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One and Only
Cover Story One and only Fox tackles the loneliest number in ‘The Last Man on Earth’ By Cassie Dresch people after a virus takes out him get into a lot of really silly TV Media all of Earth’s population. His shenanigans. family is gone, his coworkers “It’s all just kind of stupid ello? Hi? Anybody out are gone, the president is gone. stuff that I go around and do,” Hthere? Of course there is, Everyone. Gone. he said in an interview with otherwise life would be very, So what does he do? He “Entertainment Weekly.” very, very lonely. Fox is taking a travels the United States doing “That’s been one of the most stab at the ultimate life of lone- things he never would have fun parts of the job. About once liness in the new half-hour been able to do otherwise — a week I get to do something comedy “The Last Man on sing the national anthem at that seems like it’d be amaz- Earth,” premiering Sunday, Dodger Stadium, smear gooey ingly fun to do: shoot a flame March 1. peanut butter all over a price- thrower at a bunch of wigs, The premise around “Last less piece of art ... then walk have a steamroller steamroll Man” is a simple one, albeit a away with it, break things. The over a case of beer. Just dumb little strange. An average, un- show, according to creator and stuff like that, which pretty assuming man is on the hunt star Will Forte (“Saturday Night much is all it takes to make me for any signs of other living Live,” “Nebraska,” 2013), sees happy.” Registration $25.00 online: www.skseniorsmechanism.ca or phone 306-359-9956 2 Cover Story Flame throwers and steam- ally proud of what has come rollers? Again, it’s a strange out of it so far.” concept, but Fox is really be- Of course, you have to won- Index hind the show. -
This Action Thriller Futuristic Historic Romantic Black Comedy Will Redefine Cinema As We Know It
..... this action thriller futuristic historic romantic black comedy will redefine cinema as we know it ..... XX 200-6 KODAK X GOLD 200-6 OO 200-6 KODAK O 1 2 GOLD 200-6 science-fiction (The Quiet Earth) while because he's produced some of the Meet the Feebles, while Philip Ivey composer for both action (Pitch Black, but the leading lady for this film, to Temuera Morrison, Robbie Magasiva, graduated from standing-in for Xena beaches or Wellywood's close DIRECTOR also spending time working on sequels best films to come out of this country, COSTUME (Out of the Blue, No. 2) is just Daredevil) and drama (The Basketball give it a certain edginess, has to be Alan Dale, and Rena Owen, with Lucy to stunt-doubling for Kill Bill's The proximity to green and blue screens, Twenty years ago, this would have (Fortress 2, Under Siege 2) in but because he's so damn brilliant. Trelise Cooper, Karen Walker and beginning to carve out a career as a Diaries, Strange Days). His almost 90 Kerry Fox, who starred in Shallow Grave Lawless, the late great Kevin Smith Bride, even scoring a speaking role in but there really is no doubt that the been an extremely short list. This Hollywood. But his CV pales in The Lovely Bones? Once PJ's finished Denise L'Estrange-Corbet might production designer after working as credits, dating back to 1989 chiller with Ewan McGregor and will next be and Nathaniel Lees as playing- Quentin Tarantino's Death Proof. South Island's mix of mountains, vast comes down to what kind of film you comparison to Donaldson who has with them, they'll be bloody gorgeous! dominate the catwalks, but with an art director on The Lord of the Dead Calm, make him the go-to guy seen in New Zealand thriller The against-type baddies. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Nz Film Productions, 1990-2016
