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Herinneringen Aan Eduard Van Beinum Nam Ook Hij Soms Zijn Toevlucht Tot Een Wijziging in De Instrumencacie of in De Dynamiek
28/ I t ï. 13 , I I 4 1 ,.' t, j t I JAARGANG: 1993 MAAND: DECEMBER NO:28 DIT BLAD IS EEN UITGAVE VAN DE: WILLEM MENG~LBERG VERENIGING opgericht 13 Februari 1987. SECRETARIAAT: DR. A. COSTER, ZIE ADRES / HIE~ONDER REDACTIE: DR. A. COSTER, AB VAN KAPEL, IRISLAAN 287, HOFBROUCKERLAAN 66, 2343 CN OEGSTGEEST. 2343 HZ OEGSTGEEST. TELEFOON: 071-175395. TELEFOON: 071-172562. SAMENSTELLING EN DISTRIBUTIE: JOHAN KREDIET, RIJKSSTRAATWEG 71, 1115 AJ DUIVENDRECHT. TELEFOON: 020-6991607 BESTUUR: v . VOORZITTER: OTTO HAMBURG VICE-VOORZITTER: PROF. DR. W.A.M. VAN DER KWAST SECRETARIS: DR. A. COSTER PENNINGMEESTER: DR. A. COSTER LEDEN: AB VAN KAPEL JOHAN KREDIET ... JURIDISCH ADVISEUR: MR. E.E.N. KRANS INHOUD VAN . DIT NUMMER: 1 van de redactie 3 MAHLERFEEST 1995 7 MUZIEK IN DE SCHADUW VAN HET DERDE RIJK 14 WILLEM KES 18 PIER RE MONTEUX 25 EDUARD VAN BEINUM 29 DISCOGRAFIE 31 KERSTMATINEES 40 CATHARINA VAN RENNES EN HAAR TIJDGENOTEN 41 EEN MUZIEKKRANSJE 43 MENGELBERG EN ZIJN TIJD 1886-1890 DE STATUTEN VAN ONZE VERENIGING -1- VAN DE REDACTIE De laatste tijd was er een grote belangstelling voor Mengel berg te constateren in de pers: le naar aanleiding van de plannen van het Concertgebouw om in 1995 een Mahle~-feest te organiseren, ongeveer naar model van het Mahler feest 75 jaar geleden in 1920 bij Mengelbergs 25- jarig jubileum; 2e naar aanleiding van de publicatie van het proefschrift van P,~uline Micheels: 'Muziek in de schaduw van het Derde rijk; De Nederlandse symfonie-orkesten 1933-1945' . Enkele artikelen uit de dagbladpers over deze onderwerpen zijn in dit nummer opgenomen. -
Rsno.Org.Uk Rsno.Org.Uk/SEASON1516
2015:16 USHER HALL, EDINBURGH rsno.org.uk rsno.org.uk/SEASON1516 Subscribe SCOTLAND’S AND SAVE NATIONAL Save up to 35% when you subscribe to the Season! Simply choose a minimum of four concerts and you can start saving money. Book ORCHESTRA today using the pull-out booking form at the centre of the brochure. Celebrating 125 years of great music! Exclusive reception In 2016 the RSNO Subscribe to all eighteen Season concerts and you will receive an invitation to an exclusive reception with RSNO reaches an exciting Principal Timpanist Martin Gibson. milestone in its history – its 125th birthday! Since 1891 the Orchestra has enjoyed performing PETER OUNDJIAN BIRTHDAY BOYS: across Scotland and CONDUCTS CHORAL PROKOFIEV AND MASTERPIECES PORTER beyond with some of the We couldn’t celebrate 125 The RSNO isn’t alone years of great music without celebrating 125 years finest musicians of the the wonderful singers of the of glorious music. Sergei RSNO Chorus. Music Director Prokofiev and Cole Porter were day – and this Season we Peter Oundjian directs three also born in 1891 and so we’ll continue that tradition. large-scale choral masterpieces be sharing some of their finest throughout the Season. Make music with you across the Join us as we celebrate sure you don’t miss Mahler’s Season. Prokofiev’s Cinderella Resurrection Symphony, and Romeo and Juliet both our birthday and look Vaughan Williams’ Sea feature, and we’re especially Symphony and Beethoven’s thrilled that Nikolai Lugansky forward to another 125 Ninth Symphony Choral, which is joining us to perform all five brings the first half of our of Prokofiev’s piano concertos years of great music. -
