and entertainers, with each station having its own Don Lee Symphony Orchestra, dance band and organ, plus all of the musical instruments that can be used successful in broadcasting. It is no idle boast that either KHJ or KFRC could operate continuously without going outside their own staffs for talent, and yet give a variety with an appeal to every type of audience.[2] In 1929, CBS still had no affiliates west of the Rockies, and this was making it difficult for the network to compete with its larger rival, NBC. -
Unit 2 Setting
History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match. -
World Converter Model WC-01 User and Technical Manual
World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray -
Reading Between the Lines
volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France. -
Broadcasting Emay 4 the News Magazine of the Fifth Estate Vol
The prrime time iinsups fort Vail ABC-TV in Los Angeles LWRT in Washington Broadcasting EMay 4 The News Magazine of the Fifth Estate Vol. 100 No. 18 50th Year 1981 m Katz. The best. The First Yea Of Broadcasting 1959 o PAGE 83 COPYRIGHT 0 1981 IA T COMMUNICATIONS CO Afready sok t RELUON PEOPLE... Abilene-Sweetwater . 65,000 Diary we elt Raleigh-Durham 246,000 Albany, Georgia 81,000 Rapid City 39,000 Albany-Schenectady- Reno 30,000 Troy 232,000 Richmond 206,000 Albuquerque 136,000 Roanoke-Lynchberg 236,000 Alexandria, LA 57,000 Detroit 642,000 Laredo 19,000 Rochester, NY 143,000 Alexandria, MN' 25,000 Dothan 62,000 Las Vegas 45,000 Rochester-Mason City- Alpena 11,000 Dubuque 18,000 Laurel-Hattiesburg 6,000 Austin 75,000 Amarillo 81,000 Duluth-Superior 107,000 Lexington 142,000 Rockford 109,000 Anchorage 27,000 El Centro-Yuma 13,000 Lima 21,000 Roswell 30,000 Anniston 27,000 El Paso 78,000 Lincoln-Hastings- Sacramento-Stockton 235,000 Ardmore-Ada 49,000 Elmira 32,000 Kearney 162,000 St. Joseph 30,000 Atlanta 605,000 Erie 71,000 Little Rock 197,000 St. Louis 409,000 Augusta 88,000 Eugene 34,000 Los Angeles 1 306,000 Salinas-Monterey 59,000 Austin, TX 84,000 Eureka 17,000 Louisville 277,000 Salisbury 30,000 Bakersfield 36,000 Evansville 117,000 Lubbock 78,000 Salt Lake City 188,000 Baltimore 299,000 Fargo 129,000 Macon 109,000 San Angelo 22,000 Bangor 68,000 Farmington 5,000 Madison 98,000 San Antonio 199,000 Baton Rouge 138,000 Flagstaff 11,000 Mankato 30,000 San Diego 252,000 Beaumont-Port Arthur 96,000 Flint-Saginaw-Bay City 201,000 Marquette 44,000 San Francisco 542,000 Bend 8,000 Florence, SC 89,000 McAllen-Brownsville Santa Barbara- (LRGV) 54,000 Billings 47,000 Ft. -
Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract .................................................................................................................... -
The History of Television
The History of Television Television was not invented by a single inventor, instead many people working together and alone over the years, contributed to the evolution of television. At the dawn of television history there were two distinct paths of technology experimented with by researchers. Early inventors attempted to either build a mechanical television system based on the technology of Paul Nipkow's rotating disks; or they attempted to build an electronic television system using a cathode ray tube developed independently in 1907 by English inventor A.A. Campbell-Swinton and Russian scientist Boris Rosing. Electronic television systems worked better and eventual replaced mechanical systems. German, Paul Nipkow developed a rotating-disc technology to transmit pictures over wire in 1884 called the Nipkow disk. Paul Nipkow was the first person to discover television's scanning principle, in which the light intensities of small portions of an image are successively analyzed and transmitted. In the 1920's, John Logie Baird patented the idea of using arrays of transparent rods to transmit images for television. Baird's 30 line images were the first demonstrations of television by reflected light rather than back-lit silhouettes. John Logie Baird based his technology on Paul Nipkow's scanning disc idea and later developments in electronics. Charles Jenkins invented a mechanical television system called radiovision and claimed to have transmitted the earliest moving silhouette images on June 14, 1923. Electronic television is based on the development of the cathode ray tube, which is the picture tube found in modern TV sets. German scientist, Karl Braun invented the cathode ray tube oscilloscope (CRT) in 1897. -
