Kent1175518380.Pdf (1.54

Total Page:16

File Type:pdf, Size:1020Kb

Kent1175518380.Pdf (1.54 COYLE, JAMES E., JR., Ph.D., May 2007 EDUCATIONAL PSYCHOLOGY WIKIS IN THE COLLEGE CLASSROOM: A COMPARATIVE STUDY OF ONLINE AND FACE-TO-FACE GROUP COLLABORATION AT A PRIVATE LIBERAL ARTS UNIVERSITY (260 pp.) Co-Directors of Dissertation: Drew Tiene, Ph.D. Albert L. Ingram, Ph.D. Wikis are Web-based online software programs that allow any user to add, edit, or delete content on a Wiki web page. Because of their relative simplicity and their interactive nature, Wikis are potentially effective tools for online collaborative group work, a type of activity frequently used in online distance education. This study examined online Wiki collaboration compared to more conventional face-to-face group collaboration in higher education. The study participants were juniors and seniors taking a senior-level broadcast communications course. They were divided into two groups, and each group collaborated on writing reports using both conventional face-to-face collaboration methods and collaboration using the Wiki function in Moodle course management software. Following completion of the reports, professional subject matter experts rated the quality of the reports according to specified content and format criteria. The study’s research questions addressed (1) benefits and obstacles experienced in face-to-face collaboration; (2) benefits and obstacles experienced in Wiki-based group collaboration; (3) whether there was a difference between Wiki group collaboration and face-to-face group collaboration in terms of the quality of the final product; and (4) whether there was a difference in students’ experiences of learning and sense of community after Wiki-based collaboration and face-to-face collaboration assignments. Results indicated there was no difference in the quality of reports related to the method of collaboration, suggesting that Wikis are an effective collaboration method; face-to-face collaboration is more efficient in terms of communication among group members and is sometimes preferred because it is familiar; Wiki collaboration allowed students to work at their own pace and to easily see the work of other group members; students adapted Wiki capabilities to their previous methods of group work; and there was not a significant difference in students’ experiences of learning and community between the two methods. Even though the Wiki software provided the capability, participants did not edit one another’s Wiki work unless they had volunteered and were designated by the group to be an editor. Unless they were an editor, individual participants did not feel it was appropriate to change their peers’ work. WIKIS IN THE COLLEGE CLASSROOM: A COMPARATIVE STUDY OF ONLINE AND FACE-TO-FACE GROUP COLLABORATION AT A PRIVATE LIBERAL ARTS UNIVERSITY A dissertation submitted to the Kent State University College and Graduate School of Education, Health, and Human Services in partial fulfillment of the requirements for the degree of Doctor of Philosophy by James E. Coyle, Jr. May, 2007 © Copyright by James E. Coyle, Jr. 2007 All Rights Reserved ii A dissertation written by James E. Coyle, Jr. B.A., University of Michigan, 1968 M.A., University of Michigan, 1970 Ph.D., Kent State University, 2007 Approved by __________________________________, Co-director, Doctoral Dissertation Committee Drew Tiene __________________________________, Co-director, Doctoral Dissertation Committee Albert Ingram __________________________________, Member, Doctoral Dissertation Committee Pamela Luft Accepted by __________________________________, Chairperson, Department of Educational Awilda Hamilton Foundations and Special Services __________________________________, Dean, College and Graduate School of David A. England Education, Health, and Human Services iii ACKNOWLEDGMENTS I am indebted to the many people who have been part of this journey, from Hal and Paul, who almost 20 years ago showed me that good friendships could be built through computer networks, to my oldest son Dave who asked me today if I was finished yet. My thanks to the Education faculty at Kent State University for the knowledge and perspective each of them brought to my classes, and special thanks to Drew Tiene and the other members of my dissertation committee for their insightful questions and suggestions. I am grateful to my faculty colleagues and administrators at Franciscan University of Steubenville for their prayers, support, flexibility and understanding when tasks and time seemed overwhelming. Elsie Luke, my first Chair at Franciscan University, encouraged and supported me with more prayers than I’ll ever know. Support, direction and friendship were provided at critical times by Tom Boomershine and Amelia Cooper as they opened their home and their hearts to me. My friends Gillian and Pam have been constant sources of encouragement, as have been many others. I thank each and every one of you. Without God, my family, and my friends, this work would not have been completed. I especially thank my wife Pat for her unwavering love, support, and patience throughout our life together. Each of our four children has been a different and important part of this process, and with our two grandchildren give us hope for the future. iv TABLE OF CONTENTS Page ACKNOWLEDGMENTS ..............................................................................................iv LIST OF FIGURES........................................................................................................ix LIST OF TABLES ..........................................................................................................x CHAPTER