Development of the BBC A.M. Transmitter Network. Rev 6A
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BBC SOUND BROADCASTING Its Engineering Development
Published by the British Broadcorrmn~Corporarion. 35 Marylebone High Sneer, London, W.1, and printed in England by Warerlow & Sons Limited, Dunsruble and London (No. 4894). BBC SOUND BROADCASTING Its Engineering Development PUBLISHED TO MARK THE 4oTH ANNIVERSARY OF THE BBC AUGUST 1962 THE BRITISH BROADCASTING CORPORATION SOUND RECORDING The Introduction of Magnetic Tape Recordiq Mobile Recording Eqcupment Fine-groove Discs Recording Statistics Reclaiming Used Magnetic Tape LOCAL BROADCASTING. STEREOPHONIC BROADCASTING EXTERNAL BROADCASTING TRANSMITTING STATIONS Early Experimental Transmissions The BBC Empire Service Aerial Development Expansion of the Daventry Station New Transmitters War-time Expansion World-wide Audiences The Need for External Broadcasting after the War Shortage of Short-wave Channels Post-war Aerial Improvements The Development of Short-wave Relay Stations Jamming Wavelmrh Plans and Frwencv Allocations ~ediumrwaveRelav ~tatik- Improvements in ~;ansmittingEquipment Propagation Conditions PROGRAMME AND STUDIO DEVELOPMENTS Pre-war Development War-time Expansion Programme Distribution Post-war Concentration Bush House Sw'tching and Control Room C0ntimn.t~Working Bush House Studios Recording and Reproducing Facilities Stag Economy Sound Transcription Service THE MONITORING SERVICE INTERNATIONAL CO-OPERATION CO-OPERATION IN THE BRITISH COMMONWEALTH ENGINEERING RECRUITMENT AND TRAINING ELECTRICAL INTERFERENCE WAVEBANDS AND FREQUENCIES FOR SOUND BROADCASTING MAPS TRANSMITTING STATIONS AND STUDIOS: STATISTICS VHF SOUND RELAY STATIONS TRANSMITTING STATIONS : LISTS IMPORTANT DATES BBC ENGINEERING DIVISION MONOGRAPHS inside back cover THE BEGINNING OF BROADCASTING IN THE UNITED KINGDOM (UP TO 1939) Although nightly experimental transmissions from Chelmsford were carried out by W. T. Ditcham, of Marconi's Wireless Telegraph Company, as early as 1919, perhaps 15 June 1920 may be looked upon as the real beginning of British broadcasting. -
BBC World Service : Overseas Broadcasting, 1932-2018 Pdf Free Download
BBC WORLD SERVICE : OVERSEAS BROADCASTING, 1932-2018 PDF, EPUB, EBOOK Gordon Johnston | 338 pages | 26 Nov 2019 | Palgrave MacMillan | 9780230355606 | English | Basingstoke, United Kingdom BBC World Service : Overseas Broadcasting, 1932-2018 PDF Book Radio Times. A few months ago this was valuable information for those travelling abroad who wanted their fix of BBC radio coverage. Within a decade, the service began adding languages and regions, and currently broadcasts to people around the world in 27 languages, with a broad range of programs including news, music, comedy and documentaries. Ships within weeks Not available in stores. The Travel Show , Our World. Secession [Hardcover] Hardback. The Doha Debates. The easiest way to work around such restrictions is by using a VPN. Featuring psalm settings for each Sunday and all the major feast days, this essential musical resource is the first publication to feature the psalm texts that are used in the new Canadian lectionary. Huw Edwards. As radio streams don't hog bandwidth to the extent that streaming TV does, most good VPN services are perfectly adequate for virtually moving back to the UK to listen to a restricted programme. Can I view this online? Retrieved 21 November BBC Television. BBC portal. Editor: Sarah Smith. Retrieved 9 February The Bottom Line. The Random House Group. Advanced search Search history. We have recently updated our Privacy Policy. Need Help? The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. Presenters who have normal shows and also Relief present have their relief shows in bold. -
Signal Issue 35
Signal Issue 35 Tricks of the Trade Dave Porter G4OYX and Alan Beech G1BXG We continue to celebrate the 50th anniversary of the start of offshore commercial radio in the UK and are now in June 1965. By this time, the number of stations on the air was increasing steadily, taking advantage of the (lack of) laws at the time with regard to operations in International Waters. The first two stations, Caroline and Atlanta, had used 10 kW AM transmitters by Continental Electronics employing their patented version of screen grid modulation but, just prior to Christmas 1964, the US-inspired and -built station of Radio London on the former US minesweeper USS Density renamed M/V Galaxy was on the air with test transmissions on 266 m, 1124 kHz, running, at first, 17 kW. This 50 kW transmitter was an RCA BTA-50H and was the first of many in the offshore fleet to employ the ‘Ampliphase’ approach. From ‘outphasing’ to ‘Ampliphase’ Amplitude from phase The theory of what became known as ‘Ampliphase’ was The principle of ‘Ampliphase’ is to take a single frequency proposed and developed in France by Henry Chireix in drive source, split it into two feeds, phase modulate each 1935 who called the technique ‘outphasing’. feed, amplify as required and add the two signals in a combining network. Amplitude modulation is achieved by ‘Outphasing’ was not taken up initially by RCA but by the degree of addition or subtraction due to the phase McClatchy Broadcasting in the late 1940s, first at KFBK, difference between the two signals. -