The Achievement of Television: the Quality and Features of John
Investigations into the Emergence of British Television 1926-1936 1 Investigations into the Emergence of British Television 1926-1936 November 2017 A Critical Review submitted to Aberystwyth University in partial fulfilment of the degree of Doctor of Philosophy (PhD by Published Work) in the Department of Theatre, Film and Television Studies Donald F McLean Aberystwyth University Investigations into the Emergence of British Television 1926-1936 2 Abstract This Critical Review discusses the significance of the author’s published works and their impact on the history of the emergence of British television between 1926 and 1936. Although events in television within this period have since been well- documented, the related debates have tended to be specialist in scope and restricted to technology-centric or institution-centric viewpoints. Within this period of complex, rapid technological change, the author’s published works introduce the principle of embracing multiple disciplines for comparative analysis. The author’s application of that principle opens up long- established views for further debate and provides a re-assessment of early British television within a broader context. The rewards of this approach are a view of events that not only avoids nationalistic bias and restrictions of a single institutional viewpoint, but also tackles the complex interdependencies of technology, of service provision and of content creation. These published works draw attention to the revolutionary improvements that enabled the BBC’s 1936 service and the re-definition of television, yet also emphasise the significance of the previous television broadcast services. The most important innovation within these works has been the author’s discovery and in-depth study of artefacts from that earlier period. -
Hardware and Software for Mechanical Television System
Hardware and Software for Mechanical Television System This document provides all the required information for being able to build / tweak a mechanical narrow band television similar to the prototype show in this Youtube video: http://www.youtube.com/watch?v=tslWfnsTwPg . Building-up and tweaking this kind of mechanical and electronic hardware requires some experience and a lot of patience. Electromechanical parts (speed response vs torque of the available motor , disc inertia and size) have an impact on the global system behavior, so that the prototype will not be “plug-and-play”. A lot of adjustment means have been implemented in the schematics to face this kind of issues. However, it remains possible that you will have to modify some values/components to match with your mechanical configuration, especially in the motor synchronization system (as in all other kinds of mechanical TV designs). If experienced in homebrew design but not familiar at all with NBTV and/or mechanical television, first have a look to this well documented website: http://www.earlytelevision.org/dupouy.html The design proposed in this document is modular so that it is possible to chose some parts from it, if not all of them, according to one's preferences: * Video synchronization extractor + Y / green extractor * Motor driving system disc synchronization with video * Vsync triggered stroboscope for an easy adjustment of vertical synchronization by the user. * Low loss LED anode voltage regulator (avoids thermal dissipation issues and reduces power consumption), made with very common components. * SECAM-like color decoder + audio separator, if willing to build a color TV (includes a PIC1F819). -
The History of CBS Hollywood Television Studios
1 The History of CBS Hollywood Television Studios By Bobby Ellerbee and Eyes Of A Generation.com Preface and Acknowledgement This is a unique look at the events that preceded the need for CBS television studios in Hollywood and, as in New York, the radio division is leading the way. This project is somewhat different than the prior reports on the New York studios of CBS and NBC, for two reasons. The first reason is that in that in those reports, television was brand new and being developed through the mechanical function to an electronic phenomenon. Most of that work occurred in and around their headquarters in New York. In this case, both CBS and NBC are at the mercy of geological and technological developments outside their own abilities…namely the Rocky Mountains and AT&T. The second reason has to do with the success of the network’s own stars. Their popularity on radio soon translated to public demand once “talking pictures” became possible. That led many New York based radio stars to Hollywood and, in a way, Mohammed had to come to the mountain. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me as this is an ongoing project. -
