2007University of Otago Leading Thinkers Initiative Annual Report
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The New Zealand Azette
Issue No. 132 • 2729 The New Zealand azette WELLINGTON: THURSDAY, 2 AUGUST 1990 [contents Vice Regal 2730 Parliamentary Summary 2730 Government Notices 2732 Authorities and Other Agencies of State Notices 2741 Land Notices 2742 Regulation Summary 2749 General Section .. 2750 Using the Gazette The New Zealand Gazette, the official newspaper of the Closing time for lodgment of notices at the Gazette Office: Government of New Zealand, is published weekly on 12 noon on Tuesdays prior to publication (except for holiday Thursdays. Publishing time is 4 p.m. periods when special advice of earlier closing times will be Notices for publication and related correspondence should be given) . addressed to: Notices are accepted for publication in the next available issue, Gazette Office, unless otherwise specified . Department of Internal Affairs, P.O. Box 805, Notices being submitted for publication must be a reproduced Wellington. copy of the original. Dates, proper names and signatures are Telephone (04) 738 699 to be shown clearly. A covering instruction setting out require Facsimile (04) 499 1865 ments must accompany all notices. or lodged at the Gazette Office, Seventh Floor, Dalmuir Copy will be returned unpublished if not submitted in House, 114 The Terrace, Wellington. accordance with these requirements. 2730 NEW ZEALAND GAZETTE No. 132 Availability Government Buildings, 1 George Street, Palmerston North. The New Zealand Gazette is available on subscription from the Government Printing Office Publications Division or over the Cargill House, 123 Princes Street, Dunedin. counter from Government Bookshops at: Housing Corporation Building, 25 Rutland Street, Auckland. Other issues of the Gazette: 33 Kings Street, Frankton, Hamilton. -
Parliamentary Sector Annual Report 2019/2020
A. 8 A. 13 Parliamentary Sector Annual Report 2019/20 Pūrongo ā-Tau o te Rāngai Pāremata 2019/20 Office of the Clerk of the House of Representatives Te Tari o te Manahautū o te Whare Māngai Parliamentary Service Te Ratonga Pāremata Parliamentary Sector Annual Report 2019/20 Presented to the House of Representatives pursuant to section 44 (1) of the Public Finance Act 1989. I whakaurua ki Te Whare Māngai hei whakatutuki i te wāhanga 44 (1) o te Ture Pūtea Tūmatanui 1989. ISSN 2703-3155 Copyright This copyright work is licensed under the Creative Commons Attribution 4.0 International licence. To view a copy of this licence, visit https://creativecommons.org/licenses/by/4.0/ In essence, you are free to copy, distribute and adapt the work as long as you attribute the work to the Clerk of the House of Representatives or the Parliamentary Service and abide by the other licence terms. Please note that the Office of the Clerk of the House of Representatives logo, Parliamentary Service logo and the House of Representatives crest may not be used in any way that infringes any provision of the Flags, Emblems, and Names Protection Act 1981. Attribution to the Office of the Clerk of the House of Representatives and Parliamentary Service should be in written form and not by reproduction of any logo or crest. To view a copy of the text to be used for attribution, please visit https://www.parliament.nz/en/footer/copyright/ Private Bag 18041 Parliament Buildings Wellington 6160 Phone: (04) 817 9999 Pūrongo ā-Tau o te Rāngai Pāremata 2019/20 1 Contents -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
View Publication
Vol. XIX THE • VP.START • CROW• Editor J ames Andreas Clemso11 U11iversity Fou11di11g Editor William Bennett The University of Tennessee at Martin Associate Editors Michael Cohen Murray State U11iversity Herbert Coursen University of Maine, Augusta Charles Frey The U11 iversity of Washington Marjorie Garber Harvard U11iversity Juana Green Clemson University Walter Haden The U11 iversity of Tennessee at Marti11 Chris Hassel Va11derbilt University Maurice Hunt Baylor U11iversity Richard Levin The U11iversity of California, Davis John McDaniel Middle Te11nessee State University Peter Pauls The Un iversity of Wimzipeg Jeanne Roberts America11 U11 iversity Business Managers Martha Andreas and Charlotte Holt Clemson U11iversity Productio11 Editors Tharon Howard, William Wentworth, and Allen Swords Clemson University Account Managers Pearl Parker and Judy Payne Copyright 1999 Clemson University All Rights Reserved Clemson University Digital Press Digital Facsimile Vol. XIX About anyone so great as Shakespeare, it is probable