Signal Issue 37
Signal Issue 37 Tricks of the Trade Dave Porter G4OYX and Alan Beech G1BXG By 25th September 1965, Radio 390 was on the air and 31st December 2015 marks the fiftieth anniversary of the start of the offshore station Radio Scotland. The only remaining station to launch with RCA 10 kW Ampliphase transmitters was Radio 270 from 4th June 1966, on-air some three months later than originally planned. Member’s contribution understood that, whilst CE was used to these T-K arrangements, mainly for Government contracts, the need After reading the last three ToTT, VMARS Member Tony to effect a quick turn-around with minimal delays was not Rock G3KTR/AD1X contacted the author (DP) with the quite their norm. With time slipping by, the decision was following information on the 1965 build of Radio Scotland. made to leave the USA without the systems being totally commissioned and to complete en-route. Also, during this Tony writes; I read with interest the article you and Alan trip, it was discovered that one of the planned operating put together on Ampliphase transmitters. In the mid-1960s frequencies, namely 650 kHz, was actually occupied in the I was working out of the RCA Broadcast & UK by a certain high-power station on 647 kHz, the Communications Division at Sunbury-on-Thames. At this 150 kW BBC Third Programme. It was understood that an time RCA had sold several transmitters to offshore ‘pirate’ early ‘recce’ by the Americans to the UK to check for ‘spare radio stations. While Marconi and other European channels’ resulted in a monitoring time when the Third companies could be subjected to sanctions by the Programme was not scheduled on air. -
Advancing Freedom in Russia Steven Groves
No. 2088 November 29, 2007 Advancing Freedom in Russia Steven Groves The current Moscow power establishment is The Moscow leadership seems impervious to leading Russia back in time. Instead of moving for- America’s and Europe’s pleas to foster democracy. ward toward a nation that cherishes and protects While the U.S. and its allies wait for a more oppor- freedom and democracy, the establishment is creat- tune time to reengage, they should consider refo- ing a state and body politic dominated by a new cusing their efforts on Russia’s neighbors that are breed of oligarchic groups composed of security willing to democratize. Ultimately, the Russians officers and their business allies. themselves need to realize that they can benefit The Russian media are no longer free and unre- more by integrating into the West and developing stricted. With the exception of a few minor show- democratic institutions that will preserve and pro- case outlets and the Internet, the media are tect their freedoms. dominated by the Kremlin and its allies. The major- On the other hand, Washington cannot ignore ity of political parties are under state control, and Moscow. Too many pressing issues—from Iran and the activities of nongovernmental organizations nuclear proliferation to arms control treaties and the (NGOs) with foreign ties are under severe scrutiny. future of conventional forces in Europe—are on the Russia is no longer a free nation. table. Even during the Soviet era, Washington and A return to authoritarianism is not in the interests Moscow at times had a robust diplomatic engage- of the Russian people, their European neighbors, or ment, despite viewing the world very differently. -
The Birth of Broadcasting (1961)