BENELUX and SWISS SYMPHONIES from the 19Th Century to the Present
BENELUX AND SWISS SYMPHONIES From the 19th Century to the Present A Discography of CDs And LPs Prepared by Michael Herman JEAN ABSIL (1893-1974) BELGIUM Born in Bonsecours, Hainaut. After organ studies in his home town, he attended classes at the Royal Music Conservatory of Brussels where his orchestration and composition teacher was Paul Gilson. He also took some private lessons from Florent Schmitt. In addition to composing, he had a distinguished academic career with posts at the Royal Music Conservatory of Brussels and at the Queen Elisabeth Music Chapel and as the long-time director of the Music Academy in Etterbeek that was renamed to honor him. He composed an enormous amount of music that encompasses all genres. His orchestral output is centered on his 5 Symphonies, the unrecorded ones are as follows: No. 1 in D minor, Op. 1 (1920), No. 3, Op. 57 (1943), No. 4, Op. 142 (1969) and No. 5, Op. 148 (1970). Among his other numerous orchestral works are 3 Piano Concertos, 2 Violin Concertos, Viola Concerto. "La mort de Tintagiles" and 7 Rhapsodies. Symphony No. 2, Op. 25 (1936) René Defossez/Belgian National Orchestra ( + Piano Concerto No. 1, Andante and Serenade in 5 Movements) CYPRÈS (MUSIQUE EN WALLONIE) CYP 3602 (1996) (original LP release: DECCA 173.290) (1958) RAFFAELE D'ALESSANDRO (1911-1959) SWITZERLAND Born in St. Gallen. After some early musical training, he studied in Paris under the tutelage of Marcel Dupré (organ), Paul Roës (piano) and Nadia Boulanger (counterpoint). He eventually gave up composing in order to earn a living as an organist. -
Mariss Jansons
MARISS JANSONS Mariss Jansons ranks among the outstanding podium personalities of our time. His orchestral work is recognized not only because of his busy touring activities but also because of television and radio broadcasts world-wide, also documented by a sizable number of recordings. Mariss Jansons has been the Chief Conductor of the Chor und Symphonieorchester des Bayerischen Rundfunks since 2003. After six exceptionally successful seasons, his contract was renewed until 2015. Mariss Jansons succeeds Eugen Jochum, Rafael Kubelík, Sir Colin Davis and Lorin Maazel as the fifth Chief Conductor of these two eminent ensembles. In 2004, Mariss Jansons also assumed the post of Chief Conductor of the Koninklijk Concertgebouworkest in Amsterdam as the sixth Chief Conductor succeeding Willem Kes, Willem Mengelberg, Eduard van Beinum, Bernard Haitink and Riccardo Chailly. Born in 1943 in the Latvian capital of Riga, Mariss Jansons grew up in the Soviet Union as the son of conductor Arvid Jansons. He studied violin, viola and piano and graduated with honors from the Leningrad Conservatory with a degree in conducting. Studies in Vienna with Hans Swarowsky and in Salzburg with Herbert von Karajan followed. In 1971, Mariss Jansons emerged as a prize winner from the conducting competition of the Herbert von Karajan Foundation in Berlin. He was decisively influenced by the legendary Russian conductor Evgeny Mravinsky, who brought Mariss Jansons to the Leningrad Philharmonic as his assistant in 1971. Thereafter Mariss Jansons was closely associated with this orchestra, today’s St. Petersburg Philharmonic, until 1999 as regular conductor and led the orchestra during this period on tours world-wide. -