I. INTRODUCTION .....................................................................................................1 Collaborative Learning...........................................................................................2 Web 2.0 .................................................................................................................3 Web 2.0 in Education.............................................................................................4 Wikis: Online Collaboration Tools.........................................................................6 Statement of the Problem .......................................................................................8 Research Questions................................................................................................9 Significance of the Study .......................................................................................9 Definition of Terms..............................................................................................10 II. REVIEW OF THE LITERATURE ..........................................................................13 Introduction .........................................................................................................13 Communication Cultures......................................................................................14 The New Learners................................................................................................16 Education and Technology...................................................................................21 v Hypermedia .........................................................................................................21 The Internet and World Wide Web.......................................................................24 Web 2.0 ...............................................................................................................27 Community and Learning.....................................................................................32 Collaboration and the Construction of Meaningful Knowledge.............................35 Collaborative and Cooperative Learning ..............................................................36 The Five Stages of Group Development ...............................................................45 Cooperative Learning: Students, Teaching, and Assessment.................................47 Constructivism and Group Collaboration Through Technology............................52 Electronic Collaboration.......................................................................................55 Wikis: Online Group Collaboration Tools ............................................................59 Wikis in Education...............................................................................................65 Challenges in Using Wikis in Education...............................................................69 Summary and Conclusion.....................................................................................73 III. RESEARCH METHODOLOGY.............................................................................75 Introduction .........................................................................................................75 Population............................................................................................................75 Wiki Software Used in the Study..........................................................................76 Study Procedure...................................................................................................77 Quality of Assignments........................................................................................86 Learning and Community.....................................................................................87 Data Analysis.......................................................................................................87
Recommended publications
  • Media Democracy Movement Comm 130F San Jose State U Dr
    Case Study: Media Democracy Movement Comm 130F San Jose State U Dr. T.M. Coopman Okay for non-commercial use with attribution This Case Study This case study is a brief overview of a specific social movement and is designed to familiarize students with major large scale social movements. Media Democracy The Media Democracy Movement is not quite as significant as other movements we have examined, but it is important because it has grown along side and as a part of movements. Movements always create or try to influence or utilize the media. Media Democracy recognizes the pivotal role of media in the political process and recognizes that a commercial or state run media system will always side with incumbent power. Media democracy has two broad areas of focus (1) to reform and regulate existing media and (2) create viable alternative media. Media Democracy An central tenant of Media Democracy American mainstream media has an is corporate ownership and commercial investment in the status quo and tends demands influence media content, to vilify, mock, or ignore people and limiting the range of news, opinions, and organizations that fall outside its entertainment. definitions of what is legitimate. Jim Kuyper’s argues that most media The media is comprised of individuals operates with a narrow “liberal” and organizations that are self- comfort zone that cuts out discourse interested - the primary goal is most on the left and right. often profit - not fostering democracy. It is also notorious blind to this self- Advocates agitate for a more equal interest. distribution of economic, social, cultural, and information capital.
