DOCSLIB.ORG

May 2016 POPULACE MEETING

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
May 2016 POPULACE MEETING Greywinds – As we move into spring weather, we rejoice for the warmth and bloom that com- bats with the dismal rain that has threatened to drown our spirits for countless months. We come alive again as we eagerly embrace the sun. Just as we come alive, I hope to bring our newsletter alive with the different blooms of our incipient shire. From our ever-ready fighters to the nimble handed sewers, from the artistic touches to the rough and newly fashioned. We are ALIVE, my fellow shire mates. My endeavor with this newsletter is to show it, and I hope I do our shire honor in with each month. There is so much uniqueness in our merry group that begs to be touched on. There are so many stories within our folds that yearn to be shared. Just like our veter- ans with their amusing tales, I want to bring Graywood’s story to life to share with fu- ture generations. We have already seen a growth. The new faces are a delight, because they bring a story untold and will add to our own ever-growing ballad. This is our beginning Spring, Graywood. We have only begun to spread our limbs. I’m eager, as I’m sure all of you are, to see how we will grow over time. What new tales will be embarked on? Whose new persona have we helped to build or bud? Pun definitely intended. What new song will be formed from that story and added to our growing plethora of ballads? Our future is unwritten, yes, but we will have quite the time in writing it. It will be my utmost delight to share it. I hope I do all of you proud in doing so. Vivat, Graywood! Sincerely, Iona Nic Oitir (Heather Miller) Chronicler of Graywind & the Incipient Shire of Graywood Copyright © 2016 Society for Creative Anachronism, Inc. Except where otherwise stated, all articles in this publication may be reprinted without special permission in newsletters and other publications of branches of the SCA, Inc., subject to the following conditions: a) The text must be printed in its entirety, without additions or changes. B) The auThor’s name and an original puBlicaTion crediT musT Be prinTed wiTh The text. C) You must send a letter to the editor of this newsletter, stating which articles you have used and in which publication the material has been reprinted. Credits: cover art by kilian macraith Pictures by Charles Miller, iona nic oitir, rose of graywood articles: kilian macraith—”hisTory of prinTing” kilian macraith— Scotsman joke iona nic oitir—Beware gulfnado, Beginner’s guide on whaT To wear, r ecipe corner, addressing The courT: who’s who and how To recognize Them kilian macraith — Pun-ishment ito wulfguard—Poem kilian macraith—Cycles iona nic oitir—red flowers Printing press clip art: etc.usf.edu Leine Picture: Pinterest.com Medieval Maiden Picture: ETC.usf.edu This is a publication of the Shire of Graywood of the Society for Creative Anach- ronism, Inc. This publication is available from the publisher at iona nic oitir,1414 sue drive, Lufkin, tx 75901. It is not a corporate publication of the Society for Creative anachronism, inc., and does not delineate S.C.A. policies. Volume III, Issue II May 7th, 2016 Graywinds Official Newsletter of the Shire of Graywood Beware the gulf - n a d o ! By Iona Nic Oitir see everything the first time,” storm, and I loved it. It felt very C A L E N D A R O F E V E N T S proclaimed Lady Emma. “We viking,” Kilian said. There was Spring is often a celebration of had to keep going back to see some light rainfall, but not May 1st, 2016 - warmer weather, blooming trees, Fighter Practice more of Merchant’s Row.” enough to stop the heat of bat- and for the SCA, it’s a time for in Nacogdoches At night, bonfires tle. Thursday’s morning came in (Pecan Park) the Gulf Wars! Come March overcast with more light show- 12th, many were packed and on May 5th, 2016 - ers, threatening to bring more. Populace Meeting their way to Lumberton, Missis- “It honestly didn’t look that in Huntington sippi to take part in the week bad,” conjectured Kilian of the May 6-8, 2016 long events. From heavy storm. “The micro-burst didn’t Loch Star-Gate fighting to archery, jousting to hit til late that night.” The rain Co-Baronial fencing, the competitions were in Livingston finally came in fierce and in fierce. “There was fighting to be droves, but didn’t seem harmful. May 12th, 2016 - had from practically the mo- Sewing Night/Do Gulf Wars XXV experienced a torna- do cell on Thursday, March 17th, “We were sitting at Anything Night in ment the gates opened. Every which did massive damage. Armand’s and Phyllis’ tent, and Huntington day, a household, kingdom, she had just lit incense,” recalls order, or organization was hold- May 15th, 2016 - Lady Emma. The cell struck Fighter Practice in ing a tournament or melee would be lit so music and sto- with a fierce burst of wind that Huntington somewhere on site,” said Kilian ries could be shared over the had tents around them snapping May 19th, 2016 - MacRaith, who drove in with flames. “We attended the loose of their tethers, breaking Bardic Circle in wife Ronja on Saturday. “We Huntington Heather Dale concert at the their metal poles, and rolling got a