Mengelberg En Zijn Tijd
MENGELBERG EN ZIJN TIJD Een uitgave van de Willem Mengelberg Vereniging 21e jaargang nummer 86 september 2008 INHOUD BLZ. ONDERWERP AUTEUR 01 Van de redactie 01 Van het Bestuur 02-04 Een overledene is niet waarlijk gestorven, zolang de herinnering leeft J. Krediet 05-06 Rahel en Karel Mengelberg J. Krediet 07-08 Willem Mengelberg in vergelijking met Sir Henri Deterding J. Krediet 09-27 Amsterdam ontwikkelt zich tot muziekstad 1880-1895 J. Krediet 28 Een Duitser redde het carillon van Charles E.H. Boissevain B. Rost 29-31 Der Freischlitz in de klinkende Mengelberg A. van Kapel 32 De báton J. Krediet 33 Wilhelm Furtwangler P. Zander 34 Laat uw linkerhand niet weten wat uw rechter doet J. Krediet 35-36 Uitnodiging voor lezing: Tussen potpourri en symfonie Afbeelding op de omslag Mengelbergs eerste repetitie na de vakantie! Zoals de tekenaar Georges Augsbourg hem zag. (Zie zijn boek dat in 1936 door uitgeverij A.Blitz op de markt werd gebracht.) COLOFON Mengelberg en zijn Tijd is een kwartaaluitgave van de Willem Mengelberg Vereniging, opgericht 13 februari 1987. Overname van de redactionele inhoud is alleen toegestaan na schriftelijke toestemming. De redactie houdt zich het recht voor om artikelen te redigeren en eventueel in te korten. Inleveren kopij voor uitgave MezT no. 87 uiterlijk 1 december 2008. Aan de inhoud van dit periodiek kunnen geen rechten worden ontleend. REDACTIE: A. van Kapel, J. Krediet, mr. A.A. Meurer Redactiesecretariaat: Mozartkade 14, 1077 DJ Amsterdam, 020-6262550, e-mail: a.meurer(th,planetnl, BESTUUR: Voorzitter dr. Eveline Nikkels (072-5895000) Secretaris-penningmeester mr. -
Rachmaninov (1873-1943)
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Sergei Rachmaninov (1873-1943) Born at Oneg, Novgorod Region. He had piano lessons from an early age but his serious training in composition began at the Moscow Conservatory where he studied counterpoint with Sergei Taneyev and harmony with Anton Arensky. He began to compose and for the rest of his life divided his musical time between composing, conducting and piano playing gaining great fame in all three. After leaving Russia permanently in 1917, the need to make a living made his role as a piano virtuoso predominant. His 4 Piano Concertos, Rhapsody on a Theme of Paganini and substantial solo piano works make him one of the world's most-performed composers. However, he also composed operas and liturgical choral works as well as other pieces for orchestra, chamber groups and voice. Piano Concerto No. 1 in F-sharp minor, Op. 1 (1892, rev. 1917) Leif Ove Andsnes (piano)/Antonio Pappano/Berlin Philharmonic Orchestra ( + Piano Concerto No. 2) EMI CLASSICS 74813-2 (2005) Agustin Anievas (piano)/Rafael Frühbeck de Burgos/New Philharmonia Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Prelude in C-sharp minor, 10 Preludes and 12 Preludes) EMI CLASSICS TRIPLE 5 00871-2 (2007) (original LP release: ANGEL SCB 3801 {3 LPs}) (1973) Vladimir Ashkenazy (piano)/Bernard Haitink/Royal Concertgebouw Orchestra (+ Rhapsody on a Theme of Paganini) DECCA 417613-2 (1987) Vladimir Ashkenazy (piano)/André Previn/London Symphony Orchestra ( + Piano Concertos Nos. 2, 3 and 4, Rhapsody on a Theme of Paganini, Variations on a Theme of Corelli and Piano Sonata No. -
The Recorded Heritage of Willem Mengelberg and Its Aesthetic Relevance