    [Show full text]
  • Bono, the Culture Wars, and a Profane Decision: the FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity
    Bono, the Culture Wars, and a Profane Decision: The FCC's Reversal of Course on Indecency Determinations and Its New Path on Profanity Clay Calvert* INTRODUCTION The United States Supreme Court has rendered numerous high- profile opinions in the past thirty-five years regarding variations of the word "fuck." Paul Robert Cohen's anti-draft jacket,' Gregory Hess's threatening promise, 23George Carlin's satirical monologue,3 and Barbara Susan Papish's newspaper headline 4 quickly come to mind. 5 These now-aging opinions address important First Amendment issues of free speech, such as protection of political dissent,6 that continue to carry importance today. It is, however, a March 2004 ruling * Associate Professor of Communications & Law and Co-director of the Pennsylvania Center for the First Amendment at The Pennsylvania State University. B.A., 1987, Communication, Stanford University; J.D. with Great Distinction and Order of the Coif, 1991, McGeorge School of Law, University of the Pacific; Ph.D., 1996, Communication, Stanford University. Member, State Bar of California. 1. Cohen v. California, 403 U.S. 15 (1971) (protecting, as freedom of expression, the right to wear ajacket emblazoned with the words "Fuck the Draft" in a Los Angeles courthouse corridor). 2. Hess v. Indiana, 414 U.S. 105, 105 (1973) (protecting, as freedom of expression, defendant's statement, "We'll take the fucking street later (or again)," made during an anti-war demonstration on a university campus). 3. FCC v. Pacifica Found., 438 U.S. 726 (1978) (upholding the Federal Communications Commission's power to regulate indecent radio broadcasts and involving the radio play of several offensive words, including, but not limited to, "fuck" and "motherfucker").
    [Show full text]
  • Unit 2 Setting
    History of Television Broadcasting Unit 2 Unit-2: HISTORY OF TELEVISION BROAD- CASTING UNIT STRUCTURE 2.1 Learning Objectives 2.2 Introduction 2.3 Origin and Development of Television 2.4 Transmission of Television System 2.5 Broadcasting 2.6 Colour Television 2.7 Cable Television 2.8 Television News 2.9 Digital Television 2.10 High Definition Television 2.11 Let Us Sum Up 2.12 Further Reading 2.13 Answers to Check Your Progress 2.14 Model Questions 2.1 LEARNING OBJECTIVES After going through this unit, you will be able to - describe the evolution of television discuss the discoveries made by the pioneer of television inventors analyse the television technology development list the recent trend of Digital Television 2.2 INTRODUCTION In the previous unit we were introduced to the television medium, its features and its impact and reach. The unit also provides the distinctions between television and the audio medium. In this unit we shall discuss Electronic Media-Television 23 Unit 2 History of Television Broadcasting about the overview ofthe history of television, inventions, early technological development and the new trends in the television industry around the globe. 2.3 ORIGIN AND DEVELOPMENT OF TELEVISION Television has become one of the important parts of our everyday life. It is a general known fact that television is not only providing the news and information but it is also entertaining us with its variety of programme series and shows. A majority of home-makers cannot think about spending theirafternoon leisure time withoutthe dose of daily soap opera; a concerned citizen cannot think of skipping the prime time in news channel or a sports lover in India cannot miss a live cricket match.