hotel and was on site early Green Dragon tavern,” Kilian across the field. “Thom instant- June 2nd, 2016 - Sunday morning.” Populace Meeting said of the festivities. “We had ly covered me,” said Lady Em- in Huntington “We went Tuesday thought to attend several of the ma of her husband Lord Walter night once we got off work, but classes on offer, but every time Thomas Longstride. “I remem- didn’t get to attend until the we’d leave camp, we’d stop by ber fire coming at me from the next day” Lady Emma Long- merchant row.” incense and wanted to yell at stride answered. The weather remained Thom to get off, because I thought I was on fire.” As soon For those whose in- humid for most of the week, as the first shock wore off, eve- Have an article, a picture, terests were less bloody, there causing many of the fighters a story, or an idea you’d was the merchant row, multiple ryone sprang into action. “I was like to see published? grief as they struggled with really proud of everyone in the Contact us at graywind- classes, and enjoying company thick armor. “On Wednesday, a [email protected] MacRaith compound,” said at the camps. “We didn’t get to cold front rolled in ahead of the Kilian. (Continued on Page 7) P a g e 5 G r a y w i n d s Beginner’s guide on What to wear by iona nic oitir The first step into plain outfit well, and give and desire to wear your the SCAdian’s life is one of the individual a style fitting weapons on your belt, it’s awe. Garments made of soft for their first SCA event. wise to learn your King- cloth with trimmed silver Should you care to embel- dom’s customs about wea- and gold seem to draw the lish with a sash, belt, or a ponry. Until then, it’s better eye of those new and well- baldric (a belt that’s worn not to wear any weapons seasoned. But what most across the chest), then take upon you, especially swords people forget is that there is care with your colors. and axes. a first step when it comes to White baldrics are When it comes to dressing for your first SCA worn by Master at Arms, blades, there’s a certain eti- Pictured above is a simple long- event. white belts by knights. Red quette set. Most people sleeved leine that can be used When it comes to belts are for squires, yellow wear a cord around the by either gender. The leine is a rectangular form with down- your first event, the key is belts are for pelicans, and sheathed weapon in order to ward vees sewn into the sides. simplicity. No one expects green belts by laurels. keep it sheathed, also your ensemble to have the Jewelry can also known as peace tying. finest embellishments, or for lead to misunderstandings. Should you ever unsheathe Q:"Why do castles have wa- your armor to shine. A peas- Circlets are often used by your blade, it’s customary to ter-filled moats? ant style blouse and skirt nobility, especially those call out “Clear” to alert peo- will do fine for a woman, adorned with jewels or or- ple around you that you’re A: “Have you ever seen a along with a cloth of sorts to nate. If a circlet is desired, brandishing a dangerous cover the head and conceal keep it under 1/4 of an inch. weapon. However, for sake Mongol take a bath?" modern hairstyles. Should a necklace be de- of safety, it’s best that you ————————————————— For men, cloth sired, the opposite usually not remove the blade trousers with a peasant style stands true. Plain chain around others, if it can be How many Norsemen does it shirt or a T-style tunic will necklaces with no emblems helped. take to set fire to a lantern? do. If this isn’t available, a or pendants are worn by For more infor- cloak can be used to hide certain groups.
Load more

Recommended publications
  • May-2019-Lonely-Tower-Banner
    The Banner May 2019, A.S. LIV, Volume 29, Issue 5 THE BANNER 1 Welcome to the Barony of the Lonely Tower! Greetings and warmest wishes to all who have wandered into these lands of the Barony of the Lonely Tower. The Barony of the Lonely Tower is the local SCA group for the Omaha/Council Bluffs metro and surrounding area and part of the Kingdom of Calontir, which covers most of Nebraska, Iowa, Kansas, Missouri and a small portion of Arkansas. If you are unfamiliar with the Society of Creative Anachronism (SCA), you can find out more information by visiting the Society's introduction page. We would also encourage you to visit the SCA’s Newcomer’s Portal. The best way to get involved with us is to attend as many local meetings and events as your mundane (modern) life allows - however, we understand life comes first and this is just a hobby. You may participate with us as much or as little as you like. When you attend activities, be sure to introduce yourself and let us know what your interests are. Don’t be afraid to ask lots of questions as our Barony is filled with members who would love to answer them for you. To find out more about our events and activities, be sure to check out our website as well as the calendar at the back of this newsletter. For more information or to ask specific questions, feel free to contact one of our officers listed on the last page. Welcome to the Current Middle Ages - We’re excited to have you! Be sure to visit the Society for Creative Anachronism’s Pinterest page.