that we can never be right, it is better that we should from time to time change our way of being wrong. -T. S. Eliot What we have to do is to be forever curiously testing new opinions and courting new impressions. -Walter Pater The problems (of the arts) are always indefinite, the results are always debatable, and the final approval always uncertain. -Paul Valery Essays chosen for publication do not necessarily represent opinions of the editor, associate editors, or schools with which any contributor is associated. The published essays represent a diversity of approaches and opinions which we hope will stimulate interest and inspire new scholarship. Subscription Information Two issues-$14 Institutions and Libraries, same rate as individuals-$14 two issues Submission of Manuscripts Essays submitted for publication should not exceed fifteen to twenty double spaced typed pages, including notes. -
Parliamentary Service
Annual Report 2017AnnualAnnual - 2018Annual Report Report Report 201720172017 - - 2018 2018 - 2018 Parliamentary Service ParliamentaryParliamentaryParliamentary Service Service Service 2018/10/03 10:58:47 1 Front Sheet 67134_Consult Ongee_ PS Annual Report PUR Bound CONSULT Presented to the House of Representatives pursuant to section 44 (1) of the Public Finance Act 1989. ISSN 2324-2868 (Print) ISSN 2324-2876 (Online) 2018/10/03 10:58:47 Copyright 1 Except for images with existing copyright and the Parliamentary Service Back logo, this copyright work is licensed under the Creative Commons Attribution 4.0 International licence. In essence, you are free to copy, Sheet distribute and adapt the work, as long as you attribute the work to the Parliamentary Service and abide by other licence terms. To view a copy of this licence, visit https://creativecommons.org/licenses/by/4.0/ Note: the use of any Parliamentary logo [by any person or organisation outside of the New Zealand Parliament] is contrary to law. 67134_Consult Ongee_ PS Annual Report PUR Bound CONSULT 3 Contents 5 Foreword: Speaker of the House of Representatives 6 David Stevenson: General Manager of the Parliamentary Service 8 About us 8 Our risk management approach 9 Our year at a glance 11 Our highlights 12 Outcome: The House of Representatives and members receive high quality services 14 Outcome: An accessible Parliament 17 Our people 21 Our workforce 25 Our performance 26 Measuring our performance 31 Statement of responsibility 32 Independent Auditor's Report 37 Parliamentary Service Financial Statements 47 Appropriation statements 65 Financial Statements Parliamentary Service Crown 4 Annual Report 2016 - 2017 5 Foreword: Speaker of the House of Representatives It has been an interesting We are continuing our work to make Parliament a more and busy year for the Service, family friendly and inclusive place. -
KOALICJE W SYSTEMIE POLITYCZNYM NOWEJ ZELANDII Od Klasycznych Do Sieciowych Porozumień
PRZEMYSŁAW ŻUKIEWICZ KOALICJE W SYSTEMIE POLITYCZNYM NOWEJ ZELANDII Od klasycznych do sieciowych porozumień PRZEMYSŁAW ŻUKIEWICZ KOALICJE W SYSTEMIE POLITYCZNYM NOWEJ ZELANDII Od klasycznych do sieciowych porozumień Instytut Politologii Uniwersytetu Wrocławskiego Wrocław 2020 3 Recenzent: dr hab. prof. UWM Maciej Hartliński, Uniwersytet Warmińsko-Mazurski w Olsztynie Autor: dr hab. prof. UWr Przemysław Żukiewicz, Uniwersytet Wrocławski ORCID: https://orcid.org/0000-0001-7579-4341 Wydawca: Instytut Politologii Uniwersytetu Wrocławskiego Miejsce i data wydania: Wrocław 2020 ISBN: 978-83-960216-1-8 Licencja: Creative Commons 3.0. Zdjęcie na okładce (z kolekcji prywatnej autora): The Beehive – jeden z budynków nowozelandzkiego parlamentu w Wellington. Słowa kluczowe: systemy polityczne, parlamentaryzm westminsterski, gabinety, koalicje, Nowa Zelandia Monografia jest efektem projektu badawczego nr 2015/19/B/HS5/00426 finansowanego przez Narodowe Centrum Nauki. 4 Koalicje w systemie politycznym Nowej Zelandii O AUTORZE Przemysław Żukiewicz – jest profesorem Uni- wersytetu Wrocławskiego w zakresie systemów politycznych i prawa konstytucyjnego porów- nawczego oraz kierownikiem Laboratorium Danych i Sieci Społecznych w Instytucie Polito- logii UWr. Prowadzi badania w obszarach przy- wództwa politycznego, komunikacji politycz- nej, polityki mobilności oraz sieci społecznych. Realizował bądź aktualnie realizuje projekty badawcze finansowane przez Unię Europejską (Horizon 2020), Narodowe Centrum Nauki (Opus, Miniatura), Ministerstwo Nauki i Szkolnictwa Wyższego (Narodowy Pro- gram Rozwoju Humanistyki) i Międzynarodowy Fundusz Wyszehradzki, pełniąc w nich funkcję kierownika, głównego wykonawcy lub eksperta. Odbył staże naukowe, przeprowadził kwerendy lub wykładał gościnnie na wielu zagranicznych uczelniach, m.in. w Nowej Zelandii, Irlandii, Kana- dzie, Wielkiej Brytanii, Czechach, Litwie i Albanii. W latach 2016–2019 peł- nił funkcje sekretarza i członka zarządu głównego Polskiego Towarzystwa Nauk Politycznych oraz prezesa wrocławskiego oddziału tej organizacji. -