    [Show full text]
  • World Converter Model WC-01 User and Technical Manual
    World Converter Model WC-01 User and Technical Manual Copyright 2008-10 Aurora Design LLC. Revision 1.8 1 January, 2010 All specifications subject to change www.tech-retro.com Introduction Introduction This manual covers the operation and technical aspects of the Aurora Design World Converter. This Converter is designed to accept any standard color NTSC, PAL or SECAM video signal and convert to one of many different output standards, both electronic and mechanical. Features • Compact, low power, surface mount design • Front panel 20 character / 2 line high contrast LCD and rotary encoders • Agile built-in RF Modulator: - Programmable between 28.5-880MHz - Supports positive/negative video and AM/FM audio modulation schemes - Preprogrammed with 31 RF Systems and over 800 channels - Custom User configurable RF System with up to 32 unique channels • Converter bypass mode for use as stand alone RF Modulator • Extremely stable output: +/- 3% levels, +/- 50ppm timing • Extremely accurate algorithms used for conversions: - Three line interpolation on all electronic standards - All internal calculations done to a minimum 14 bit precision • 10 bit professional grade video decoder • 2 high speed 12 bit video D/A’s for greater than 66dB dynamic range • 3 medium speed 12 bit video D/A’s for mechanical RGB output • 4 low speed 12 bit D/A’s for system control • 256Mb or 512Mb FLASH Image Memory for storing of custom images • 128Mb SDRAM holds eight 10 bit images with 63 mega-pixel/sec performance • 500K gate equivalent, 300Kb RAM FieldProgrammableGateArray
    [Show full text]
  • Reading Between the Lines
    volume 01 issue 02/2012 READING BETWEEN THE LINES A TRANSNATIONAL HISTORY OF THE FRANCO-BRITISH ‘ENTENTE CORDIALE’ IN POST-WAR TELEVISION1 Andreas Fickers Maastricht University Grote Gracht 90-92 Postbox 616 6200 MD Maastricht The Netherlands [email protected] Andy O’Dwyer BBC Research Centre House 56 Wood Lane W12 7SB London United Kingdom [email protected] Abstract: In 1950 and 1952, the British Broadcast Corporation (BBC) and Radio Télévision Française (RTF) realized the first transnational television transmissions ever. The so called ‘Calais Experiment’ (1950) and the ‘Paris Week’ (1952) were celebrated as historic landmarks in European television and celebrated as a new ‘entente cordiale’ between the two countries. This article aims at highlighting some of the tensions that surrounded the realization of these first experiments in transnational television by embedding the historic events into the broader context of television development in Europe and by emphasizing the hidden techno- political interests at stake. In line with current trends in transnational and European television historiography, the article analyses transnational media events as performances that highlight the complex interplay of the technical, institutional and symbolic dimension of television as a transnational infrastructure. Keywords: Transnational history, BBC, RTF, Eurovision, experimental television 1 Introduction What is generally praised as the first instance of transnational television and an historic landmark in European television history, the Franco-British ‘Calais experiment’ of August 1950 and the ‘Paris week’ of July 1952, is in fact a perfect showcase to demonstrate both the ambitions and the challenges of institutionalising the new medium of television as a “champion national” both in Britain and in France.
    [Show full text]
  • A Critical Ideological Analysis of Mass Mediated Language
    Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2006 Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language Michael Alan Glassco Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Mass Communication Commons Recommended Citation Glassco, Michael Alan, "Democracy, Hegemony, and Consent: A Critical Ideological Analysis of Mass Mediated Language" (2006). Master's Theses. 4187. https://scholarworks.wmich.edu/masters_theses/4187 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. DEMOCRACY, HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIA TED LANGUAGE by Michael Alan Glassco A Thesis Submitted to the Faculty of the Graduate College in partial fulfillment'of the requirements for the Degreeof Master of Arts School of Communication WesternMichigan University Kalamazoo, Michigan August 2006 © 2006 Michael Alan Glassco· DEMOCRACY,HEGEMONY, AND CONSENT: A CRITICAL IDEOLOGICAL ANALYSIS OF MASS MEDIATED LANGUAGE Michael Alan Glassco, M.A. WesternMichigan University, 2006 Accepting and incorporating mediated political discourse into our everyday lives without conscious attention to the language used perpetuates the underlying ideological assumptions of power guiding such discourse. The consequences of such overreaching power are manifestin the public sphere as a hegemonic system in which freemarket capitalism is portrayed as democratic and necessaryto serve the needs of the public. This thesis focusesspecifically on two versions of the Society of ProfessionalJournalist Codes of Ethics 1987 and 1996, thought to influencethe output of news organizations.