NZ FILM PRODUCTIONS, 1990-2016 PRODUCTION TITLE PRODUCERS SCRIPT DIRECTOR DOP PROD. DESIGNER COSTUME DESIGNER EDITOR SOUND DESIGNER 43,000 FEET * Feature 2012 Amber Easby Matt Harris Campbell Hooper Andrew Stroud Campbell Hooper Bruce Langley Heather Lee 800 WORDS * Teleseries 2015-2016 Chris Bailey James Griffin Mike Smith Fred Renata Gary Mackay Sarah Aldridge Eric De Beus John Holmes Maxine Fleming Pino Amenta Dave Garbett Greg Allison Paul Sutorius Kelly Martin Timothy Balme Michael Hurst Gary Hunt Julie McGauran Kate McDermott Murray Keane Chris Hampson Natalie Medlock Sarah-Kate Lynch 50 WAYS OF SAYING FABULOUS * Michele Fantl Stewart Main Stewart Main Simon Raby Ken Turner Kirsty Cameron Peter Roberts Peter Scholes Feature 2005 6 DAYS * Feauture 2016 Matthew Metcalfe Glenn Standring Toa Fraser Aaron Morton Liz McGregor Dan Kircher 7 DAYS * Teleseries 2009 Jon Bridges Josh Samuels Nigel Carpenter Luke Thompson Jason Pengelly A SONG OF GOOD * Feature 2008 Mark Foster Gregory King Gregory King Virginia Loane Ashley Turner Natalija Kucija Jonathan Venz ABANDONED * Telemovie 2014 Liz DiFiore Stephanie Johnson John Laing Grant McKinnon Roger Guise Jaindra Watson Margot Francis Mark Messenger ABERRATION * Feature 1997 Chris Brown Darrin Oura Tim Boxell Allen Guilford Grant Major Chris Elliott John Gilbert David Donaldson ABIOGENESIS * Feature 2012 Richard Mans Michelle Child AFTER THE WATERFALL * Feature Trevor Haysom Simone Horrocks Simone Horrocks Jac Fitzgerald Andy McLaren Kirsty Cameron Cushia Dillon Dick Reade 2010 ALEX * Feature -
October 13, 2019 St
October 13, 2019 St. Peter the Apostle University & Community Parish The Catholic Center at Rutgers University Celebrating a Marian Year 2018-2019 SACRED HISTORY · St. Peter the Apostle University and Community Parish is one of the oldest Catholic churches in New Jersey. The Cornerstone of the Church was laid in 1856, upon the completion of the lower church, which now serves as the Parish hall and offices. WEEKEND MASS SCHEDULE: NOVENA PRAYERS: Mondays at 7:30pm in the Catholic Saturday: 9:00 a.m. Center Chapel 5:00 p.m. Vigil Sunday: 8:00 a.m., 11:00 a.m., 6:00 p.m. BAPTISMS: Normally scheduled on the second & fourth Sundays of the Holy Days of Obligation: For an updated schedule of Masses, month at 12:30pm (not during Lent). Please observe the please visit StPeterNewBrunswick.org. requirements for sponsors. Must contact the office in advance to register. First-time parents are required to attend a baptism WEEKDAY MASS SCHEDULE: formation session. Monday – Friday: 7:30 a.m. in St. Peter’s Church WEDDINGS: Monday – Thursday: 12:15 p.m. in the Catholic Center Chapel Marriage arrangements should be made one year in advance of the wedding. Please call the parish office before making CONFESSION (Sacrament of Reconciliation): other definitive plans. Once a wedding is approved and the Mondays: 12:45 - 1:30 p.m.; 7:00 p.m. - 8:00 p.m. (CC Chapel) date is confirmed, the required marriage preparation process Saturdays: 11:00 a.m. – 12:00 noon; and by appointment may commence. PASTORAL CARE OF THE SICK: EMERGENCY CONTACT INFORMATION: In the case of an emergency requiring a priest after business Please call the parish office to make arrangements for hours, please call 732-545-6185. -
Horaires Des Projections Screening Times
HORAIRES DES PROJECTIONS SCREENING TIMES LE POCKET GUIDE 2016 A ÉTÉ PUBLIÉ AVEC DES INFORMATIONS REÇUES JUSQU'AU 29/04/2016 THE POCKET GUIDE 2016 HAS BEEN EDITED WITH INFORMATION RECEIVED UP UNTIL 29/04/2016 Toutes les projections du Marché sont accessibles sur présentation du badge Marché du Film ou invitation délivrée par le Service Projections. Les projections dans les salles Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette et Miramar sont accessibles sur présentation du badge Marché ou Festival. Access to Marché du Film screenings is upon presentation of the Marché badge or an invitation given by the Marché Screening Department. Access to screenings taking place in Lumière, Debussy, Buñuel, Salle du Soixantième, Théâtre Croisette and Miramar is upon presentation of either a Marché or Festival badge. CO: Official Competition • HC: Out of Competition • CC: Cannes Classics • CR: Un Certain Regard • BLUE TITLE : Film screened for the first time at a market QR: Directors Fortnight • SC: Semaine de la critique • press: Press allowed • invite only: By invitation only • priority only: Priority badges only SUNDAY 15 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 08:30 (125’) CO 15:30 (158’) CO 19:30 (125’) CO 22:30 (116’) HC LUMIÈRE FROM THE LAND OF THE MOON AMERICAN HONEY FROM THE LAND OF THE MOON THE NICE GUYS TICKET REQUIRED Nicole Garcia Andrea Arnold Nicole Garcia Shane Black 2 294 seats STUDIOCANAL PROTAGONIST PICTURES STUDIOCANAL BLOOM 11:30 (145’) CO 14:30 (162’) CO 17:30 (120’) HC 19:45 (106’) HC SALLE AGASSI, THE -