This is the first part of a projected three- or four-volume history of broadcasting in the United Kingdom. The whole work is designed as an authoritative account of the rise of broadcasting in England up to the passing of the Independent Television Act in 1955 and the end of the BBC monopoly. Though naturally largely concerned with the BBC, it will be a general history of broadcasting, not simply an institutional history of the BBC, and will briefly sketch the back- ground of wireless developments in other parts of the world. The Birth of Broadcasting covers early amateur experiments in wire- less telephony in America and in England, the pioneer days at Writtle in Essex and elsewhere, and the com- ing of organized broadcasting and its rapid growth during the first four years of the BBC's existence as a private Company before it became a public Corporation in January 1927. Professor Briggs describes how and why the Company was formed, the scope of its activities, and the reasons which led to its conversion from a business enterprise into a national institution. The issues raised between 1923 and 1927 remain pertinent today. The hard bargaining between the Post Office, private wireless interests, and the emergent British Broadcasting Company is discussed in illuminating continued on bock flap $10.00 continued from front flap detail, together with the remarkable opposition with which the Company had to contend in its early days. Many sections of the opposition, including a powerful section of the press, seemed able to conceive of broadcasting only as competing with their own interests, never as comple- menting or enlarging them. -
Guidelines to Making Programmes for BBC World Service
Guidelines to Making Programmes for BBC World Service Titles and Descriptions It’s not just the programmes that need to have a sense of excitement and the ability to create curiosity in our audience and potential audience. Whatever we publish - titles, billings, online descriptions etc (known as ‘metadata’) - have an effect on how your programme performs on the web. Programme titles and descriptions should always be written in a way that encourages the most people to listen to it, makes the programme topic clear, and ensures visibility and findability across the web - in podcast provider spaces (such as Apple Podcasts, Spotify etc.), search engine results (such as Google) and other tech, such as voice-activated systems (such as Alexa). We need to have titles and programme descriptions five weeks before the transmission date. This ensures that both Press and Publicity have time to adequately promote the programme, and that these descriptions are ready in time for our automated systems. It can be difficult to update programme descriptions at some of their publication sites if the information arrives too close to transmission. Titles Indicate immediately what the programme or podcast is about. • Use clear simple language – no puns. Show the value of your content • Be succinct - take out any unnecessary words (use 50 characters max) • Put the words that convey most about the story at the front (apps may cut off the end of the title) • Use search terms so people can discover your content Examples of Good Titles • The Death Row book club • In search of the quarter-life crisis • ADHD and me • Finding the viruses that destroy superbugs • How Christo wrapped the Reichstag 1 Programme Descriptions We need you to provide two descriptions for each programme you deliver. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
Brave New World Service a Unique Opportunity for the Bbc to Bring the World to the UK
BRAVE NEW WORLD SERVIce A UNIQUE OPPORTUNITY FOR THE BBC TO BRING THE WORLD TO THE UK JOHN MCCaRTHY WITH CHARLOTTE JENNER CONTENTS Introduction 2 Value 4 Integration: A Brave New World Service? 8 Conclusion 16 Recommendations 16 INTERVIEWEES Steven Barnett, Professor of Communications, Ishbel Matheson, Director of Media, Save the Children and University of Westminster former East Africa Correspondent, BBC World Service John Baron MP, Member of Foreign Affairs Select Committee Rod McKenzie, Editor, BBC Radio 1 Newsbeat and Charlie Beckett, Director, POLIS BBC 1Xtra News Tom Burke, Director of Global Youth Work, Y Care International Richard Ottaway MP, Chair, Foreign Affairs Select Committee Alistair Burnett, Editor, BBC World Tonight Rita Payne, Chair, Commonwealth Journalists Mary Dejevsky, Columnist and leader writer, The Independent Association and former Asia Editor, BBC World and former newsroom subeditor, BBC World Service Marcia Poole, Director of Communications, International Jim Egan, Head of Strategy and Distribution, BBC Global News Labour Organisation (ILO) and former Head of the Phil Harding, Journalist and media consultant and former World Service training department Director of English Networks and News, BBC World Service Stewart Purvis, Professor of Journalism and former Lindsey Hilsum, International Editor, Channel 4 News Chief Executive, ITN Isabel Hilton, Editor of China Dialogue, journalist and broadcaster Tony Quinn, Head of Planning, JWT Mary Hockaday, Head of BBC Newsroom Nick Roseveare, Chief Executive, BOND Peter -
British Anti-Communist Propaganda and Cooperation with the United States, 1945-1951. Andrew Defty