    [Show full text]
  • XM Launches Original Comedy Interview Show 'Unmasked'
    NEWS RELEASE XM Launches Original Comedy Interview Show 'Unmasked' 9/12/2007 NEW SERIES KICKS OFF SEPTEMBER 22 WITH COMEDIC ICON GEORGE CARLIN WASHINGTON, Sept. 12 /PRNewswire-FirstCall/ -- XM, the nation's leading satellite radio service with more than 8.2 million subscribers, today announced the launch of "Unmasked," a new, original comedy series that will feature one-on-one interviews with some of the most talked about names in comedy. Comedic legend George Carlin will be the inaugural guest when "Unmasked" premieres exclusively on XM Saturday, September 22 at 8 p.m. ET. "Whenever I do an in-depth interview like this, I'm surprised that I learn things about myself and my work I hadn't realized before. It always opens my eyes," said George Carlin. Recorded before a live studio audience, "Unmasked" offers up candid, one- on-one interviews with both established and emerging comedic talent for an uncensored look into their creative process and the lives that shape their comedy. In addition to being the series premiere, the "Unmasked: George Carlin" episode will also be featured in the upcoming George Carlin career retrospective DVD box set, George Carlin: All My Stuff, which will be released September 25. The 14-disc collection includes Carlin's full "Unmasked" interview, filmed live in the Performance Theater at XM's Washington, D.C. studios. "We at XM are thrilled that George Carlin, celebrating his 50th year in comedy, will be the first guest as we launch this new thought-provoking show that offers an inside look into some of today's most compelling comedic minds," said Eric Logan, executive vice president, programming for XM.
    [Show full text]
  • Happy Endings: the Tales of a Meaty-Breasted Zilch Free
    FREE HAPPY ENDINGS: THE TALES OF A MEATY- BREASTED ZILCH PDF Jim Norton,Colin Quinn | 269 pages | 10 Jun 2008 | Simon Spotlight Entertainment | 9781416961055 | English | New York, NY, United States Editions of Happy Endings: The Tales of a Meaty-Breasted Zilch by Jim Norton Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. Time spent with family became something to look forward to and feel grateful for, as opposed to years ago when it felt like an irritating obligation. Is it because the older I get the more human my parents become? When their hair began turning gray, did I suddenly value their company more because I finally and tangibly understood that they're growing older and are someday going to die? Or maybe I just relate to them a bit more on an eye-to-eye level now that I'm older. And things that used to mean so much have kind of lost their value a bit. Watching sports is still enjoyable but the importance of my team winning and the agony of them losing have both softened into feelings almost indistinguishable from each other. It's a saddening realization that this softening is only a pit stop on the road to indifference. It's amazing that it took until this day, in my thirty-seventh year God, that sounds so old to have what I will consider from here on to be the greatest moment in my life.
    [Show full text]
  • The Controversy Manual
    Controversy Manual Controversy Climate change, psychiatric drugs, genetically modified organisms, nuclear power, fluoridation, stem cell research — these are just a few of the hundreds of issues involving science and technology that are Controversy Manual vigorously debated. If you care about an issue, how can you be more effective in arguing for your viewpoint Brian Martin and campaigning in support of it? The Controversy Manual offers practical advice for campaigners as well as plenty of information for people who want to better understand what’s happening and to be able to discuss the issues with friends. The Controversy Manual provides information for understanding controversies, arguing against opponents, getting your message out, and defending Brian Martin against attack. Whether experts are on your side or mostly on the side of opponents, you’ll find advice for being more effective. While not taking sides on individual controversies, the emphasis is on fostering fair and open debate and opposing those who use power and manipulation to get their way. The author Brian Martin is professor of social sciences at the University of Wollongong, Australia. He has been involved in and studied scientific and technological controversies since the 1970s, and is the author of numerous publications addressing controversy dynamics. IRENE PUBLISHING ISBN 978-1-291-67241-1 90000 9 781291 672411 Ω Irene Publishing The controversy manual Brian Martin Published 2014 by Irene Publishing Sparsnäs, Sweden http://www.irenepublishing.com/ [email protected] ISBN 978–1–291–67241–1 CONTENTS BRIEF VERSION 1. Introduction 15 2. Understanding controversies 21 3. Arguing 153 4. Communicating 261 5.