    [Show full text]
  • SCA Circlet of Lordship, Sterling Silver with Amber and Sapphires
    Artisan’s Name: Lord Snorri skyti Bjarnarson, MKA David Haldenwang, [email protected] Title of Project: SCA Circlet of Lordship, sterling silver with amber and sapphires Overview: I really like shiny things. I decided I needed more shiny things, but pretty shiny things are extremely expensive. I figured I’d kill two birds with one stone and learn to make more shiny things myself, while saving some money. I chose to make a circlet for myself because it gave me the opportunity to make something particularly visible and gaudy. I used sterling silver, 14k gold, and fine silver, because only thralls wear brass, and chose sapphire and amber cabochons to mount on it, because my arms are Or and Azure. I chose to use seven gems, for the simple reason that seven is not six – I do not want this mistaken for a Baronial coronet. Historical Basis: Some of the earliest forms of headgear worn to denote royalty or nobility are the diadems worn by the ancient Greeksi. These are still preserved in museums, and illustrated on many coins of the era. For example, this coin, of Antiochus III of the Selucid Empire (ca. 223 BC – 187 BC), shows him wearing a diadem, and bears the inscription in Greek ΒΑΣΙΛΕΩΣ ΑΝΤΙΟΧΟΥ, of King Antiochusii: While these diadems started as simple ribbons or wreaths, worn upon the head for ceremonial or religious reasonsiii, by the 4th century, it was fairly common for rulers in the Greek world to wear a golden wreath on their head as a symbol of nobility or even divinity – because many depictions of the Greek pantheon showed the gods wearing wreaths: Heracles with wreath of white poplar leavesiv: There is also the story of Apollo and the nymph Daphne, from Ovid’s Metamorphoses, in which she is pursued by Apollo and turns herself into a laurel tree.
    [Show full text]
  • The Banner April 2019 ASLIII Volume 29, Issue 4 Photo by Laura Snyder
    The Banner April 2019 ASLIII Volume 29, Issue 4 Photo by Laura Snyder. © 2019 Used with permission. THE BANNER 1 Welcome to the Barony of the Lonely Tower! Greetings and warmest wishes to all who have wandered into these lands of the Barony of the Lonely Tower. The Barony of the Lonely Tower is the local SCA group for the Omaha/Council Bluffs metro and surrounding area and part of the Kingdom of Calontir, which covers most of Nebraska, Iowa, Kansas, Missouri and a small portion of Arkansas. If you are unfamiliar with the Society of Creative Anachronism (SCA), you can find out more information by visiting the Society's introduction page. We would also encourage you to visit the SCA’s Newcomer’s Portal. The best way to get involved with us is to attend as many local meetings and events as your mundane (modern) life allows - however, we understand life comes first and this is just a hobby. You may participate with us as much or as little as you like. When you attend activities, be sure to introduce yourself and let us know what your interests are. Don’t be afraid to ask lots of questions as our Barony is filled with members who would love to answer them for you. To find out more about our events and activities, be sure to check out our website as well as the calendar at the back of this newsletter. For more information or to ask specific questions, feel free to contact one of our officers listed on the last page.
    [Show full text]
  • Treasures of Middle Earth
    T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25
    [Show full text]
  • The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
    Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary.
    [Show full text]
  • Shroud Spectrum International No. 31 Part 6
    14 In the East during the Middle Ages, artists' conceptions of a thorny crown took a variety of patterns. One example is this "Crown of Thorns and Mocking of Christ", where the thorns sprout like young plants in a box. A manuscript illumination in the Vyšehrad Coronation Gospels (1085-86), Prague. Reproduced by permission of the University Library, Prague. 15 QUESTIONS IN A QUANDARY Monsignore Paleotto tells us: Many who have seen the crown in France report that it forms a sort of helmet. But where in France, during the XVIth century, was such a crown to be seen? The Crown of Thorns, which King Saint Louis redeemed from the Venetians in 1239, for which the Sainte- Chapelle was erected, and which is still conserved in the cathedral of Notre-Dame de Paris, is a mere bandeau of rushes, innocent of thorns. Hardly a "crown", for with a diameter of 21 cm (8¼ inches), it would slip over a man's head to rest on his shoulders. Yet Louis IX was satisfied that the relic was authentic. As Paleotto observed by direct examination of the Holy Shroud, puncture wounds appear in every part of the Lord's head; wounds and bloodflows typical of thorn punctures. Only a mass of thorn branches affixed to the head could have caused these injuries. What became of this cruel bonnet, tinged with the blood of Christ? Weaving our way through many writings, we find a few that might possibly be significant: IVth century — "There was a colony of judeo-christians living on Mount Sion until the byzantine-christians took over in the IVth century.