Copyright 2014 Samir Ghiocel Golescu THE RECORDED HERITAGE OF WILLEM MENGELBERG AND ITS AESTHETIC RELEVANCE BY SAMIR GHIOCEL GOLESCU DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Performance and Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor William Kinderman, Chair Professor Ian Hobson Associate Professor Sherban Lupu Assistant Professor Katherine Syer ABSTRACT This dissertation explores the art and interpretative aesthetics of the Dutch conductor Willem Mengelberg (1871-1951), as preserved in his sound recordings and, subsidiarily, in his writings. Emphasis is given to issues pertaining to 19th century performance practice, as well as to historical connections between Mengelberg and compositional/interpretative trends in Europe at the time. Mengelberg’s impact on musical life in Amsterdam, New York, and beyond will be considered. The relevance of Mengelberg’s recordings is assessed from both a documentary and aesthetic point of view. The quasi-entirety of Mengelberg’s rich body of recordings has been consulted, yet a few dozens of them have been chosen for an in-depth study meant to illuminate both their historical context and their contemporary relevance. ii ACKNOWLEDGMENTS It is with gratitude that I acknowledge the help and support of the committee members, particularly long-time University of Illinois mentors Ian Hobson and William Kinderman, as well as previous mentors and close musical friends such as Florica Nitzulescu, Ioan Welt, Elena Andriescu, Isabelle Belance-Zank, Hubert Wendel, and Sergei Pavlov. I am indebted to Ingrid Ilinca for her help and support. -
Willem Pijper: an Aper.;Ul
AUGUSTINUS P. DIERICK, UNIVERSITY OF TORONTO Willem Pijper: an aper.;ul "After Sweelinck the Netherlands produced all Mahler. At the same time, Dutch composi practically no composers for three hundred tions were being published by A. A Noske in years. But the 20th century has seen the birth Middelburg. Finally, a new generation of of a flourishing school which, in reacting composers began to make itself heard. against the strong influence of the 19th century, accepted the hegemony of French First and foremost among these was music." Thus the Larousse Encyclopedia of Bernard Zweers. Although trained in Leipzig, Music. 2 Although in its baldness this state Zweers was the first to make a serious bid for ment is correct neither about the lack of an independent nationalistic style, especially composers nor, in this radical form, about the in his Third Symphony, To My Fatherland, of hegemony of French music, it is nevertheless 1890. He was followed closely by Alphons true that the 17th, 18th and 19th centuries Diepenbrock, a composer of large choral and were heavily dominated by foreign compos orchestral works. It was Diepenbrock above ers and performers, with the result that, all who initiated the shift from Germanic to without national content and without inter French influences mentioned above: from national quality, the music of this period is at Wagner to Debussy, and from German Lieder best competent, often only of historical on texts of the Romantics (e.g. Hymnen an die interest. 3 Nacht on texts by Novalis) to vocal works on poems by Baudelaire, Verlaine and Laforgue. -
Royal Mezzo Jennifer Larmore