LE SÉMAPHORE Secondaire Et Autres : 4 € Réservations Par Tél
Comme chaque année, on s’est dit qu’on n’allait pas Nicolas Botti nous propose deux rétrospectives y arriver. Et pourtant, le voilà, ce 22e festival plein de consacrées à de très grands cinéastes, Carol Reed, qui bonnes surprises. Si, comme chaque année, il n’est pas n’est pas que le réalisateur du Troisième homme, et exactement ce qu’on avait en tête, on se dit que cela nous Nicolas Roeg, trop peu connu et qui vient de nous quitter. laisse des pistes pour les festivals à venir ! Et, pour sa carte blanche, Francis Rousselet, fondateur du C’est un programme très varié que nous vous proposons, festival, nous a réservé de belles et rares surprises. à l’image du thème principal de cette année : la comédie. Des documentaires récents mettent à l’honneur, L’humour British tient en effet une place de choix dans notamment, Eric Clapton. Un autre moment fort du la programmation 2019, avec une sélection de films festival devrait être la série de courts-métrages sur le balayant les périodes, les genres et les sous-genres. Ce Brexit commandités par le Guardian, suivie d’une table sera l’occasion de voir ou revoir des "classiques", mais ronde animée par des journalistes de ce grand quotidien. aussi de découvrir des comédies culte au Royaume-Uni Pour le ciné-concert, les collégiens d’HarmoNîmes, mais méconnues en France. Avec, en point d’orgue, dirigés comme l’an dernier par Zahia Ziouani, un programme de 6 mini-comédies choisies dans la interpréteront une partition écrite par une jeune sélection de notre partenaire, le Festival de Dinard, par Nîmoise et accompagneront un film réalisé par les élèves sa directrice artistique adjointe, qui animera un moment de cinéma du lycée Philippe Lamour, avant la projection d’échanges autour de l’humour britannique au cinéma. -
A Mode of Production and Distribution
Chapter Three A Mode of Production and Distribution An Economic Concept: “The Small Budget Film,” Was it Myth or Reality? t has often been assumed that the New Wave provoked a sudden Ibreak in the production practices of French cinema, by favoring small budget films. In an industry characterized by an inflationary spiral of ever-increasing production costs, this phenomenon is sufficiently original to warrant investigation. Did most of the films considered to be part of this movement correspond to this notion of a small budget? We would first have to ask: what, in 1959, was a “small budget” movie? The average cost of a film increased from roughly $218,000 in 1955 to $300,000 in 1959. That year, at the moment of the emergence of the New Wave, 133 French films were produced; of these, 33 cost more than $400,000 and 74 cost more than $200,000. That leaves 26 films with a budget of less than $200,000, or “low budget productions;” however, that can hardly be used as an adequate criterion for movies to qualify as “New Wave.”1 Even so, this budgetary trait has often been employed to establish a genealogy for the movement. It involves, primarily, “marginal” films produced outside the dominant commercial system. Two Small Budget Films, “Outside the System” From the point of view of their mode of production, two titles are often imposed as reference points: Jean-Pierre Melville’s self-produced Silence of 49 A Mode of Production and Distribution the Sea, 1947, and Agnes Varda’s La Pointe courte (Short Point), made seven years later, in 1954. -