British anti-communist propaganda and cooperation with the United States, 1945-1951. Andrew Defty European Studies Research Institute School of English, Sociology, Politics and Contemporary History University of Salford Submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy, January 2002 British anti-communist propaganda and cooperation with the United States, 1945-1951 Contents Acknowledgements................................................................................................. .......ii Abbreviations.................................................................................................................iii Abstract..........................................................................................................................iv Introduction....................................................................................................................! Chapter 1 The Origins of Britain's anti-communist propaganda policy 1945-1947.............................28 Chapter 2 Launching the new propaganda policy, 1948.....................................................................74 Chapter 3 Building a concerted counter-offensive: cooperation with other powers, 1948-1950 ........123 Chapter 4 'Close and continuous liaison': British and American cooperation, 1950-1951 .................162 Conclusion .....................................................................................................................216 Notes Introduction .........................................................................................................226 -
LR003208 - Alfred Bradley (Interview 14) - No Date.Wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715
File: LR003208 - Alfred Bradley (interview 14) - no date.wav Duration: 0:39:10 Date: 31/07/2017 Typist: 715 START AUDIO Interviewer: A history of north regional broadcasting, interview number 14, Alfred Bradley. Radio's very first play was broadcast from Station 2LO London on the 15th November 1922. The day after Broadcasting England first began and it was heard in the children's programme but the north region can probably boast the first adult play written for wireless. L. du Garde Peach was the author. It came from the British Broadcasting Company's Metrovix studio and was broadcast by Station 2ZY. By the start of the 1930s far more Northerners were hearing plays than seeing them in the theatre. They were produced by the likes of Jan Bussell, Cecil McGiven and by Edward Wilkinson. The radio dramatic feature became the invention and hallmark of Geoffrey Brideson and Frances Dillon, Olive Shapley and Joan Littlewood all working from North region. By the 1940s James R Gregson had started a school for Radio Playwrights at the Leeds Studios. No history of North Regional Broadcasting would be anywhere near compete without BBC Regional Drama's most distinguished name, that of Alfred Bradley who's with me now. 0:01:19 Alfred you joined in 1959? Alfred Bradley: Yes, I came from a strange job. I was drama advisor in Leicestershire. I suppose I started off wanting to be an actor and I grew out of that very quickly. Found I was better at directing than acting. I couldn't be bothered to remember the lines. -
Ideology of the Air
IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy by SETH D. ASHLEY Dr. Stephanie Craft, Dissertation Supervisor MAY 2011 The undersigned, appointed by Dean of the Graduate School, have examined the dissertation entitled IDEOLOGY OF THE AIR: COMMUNICATION POLICY AND THE PUBLIC INTEREST IN THE UNITED STATES AND GREAT BRITAIN, 1896-1935 presented by Seth D. Ashley a candidate for the degree of Doctor of Philosophy and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________________ Professor Stephanie Craft ____________________________________________________________ Professor Tim P. Vos ____________________________________________________________ Professor Charles Davis ____________________________________________________________ Professor Victoria Johnson ____________________________________________________________ Professor Robert McChesney For Mom and Dad. Thanks for helping me explore so many different paths. ACKNOWLEDGEMENTS When I entered the master’s program at the University of Missouri School of Journalism, my aim was to become a practitioner of journalism, but the excellent faculty members I worked with helped me aspire to become a scholar. First and foremost is Dr. Stephanie Craft, who has challenged and supported me for more than a decade. I could not have completed this dissertation or this degree without her. I was also fortunate to have early encounters with Dr. Charles Davis and Dr. Don Ranly, who opened me to a world of ideas. More recently, Dr. Tim Vos and Dr. Victoria Johnson helped me identify and explore the ideas that were most important to me.