Royal Mezzo Jennifer Larmore Barber Berlioz Britten Ravel Grant Park Orchestra Carlos Kalmar conductor Producer: James Ginsburg Jennifer Larmore Engineers: Bill Maylone, Chris Willis (Barber and Berlioz); Eric Arunas, Bill Maylone (Ravel and Britten) mezzo-soprano Digital Editing: Bill Maylone Graphic Design: Melanie Germond Royal Mezzo Grant Park Orchestra Cover Photo: McArthur Photography (www.mcarthurphotography.com) Photo of Jennifer Larmore (page 23): Ken Howard Carlos Kalmar Photo of Carlos Kalmar (page 26): Bruce Foster conductor Back Cover Photo: The Grant Park Orchestra & Chorus performing at the Jay Pritzker Pavilion in Chicago’s Millennium Park © Brook Collins/Chicago Park District Samuel Barber (1910–1981) 1 Recorded: in concert in Orchestra Hall, Chicago, August 4 & 5, 2006 (Barber and Berlioz) and at the Andromache’s Farewell, Op. 39 (13:10) Harris Theater for Music and Dance in Millenium Park, Chicago, June 29 & 30, 2007 (Ravel and Britten) Music Hector Berlioz (1803–1869) Barber: Andromache's Farewell ©1962 G.Schirmer La mort de Cléopâtre (21:32) Britten: Phaedra, Op. 93 ©1976 Boosey and Hawkes 2 Recitativo: “C’en est donc fait!” (3:11) Texts/Translations Barber: Andromache's Farewell / ©1963 (renewal) by G. Schirmer (ASCAP). Used by permission. 3 Canto: “Ah! Qu’ils sont loin ces jours” (6:52) Ravel: Shéhérazade, Trois Poèmes de Tristan Klingsor / Translation by D. Kern Holoman. Used by permission. 4 Méditation: “Grands Phararons” (4:49) Britten: Phaedra, Op. 93 / Excerpts from RACINE’S PHAEDRA: A VERSE TRANSLATION by Robert Lowell. 5 Allegro assai agitato: “Non!” (6:39) Translation copyright © 1960 by Robert Lowell and copyright renewed 1988 by Harriet Lowell, Sheridan Lowell, and Caroline Lowell. -
WORLD PREMIERES All Performances from 1891 to 1904 Were Given at the Auditorium Theatre and Thereafter at Orchestra Hall, Unless Otherwise Noted
WORLD PREMIERES All performances from 1891 to 1904 were given at the Auditorium Theatre and thereafter at Orchestra Hall, unless otherwise noted. Soloists, when known, also are indicated. 1891-99 │ 1900-09 │ 1910-19 │ 1920-29 │ 1930-39 │ 1940-49 │ 1950-59 1960-69 │ 1970-79 │ 1980-89 │ 1990-99 │ 2000-09 │ 2010-19 Date Composer Composition Conductor 1891-99 Columbus Ode, Ode for the Opening of the Chicago World’s Fair (World’s Columbian 21-Oct-1892 George Chadwick Theodore Thomas Exposition, Manufacturers and Liberal Arts Building) Columbus March and Hymn (World’s Columbian 21-Oct-1892 John Knowles Paine Exposition, Manufacturers and Liberal Arts Theodore Thomas Building) Festival Jubilate, Op. 17 (World’s Columbian 1-May-1893 Amy Beach Theodore Thomas Exposition, Women’s Building) Triumphal March (World’s Columbian Exposition, Woizech Iwanowich 7-Jun-1893 Alexander Glazunov Music Hall) Hlavac Overture, Witichis (World’s Columbian 29-Jul-1893 Margaret Lang Theodore Thomas Exposition, Festival Hall) Cello Concerto in G Minor, Op. 33 (Bruno 30-Nov-1894 Arthur Foote Theodore Thomas Steindel) Concerto No. 2 for Piano in D Minor (W. C. E. 25-Jan-1895 W. C. E. Seeboeck Theodore Thomas Seeboeck) 17-Apr-1896 Frederic Grant Gleason Symphonic Poem, Edris Theodore Thomas 22-Oct-1897 Hugo Kaun Festival March and Hymn to Liberty Theodore Thomas 3-Feb-1899 Hugo Kaun Overture, Der Maler von Antwerpen Theodore Thomas 29-Dec-1899 Henry Schoenefeld Impromptus for String Orchestra Henry Schoenefeld 1900-09 5-Jan-1900 Adolf Weidig Capriccio, Op. 13 Theodore -
Timeline of the 20Th Century Part I Through 1950 (References and Links Start on P. 743) 1900 January 1 * First Date in John