    [Show full text]
  • Biblical Reference Getting a Crown After Death
    Biblical Reference Getting A Crown After Death andRab tracelessly.usually extravagating Adlai auction surely his orshaper happen bename shamefacedly devilish or when vaguely eleven after Charles Reynold overcapitalizes stank and muddles threateningly arrantlypatriotically, and connotivetents generically. and only. Cammy is archegoniate and twaddles floatingly as shabby Caesar poeticising The global message bit by a warrior woman, and our confidence of bone beneath; hating even after a biblical and cried, and hasting unto himself He will give it not only to me but also to everyone who is eagerly waiting for him to come again. This certainly indicates future recognition of present associates. Do You Believe Your Heart Has Been Changed by Christ? How Can I Love My Enemies? But wilt thou know, O vain man, that faith without works is dead? Then the chief captain took him by the hand, and went with him aside privately, and asked him, What is that thou hast to tell me? Then Paul took the men, and the next day purifying himself with them entered into the temple, to signify the accomplishment of the days of purifcation, until that an offering should be offered for every one of them. Then said the Jews, Will he kill himself? This is not a simple question because the sources describing this death are very limited. Who his own self bare our sins in his own body on the tree, that we, being dead to sins, should live unto righteousness: by whose stripes ye were healed. What is Sedation Dentistry? Thus, his Father wept for him. We accept it always, and in all places, most noble Felix, with all thankfulness.
    [Show full text]
  • Papal Tiara Commissioned and Gifted to Benedict XVI by SHAWN TRIBE
    WRITERS SEARCH NLM ARCHIVES Shawn Tribe Founder & Editor Search NLM Email, Twitter Pilgrimage in Tuscany NLM Quiz: Can You Guess What This Is? And the by Shawn Tribe Answer is.... by Shawn Tribe Gregor Kollmorgen We have given a great deal of coverage to the Chartres FOLLOW NLM Pilgrimage, but another pilgrimage in Europe ... Well it seems like it's about that time again; the NLM General quiz. (See our previous quizzes: Quiz 1 and o... Email A New Entry in the Rupture and Continuity Debate: Enrico Maria Radaelli Video from the Recessional, Chartres Cathedral by Shawn Tribe by Shawn Tribe Matthew Alderman Another Italian has entered into a debate which we've ... Sacred Architecture been reporting on by way of Chiesa; namely the... How the Artistic Liturgical Traditions Email Current Status of the Dominican Rite: A Complement Each Other Summary by David Clayton Gregory DiPippo by Fr. Augustine Thompson, O.P. Here is a passage taken from the Office of Readings, Rome Correspondent Readers often ask about where they can attend Saturday, 6th week of Eastertide. It is part of... celebrations of the Dominican Rite Mass and what its c... Email Fra’ Fredrik Crichton-Stuart, R.I.P. Tucker on Magister by Shawn Tribe by Shawn Tribe H.E. Fra’ Fredrik Crichton-Stuart, Grand Prior of David Clayton A couple of weeks ago, we made brief reference to a England, 1940 – 2011Edinburgh, 14 June 2011Fra' Fr... Sacred Art rather critical and needless to say controversia... Sant'Angelo in Formis, Capua, Italy Email, Twitter Solemn Evensong & Benediction in Oxford by Shawn Tribe by Br Lawrence Lew, O.P.