    [Show full text]
  • Sounding the Last Mile: Music and Capital Punishment in the United States Since 1976
    SOUNDING THE LAST MILE: MUSIC AND CAPITAL PUNISHMENT IN THE UNITED STATES SINCE 1976 BY MICHAEL SILETTI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Professor Jeffrey Magee, Chair and Director of Research Professor Gayle Magee Professor Donna A. Buchanan Associate Professor Christina Bashford ABSTRACT Since the United States Supreme Court reaffirmed the legality of the death penalty in 1976, capital punishment has drastically waxed and waned in both implementation and popularity throughout much of the country. While studying opinion polls, quantitative data, and legislation can help make sense of this phenomenon, careful attention to the death penalty’s embeddedness in cultural, creative, and expressive discourses is needed to more fully understand its unique position in American history and social life. The first known scholarly study to do so, this dissertation examines how music and sound have responded to and helped shape shifting public attitudes toward capital punishment during this time. From a public square in Chicago to a prison in Georgia, many people have used their ears to understand, administer, and debate both actual and fictitious scenarios pertaining to the use of capital punishment in the United States. Across historical case studies, detailed analyses of depictions of the death penalty in popular music and in film, and acoustemological research centered on recordings of actual executions, this dissertation has two principal objectives. First, it aims to uncover what music and sound can teach us about the past, present, and future of the death penalty.
    [Show full text]
  • Wicked: the Life and Times of the Wicked Witch of the West Aware She Was in Town
    Eckhart Cover.indd 1 3/5/07 3:43:31 PM Process CyanProcess MagentaProcess YellowProcess Black W icked Judith Regan revolutionized the book industry—but that was before she signed O.J. and descended into Los Angeles When everything began to go haywire over at publisher Ju- dith Regan’s company in November, six months after she’d moved her imprint to Los Angeles from New York, her book catalog lay tucked away in offi ces, on desk p iles and in trash bins. On its cover was a black-and-white still from an obscure 1930 fi lm called Madam Satan. It featured a woman in a glit- tering mask and a velvet gown lounging on a couch, a lit ciga- rette in her left hand. On the catalog’s third and fourth pages was an aerial midnight view of Los Angeles. Madam Satan, it followed, was touching down. ¶ It was an image that Regan had been propagating for years in Manhattan. The femme fa- tale of the publishing world, she had been turning heads—not to mention stomachs—since starting at Simon & Schuster in 1987. Books by Rush Limbaugh and Howard Stern were early hits. They made Regan famous for injecting a tabloid sensibility into the staid and insular publishing industry. In 1994, Rupert Murdoch gave Regan a multimedia deal that She also became known for her abrasive and provocative included her own imprint, opportunities to develop fi lm and personality. “One of the 50 most loathsome New Yorkers,” TV projects, and her own television talk show. She contin- pronounced the New York Press.
    [Show full text]
  • Inventing Television: Transnational Networks of Co-Operation and Rivalry, 1870-1936
    Inventing Television: Transnational Networks of Co-operation and Rivalry, 1870-1936 A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy In the faculty of Life Sciences 2011 Paul Marshall Table of contents List of figures .............................................................................................................. 7 Chapter 2 .............................................................................................................. 7 Chapter 3 .............................................................................................................. 7 Chapter 4 .............................................................................................................. 8 Chapter 5 .............................................................................................................. 8 Chapter 6 .............................................................................................................. 9 List of tables ................................................................................................................ 9 Chapter 1 .............................................................................................................. 9 Chapter 2 .............................................................................................................. 9 Chapter 6 .............................................................................................................. 9 Abstract ....................................................................................................................
    [Show full text]