Timeline of the 20th Century Part I through 1950 (References and links start on p. 743) 1900 January 1 * First date in John dos Passos' USA trilogy (The 42nd Parallel). [1] * British protectorates of Northern and Southern Nigeria established. [1] * Compulsory education in Netherlands goes into effect. [1] January 2 * E Verlinger begins manufacturing 7-inch single-sided records (Montréal). [1] * Gustave Charpentiers opera "Louise" premieres in Paris. [1] January 3 * Edwin George Monk composer, dies at age 80. [1] * Gerhart Hauptmanns "Schluck und Jau" premieres in Berlin. [1] * Perihelion Passage. [1] January 6 * Boers attack at Ladysmith, about 1,000 killed or injured. [1] * Maurice Ravel's "Albaradode Gracioso" premieres in Paris. [1] January 10 * Lord Roberts and Lord Kitchener reach Capetown. [1] January 12 * Freeland Colony founded in US. [1] January 14 * Giacomo Puccini's opera "Tosca" premieres in Rome. [1] January 18 * Jan Blockx's "Tÿl Uilenspiegel" premieres in Brussels. [1] January 20 1 * John Ruskin English writer/critic (Dearest Mama Talbot), dies of influenza at age 81. [1] * R D Blackmore English novelist (Lorna Doone), dies at age 74. [1] * Richard D Blackmore English novelist (Lorna Doone), dies at age 74. [1] January 24 * Battle at Tugela-Spionkop, South Africa (Boers versus British army). [1] January 26 * Henrik Ibsen's "Naar vi Dode Vaaguer" premieres in Stuttgart. [1] January 27 * Social Democrat Party of America (Debs' party) holds first convention. [1] January 29 * Boers under Joubert beat English at Spionkop Natal, 2,000 killed. [1] January 30 * Vittorio Bersezio [Carlo Nugelli], Italian playwright, dies at age 71. -
Mahlerfeesten
, ~ , "IJAARGANG: 1995 MAAND: SEPTEMBER NO.35 I1 WILLEM MENGELBERG VERENIGING Opgericht 13 februari 1987. SECRETARIMT: Irislaan 287, 2343 CN Oegstgeest. 071-175395 REDACTIE: Dr. A. Coster A. van Kapel, J. Krediet, Irislaan 287, ' Hofbrouckerlaan 66, Rijksstraatweg 71 , 2343 CN Oegstgeest. 2343 HZ Oegstgeest. 111 5 AJ Duivendrecht. 071-175395 071-172562 020-6991607 BESTUUR: Voorzitter: O. Hamburg Vice-voorzitter: Prof. Dr. W.A.M. van der Kwast Secretaris/penningmeester: Or. A. Coster Leden: A. van Kapel J. Krediet Juridisch adviseur: Mr. E.E.N. Krans . ___ ... _._a ______ *. ____________________________ • ______ --_._ •• _._--------------------_ •••• -.-._-- INHOUD VAN DIT NUMMER: 01 VAN DE REDACTIE 02 LEDENVERGADERING 03 COMMENTAREN EN REACT'IES OP DE MAHLERFEESTEN 05 Dingen die Christus aan het kruis riep. Volkskrant 06 Muziek werd toen nog niet begrepen. Hein Janssen 08 Mahlerfeest is niet meer te herhalen. Erik Voermans 10 Wij waren allemaal romantisch. I Ré Koster 13 Ik ben de boodschapper van de muzikale traditie. Marj. v. Rotterdam 17 COMMENT. EN REACT. OP DE TENTOONST. "MAHLER IN AMSTERDAM 19 Mahler herleeft in Amsterdam. Doron Nagan 20 Concertgebouw mist Mahler van Rodin. KasparJansen 21 Mahler in Amsterdam. J.H. Giskes 29 Unieke documenten tentoongesteld. Hans Ferwerda 32 Ook dank zij Haitink is Mahler klinkend blijven leven. Frans Straatman 33 Mahler een vituoze driftkop. Corrie Verkerk 36 Martijn Sanders evalueert. Marion vd. Meer 39 Het Mahlerfeest en Willem Mengelberg. Otto Hamburg 40 PRIMUS INTER PARES "Vijftig jaar Eduard van 8einum" Truus de Leur 45 DISCOGRAFIE -1- VAN DE REDACTIE 11 11 In oktober is het 100 jaar geleden dat Willem Mengelberg aantrad als vaste dirigent van het Concertgebouworkest.