    [Show full text]
  • The Court of the Lord Lyon Crest Badges
    From: www.electricscotland.com/webclans/lordlyon2.htm The Court of the Lord Lyon Crest Badges Information Leaflet No.2 SCOTTISH CREST BADGES INTRODUCTION Much confusion exists about the meaning, use and entitlement to wear Scottish Crest Badges, and it is constantly increased by well—meaning but ill—informed explanations. This leaflet is authoritative in setting out the main facts. Even the popular name "Clan Crest" is a misnomer, as there is no such thing as a "Clan" Crest. The Crest is the exclusively personal property of the Clan Chief, and it is fully protected to him by the law in Scotland. The circumstances in which it may be worn by his clansmen are set out hereafter. But, first, four brief definitions of the technical terms are necessary. 1. DEFINITIONS (a) THE CREST When a coat of Arms is granted by the Sovereign through Her Majesty’s Lord Lyon King of Arms, the Grant of Arms document shows the coat of Arms on a Shield. Above the Shield is placed a conventional helmet, and on top of the helmet is shown an additional. device called the CREST, accompanied by the owner’s Motto on a conventional scroll. It is impossible to own a Crest without first owning a coat of Arms, shown on the Shield, as the Crest is an adjunct to the coat of Arms. Sometimes an additional Motto or Slogan is granted, which may correctly appear on the Clansman’s bonnet badge as an alternative to the first Motto. (b) THE WREATH Between the Crest and the helmet usually appears a WREATH of twisted cloth of alternate twists of the owner’s "Livery colours", on which the Crest stands.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • Parasites of Indian Clupeoid Fishes, Including Three New Genera R
    On Some Gastrocotyline (Monogenoidean) Parasites of Indian Clupeoid Fishes, Including Three New Genera R. VISWANATHAN UNNITHAN1 ABSTRACT : Seven species of monogenetic trematodes, includin g the two geno­ types, Engraulicola [orcepopenis George, 1961 and Engrattliscobina tbrissocles (Tripathi, 1959) , are recorded. All seven of these atypical gastrocotylines belong to the subfamily Gastrocotylinae s.s. and are parasitic on clupeoid fishes. Four species in the present collection, viz., Engraulicola micropharyngella sp. n., Bngraulixenas malabaricus gen. et sp. n., Engrauliphila grex gen. et sp. n., and Engraaliscobina triaptella sp. n., were collected from fishes of the family En­ graulidae, while an entirely new type, Pellonicola elongata gen. et sp. n., was obtained from Clupeidae. The tendency to unilateral inhibition of the clamp rows is incomplete in all these atypical gastrocotylines, and all are characterised primarily by their clamp structure. Diagnostic characters, with special reference to the haptor (i ts adhesive units or clamps and anchors), the male termin alia, vaginal complex, and other salient features which appear to be taxonomically importa nt, are given for each species. SOME GASTROCOTYLID WORMS have been found All of these atypical clupeoid parasites on the gills of clupeoid fishes at Mandapam belong to the subfamily Gastrocotylinae sensn Camp. Th eir clamp structure shows them to stricto, hitherto containing only Gastrocotyle be allied to Gastrocotyle and Pseudaxine. The v. Ben. et H esse, 1863, Cbaubnnea Ramalin­ tendency to develop a unilateral haptor is gam, 1953, and Y 'amaguticotyl« Price, 1959. another common feature. But of the 32 known Th ey are characterized primarily by their clamp species of Gastrocotylidae, and 8 new species structure (Unnithan , 1967b) .
    [Show full text]
  • Honored Values and Valued Objects: the Society for Creative Anachronism
    AN ABSTRACT OF THE DISSERTATION OF Althea L. Turner for the degree of Doctor of Philosophy in Design and Human Environment presented on April 28, 2010. Title: Honored Values and Valued Objects: The Society for Creative Anachronism Abstract approved: Elaine L. Pedersen In this dissertation, I posited the need to understand how an invented community (the Society for Creative Anachronism) constructs symbolic meaning in material objects and value systems. Using ethnographic methods, I focused on the Knights and their regalia as this is the most widely accepted material symbolism. People go to the SCA to find the communitas offered by a fantastical performed history. They create the material culture in order to enhance the atmosphere they seek in their mediated performance of history. This material culture then gains value, as it becomes imbued with the emotional contexts provided by the performance and embodied history. As American culture becomes increasingly fragmented, with place- bound community becoming a thing of the past, it is important to understand how humans adapt. One method of adaptive behavior is the construction of communities around beliefs, hobbies, products, or vocations. The SCA is one such example. © Copyright by Althea L. Turner April 28, 2010 All Rights Reserved Honored Values and Valued Objects: The Society for Creative Anachronism by Althea L. Turner A DISSERTATION Submitted to Oregon State University In partial fulfillment of the requirements for the degree of Doctor of Philosophy Presented April 28, 2010 Commencement June 2010 Doctor of Philosophy dissertation of Althea L. Turner Presented on April 28, 2010 APPROVED: Major Professor, representing Design and Human Environment Chair of the Department of Design and Human Environment Dean of the Graduate School I understand that my dissertation will become part of the permanent collection of Oregon State University libraries.
    [Show full text]