Film Fest Queer Screen
queer screen film fest 18-23 September Event Cinemas George Street Blue Mountains 5–7 October Sydney Park 16 September 1 Welcome! The 6th edition of Queer Screen Film Fest is our biggest yet, with 29 films from 12 countries covering a diverse range of the LGBTIQ experience. I’m thrilled that Queer Screen continues to champion the work of female filmmakers, with 55% of the program being directed or co-directed by women, which is a figure not many film festivals can claim. We open the festival with one such film inAnd Breathe Normally, a remarkably assured film from Iceland that took years to make, but is incredibly of the now. Don’t miss it. Immerse yourself in 6 days of the best new LGBTIQ films and see you at the cinema. Lisa Rose, Festival Director OPENING NIGHT SPONSORS Queer Screen Film Principal Queer Screen Fest Partner Venue Partner Sponsors SYDNEY PREMIERE And Breathe Normally TUESDAY 18 SEPTEMBER 7:00PM EVENT GEORGE ST Directed by Ísold Uggadóttir | Iceland, Sweden, Belgium | Icelandic and English with English subtitles Major Broadcast Partner Major Media Partner Venue Partner 95 mins | 15+ In the wake of an economic crisis, single mother Lára strives to start a new life with her son. As an officer for border security, she encounters Adja (Babetida Sadjo), a refugee from Guinea-Bissau who is traveling Media Partners Queer Screen Pitch Off on a forged passport. The Icelandic woman and persecuted refugee forge an unlikely bond, highlighting empathy as the antidote to apathy. Set amidst the sweeping vistas of an inhospitable Icelandic winter, And Supporters Breathe Normally offers an affecting tale of two lives intersecting in this poignant and vital film which has wowed audiences from Sundance to Frameline (the world’s largest LGBTIQ Film Festival). -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
SON 509 S. X-XXV Neu SON
SON 509_S.XXVI-XL_neu_SON 509 18.02.2015 08:24 Seite XXVI XXVI Introduction Hanns Eisler composed the film music for Nuit et brouillard – d’Ulm in Paris. On 10 November 1954, the day the exhibition “Night and fog” – in the few weeks between late November opened, its two curators – the historians Olga Wormser and and mid-December 1955. Nuit et brouillard was the first com- Henri Michel – mentioned in a radio interview4 that they were prehensive documentary film about the Nazi concentration planning a film about the concentration camp system. camps.1 It was directed by Alain Resnais and the commentary According to Wormser, it would “only contain purely histori- was by the writer Jean Cayrol, who had himself been a prisoner cal documents that are absolutely confirmed by all our experi- in the concentration camp of Mauthausen/Gusen. This short ence with this subject”.5 Wormser and Michel had been film Nuit et brouillard is underlaid throughout its 30 minutes researching the topic of deportation and concentration camps by both Eisler’s music and the commentary, which was spoken for several years. In 1940–41, Wormser had worked in the by the actor Michel Bouquet. The title of the film refers to the Centre d’information sur les prisonniers de guerre (“Centre of “order of the Führer” of the same name from 1941, according information on prisoners of war”) and in September 1944 had to which the Resistance fighters captured in France, Belgium, been employed in the Commissariat aux Prisonniers, Déportés the Netherlands and Norway were placed under the special et Réfugiés (“Commissariat for prisoners, deportees and jurisdiction of the “Reich” in order for them to disappear refugees”, PDR) of the provisional government of the French without trace in prisons and concentration camps in a “cloak Republic under Minister Henri Frenay – this was the board and dagger” operation (in German: “bei Nacht und Nebel”, concerned with registering, returning and resettling deported literally “in night and fog”).2 people and POWS. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980.