Political Sources at the Hocken Collections
Reference Guide Political Sources at the Hocken Collections New Zealand Minister of Health Mabel Howard in her office, 28 June 1949, E.J. and Mabel Howard papers, MS-0980/286, Archives & Manuscripts Collection, S08-002e. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to New Zealand politics held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen. -
The Origins and Operations of the Bulk Funding of Teachers’ Salaries in New Zealand: 1815-2015
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. A case study of a contentious education policy: The origins and operations of the bulk funding of teachers’ salaries in New Zealand: 1815-2015 A thesis presented in partial fulfillment of the requirements for the degree of Doctor of Education Doctorate in Education at Massey University, Manawatu, New Zealand Perry David Bayer 2015 Abstract Bulk funding as an education policy was immensely controversial, and served to polarise the New Zealand educational community and the wider New Zealand public throughout the eight years of its operation between 1992 and 2000. Even now, fifteen years after its demise, the research undertaken for this thesis shows that bulk funding still has the power to divide people and to excite strong passions. Both the supporters and the opponents of bulk funding tended to demonise the opposite side. Each side would also tend to feel that they had uncovered profound educational truths and that they had the right arguments on their side. Therefore, each side tended to believe that their opponents could negate their arguments only by resorting to ‘slanderous’ speech and to ‘libelous’ writings. Some of the key participants in the bulk funding debate were able to be interviewed for this thesis. It quickly became apparent just how wide the gap between the two parties was during the 1990s and is still today. -
Seventeen Seconds — Wikipédia
Seventeen Seconds — Wikipédia https://fr.wikipedia.org/wiki/Seventeen_Seconds Seventeen Seconds Seventeen Seconds est le deuxième album studio du groupe anglais The Cure, sorti en 1980. Seventeen Seconds Album de The Cure Sommaire Sortie 22 avril 19801 Contexte Enregistré 1979 Réception critique et commerciale Durée 35 min et 34 s Édition remastérisée Genre Cold wave Liste des titres (album original) Liste des titres (Deluxe Edition - 2005) Producteur Mike Hedges et Robert Smith Classements et certifications Label Elektra, WEA Classements hebdomadaires Fiction Records Certifications Metronome Single Polydor, PolyGram Composition du groupe Sire Notes et références Albums de The Cure Three Imaginary Faith Boys (1981) Contexte (1979) Lors de l'enregistrement le groupe se composait de Singles deux membres originaux, Robert Smith (guitare, chant) et Lol Tolhurst (batterie), de Simon Gallup, 1. A Forest remplaçant Michael Dempsey à la basse, ainsi que Sortie : 28 mars 1980 d'un quatrième musicien qui fera partie de The Cure 2 durant quelques mois seulement, le claviériste Matthieu Hartley . Les sessions ont débuté fin 1979 aux studios Morgan, situés à Willesden dans le nord de Londres. Elles furent dirigées par le jeune producteur Mike Hedges, qui avait déjà travaillé en tant qu'ingénieur du son sur le premier album de Cure, Three Imaginary Boys, produit par Chris Parry, patron du label Fiction. L'enregistrement de Seventeen Seconds permit à Mike Hedges de se lancer dans quelques expérimentations, mais avec une gamme d'effets sonores limitée, principalement reverb (echo) et delay (effet retard), aucun effet numérique n'étant disponible à l'époque. L'enregistrement et le mixage furent bouclés en l'espace d'une semaine. -
The Cure Mixed up Mp3, Flac, Wma