CHRS Journal
The California Historical Radio Society (CHRS), is a non-profit educational corporation chartered in the State of California. Formed in 1974, CHRS promotes the restoration and preservation of early radio and broadcasting. Our goal is to enable the exchange of information on the history of radio, particularly in the West, with emphasis on collecting, preserving, and displaying early equipment, literature, and programs. Yearly membership is $30 ($40 non-USA). CHRS Museum in Alameda CHRS has been fortunate to through the generosity of its donors to purchase a home for the CHRS museum and education center. It is located at 2152 Central Avenue. The building was built in 1900 as a telephone exchange. CHRS volunteers are actively restoring the building to make it optimal for use. Our goal is to create an environment to share our knowledge and love of radio and enable us to create an appreciation and understanding for a new generation of antique radio collectors and historians. ◊ Contact us: CHRS Central Valley Chapter (CVC) CHRS, PO Box 31659, San Francisco, CA 94131 or [email protected] Richard Lane – Chairman Visit us at: www.CaliforniaHistoricalRadio.com Staff Walt Hayden – Radio Central Planning Consultant Officers & Directors Larry Drees – Manager, Landscaping Operations Mike Adams – Chairman, Webmaster Butch McDonald – Asst. Manager, Landscaping Ops. Steve Kushman – President, Radio Central Project Bart Lee – Counsel Emeritus, Hist., Archivist Manager Len Shapiro – BARM Executive Director Scott Robinson – Vice President, Technical Ops. Tom Bonomo – Investments, Name Badges Jamie Arbona – Secretary, Mailing John Stuart – Systems Consultant, Networks, Richard Watts – Treasurer, Membership, and CAD Drawings Publications, Collections Dave Billeci – Video Production Philip Monego – Director at Large Paul Shinn – Amateur Radio Operations Dennis Monticelli – Education David Vasquez – Electrical Transcription Project W6CF Trustee, John Staples, W6BM Larry Clark – Technical Advisor & Librarian © California Historical Radio Society, 2018. -
Kent1175518380.Pdf (1.54
COYLE, JAMES E., JR., Ph.D., May 2007 EDUCATIONAL PSYCHOLOGY WIKIS IN THE COLLEGE CLASSROOM: A COMPARATIVE STUDY OF ONLINE AND FACE-TO-FACE GROUP COLLABORATION AT A PRIVATE LIBERAL ARTS UNIVERSITY (260 pp.) Co-Directors of Dissertation: Drew Tiene, Ph.D. Albert L. Ingram, Ph.D. Wikis are Web-based online software programs that allow any user to add, edit, or delete content on a Wiki web page. Because of their relative simplicity and their interactive nature, Wikis are potentially effective tools for online collaborative group work, a type of activity frequently used in online distance education. This study examined online Wiki collaboration compared to more conventional face-to-face group collaboration in higher education. The study participants were juniors and seniors taking a senior-level broadcast communications course. They were divided into two groups, and each group collaborated on writing reports using both conventional face-to-face collaboration methods and collaboration using the Wiki function in Moodle course management software. Following completion of the reports, professional subject matter experts rated the quality of the reports according to specified content and format criteria. The study’s research questions addressed (1) benefits and obstacles experienced in face-to-face collaboration; (2) benefits and obstacles experienced in Wiki-based group collaboration; (3) whether there was a difference between Wiki group collaboration and face-to-face group collaboration in terms of the quality of the final product; and (4) whether there was a difference in students’ experiences of learning and sense of community after Wiki-based collaboration and face-to-face collaboration assignments.