The Cure Mixed Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Mixed Up Country: UK & Europe Released: 1999 Style: Progressive House, Alternative Rock, Dub, Synth- pop, Tech House MP3 version RAR size: 1932 mb FLAC version RAR size: 1534 mb WMA version RAR size: 1877 mb Rating: 4.1 Votes: 199 Other Formats: AUD MP2 MIDI MMF AAC AHX ASF Tracklist Hide Credits Lullaby (Extended Mix) 1 7:45 Remix – Chris Parry, Mark Saunders, Robert Smith Close To Me (Closer Mix) 2 5:46 Engineer [Remix] – Steve Osbourne*Horns [1985] – Rent PartyRemix – Paul Oakenfold Fascination Street (Extended Mix) 3 8:48 Remix – Mark Saunders, Robert Smith 4 The Walk (Everything Mix) 5:27 Lovesong (Extended Mix) 5 6:20 Remix – Chris Parry, Mark Saunders, Robert Smith 6 A Forest (Tree Mix) 6:56 Pictures Of You (Extended Dub Mix) 7 6:52 Remix – Brian 'Chuck' New* Hot Hot Hot!!! (Extended Mix) 8 7:01 Remix – Francois Kevorkian*, Ron St. Germain The Caterpillar (Flicker Mix) 9 5:41 Producer – Chris ParryRemix – Brian 'Chuck' New* In Between Days (Shiver Mix) 10 Engineer [Remix] – Richard DightRemix – William OrbitTracking By [Additional Rhythm 6:24 Overdubs] – Sugar J 11 Never Enough (Big Mix) 6:07 Companies, etc. Licensed To – Polydor Ltd. (UK) Marketed By – Polydor Ltd. (UK) Distributed By – Polydor Ltd. (UK) Phonographic Copyright (p) – Fiction Records Ltd. Copyright (c) – Fiction Records Ltd. Published By – Fiction Songs Ltd. Made By – Universal M & L, Germany Credits Artwork By [Painting] – Maya Mixed By – Mark Saunders (tracks: 4, 6, 11) Producer – David M Allen* (tracks: 1 to 3, 5, 7 to 10), Mark Saunders (tracks: 4, 6, 11), Robert Smith Written-By – Williams* (tracks: 1, 3, 5, 7, 8, 11), Tolhurst* (tracks: 1, 3 to 5, 7 to 9), Hartley* (tracks: 6), Thompson* (tracks: 1, 3, 5, 7, 8, 11), Smith*, O'Donnell* (tracks: 1, 3, 5, 7), Gallup* (tracks: 1, 3, 5, 7, 8, 11) Notes Black-printed "Mixed Up" title on front cover, made in Germany by Universal M & L. -
The Cross-National Determinants of Legislative Party Switching
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2017 The rC oss-National Determinants of Legislative Party Switching Cassie Millet Knott Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Political Science Commons Recommended Citation Knott, Cassie Millet, "The rC oss-National Determinants of Legislative Party Switching" (2017). LSU Master's Theses. 4501. https://digitalcommons.lsu.edu/gradschool_theses/4501 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE CROSS-NATIONAL DETERMINANTS OF LEGISLATIVE PARTY SWITCHING A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Political Science by Cassie Millet Knott B.A., Southeastern Louisiana University, 2012 August 2017 Table of Contents Abstract............................................................................................................................ iii 1 Introduction ................................................................................................................ 1 2 Cross-National Analysis of Party Switching............................................................... -
Trevor Reekie
All these years in a summary of a career an open necked shirt.... by Trevor Reekie When Christopher Columbus was on his famous voyage he kept the right people and I didn’t ... it wasn’t til I lived in France and a diary every day – but on the 35 days before he discovered started playing early music (on a collection of guitars dulcimers and America the diary was blank except for one solitary entry psalterions) to accompany a travelling theatre group who performed “...saw no land – kept sailing.” renaissance theatre around the villages of the Cote d’Azur that That just about sums up my career ...clutching at blind faith, frivolous catalysed and cemented my raison d’etre – I suddenly realized I was curiosity and disciplined hedonism. I’ve been allowed to chase my in the music biz ... I was getting paid for it ... And for the first time, addiction ...and like all addictions they’re totally self consuming... it was no longer a misdemeanor to call myself a musician – in France music is an honourable profession like painting and prostitution Hardly role model material, not especially clever and very indulgent and there’s no such thing as a part time whore – big breakthrough. but I’ve been lucky enuff to get away with it ...I’ve always considered myself really lucky ...I’ve survived 3 major major car accidents, flirted I went back to London and via my neighbour, who turned me onto with lifesyles, an appalling disregard for the future music in the first place, scored a job with a ...some almost laughable (now) near disasters ...on record company called Stiff Records – it was the other hand I’ve always had a place to call home post-Pistols, very street, very London – it was and a total all encompassing passion that has an eye opener into the other side of music motivated me ...Music ...somewhere I developed ...from my vantage point as general mail order a single minded respect only for creativity ...It gofer persona non importante it meant if seems like the only real truth..